Browse Titles - 137 results
Omukazi owazaire enkirungu (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR135 (1950) , 1 page(s)
The first story is about a man who was born and grew up inside a hard stonelike skin. It was not until a beautiful girl agreed to marry him that his stoney casing fell away.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR135 (1950) , 1 page(s)
Description
The first story is about a man who was born and grew up inside a hard stonelike skin. It was not until a beautiful girl agreed to marry him that his stoney casing fell away.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Praise Song
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Ondorondu komi tumbo ngombe (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR217 (06 June 1965) , 1 page(s)
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR217 (06 June 1965) , 1 page(s)
Date Written / Recorded
06 June 1965, 1965
Field of Study
Anthropology
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Folk music, Praise Song, Folk, Clapping, hand, Herero
Copyright Message
Material sourced from the International Library of African Music. Copyright © International Library of African Music.
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Praises for Chief Moiloa II, Chief Ikalafeng and Chief Pogiso II - Lebôkô I (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR115 , 3 mins
At the time of recording this village was much divided on account of the political questions of the continuity of the chieftainship. One acting Chief had been deposed and was living in Bechuanaland and another chief was acting in his place. The speaker who composed and read the praises of his elder brother, the pr...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR115 , 3 mins
Description
At the time of recording this village was much divided on account of the political questions of the continuity of the chieftainship. One acting Chief had been deposed and was living in Bechuanaland and another chief was acting in his place. The speaker who composed and read the praises of his elder brother, the present acting chief, had been a teacher in their village for 38 years. Moiloa II was the original chief after whom the reserve was named...
At the time of recording this village was much divided on account of the political questions of the continuity of the chieftainship. One acting Chief had been deposed and was living in Bechuanaland and another chief was acting in his place. The speaker who composed and read the praises of his elder brother, the present acting chief, had been a teacher in their village for 38 years. Moiloa II was the original chief after whom the reserve was named, about 1880 (died 1886). Ikalafeng succeeded his grandfather Moiloa in 1887 and died in 1894. Pogiso II (Abram) the ex-chief of the Moiloa Reserve, is still alive.
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Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
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Pulluvan Serpent worship song - instrument tuning -Kerala
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:241:84 (New Delhi, Delhi State) , 9 mins
Tuning of the bowed instrument followed by a song and the music connected to the Pulluvan serpent worship ritual, sung by a group of male and women with a plucked instrument.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:241:84 (New Delhi, Delhi State) , 9 mins
Description
Tuning of the bowed instrument followed by a song and the music connected to the Pulluvan serpent worship ritual, sung by a group of male and women with a plucked instrument.
Date Written / Recorded
1984
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
Pulluvan Serpent worship song -Kerala
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:241:84 (New Delhi, Delhi State) , 6 mins
Pulluvan Serpent worship song. Women singers sung alternately with men singers with percussion, Cymbals and bowed instrument.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:241:84 (New Delhi, Delhi State) , 6 mins
Description
Pulluvan Serpent worship song. Women singers sung alternately with men singers with percussion, Cymbals and bowed instrument.
Date Written / Recorded
1984
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Samaza (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR147 (1950) , 2 page(s)
"I am afraid of you chief because you are cunning as a leopard and you might kill me tomorrow." The singer, who is well known for leading this kind of song, had a very troublesome cough in the first item.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR147 (1950) , 2 page(s)
Description
"I am afraid of you chief because you are cunning as a leopard and you might kill me tomorrow." The singer, who is well known for leading this kind of song, had a very troublesome cough in the first item.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Seeta le kgwale mosesetho (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR116 (1959) , 2 page(s)
"Tumediso madume monyegae Nonyana Madume. Madume monyegse thebe ke beakae." "Greet, Greetings, owner of the home. Bird greetings. Greetings! Owner of the home, Where do I put the shield?" "Bird greetings" implies that the people are the Chief's small birds. The singers are using a local Pedi dialect of Kgatla.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR116 (1959) , 2 page(s)
Description
"Tumediso madume monyegae Nonyana Madume. Madume monyegse thebe ke beakae." "Greet, Greetings, owner of the home. Bird greetings. Greetings! Owner of the home, Where do I put the shield?" "Bird greetings" implies that the people are the Chief's small birds. The singers are using a local Pedi dialect of Kgatla.
Date Written / Recorded
1959
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Shakur Khan ka Geet - Atam Khan - Rajasthan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:172:84 (New Delhi, Delhi State) , 6 mins
A song in praise of Shakur Khan, who was a dacoit, sung by Ahmad Khan and musicians from Baiya, with Harmonium, Kamaicha, Khartal and Dholak accompaniment.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:172:84 (New Delhi, Delhi State) , 6 mins
Description
A song in praise of Shakur Khan, who was a dacoit, sung by Ahmad Khan and musicians from Baiya, with Harmonium, Kamaicha, Khartal and Dholak accompaniment.
Date Written / Recorded
1978
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
Shilinga etaganya (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR136 (1950) , 1 page(s)
In the background can be heard the shrill continuous noise of the cicada beetles in the trees nearby. 'The man who gives you a child is better than one who only gives you money. Prostitutes are bad. Money is better than women. If you buy a bicycle you can carry milk to market.' Here again the penetrating sound of...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR136 (1950) , 1 page(s)
Description
In the background can be heard the shrill continuous noise of the cicada beetles in the trees nearby. 'The man who gives you a child is better than one who only gives you money. Prostitutes are bad. Money is better than women. If you buy a bicycle you can carry milk to market.' Here again the penetrating sound of the cicada beetles or crickets compete with the music.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Praise Song, Bowl Lyre, Endongo, Lute, Ndingidi, Drum, Ntenga
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Shubhraj-Jaisalmer-Manganiar-Rajasthan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:153:84 (New Delhi, Delhi State) , 3 mins
Rana Khan Manganiar reciting a Shubhraj in praise of the durbar"ofJaisalmer,theirnames,deedsanddescriptions.Shubhrajisapanegyricrecitationincludinggenealogies."
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:153:84 (New Delhi, Delhi State) , 3 mins
Description
Rana Khan Manganiar reciting a Shubhraj in praise of the durbar"ofJaisalmer,theirnames,deedsanddescriptions.Shubhrajisapanegyricrecitationincludinggenealogies."
Date Written / Recorded
1978
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Topic / Theme
Indians (Asian)
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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