Browse Titles - 123 results
Omukazi owazaire enkirungu (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR135 (1950) , 1 page(s)
The first story is about a man who was born and grew up inside a hard stonelike skin. It was not until a beautiful girl agreed to marry him that his stoney casing fell away.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR135 (1950) , 1 page(s)
Description
The first story is about a man who was born and grew up inside a hard stonelike skin. It was not until a beautiful girl agreed to marry him that his stoney casing fell away.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Praise Song
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Ondorondu komi tumbo ngombe (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR217 (06 June 1965) , 1 page(s)
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR217 (06 June 1965) , 1 page(s)
Date Written / Recorded
06 June 1965, 1965
Field of Study
Anthropology
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Folk music, Praise Song, Folk, Clapping, hand, Herero
Copyright Message
Material sourced from the International Library of African Music. Copyright © International Library of African Music.
×
Praises for Chief Moiloa II, Chief Ikalafeng and Chief Pogiso II - Lebôkô I (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR115 , 3 mins
At the time of recording this village was much divided on account of the political questions of the continuity of the chieftainship. One acting Chief had been deposed and was living in Bechuanaland and another chief was acting in his place. The speaker who composed and read the praises of his elder brother, the pr...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR115 , 3 mins
Description
At the time of recording this village was much divided on account of the political questions of the continuity of the chieftainship. One acting Chief had been deposed and was living in Bechuanaland and another chief was acting in his place. The speaker who composed and read the praises of his elder brother, the present acting chief, had been a teacher in their village for 38 years. Moiloa II was the original chief after whom the reserve was named...
At the time of recording this village was much divided on account of the political questions of the continuity of the chieftainship. One acting Chief had been deposed and was living in Bechuanaland and another chief was acting in his place. The speaker who composed and read the praises of his elder brother, the present acting chief, had been a teacher in their village for 38 years. Moiloa II was the original chief after whom the reserve was named, about 1880 (died 1886). Ikalafeng succeeded his grandfather Moiloa in 1887 and died in 1894. Pogiso II (Abram) the ex-chief of the Moiloa Reserve, is still alive.
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Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
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Samaza (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR147 (1950) , 2 page(s)
"I am afraid of you chief because you are cunning as a leopard and you might kill me tomorrow." The singer, who is well known for leading this kind of song, had a very troublesome cough in the first item.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR147 (1950) , 2 page(s)
Description
"I am afraid of you chief because you are cunning as a leopard and you might kill me tomorrow." The singer, who is well known for leading this kind of song, had a very troublesome cough in the first item.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Seeta le kgwale mosesetho (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR116 (1959) , 2 page(s)
"Tumediso madume monyegae Nonyana Madume. Madume monyegse thebe ke beakae." "Greet, Greetings, owner of the home. Bird greetings. Greetings! Owner of the home, Where do I put the shield?" "Bird greetings" implies that the people are the Chief's small birds. The singers are using a local Pedi dialect of Kgatla.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR116 (1959) , 2 page(s)
Description
"Tumediso madume monyegae Nonyana Madume. Madume monyegse thebe ke beakae." "Greet, Greetings, owner of the home. Bird greetings. Greetings! Owner of the home, Where do I put the shield?" "Bird greetings" implies that the people are the Chief's small birds. The singers are using a local Pedi dialect of Kgatla.
Date Written / Recorded
1959
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Shilinga etaganya (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR136 (1950) , 1 page(s)
In the background can be heard the shrill continuous noise of the cicada beetles in the trees nearby. 'The man who gives you a child is better than one who only gives you money. Prostitutes are bad. Money is better than women. If you buy a bicycle you can carry milk to market.' Here again the penetrating sound of...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR136 (1950) , 1 page(s)
Description
In the background can be heard the shrill continuous noise of the cicada beetles in the trees nearby. 'The man who gives you a child is better than one who only gives you money. Prostitutes are bad. Money is better than women. If you buy a bicycle you can carry milk to market.' Here again the penetrating sound of the cicada beetles or crickets compete with the music.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Praise Song, Bowl Lyre, Endongo, Lute, Ndingidi, Drum, Ntenga
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Siamawe siya (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR155 (1950) , 1 page(s)
"All the men are joining the army and leave us behind to do the work." Marangu is the small village on the lower slopes of Mount Kilimanjaro. The first of these songs may not be an authentic Chaga song, but is rather similar to songs taught in the schools.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR155 (1950) , 1 page(s)
Description
"All the men are joining the army and leave us behind to do the work." Marangu is the small village on the lower slopes of Mount Kilimanjaro. The first of these songs may not be an authentic Chaga song, but is rather similar to songs taught in the schools.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Praise Song, Stamping, foot, Drum, bass, Sticks
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Siolo (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR166 (15 September 1950) , 1 page(s)
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR166 (15 September 1950) , 1 page(s)
Date Written / Recorded
15 September 1950, 1950
Field of Study
Anthropology
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Praise Song, Lyre, Kipsigis
Copyright Message
Material sourced from the International Library of African Music. Copyright © International Library of African Music.
×
Tanganyika Part I (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR155 , 5 mins
"Let us play the Zeze lute so that we can remember our old songs. Do not sing in a hurry. Take your time. We, the Gogo are singing in Tanganyika the land of our birth. Why do people sing all my tunes?" A lovely slow chant in which all the people joined, men women and children. It is clear that the Gogo are a poeti...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR155 , 5 mins
Description
"Let us play the Zeze lute so that we can remember our old songs. Do not sing in a hurry. Take your time. We, the Gogo are singing in Tanganyika the land of our birth. Why do people sing all my tunes?" A lovely slow chant in which all the people joined, men women and children. It is clear that the Gogo are a poetic people with great lyrical ability. The local composer comes forward and starts each line for the people to follow. The song was recor...
"Let us play the Zeze lute so that we can remember our old songs. Do not sing in a hurry. Take your time. We, the Gogo are singing in Tanganyika the land of our birth. Why do people sing all my tunes?" A lovely slow chant in which all the people joined, men women and children. It is clear that the Gogo are a poetic people with great lyrical ability. The local composer comes forward and starts each line for the people to follow. The song was recorded out in the open in the village of Mvumi without rehearsal of any kind. It seems likely that it could have continued almost indefinitely, but the exigencies of the recording apparatus and the fact that it was taken before the advent of long playing records made abbreviation necessary. The unexpected loud passages were unfortunately slightly over modulated but, with the technical faults excepted, this recording gives a fair idea of the artistic capabilities of these remarkable performers. The recording is in two parts, the second pitched slightly lower than the first and accompanied by a flute obligato which as little if any direct bearing on the melody itself.
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Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Tanganyika Part II (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR155 (1950) , 2 page(s)
"Let us play the Zeze lute so that we can remember our old songs. Do not sing in a hurry. Take your time. We, the Gogo are singing in Tanganyika the land of our birth. Why do people sing all my tunes?" A lovely slow chant in which all the people joined, men women and children. It is clear that the Gogo are a poeti...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR155 (1950) , 2 page(s)
Description
"Let us play the Zeze lute so that we can remember our old songs. Do not sing in a hurry. Take your time. We, the Gogo are singing in Tanganyika the land of our birth. Why do people sing all my tunes?" A lovely slow chant in which all the people joined, men women and children. It is clear that the Gogo are a poetic people with great lyrical ability. The local composer comes forward and starts each line for the people to follow. The song was recor...
"Let us play the Zeze lute so that we can remember our old songs. Do not sing in a hurry. Take your time. We, the Gogo are singing in Tanganyika the land of our birth. Why do people sing all my tunes?" A lovely slow chant in which all the people joined, men women and children. It is clear that the Gogo are a poetic people with great lyrical ability. The local composer comes forward and starts each line for the people to follow. The song was recorded out in the open in the village of Mvumi without rehearsal of any kind. It seems likely that it could have continued almost indefinitely, but the exigencies of the recording apparatus and the fact that it was taken before the advent of long playing records made abbreviation necessary. The unexpected loud passages were unfortunately slightly over modulated but, with the technical faults excepted, this recording gives a fair idea of the artistic capabilities of these remarkable performers. The recording is in two parts, the second pitched slightly lower than the first and accompanied by a flute obligato which as little if any direct bearing on the melody itself.
Show more
Show less
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Praise Song, Flute
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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