Browse Titles - 134 results
This is Life with Lisa Ling, The Myth of MS-13
directed by Geoffrey O'Connor; presented by Lisa Ling, 1973-; produced by Alex Buxton and Geoffrey O'Connor, in This is Life with Lisa Ling (Atlanta, GA: Cable News Network (CNN), 2018), 42 mins
13 years after first reporting on the world’s most dangerous gang, Lisa Ling returns to the ultraviolent world of MS-13.
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directed by Geoffrey O'Connor; presented by Lisa Ling, 1973-; produced by Alex Buxton and Geoffrey O'Connor, in This is Life with Lisa Ling (Atlanta, GA: Cable News Network (CNN), 2018), 42 mins
Description
13 years after first reporting on the world’s most dangerous gang, Lisa Ling returns to the ultraviolent world of MS-13.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Alex Buxton, Geoffrey O'Connor
Author / Creator
Geoffrey O'Connor, Lisa Ling, 1973-
Date Published / Released
2018
Publisher
Cable News Network (CNN)
Series
This is Life with Lisa Ling
Topic / Theme
Adolescence, Violence, Cliques and gangs, Central Americans
Copyright Message
Copyright © 2018 CNN Newsource Sales, Inc.
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Tibet Hope
directed by Brad Swenson, fl. 1996 and William Bacon III, 1927-2017; produced by William Bacon III, 1927-2017 and Brad Swenson, fl. 1996, William Bacon Productions (San Francisco, CA: Center for Asian American Media, 2006), 51 mins
Eleven years in the making, TIBET HOPE, featuring His Holiness, the 14th Dalai Lama, chronicles the efforts of the Tibetan people to survive the invasion and occupation of their country by the Chinese government. In the words of His Holiness, “Some form of cultural genocide is taking place.” This documentary e...
Sample
directed by Brad Swenson, fl. 1996 and William Bacon III, 1927-2017; produced by William Bacon III, 1927-2017 and Brad Swenson, fl. 1996, William Bacon Productions (San Francisco, CA: Center for Asian American Media, 2006), 51 mins
Description
Eleven years in the making, TIBET HOPE, featuring His Holiness, the 14th Dalai Lama, chronicles the efforts of the Tibetan people to survive the invasion and occupation of their country by the Chinese government. In the words of His Holiness, “Some form of cultural genocide is taking place.” This documentary explores key Tibetan settlements in Kodari, Nepal; Dharamsala, the seat of the Tibetan government in exile in India; and several other s...
Eleven years in the making, TIBET HOPE, featuring His Holiness, the 14th Dalai Lama, chronicles the efforts of the Tibetan people to survive the invasion and occupation of their country by the Chinese government. In the words of His Holiness, “Some form of cultural genocide is taking place.” This documentary explores key Tibetan settlements in Kodari, Nepal; Dharamsala, the seat of the Tibetan government in exile in India; and several other strongholds of Tibetan culture in India. Through interviews with monks and lay people, the continuous and systematic oppression of Tibetans and their culture is explored. A poignant interview with a former spiritual prisoner reveals the horrific torture inflicted by Chinese government agents on Buddhist monks.
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Field of Study
Asian Studies
Content Type
Documentary
Contributor
William Bacon III, 1927-2017, Brad Swenson, fl. 1996, William Bacon Productions, Lowell Thomas Jr., 1923-2016
Author / Creator
Brad Swenson, fl. 1996, William Bacon III, 1927-2017
Date Published / Released
2006
Publisher
Center for Asian American Media
Speaker / Narrator
Tenzin Gyatso, 1935-, Lowell Thomas Jr., 1923-2016
Person Discussed
Tenzin Gyatso, 1935-
Topic / Theme
Religious persecution, War, Settlements, Tibetan
Copyright Message
Copyright © 2006 by Center for Asian American Media
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To Be A Marma
directed by Edward Owles; produced by Alison Rooper, In Focus Productions (United Kingdom: Postcode Films, 2020), 15 mins
The Marma are a minority indigenous people living in the Hill Tracts of the Bangladesh/Myanmar border. To Be A Marma follows four members of the community - a princess, the king, a monk and a pop star - as they reflect on what it means to be Marma. Ruled over by an increasingly symbolic tribal monarchy, as well as...
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directed by Edward Owles; produced by Alison Rooper, In Focus Productions (United Kingdom: Postcode Films, 2020), 15 mins
Description
The Marma are a minority indigenous people living in the Hill Tracts of the Bangladesh/Myanmar border. To Be A Marma follows four members of the community - a princess, the king, a monk and a pop star - as they reflect on what it means to be Marma. Ruled over by an increasingly symbolic tribal monarchy, as well as the Bangladeshi state, they are striving to protect their identity, culture and land in the face of mass migration into their ancestra...
The Marma are a minority indigenous people living in the Hill Tracts of the Bangladesh/Myanmar border. To Be A Marma follows four members of the community - a princess, the king, a monk and a pop star - as they reflect on what it means to be Marma. Ruled over by an increasingly symbolic tribal monarchy, as well as the Bangladeshi state, they are striving to protect their identity, culture and land in the face of mass migration into their ancestral lands from the rest of Bangladesh.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Farhana Hoque, Alison Rooper, In Focus Productions
Author / Creator
Edward Owles, Farhana Hoque
Date Published / Released
2020
Publisher
Postcode Films
Speaker / Narrator
Mong U Ching, U Pannya Jota Mahathera, 1955-2020
Person Discussed
Mong U Ching, U Pannya Jota Mahathera, 1955-2020
Topic / Theme
Indigenous peoples, Migration and Diaspora, Bangladeshis, 21st Century in World History (2001– )
Copyright Message
Copyright © Edward Owles & Farhana Hoque, 2020, all rights reserved
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To Live with Herds
directed by David MacDougall, 1939-; produced by Judith MacDougall, fl. 1970-2011 and David MacDougall, 1939-, University of California. Extension Media Center (Berkeley, CA: Berkeley Media, 1974), 1 hour 10 mins
This classic, widely acclaimed film on the Jie of Uganda, produced by the renowned ethnographic filmmaking team of David and Judith MacDougall, examines the effects of nation building in pre-Amin Uganda on the seminomadic, pastoral Jie. Much more than an intrinsically interesting historical document, it has achiev...
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directed by David MacDougall, 1939-; produced by Judith MacDougall, fl. 1970-2011 and David MacDougall, 1939-, University of California. Extension Media Center (Berkeley, CA: Berkeley Media, 1974), 1 hour 10 mins
Description
This classic, widely acclaimed film on the Jie of Uganda, produced by the renowned ethnographic filmmaking team of David and Judith MacDougall, examines the effects of nation building in pre-Amin Uganda on the seminomadic, pastoral Jie. Much more than an intrinsically interesting historical document, it has achieved classic status among ethnographic films owing to its remarkable success in developing a coherent analytical statement about its subj...
This classic, widely acclaimed film on the Jie of Uganda, produced by the renowned ethnographic filmmaking team of David and Judith MacDougall, examines the effects of nation building in pre-Amin Uganda on the seminomadic, pastoral Jie. Much more than an intrinsically interesting historical document, it has achieved classic status among ethnographic films owing to its remarkable success in developing a coherent analytical statement about its subjects' situation, yet at the same time allowing them to speak for themselves about the world as they see and experience it. The film explores life in a traditional Jie homestead during a harsh dry season. The talk and work of adults go on, but there is also hardship and worry, exacerbated by government policies that seem to attack rather than support the values and economic base of Jie society. A mother counts her children; among them is a son she hardly knows who has joined the educated bureaucracy. Later we find him supervising famine relief for his own people in a situation that seems far beyond his control. At the end of the film Logoth, the protector of the homestead, travels to the west to rejoin his herds in an area of relative plenty; at least for the time being his life seems free from official interference.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
David MacDougall, 1939-, Judith MacDougall, fl. 1970-2011, University of California. Extension Media Center
Author / Creator
David MacDougall, 1939-, Judith MacDougall, fl. 1970-2011
Date Published / Released
1971, 1974
Publisher
Berkeley Media
Topic / Theme
Benin and Nigeria Border, Living conditions, Government programs, Government policy, Cultural identity, Law, Sociology, Jie, 20th Century in World History (1914--2000)
Copyright Message
Copyright © 1974 Berkeley Media
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Toxic Tour
directed by Benjamin Roffee, fl. 2016; produced by Autumn MacIntosh, fl. 1998, RYOT (Los Angeles, CA: RYOT, 2016), 5 mins
Journey into the heart of the Ecuadorian Amazon, where humanity’s thirst for oil is pushing deeper into nature’s few remaining unspoiled fortresses. ‘Toxic Tour’ traces oil’s devastating legacy in northern Ecuador to map out what could happen to the rest of the country’s Amazonian reserves if oil compa...
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directed by Benjamin Roffee, fl. 2016; produced by Autumn MacIntosh, fl. 1998, RYOT (Los Angeles, CA: RYOT, 2016), 5 mins
Description
Journey into the heart of the Ecuadorian Amazon, where humanity’s thirst for oil is pushing deeper into nature’s few remaining unspoiled fortresses. ‘Toxic Tour’ traces oil’s devastating legacy in northern Ecuador to map out what could happen to the rest of the country’s Amazonian reserves if oil companies begin drilling there. At risk is not just one of the most biodiverse places on Earth, but also some of the few remaining uncontact...
Journey into the heart of the Ecuadorian Amazon, where humanity’s thirst for oil is pushing deeper into nature’s few remaining unspoiled fortresses. ‘Toxic Tour’ traces oil’s devastating legacy in northern Ecuador to map out what could happen to the rest of the country’s Amazonian reserves if oil companies begin drilling there. At risk is not just one of the most biodiverse places on Earth, but also some of the few remaining uncontacted tribes humanity has left.
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Field of Study
Environmental Studies
Content Type
360VR
Contributor
Autumn MacIntosh, fl. 1998, RYOT
Author / Creator
Benjamin Roffee, fl. 2016
Date Published / Released
2016
Publisher
RYOT
Copyright Message
Copyright © 2016 Oath Inc
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Traditional Ecological Knowledge
directed by Maija Glasier-Lawson, fl. 2013; produced by Maija Glasier-Lawson, fl. 2013, Alva Productions (Chico, CA: Advanced Laboratory for Visual Anthropology, 2013), 28 mins
Traditional Ecological Knowledge (TEK) promotes an indigenous approach to environmental stewardship. Our world faces unprecedented ecological challenges. Collaborating with local peoples is a crucial step toward a more sustainable future.
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directed by Maija Glasier-Lawson, fl. 2013; produced by Maija Glasier-Lawson, fl. 2013, Alva Productions (Chico, CA: Advanced Laboratory for Visual Anthropology, 2013), 28 mins
Description
Traditional Ecological Knowledge (TEK) promotes an indigenous approach to environmental stewardship. Our world faces unprecedented ecological challenges. Collaborating with local peoples is a crucial step toward a more sustainable future.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Maija Glasier-Lawson, fl. 2013, Alva Productions
Author / Creator
Maija Glasier-Lawson, fl. 2013
Date Published / Released
2013
Publisher
Advanced Laboratory for Visual Anthropology
Topic / Theme
Global Indigenous Perspectives, Indigenous ethnic groups, Cultural views, Ecology, 21st Century in World History (2001– )
Copyright Message
Copyright © 2013 by ALVA Productions
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Trees Tropiques
directed by Alexander Fattal, fl. 2009; produced by Alexander Fattal, fl. 2009 (Berkeley, CA: Berkeley Media, 2010), 31 mins
This innovative and thought-provoking documentary subtly explores the difficult issues that arise when the ethics of deforestation and the ethnographic encounter intersect. The film incisively poses the question: “Who has the right to cut… both trees and film footage?” Seemingly an observational ethnographic...
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directed by Alexander Fattal, fl. 2009; produced by Alexander Fattal, fl. 2009 (Berkeley, CA: Berkeley Media, 2010), 31 mins
Description
This innovative and thought-provoking documentary subtly explores the difficult issues that arise when the ethics of deforestation and the ethnographic encounter intersect. The film incisively poses the question: “Who has the right to cut… both trees and film footage?” Seemingly an observational ethnographic immersion in life along the waterways where the sweet water of the Amazon basin mixes with the salty Atlantic Ocean, the film is sudde...
This innovative and thought-provoking documentary subtly explores the difficult issues that arise when the ethics of deforestation and the ethnographic encounter intersect. The film incisively poses the question: “Who has the right to cut… both trees and film footage?” Seemingly an observational ethnographic immersion in life along the waterways where the sweet water of the Amazon basin mixes with the salty Atlantic Ocean, the film is suddenly interrupted by questions about the ethics of including images of deforestation, which could land the protagonist in trouble with Brazil’s environmental police. The editing waxes experimental, prompting the viewer to revisit editorial decisions, while bringing the family being filmed into the editorial decision-making fold. The film ruminates on the global ethics of deforestation as it illustrates the relationship of deforestation to the harvesting of açai, Brazil’s latest boom crop that is now a key ingredient of popular energy drinks and a staple of Oprah’s diet. Açai is harvested by ascending into the tops of skinny palm trees, offering stunning visuals. The penultimate scene unexpectedly and evocatively ties the themes together in an act of animal acrobatics, defying the audience’s expectations. The ecological connections between waterways, flora, fauna, and humanity subtly intertwine to make viewers contemplate all that we are losing in the continual deforestation of the Amazon as well as the multiple levels of complicity in that loss. Trees Tropiques will engage students with its creative style and structure and generate thoughtful discussion in a wide variety of courses in Latin and South American studies, cultural anthropology, environmental studies, development issues, visual anthropology, and Third-World studies. It was produced by Alexander Fattal. It is in Portuguese with English subtitles.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Alexander Fattal, fl. 2009
Author / Creator
Alexander Fattal, fl. 2009
Date Published / Released
2009, 2010
Publisher
Berkeley Media
Topic / Theme
Deforestation in the Amazon, Trees, Environmental protection, Forests, Indigenous peoples, Ecology, Anthropology, 21st Century in World History (2001– )
Copyright Message
Copyright © 2010 Berkeley Media
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Truth and Reconciliation, At the UN
in Truth and Reconciliation (Montreal, QC: Wapikoni Mobile, 2013), 6 mins
On May 30th, 2013, the young Anishinabe filmmaker, Emilio Wawatie, represented Wapikoni Mobile at the UN. A truly memorable moment!
Sample
in Truth and Reconciliation (Montreal, QC: Wapikoni Mobile, 2013), 6 mins
Description
On May 30th, 2013, the young Anishinabe filmmaker, Emilio Wawatie, represented Wapikoni Mobile at the UN. A truly memorable moment!
Field of Study
Anthropology
Content Type
Documentary
Date Published / Released
2013
Publisher
Wapikoni Mobile
Series
Truth and Reconciliation
Speaker / Narrator
Emilio Wawatie, fl. 2013
Person Discussed
Emilio Wawatie, fl. 2013
Topic / Theme
Indigenous peoples, American Indians, 21st Century in World History (2001– )
Copyright Message
Copyright © 2013 Wapikoni Mobile
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Truth and Reconciliation, Nanapush et la Tortue (Nanapush and the Turtle)
directed by Melissa Mollen Dupuis, fl. 2012, in Truth and Reconciliation (Montreal, QC: Wapikoni Mobile, 2013), 4 mins
“The Earth does not belong to mankind, it is Man who belongs to the Earth. Everything that happens to the Earth befalls the son of the Earth.” - Squamish Chief
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directed by Melissa Mollen Dupuis, fl. 2012, in Truth and Reconciliation (Montreal, QC: Wapikoni Mobile, 2013), 4 mins
Description
“The Earth does not belong to mankind, it is Man who belongs to the Earth. Everything that happens to the Earth befalls the son of the Earth.” - Squamish Chief
Field of Study
Anthropology
Content Type
Documentary
Contributor
Melissa Mollen Dupuis, fl. 2012
Author / Creator
Melissa Mollen Dupuis, fl. 2012
Date Published / Released
2013
Publisher
Wapikoni Mobile
Series
Truth and Reconciliation
Speaker / Narrator
Melissa Mollen Dupuis, fl. 2012
Topic / Theme
21st Century in World History (2001– )
Copyright Message
Copyright © 2013 Wapikoni Mobile
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Truth and Reconciliation, Onickakw (Réveillez-vous!)
directed by Sipi Flamand, fl. 2015, in Truth and Reconciliation (Montreal, QC: Wapikoni Mobile, 2013), 5 mins
Onickakw is a reflection on the relationship between Indigenous peoples and the dominant society; it is a call for change.
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directed by Sipi Flamand, fl. 2015, in Truth and Reconciliation (Montreal, QC: Wapikoni Mobile, 2013), 5 mins
Description
Onickakw is a reflection on the relationship between Indigenous peoples and the dominant society; it is a call for change.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Sipi Flamand, fl. 2015
Author / Creator
Sipi Flamand, fl. 2015
Date Published / Released
2013
Publisher
Wapikoni Mobile
Series
Truth and Reconciliation
Speaker / Narrator
Sipi Flamand, fl. 2015
Topic / Theme
21st Century in World History (2001– )
Copyright Message
Copyright © 2013 Wapikoni Mobile
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