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1995 Makran Recordings #5. Gwadar, Makran. Recordings of Palawan Mazar Ibrahim and a guati ceremony. (PK-95-05 / UW00086)
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings; performed by Palawan Mazar Ibrahim, Abdul Ghafur and Abdul Samad (1995), 2 hours 3 mins, 1 page(s)
Visited Bakhshi, a cultural PR person for Gwadar arts. Invited to tea at tahsildar's home where I met and recorded Palawan Mazar Ibrahim who had made recording for Jean Durring. Recorded 4 or 5 songs. Palawan Mazar Ibrahim was around 55 yrs old. Sang dastan (story songs). Accompanied by his sons on saroz (Abdul Gh...
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings; performed by Palawan Mazar Ibrahim, Abdul Ghafur and Abdul Samad (1995), 2 hours 3 mins, 1 page(s)
Description
Visited Bakhshi, a cultural PR person for Gwadar arts. Invited to tea at tahsildar's home where I met and recorded Palawan Mazar Ibrahim who had made recording for Jean Durring. Recorded 4 or 5 songs. Palawan Mazar Ibrahim was around 55 yrs old. Sang dastan (story songs). Accompanied by his sons on saroz (Abdul Ghafur) and tamburi (Abdul Samad). Sang about Shah Murid and Hanni, Doda Baloch. He is probably the most professional, sophisticated sing...
Visited Bakhshi, a cultural PR person for Gwadar arts. Invited to tea at tahsildar's home where I met and recorded Palawan Mazar Ibrahim who had made recording for Jean Durring. Recorded 4 or 5 songs. Palawan Mazar Ibrahim was around 55 yrs old. Sang dastan (story songs). Accompanied by his sons on saroz (Abdul Ghafur) and tamburi (Abdul Samad). Sang about Shah Murid and Hanni, Doda Baloch. He is probably the most professional, sophisticated singer from Makran. Around 11:00 pm at night, Bakhshi took me to his brother-in-law's home for guati session performed for my sake.
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Date Written / Recorded
1995-01-02
Field of Study
World Music
Content Type
Field recording (raw)
Performer / Ensemble
Palawan Mazar Ibrahim, Abdul Ghafur, Abdul Samad
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-, Palawan Mazar Ibrahim, Abdul Ghafur, Abdul Samad
Date Published / Released
1995
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
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1995 Makran Recordings #6. Pasni, a port town in Makran. Recording of real guati ceremony. (PK-95-06 / UW00088)
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings; performed by Karim Bakhsh (1995), 1 hour 40 mins, 1 page(s)
Just turned on the DAT recorder and let it run while I took videos. The Sheikh was Sheikh Anifa (Anisa?) and saroz player was Karim Bakhsh. Took tea breaks with conversation as well.
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings; performed by Karim Bakhsh (1995), 1 hour 40 mins, 1 page(s)
Description
Just turned on the DAT recorder and let it run while I took videos. The Sheikh was Sheikh Anifa (Anisa?) and saroz player was Karim Bakhsh. Took tea breaks with conversation as well.
Date Written / Recorded
1995-02-03
Field of Study
World Music
Content Type
Field recording (raw)
Performer / Ensemble
Karim Bakhsh
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-, Karim Bakhsh
Date Published / Released
1995
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
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1995 Makran Recordings #7. Recording of guati musicians and Ustad Ershad, came to guest house where I was staying. Recorded until 2:30 or 3:...
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 1 hour 32 mins, 1 page(s)
Guati musicians from Guati ceremony came to the guest house where I was staying after the guati ceremony. Addition of Ustad Ershad, a blind dhol player. Played around 6 pieces. Recorded until 2:30 or 3:00 am. Last part of tape is discussion, but hard to hear because of low volume.
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 1 hour 32 mins, 1 page(s)
Description
Guati musicians from Guati ceremony came to the guest house where I was staying after the guati ceremony. Addition of Ustad Ershad, a blind dhol player. Played around 6 pieces. Recorded until 2:30 or 3:00 am. Last part of tape is discussion, but hard to hear because of low volume.
Date Written / Recorded
1995-02-03
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-
Date Published / Released
1995
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
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1995 Turbat. Chogan (Zikiri ritual); the biggest outdoor ritual gathering during the pilgrimage to the sacred mountains, Koh-I Murad and Koh...
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 2 hours 3 mins, 1 page(s)
I recorded DAT numbers 10, 11, and about 1/2 hour of Dat # 12--from 11:30 pm until 4:00 am. Most famous chogan leader is woman named Durri. I recorded over 4 1/2 hours. I was too cold and tired to stay to the end so I don't know what happened after I left--Durri was still singing when I left.
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 2 hours 3 mins, 1 page(s)
Description
I recorded DAT numbers 10, 11, and about 1/2 hour of Dat # 12--from 11:30 pm until 4:00 am. Most famous chogan leader is woman named Durri. I recorded over 4 1/2 hours. I was too cold and tired to stay to the end so I don't know what happened after I left--Durri was still singing when I left.
Date Written / Recorded
1995-02-27
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-
Date Published / Released
1995
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
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1995 Turbat. Continuation of Chogan PK-95-10 (PK-95-11 / UW00139)
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 2 hours 3 mins, 1 page(s)
Continuation of Chogan
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 2 hours 3 mins, 1 page(s)
Description
Continuation of Chogan
Date Written / Recorded
1995-02-27
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-
Date Published / Released
1995
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
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1995 Turbat. Continuation of Chogan, PK-95-11 (PK-95-12 / UW00119)
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 16 mins, 1 page(s)
Continuation of Chogan
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 16 mins, 1 page(s)
Description
Continuation of Chogan
Date Written / Recorded
1995-02-28
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-
Date Published / Released
1995
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
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1995 'Urs of Data Ganj Baksh #1. Opening ceremonies. (PK-95-1 Summer)
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Videos , 1 hour 54 mins
Opening ceremonies began at 10:00. Qera'at, na't, prayers, speech. Nusrat Fateh Ali Khan sang the opening song of mehfil-e sama. Other qawwals followed.
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Videos , 1 hour 54 mins
Description
Opening ceremonies began at 10:00. Qera'at, na't, prayers, speech. Nusrat Fateh Ali Khan sang the opening song of mehfil-e sama. Other qawwals followed.
Date Written / Recorded
1995-07-18
Field of Study
Anthropology
Content Type
Archival footage
Contributor
Hiromi Lorraine Sakata, fl. 2002
Author / Creator
Hiromi Lorraine Sakata, fl. 2002
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
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1995 'Urs of Data Ganj Baksh #2, Continuation of opening day morning, (7/18/95). Second day afternoon and eve...
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Videos , 2 hours
7/18/95: Examples from the day before. 7/19/95: Didn't attend morning session but includes scenes from afternoon and evening sessions. Nusrat came to evening sama' around 2:30 am, but didn't start singing until 3 am. Sufi in female attire didn't start dancing until the rang. I couldn't see anything so I gave the...
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Videos , 2 hours
Description
7/18/95: Examples from the day before. 7/19/95: Didn't attend morning session but includes scenes from afternoon and evening sessions. Nusrat came to evening sama' around 2:30 am, but didn't start singing until 3 am. Sufi in female attire didn't start dancing until the rang. I couldn't see anything so I gave the camera to someone standing on stage who simply held it up. Returned camera to me at the end of the rang. End of sama' footage at 1:0...
7/18/95: Examples from the day before. 7/19/95: Didn't attend morning session but includes scenes from afternoon and evening sessions. Nusrat came to evening sama' around 2:30 am, but didn't start singing until 3 am. Sufi in female attire didn't start dancing until the rang. I couldn't see anything so I gave the camera to someone standing on stage who simply held it up. Returned camera to me at the end of the rang. End of sama' footage at 1:01:50. 7/30/95: Footage from the Baloch music program, organized by Abdullah Baloch at Baloch Cultural Center Auditorium in Quetta.
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Date Written / Recorded
1995-07-19
Field of Study
Anthropology
Content Type
Archival footage
Contributor
Hiromi Lorraine Sakata, fl. 2002
Author / Creator
Hiromi Lorraine Sakata, fl. 2002
Topic / Theme
Balochi
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
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1996 Mher and Sher Ali had sama' for their pir, Sabzzada Ghulam Qutabuddin on rooftop of bakery. (PK-96-09 / UW00098)
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings; performed by Sher Ali and Mehr Ali (1996), 1 hour 18 mins, 1 page(s)
Mehr and Sher Ali had sama' for their pir, Sabzzada Ghulam Qutabuddin on rooftop of bakery.
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings; performed by Sher Ali and Mehr Ali (1996), 1 hour 18 mins, 1 page(s)
Description
Mehr and Sher Ali had sama' for their pir, Sabzzada Ghulam Qutabuddin on rooftop of bakery.
Date Written / Recorded
1996
Field of Study
World Music
Content Type
Field recording (raw)
Performer / Ensemble
Sher Ali, Mehr Ali
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-, Sher Ali, Mehr Ali
Date Published / Released
1996
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
×
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1996 'Urs of Baba Fariduddin Ganj-e Shekar, #1. (PK-96-2 May)
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Videos , 59 mins
Scenes of Pakpattan during the 'urs of Baba Fariduddin Ganj-e Shekar. Nusrat Fate Ali Khan at kacheri performance in the evening . The kacheri is performed in front of the diwan, Mahdud Masud, the hereditary descendant of the Saint.
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Videos , 59 mins
Description
Scenes of Pakpattan during the 'urs of Baba Fariduddin Ganj-e Shekar. Nusrat Fate Ali Khan at kacheri performance in the evening . The kacheri is performed in front of the diwan, Mahdud Masud, the hereditary descendant of the Saint.
Date Written / Recorded
1996-05-22
Field of Study
Anthropology
Content Type
Archival footage
Contributor
Hiromi Lorraine Sakata, fl. 2002
Author / Creator
Hiromi Lorraine Sakata, fl. 2002
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
×
