Browse Titles - 580 results
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Alaskan Eskimo, The Drums of Winter (Uksuum Cauyai)
written by Sarah Elder, fl. 1973-2015 and Leonard Kamerling, fl. 1974-2012; directed by Sarah Elder, fl. 1973-2015 and Leonard Kamerling, fl. 1974-2012; produced by Leonard Kamerling, fl. 1974-2012 and Sarah Elder, fl. 1973-2015, in Alaskan Eskimo (Watertown, MA: Documentary Educational Resources (DER), 1988), 42 mins
This feature-length documentary explores the traditional dance, music and spiritual world of the Yupik Eskimo people of Emmonak, a remote village at the mouth of the Yukon River on the Bering Sea coast.
Sample
written by Sarah Elder, fl. 1973-2015 and Leonard Kamerling, fl. 1974-2012; directed by Sarah Elder, fl. 1973-2015 and Leonard Kamerling, fl. 1974-2012; produced by Leonard Kamerling, fl. 1974-2012 and Sarah Elder, fl. 1973-2015, in Alaskan Eskimo (Watertown, MA: Documentary Educational Resources (DER), 1988), 42 mins
Description
This feature-length documentary explores the traditional dance, music and spiritual world of the Yupik Eskimo people of Emmonak, a remote village at the mouth of the Yukon River on the Bering Sea coast. This documentary explores the traditional dance, music and spiritual world of the Yupik Eskimo people of Emmonak, a remote village at the mouth of the Yukon River on the Bering Sea coast. In The Drums of Winter, the people of Emmonak tell us throu...
This feature-length documentary explores the traditional dance, music and spiritual world of the Yupik Eskimo people of Emmonak, a remote village at the mouth of the Yukon River on the Bering Sea coast. This documentary explores the traditional dance, music and spiritual world of the Yupik Eskimo people of Emmonak, a remote village at the mouth of the Yukon River on the Bering Sea coast. In The Drums of Winter, the people of Emmonak tell us through actualities and interviews how their history, social values and spiritual beliefs are woven around the songs and dances that have been handed down to them through the generations. It is not just old songs that are important; new songs and dance movements are created to reflect modern life with all its complexities. Each time a person gets up to dance, he is strengthening the continuity of the ages. The film follows the elders of Emmonak as they prepare for the coming ceremonial gathering (potlatch) with a neighboring village. In the Kashim (qasgiq or men's house), they practice their songs and painstakingly work out the motions of the dances. Each movement has meaning and plays a part in telling a story. In the days before television, radio, bingo and weekly basketball games, dance was the sole means of entertainment. Throughout the film, archival photographs and film footage accompany the words of early missionaries who brought Christianity to the area. These sequences provide a historical context for the film and give us a strong sense of the resilience of Yup'ik culture, having survived despite a century of missionary suppression.
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Date Written / Recorded
1977
Field of Study
Anthropology
Content Type
Documentary
Contributor
Sarah Elder, fl. 1973-2015, Leonard Kamerling, fl. 1974-2012
Author / Creator
Sarah Elder, fl. 1973-2015, Leonard Kamerling, fl. 1974-2012
Date Published / Released
1988
Publisher
Documentary Educational Resources (DER)
Series
Alaskan Eskimo
Topic / Theme
Folk music, Spirituality, Tribal and national groups, Cultural change and history, Cultural identity, Dance and dancing, Indigenous ethnic groups, Ethnography
Copyright Message
by Documentary Educational Resources
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Amazon Games
directed by Sandrine Leonardelli, fl. 2005 (Paris, Ile-de-France: ZED (Film production), 2005), 1 hour 5 mins
Once a year, an Olympic flame is lit in Brazil announcing the opening of the Indigenous Games, the Games of the Amazon. This year, the event takes place in Porto Seguro, with 800 athletes from 30 different indigenous groups competing in traditional sports. 'The Amazon Games' tells the story of two tribes, the Mati...
Sample
directed by Sandrine Leonardelli, fl. 2005 (Paris, Ile-de-France: ZED (Film production), 2005), 1 hour 5 mins
Description
Once a year, an Olympic flame is lit in Brazil announcing the opening of the Indigenous Games, the Games of the Amazon. This year, the event takes place in Porto Seguro, with 800 athletes from 30 different indigenous groups competing in traditional sports. 'The Amazon Games' tells the story of two tribes, the Matis people and the Enawenes Nawes Indians, who will embark upon the journey of a lifetime to take part in an amazing adventure. Two tribe...
Once a year, an Olympic flame is lit in Brazil announcing the opening of the Indigenous Games, the Games of the Amazon. This year, the event takes place in Porto Seguro, with 800 athletes from 30 different indigenous groups competing in traditional sports. 'The Amazon Games' tells the story of two tribes, the Matis people and the Enawenes Nawes Indians, who will embark upon the journey of a lifetime to take part in an amazing adventure. Two tribes, two voyages, two incredible adventures, with one unique goal: participate in the Games
and win!
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Sandrine Leonardelli, fl. 2005
Author / Creator
Sandrine Leonardelli, fl. 2005
Date Published / Released
2005
Publisher
ZED (Film production)
Topic / Theme
Enawene Nawe, Matis, Athletic events, American Indians, Tribal and national groups, Cultural identity, Ethnography, African Americans, Americans
Copyright Message
Copyright © 2005. Used by permission of ZED.
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Amazon Journal
directed by Geoffrey O'Connor; produced by Geoffrey O'Connor (New York, NY: Filmakers Library, 1995), 1 hour
Geoffrey O'Connor, the filmmaker of Contact and At The Edge of Conquest has produced this fascinating chronicle of recent political events in the Brazilian Amazon. Beginning with the assassination of Chico Mendes in 1988 and ending with a return trip to Yanomami Territory in 1995, this six year journey provides an...
Sample
directed by Geoffrey O'Connor; produced by Geoffrey O'Connor (New York, NY: Filmakers Library, 1995), 1 hour
Description
Geoffrey O'Connor, the filmmaker of Contact and At The Edge of Conquest has produced this fascinating chronicle of recent political events in the Brazilian Amazon. Beginning with the assassination of Chico Mendes in 1988 and ending with a return trip to Yanomami Territory in 1995, this six year journey provides an illuminating perspective on the volatile changes of this era. Besides documenting events, O'Connor analyzes the complex interaction be...
Geoffrey O'Connor, the filmmaker of Contact and At The Edge of Conquest has produced this fascinating chronicle of recent political events in the Brazilian Amazon. Beginning with the assassination of Chico Mendes in 1988 and ending with a return trip to Yanomami Territory in 1995, this six year journey provides an illuminating perspective on the volatile changes of this era. Besides documenting events, O'Connor analyzes the complex interaction between semi-isolated indigenous societies and "outsiders." In collaboration with Brazilian anthropologist Alcida Ramos, he explores the return of the "noble savage phenomena", wherein outsiders created misleading illusions about Indian societies. This cultural confusion explains many of the region's tragic events. This insightful look at the Amazon includes exclusive sequences of the events surrounding the massacre of a village of Yanomami Indians, the demarcation of Kayapo Territory, and the rock star Sting's frank assessment of his own involvement in rain forest politics. This new release from a veteran observer of the Amazon scene sheds new light on cultural confrontation. College Adult
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Alcida Ramos, Geoffrey O'Connor
Author / Creator
Geoffrey O'Connor
Date Published / Released
1995
Publisher
Filmakers Library
Topic / Theme
Yanomamö, Stereotypes, Cultural assimilation, Cultural identity, Tribal and national groups, Anthropology, Indigenous peoples, Ethnography, Yanomámi
Copyright Message
Copyright © 1995. Used by permission of Filmakers Library. All rights reserved.
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The Ancient Samoan Government
written by Samuel Ella, fl. 1847, in Maginnis (Nelson), Craig, Notebooks Collection, of Royal Anthropological Institute (London, England - Bloomsbury) (1895) , 11 page(s)
Sample
written by Samuel Ella, fl. 1847, in Maginnis (Nelson), Craig, Notebooks Collection, of Royal Anthropological Institute (London, England - Bloomsbury) (1895) , 11 page(s)
Date Written / Recorded
1895
Field of Study
Anthropology
Content Type
Ethnography
Contributor
Samuel Ella, fl. 1847
Author / Creator
Samuel Ella, fl. 1847
Topic / Theme
Samoan, Ancient civilizations, Tribal and national groups, Chieftains, Samoans
Sections
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INTRODUCTION: THE SUBJECT, METHOD AND SCOPE OF THIS INQUARY
written by Bronisław Malinowski, 1884-1942; in Argonauts of the Western Pacific: An Account of Native Enterprise and Adventure in the Archipelagoes of Melanesian New Guinea (Long Grove, IL: Waveland Press, Inc., 1984, originally published 1922), [xxxii]-25
Sample
written by Bronisław Malinowski, 1884-1942; in Argonauts of the Western Pacific: An Account of Native Enterprise and Adventure in the Archipelagoes of Melanesian New Guinea (Long Grove, IL: Waveland Press, Inc., 1984, originally published 1922), [xxxii]-25
Field of Study
Anthropology
Content Type
General reference book
Contributor
Bronisław Malinowski, 1884-1942
Author / Creator
Bronisław Malinowski, 1884-1942
Date Published / Released
1922, 1984
Publisher
Waveland Press, Inc.
Topic / Theme
New Guinean, Human description, Field work for anthropology, Sociology, Relationships, Observation techniques for anthropology, Ethnographic research theory, Tribal and national groups, Indonesians
Copyright Message
Copyright © 1984 by Waveland Press
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Asking Ayahai: An Ayoreo Story
written by Lucas Bessire, fl. 2004; directed by Lucas Bessire, fl. 2004; produced by Lucas Bessire, fl. 2004 (Watertown, MA: Documentary Educational Resources (DER), 2004), 42 mins
The film focuses on the personal journey of Ayahai, an 80-year-old Ayoreo elder, whose life spans the period of dramatic transition for the Ayoreo of South America’s Gran Chaco as they moved from nomadic hunter/gatherers to wage laborers. Currently a part-time panhandler in Santa Cruz, his story is common to ma...
Sample
written by Lucas Bessire, fl. 2004; directed by Lucas Bessire, fl. 2004; produced by Lucas Bessire, fl. 2004 (Watertown, MA: Documentary Educational Resources (DER), 2004), 42 mins
Description
The film focuses on the personal journey of Ayahai, an 80-year-old Ayoreo elder, whose life spans the period of dramatic transition for the Ayoreo of South America’s Gran Chaco as they moved from nomadic hunter/gatherers to wage laborers. Currently a part-time panhandler in Santa Cruz, his story is common to many lowland indigenous peoples. Focuses on the personal journey of Ayahai, an 80-year-old Ayoreo elder and part-time panhandler in Santa...
The film focuses on the personal journey of Ayahai, an 80-year-old Ayoreo elder, whose life spans the period of dramatic transition for the Ayoreo of South America’s Gran Chaco as they moved from nomadic hunter/gatherers to wage laborers. Currently a part-time panhandler in Santa Cruz, his story is common to many lowland indigenous peoples. Focuses on the personal journey of Ayahai, an 80-year-old Ayoreo elder and part-time panhandler in Santa Cruz whose life spans the period of dramatic transition for the Ayoreo of South America’s Gran Chaco as they change from nomadic hunter/gatherers into wage laborers. Ayahai’s testimony of the critical contact moment between the Ayoreo and Westerners is juxtaposed with the memories of Dr. Charles Ramsey, another Octogenarian who was one of the first missionaries to reach Ayahai’s group in the 1950s. Since that first meeting, the Ayoreo have been discriminated against at all levels of Bolivian and Paraguayan society and face debilitating poverty. During a village screening of the unfinished film with the filmmaker the Ayoreo community gains an opportunity to discuss and respond to the opinions of the non-Ayoreo in Santa Cruz. The documentary challenges stereotypical images of lowland indigenous peoples like the Ayoreo with a portrait of their lived experience, while raising questions of interest to a wider anthropological audience concerned with the politics of memory, representation and native rights in Latin America. Although a growing body of ethnographic and pictorial representations exist in Spanish, French and German, very little has been published on the Ayoreo in English, and even less has been filmed. Supplemented by traditional songs, the film puts a human face on a transnational tribal peoples struggle for self-determination.
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Date Written / Recorded
2003
Field of Study
Anthropology
Content Type
Documentary
Contributor
Lucas Bessire, fl. 2004, Ayahai Chiqueno
Author / Creator
Lucas Bessire, fl. 2004
Date Published / Released
2004
Publisher
Documentary Educational Resources (DER)
Person Discussed
Ayahai Chiqueno
Topic / Theme
Ayoreo, Tribal and national groups, Migration, Homelessness, Cultural change and history, Imperialism, Traditional history, Anthropology, Indigenous peoples, Ethnography
Copyright Message
by Documentary Educational Resources
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At the Edge of Conquest: The Journey of Chief Wai-Wai
written by Geoffrey O'Connor; produced by Geoffrey O'Connor, Realis Pictures, Inc (New York, NY: Filmakers Library, 1992), 29 mins
At the Edge of Conquest looks at the situation of the Waiapi Indians, a small, isolated tribe that came in contact with the outside world in the late 1970's. Today they are threatened by invading gold miners, by the Brazilian government's recent proposal to reduce their land by 10%, and the state government's plan...
Sample
written by Geoffrey O'Connor; produced by Geoffrey O'Connor, Realis Pictures, Inc (New York, NY: Filmakers Library, 1992), 29 mins
Description
At the Edge of Conquest looks at the situation of the Waiapi Indians, a small, isolated tribe that came in contact with the outside world in the late 1970's. Today they are threatened by invading gold miners, by the Brazilian government's recent proposal to reduce their land by 10%, and the state government's plan to construct a highway directly through their territory. But their strategy for survival has been effective: defend their lands from i...
At the Edge of Conquest looks at the situation of the Waiapi Indians, a small, isolated tribe that came in contact with the outside world in the late 1970's. Today they are threatened by invading gold miners, by the Brazilian government's recent proposal to reduce their land by 10%, and the state government's plan to construct a highway directly through their territory. But their strategy for survival has been effective: defend their lands from invasions while their leaders navigate the tricky waters of Brazilian politics. The film focuses on the charismatic leader, Chief Wai-Wai, as he travels from his remote village to Brazil's capitol, encountering for the first time airplanes, elevators, and skyscrapers. But the real barriers are not physical but bureaucratic and cultural. He doesn't read or write, has never been at a meeting before, and doesn't speak the language of these foreign people. Unlike the traditional depictions of indigenous persons as pristine, removed from the forces of the outside world, At the Edge of Conquest reveals a society grappling with the real politique of a larger nation-state. Chief Wai-Wai is fighting the role of victim in a desperate effort to shape the destiny of his people. It is a voyage resembling a cross between Alice in Wonderland and a Kafkaesque nightmare. But it is one which ultimately all isolated indigenous societies are forced to make if they are to survive this rapidly changing world. High School College Adult
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Geoffrey O'Connor, Wai-Wai, fl. 1993, Realis Pictures, Inc, Margo Skinner, 1950-2005
Author / Creator
Geoffrey O'Connor
Date Published / Released
1992
Publisher
Filmakers Library
Speaker / Narrator
Margo Skinner, 1950-2005
Person Discussed
Wai-Wai, fl. 1993
Topic / Theme
Wayampi (Waiãpi), Gold mines and mining, Property rights, Evacuations, Capitalism, Economic development, Cultural identity, Tribal and national groups, Anthropology, Ethnography, Wayampi
Copyright Message
Copyright © 1992. Used by permission of Filmakers Library. All rights reserved.
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Australia Wild, Series 1, Episode 14, Spirits of the Forest
produced by David Parer, ABC Natural History Unit, in Australia Wild, Series 1, Episode 14 (Sydney, New South Wales: ABC Commercial, 1992), 27 mins
Birds of Paradise hold a magnetic attraction for the highland people of Papua New Guinea who greatly prize their delicate and spectacular plumes as symbols of wealth. Also used as decoration in tribal rituals, the village men search the forests in the hunt for the feathered gold. This program explores the elaborat...
Sample
produced by David Parer, ABC Natural History Unit, in Australia Wild, Series 1, Episode 14 (Sydney, New South Wales: ABC Commercial, 1992), 27 mins
Description
Birds of Paradise hold a magnetic attraction for the highland people of Papua New Guinea who greatly prize their delicate and spectacular plumes as symbols of wealth. Also used as decoration in tribal rituals, the village men search the forests in the hunt for the feathered gold. This program explores the elaborate courtship rituals and remarkable sexual displays of these exotic birds and the relationship between the highlanders and their feather...
Birds of Paradise hold a magnetic attraction for the highland people of Papua New Guinea who greatly prize their delicate and spectacular plumes as symbols of wealth. Also used as decoration in tribal rituals, the village men search the forests in the hunt for the feathered gold. This program explores the elaborate courtship rituals and remarkable sexual displays of these exotic birds and the relationship between the highlanders and their feathered friends.
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Field of Study
Science
Content Type
Documentary
Contributor
David Parer, ABC Natural History Unit, Sandy Gore
Date Published / Released
1992
Publisher
ABC Commercial
Series
Australia Wild
Speaker / Narrator
Sandy Gore
Topic / Theme
Papua New Guinean, Religious rites and ceremonies, Symbolism, Tribal and national groups, Birds, Science, Papua New Guineans
Copyright Message
Copyright © 1992. Used by permission of ABC Commercial.
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The Ax Fight
written by Napoleon A. Chagnon, 1938-; directed by Timothy Asch, 1932-1994 and Napoleon A. Chagnon, 1938-; produced by Timothy Asch, 1932-1994 and Napoleon A. Chagnon, 1938- (Watertown, MA: Documentary Educational Resources (DER), 1975), 30 mins
A fight broke out in Mishimishimabowei-teri on the second day of Chagnon and Asch's stay in this village in 1971. The conflict developed between the villagers of Mishimishimabowei-teri and their visitors from another village. The visitors had formerly been part of Mishimishimabowei-teri, and many still had ties wi...
Sample
written by Napoleon A. Chagnon, 1938-; directed by Timothy Asch, 1932-1994 and Napoleon A. Chagnon, 1938-; produced by Timothy Asch, 1932-1994 and Napoleon A. Chagnon, 1938- (Watertown, MA: Documentary Educational Resources (DER), 1975), 30 mins
Description
A fight broke out in Mishimishimabowei-teri on the second day of Chagnon and Asch's stay in this village in 1971. The conflict developed between the villagers of Mishimishimabowei-teri and their visitors from another village. The visitors had formerly been part of Mishimishimabowei-teri, and many still had ties with members of that village. A fight broke out in Mishimishimabowei-teri on the second day of Chagnon and Asch's stay in this village in...
A fight broke out in Mishimishimabowei-teri on the second day of Chagnon and Asch's stay in this village in 1971. The conflict developed between the villagers of Mishimishimabowei-teri and their visitors from another village. The visitors had formerly been part of Mishimishimabowei-teri, and many still had ties with members of that village. A fight broke out in Mishimishimabowei-teri on the second day of Chagnon and Asch's stay in this village in 1971. The conflict developed between the villagers of Mishimishimabowei-teri and their visitors from another village. The visitors had formerly been part of Mishimishimabowei-teri, and many still had ties with members of that village. They refused to work in their hosts' gardens, yet they demanded to be fed. The event lasted about half an hour, ten minutes of which were filmed. The film is constructed of four parts. The first consists of an unedited version of what the cameraman saw and the sound technician recorded. The apparent chaos of these first ten minutes is clarified in the second section, in which Chagnon explains the sequence of actions, the relationships between the actors, and how the filmmakers' interpretation of the events became coherent. The third section diagrams the lineages in the villages involved to illustrate the fight's relationship to long-standing patterns of conflict and alliance within the village. Finally, in an edited version of the fight, we see how the editors' hands shape the "reality" we view. The Ax Fight thus operates on several levels. It plunges the viewer into the problems of Yanomamo kinship, alliance, and village fission; of violence and conflict resolution. At the same time it raises questions about how anthropologists and filmmakers translate their experience into meaningful words and coherent, moving images.
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Date Written / Recorded
1971-02-28
Field of Study
Politics & Current Affairs
Content Type
Documentary
Contributor
Timothy Asch, 1932-1994, Napoleon A. Chagnon, 1938-, Craig Johnson
Author / Creator
Napoleon A. Chagnon, 1938-, Timothy Asch, 1932-1994
Date Published / Released
1975
Publisher
Documentary Educational Resources (DER)
Speaker / Narrator
Napoleon A. Chagnon, 1938-
Topic / Theme
Yanomamö, Politics, Negotiation in government, Kin relationships, Violence, Cultural identity, Rural population, Tribal and national groups, Indigenous peoples, Ethnography, Yanomámi
Copyright Message
copyright © Documentary Educational Resources
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Aymara Leadership
written by Hubert Smith, 1938-; directed by Hubert Smith, 1938- (Watertown, MA: Documentary Educational Resources (DER), 1984), 29 mins
The theme of leadership is difficult to convey, especially in another culture, in which outsiders often do not recognize subtle cues and implicit understandings that play so important a role in the exercise and acceptance of authority. This film helps viewers, even if they have no prior familiarity with the Aymara...
Sample
written by Hubert Smith, 1938-; directed by Hubert Smith, 1938- (Watertown, MA: Documentary Educational Resources (DER), 1984), 29 mins
Description
The theme of leadership is difficult to convey, especially in another culture, in which outsiders often do not recognize subtle cues and implicit understandings that play so important a role in the exercise and acceptance of authority. This film helps viewers, even if they have no prior familiarity with the Aymara, to appreciate the ways in which a young man manages to minimize conflicts, resolve disputes, and generally promote the social welfare...
The theme of leadership is difficult to convey, especially in another culture, in which outsiders often do not recognize subtle cues and implicit understandings that play so important a role in the exercise and acceptance of authority. This film helps viewers, even if they have no prior familiarity with the Aymara, to appreciate the ways in which a young man manages to minimize conflicts, resolve disputes, and generally promote the social welfare in a community where age and experience have traditionally been highly valued. The theme of leadership is difficult to convey, especially in another culture, in which outsiders often do not recognize subtle cues and implicit understandings that play so important a role in the exercise and acceptance of authority. This film helps viewers, even if they have no prior familiarity with the Aymara, to appreciate the ways in which a young man manages to minimize conflicts, resolve disputes, and generally promote the social welfare in a community where age and experience have traditionally been highly valued. This bold venture in ethnographic filmmaking attempts to convey the meanings and methods of a theme that most people consider inherently abstract, and to do so in a document brief enough to be used in the classroom. Beyond that, it imaginatively combines the techniques of slow motion, instant replay, and freeze-frame in ways that vividly show how body language, conformity to local norms of kinship and propriety, and other factors interact as we watch a self-taught master of conflict management at work. This film stands well on its own merits, alth
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Field of Study
Politics & Current Affairs
Content Type
Documentary
Contributor
Hubert Smith, 1938-, Manuel Ticona, fl. 1984
Author / Creator
Hubert Smith, 1938-
Date Published / Released
1984
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Aymara, In-group conflicts, Leadership roles, Societal structure, Tribal and national groups, Ethnography
Copyright Message
© Documentary Educational Resources
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