Browse Titles - 172 results
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The Black Composer Speaks
written by David Baker, 1931-, Lida M. Belt and Herman C. Hudson, 1923-2003; edited by David Baker, 1931-, Lida M. Belt and Herman C. Hudson, 1923-2003 (Metuchen, NJ: Scarecrow Press, 1978), 506 page(s)
Sample
written by David Baker, 1931-, Lida M. Belt and Herman C. Hudson, 1923-2003; edited by David Baker, 1931-, Lida M. Belt and Herman C. Hudson, 1923-2003 (Metuchen, NJ: Scarecrow Press, 1978), 506 page(s)
Field of Study
American Music
Content Type
Biography
Contributor
David Baker, 1931-, Lida M. Belt, Herman C. Hudson, 1923-2003
Author / Creator
David Baker, 1931-, Lida M. Belt, Herman C. Hudson, 1923-2003
Date Published / Released
1978
Publisher
Scarecrow Press
Topic / Theme
African American Music
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The Modern Scene
written by Amiri Baraka, 1934-2014; in Blues People: The Negro Experience in White America and the Music that Developed from It. (New York, NY: William Morrow and Company, 1963), 187-248
Sample
written by Amiri Baraka, 1934-2014; in Blues People: The Negro Experience in White America and the Music that Developed from It. (New York, NY: William Morrow and Company, 1963), 187-248
Field of Study
American Music
Content Type
General reference book
Author / Creator
Amiri Baraka, 1934-2014
Date Published / Released
1963
Publisher
William Morrow and Company
Person Discussed
John Coltrane, 1926-1967, Dizzy Gillespie, 1917-1993, Count Basie, 1904-1984, Lester Young, 1909-1959, Miles Davis, 1926-1991, Ornette Coleman, 1930-2000, Cecil Percival Taylor, 1929-2018, Coleman Hawkins, 1904-1969, Charlie Parker, 1920-1955, Thelonious Monk, 1917-1982
Topic / Theme
Caucasian American, African American, Cultural identity, Discrimination, Racial integration, Segregation, Nomenclature, Musical ensembles, Fads, Cultural life, Musicians, Performance influences, Performance practice, Music arrangement, Musical technique, Musical meter and rhythm, Bars and saloons, Performance criticism, Music criticism, Improvisation, World War II, 1939-1945, Korean Conflict, 1950...
Caucasian American, African American, Cultural identity, Discrimination, Racial integration, Segregation, Nomenclature, Musical ensembles, Fads, Cultural life, Musicians, Performance influences, Performance practice, Music arrangement, Musical technique, Musical meter and rhythm, Bars and saloons, Performance criticism, Music criticism, Improvisation, World War II, 1939-1945, Korean Conflict, 1950-1953, Beat Generation, 1950's-1960's, Saxophone, Piano, Drum kit, Big band, Bass, double, Trumpet
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PART III: MEMOIRS: Johannes Brahms as Man, Teacher, and Artist
written by Gustav Jenner, 1865-1920, Susan Gillespie and Kevin C. Karnes; edited by Walter Frisch and Kevin C. Karnes; in Brahms and His World (Princeton, NJ: Princeton University Press, 2009), 395-438
Sample
written by Gustav Jenner, 1865-1920, Susan Gillespie and Kevin C. Karnes; edited by Walter Frisch and Kevin C. Karnes; in Brahms and His World (Princeton, NJ: Princeton University Press, 2009), 395-438
Field of Study
Classical Music
Content Type
General reference book
Contributor
Walter Frisch, Kevin C. Karnes
Author / Creator
Gustav Jenner, 1865-1920, Susan Gillespie, Kevin C. Karnes
Date Published / Released
2009
Publisher
Princeton University Press
Person Discussed
Gustav Jenner, 1865-1920, Johannes Brahms, 1833-1897, Ludwig van Beethoven, 1770-1827
Topic / Theme
Memories, Music criticism, Character traits, Music composition, Music education, Music theory, Expression in performance, Performance influences
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Improvising the Text: Euro America and African American Approaches to Jazz Narrative
written by Jon Panish; in The Color of Jazz: Race and Representation in Postwar American Culture (Jackson, MS: University Press of Mississippi, 1997), 139-161
Sample
written by Jon Panish; in The Color of Jazz: Race and Representation in Postwar American Culture (Jackson, MS: University Press of Mississippi, 1997), 139-161
Field of Study
American Music
Content Type
General reference book
Author / Creator
Jon Panish
Date Published / Released
1997
Publisher
University Press of Mississippi
Person Discussed
Jack Kerouac, 1922-1969, Amiri Baraka, 1934-2014, John Clellon Holmes, 1926-1988, Charlie Parker, 1920-1955
Topic / Theme
Caucasian American, African American, Writers, Literary criticism, Fiction, Performance criticism, Racial identity, Musicians, Fictional characters, Performance practice, Expression in performance, Music arrangement, Performance influences, Improvisation, Beat Generation, 1950's-1960's
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Epilogue: The Mirrored Self
written by Duke Ellington, 1899-1974; in Duke Ellington: Music is My Mistress (Garden City, NY: Doubleday & Company, 1973), 470-491
Sample
written by Duke Ellington, 1899-1974; in Duke Ellington: Music is My Mistress (Garden City, NY: Doubleday & Company, 1973), 470-491
Field of Study
American Music
Content Type
Biography
Author / Creator
Duke Ellington, 1899-1974
Date Published / Released
1973
Publisher
Doubleday & Company
Person Discussed
Duke Ellington, 1899-1974
Topic / Theme
African American, American, Music criticism, Colleges and universities, Foods, Composers, Music composition, Performance influences, Music education, Expression in performance, Improvisation
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PART I: WORCESTER: The Spirit-Stirring Drum: Elgar and Populism
written by Daniel M. Grimley; edited by Byron Adams, 1955-; in Edward Elgar And His World (Princeton, NJ: Princeton University Press, 2007), 120-147
Sample
written by Daniel M. Grimley; edited by Byron Adams, 1955-; in Edward Elgar And His World (Princeton, NJ: Princeton University Press, 2007), 120-147
Field of Study
Classical Music
Content Type
General reference book
Contributor
Byron Adams, 1955-
Author / Creator
Daniel M. Grimley
Date Published / Released
2007
Publisher
Princeton University Press
Person Discussed
Sir Edward Elgar, 1857-1934
Topic / Theme
Sight-seeing, Public opinion, Music criticism, Imperialism, Plays, Literary criticism, Audiences, Music theory, Music notation, Salon Music
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His Musical Biography
written by Barry Tepperman and Vladimir Simosko, 1943-; in Eric Dolphy: A Musical Biography and Discography (New York, NY: Da Capo Press, 1996), 41-110
Sample
written by Barry Tepperman and Vladimir Simosko, 1943-; in Eric Dolphy: A Musical Biography and Discography (New York, NY: Da Capo Press, 1996), 41-110
Field of Study
American Music
Content Type
Biography
Author / Creator
Barry Tepperman, Vladimir Simosko, 1943-
Date Published / Released
1996
Publisher
Da Capo Press
Person Discussed
Eric Dolphy, Jr., 1928-1964, Gerald Wilson, 1918-2014, John Coltrane, 1926-1967, Ornette Coleman, 1930-2000, Charles Mingus, 1922-1979, Freddie Hubbard, 1938-, Johnny Coles, 1926-1997, Gunther Schuller, 1925-2015
Topic / Theme
African American, Childhood, Musical ensembles, Humanitarian values, Songs, Musicians, Music education, Performance practice, Orchestration (Music), Performance influences, Audio recordings, Concerts, Performance criticism, Musical technique, Artistic collaboration, Recording sessions, Record labels, Improvisation, Saxophone, Alto, Flute
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The F.A.E. Scherzo
directed by Christopher Nupen, fl. 1967; composed by Johannes Brahms, 1833-1897; produced by Allegro Films, London, England; performed by Marc Neikrug, 1946- and Pinchas Zukerman, 1948-, in Johannes Brahms 1833-1897: The Violin and Viola Sonatas, Part One (London, England: Allegro Films, London, England, 1983), 14 mins
Three television programmes about the Brahms Violin and Viola Sonatas. Part One: 57’20” (FAE Scherzo Violin Sonata No 1 Op 78); Part Two: 54’28” (Violin Sonatas No 2 Op 100 and No 3 Op 108); Part Three: 57’10” (Viola Sonatas Op 120 No 1 and Op 120 No 2). Each programme contains an introduction, shot on...
Sample
directed by Christopher Nupen, fl. 1967; composed by Johannes Brahms, 1833-1897; produced by Allegro Films, London, England; performed by Marc Neikrug, 1946- and Pinchas Zukerman, 1948-, in Johannes Brahms 1833-1897: The Violin and Viola Sonatas, Part One (London, England: Allegro Films, London, England, 1983), 14 mins
Description
Three television programmes about the Brahms Violin and Viola Sonatas. Part One: 57’20” (FAE Scherzo Violin Sonata No 1 Op 78); Part Two: 54’28” (Violin Sonatas No 2 Op 100 and No 3 Op 108); Part Three: 57’10” (Viola Sonatas Op 120 No 1 and Op 120 No 2). Each programme contains an introduction, shot on film (in Germany, Switzerland and Austria), describing some of the circumstances in which Brahms wrote these works, performed complete...
Three television programmes about the Brahms Violin and Viola Sonatas. Part One: 57’20” (FAE Scherzo Violin Sonata No 1 Op 78); Part Two: 54’28” (Violin Sonatas No 2 Op 100 and No 3 Op 108); Part Three: 57’10” (Viola Sonatas Op 120 No 1 and Op 120 No 2). Each programme contains an introduction, shot on film (in Germany, Switzerland and Austria), describing some of the circumstances in which Brahms wrote these works, performed complete by Pinchas Zukerman and Marc Neikrug.
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Field of Study
Classical Music
Content Type
Performance, Documentary
Performer / Ensemble
Marc Neikrug, 1946-, Pinchas Zukerman, 1948-
Contributor
Allegro Films, London, England
Author / Creator
Johannes Brahms, 1833-1897, Christopher Nupen, fl. 1967, Marc Neikrug, 1946-, Pinchas Zukerman, 1948-
Date Published / Released
1983
Publisher
Allegro Films, London, England
Person Discussed
Johannes Brahms, 1833-1897
Topic / Theme
Music composition
Copyright Message
Copyright © 1983 by Allegro Films
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The G major Violin Sonata Op. 78
directed by Christopher Nupen, fl. 1967; composed by Johannes Brahms, 1833-1897; produced by Allegro Films, London, England; performed by Marc Neikrug, 1946- and Pinchas Zukerman, 1948-, in Johannes Brahms 1833-1897: The Violin and Viola Sonatas, Part One (London, England: Allegro Films, London, England, 1983), 42 mins
Three television programmes about the Brahms Violin and Viola Sonatas. Part One: 57’20” (FAE Scherzo Violin Sonata No 1 Op 78); Part Two: 54’28” (Violin Sonatas No 2 Op 100 and No 3 Op 108); Part Three: 57’10” (Viola Sonatas Op 120 No 1 and Op 120 No 2). Each programme contains an introduction, shot on...
Sample
directed by Christopher Nupen, fl. 1967; composed by Johannes Brahms, 1833-1897; produced by Allegro Films, London, England; performed by Marc Neikrug, 1946- and Pinchas Zukerman, 1948-, in Johannes Brahms 1833-1897: The Violin and Viola Sonatas, Part One (London, England: Allegro Films, London, England, 1983), 42 mins
Description
Three television programmes about the Brahms Violin and Viola Sonatas. Part One: 57’20” (FAE Scherzo Violin Sonata No 1 Op 78); Part Two: 54’28” (Violin Sonatas No 2 Op 100 and No 3 Op 108); Part Three: 57’10” (Viola Sonatas Op 120 No 1 and Op 120 No 2). Each programme contains an introduction, shot on film (in Germany, Switzerland and Austria), describing some of the circumstances in which Brahms wrote these works, performed complete...
Three television programmes about the Brahms Violin and Viola Sonatas. Part One: 57’20” (FAE Scherzo Violin Sonata No 1 Op 78); Part Two: 54’28” (Violin Sonatas No 2 Op 100 and No 3 Op 108); Part Three: 57’10” (Viola Sonatas Op 120 No 1 and Op 120 No 2). Each programme contains an introduction, shot on film (in Germany, Switzerland and Austria), describing some of the circumstances in which Brahms wrote these works, performed complete by Pinchas Zukerman and Marc Neikrug.
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Field of Study
Classical Music
Content Type
Performance, Documentary
Performer / Ensemble
Marc Neikrug, 1946-, Pinchas Zukerman, 1948-
Contributor
Allegro Films, London, England
Author / Creator
Johannes Brahms, 1833-1897, Christopher Nupen, fl. 1967, Marc Neikrug, 1946-, Pinchas Zukerman, 1948-
Date Published / Released
1983
Publisher
Allegro Films, London, England
Person Discussed
Johannes Brahms, 1833-1897
Topic / Theme
Music composition
Copyright Message
Copyright © 1983 by Allegro Films
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Galante Kurzweyl. Höfische Tänze aus Renaissance, Barock und Rokoko
performed by Ensemble Buon Tempo, Galante Kurzweyl. Höfische Tänze aus Renaissance, Barock und Rokoko (Hänssler Classic, 2001), 16 page(s)
Sample
performed by Ensemble Buon Tempo, Galante Kurzweyl. Höfische Tänze aus Renaissance, Barock und Rokoko (Hänssler Classic, 2001), 16 page(s)
Date Written / Recorded
2000
Field of Study
Classical Music
Content Type
Liner note
Performer / Ensemble
Ensemble Buon Tempo
Author / Creator
Ensemble Buon Tempo
Date Published / Released
2001
Publisher
Hänssler Classic
Person Discussed
John Playford, 1623-1686, Raoul-Auger Feuillet, 1660-1710, D'Aubat St. Flour, 1714-1782, Louis Guillaume Pécour, 1651-1729, Jean-Baptiste Lully, 1632-1687, Thoinot Arbeau, 1520-1595
Topic / Theme
Music criticism, Music composition, Dance, Piece, Chamber ensemble
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