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When the Cold War ended, the generations that lived through it were relieved to finally vanquish the specter of a mushroom cloud from their minds. But today, thousands of nuclear weapons in the United States and Russia remain on high-alert, still poised to destroy the planet.

In Japan, atomic bomb survivors struggle with nightmarish memories and negative health effects; atomic veterans, down-winders, and atomic workers around the globe also continue to suffer from the effects of radiation exposure. The bombings of Hiroshima and Nagasaki in 1945 may have temporarily damaged the soul of Japan, but has anyone ever taken an account of what the Bomb has done, and continues to do, to the soul of the country that dropped it? How might we alter the soul of a nation in order to truly live without the threat of total destruction?

In a globe-trotting journey through various perspectives on nuclear weapons, filmmaker Bud Ryan takes us from the Peace Museums of Hiroshima and Nagasaki, to the "Nuclear Science" museums of the United States; to the place that birthed the atomic bomb, (and cares for it still) the state of New Mexico, where Ryan now lives.

Featuring former U.S. Secretary of State George Shultz, authors Gar Alperovitz and Jonathan Schell, Japanese bomb survivors, and many others, THE FORGOTTEN BOMB explores our pre-conceptions about nuclear weapons and their history, investigates how they inform our sense of identity and discovers what the Bomber can learn from the Bombed.

An account of the Vietnam war as seen through the camera of Australian journalist Neil Davis.His footage of the conflict was seen nightly by millions. Vietnam was a television war, a war said to have been lost in the lounge rooms of middle America. and not on the battlefield.

A multi-award winner (including an Academy Award nomination for Best Documentary) the film examines the ethical issues facing a man in the frontline who is not an active combatant (more than eighty newsmen were killed covering the war). Neil Davis discusses his experiences in the film and this, combined with extensive footage taken by him and others, makes for a compelling account of an Australian war correspondent. This shattering documentary on the Vietnam War has stirred audiences all over the world. Its focus is Neil Davis, a courageous, humane news-cameraman who spent eleven years in the combat zone. His close-up footage combined with his recollections are a testimony to the horrors of war. As an Australian, Davis viewed the conflict from a different perspective than an American. He spent much time with the Vietnamese troops, forming a deep attachment to the brave soldiers he lived among. Thus, Front Line shows a story, little known in this country, of Asians suffering at the hands of other Asians.

Davis was even permitted to cross enemy lines and film the other side of war, going with the Viet Cong. And he was the only Western journalist to film the fall of Saigon. It was Neil’s historic footage of the first North Vietnamese communist tank crashing through the Presidential palace in Saigon that told the world the war was finally over. The film points up the myriad ironies of the war: President Nixon announcing the war is finished, while Davis is being bombarded in a rice paddy; young American soldiers revealing their confusion when asked why they are fighting in Asia; Cambodian boy-soldiers going fishing whenever there is a lull in the deadly fighting.