Browse Titles - 179 results
The Art of the Lute Player
Bach Goldberg Variations
Les Baricades Misterieuses
The French harpsichord school of the seventeenth and eighteenth centuries is known as Les Clavecinistes. They flourished and achieved a refinement of keyboard writing which was constantly admired and often imitated outside their home country. The French Clavecinistes flourished at the royal court and the aristocratic salons of Paris. This recording will take you on a journey among the different generations and styles of French harpsichordists and composers.
Show more Show lessBaroque Lute Duets
Baroque Trumpetissimo
The Black Composer Speaks
Blame Not My Lute
Boismortier (Harpsichord music)
Joseph Bodin de Boismortier was born in 1689 in the Age of Enlightenment, a period of enormous optimism. By 1724 he had begun to self publish, and he achieved great financial success without having to rely on the largess of patrons. His music is elegant, witty and charming - but m...
Joseph Bodin de Boismortier was born in 1689 in the Age of Enlightenment, a period of enormous optimism. By 1724 he had begun to self publish, and he achieved great financial success without having to rely on the largess of patrons. His music is elegant, witty and charming - but mostly written for players of modest technical ability, his amateur customers. Nonetheless, his near contemporary, Jean-Benjamin La Bord...
Boismortier: Harpsichord musicJoseph Bodin de Boismortier was born in 1689 in the Age of Enlightenment, a period of enormous optimism. By 1724 he had begun to self publish, and he achieved great financial success without having to rely on the largess of patrons. His music is elegant, witty and charming - but mostly written for players of modest technical ability, his amateur customers. Nonetheless, his near contemporary, Jean-Benjamin La Borde, wrote of his work in 1780 that "whoever takes the trouble to search through this abandoned mine will find enough bits of gold to make an ingot."
The four suites on this album are the only works for solo harpsichord in Boismortier's huge output. The music fits the instrument so beautifully that it surely counts among the gold. Each movement bears a feminine title, many of which call to mind specific ladies in the composer's circle. La Choquante, for example, is the one who loves to shock!
The album ends with five keyboard transcriptions from the last scene of Boismortier's ballet-comique, Don Quichotte [chez la Duchesse] of 1743. Drawing on example of his close contemporary, Jean-Phillip Rameau, the artist has arranged the aird and dances of the final scene. In keeping with the French craze for things exotic - and having nothing at all to do with Cervantes' story - a contingent of Japanese people arrives, singing "Vole, Amour, regne sur nos ames!" - Fly, Love, reign in our hearts!
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