Browse Titles - 1983 results
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Zore II (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR196 (1963)
3 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground beaters pegged, open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horThe 2 Kisisu drums were played by one man who beat an irregu...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR196 (1963)
Description
3 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground beaters pegged, open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horThe 2 Kisisu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The...
3 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground beaters pegged, open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horThe 2 Kisisu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken—the women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instruments is:— First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach, if not exceed, the threshold of pain in the ears.
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Date Written / Recorded
1963
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Dance, African Drumming, Drum, Rattle, Clapper
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Zore II (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR196 , 1 min
3 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground beaters pegged, open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horThe 2 Kisisu drums were played by one man who beat an irregu...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR196 , 1 min
Description
3 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground beaters pegged, open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horThe 2 Kisisu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The...
3 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground beaters pegged, open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horThe 2 Kisisu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken—the women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instruments is:— First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach, if not exceed, the threshold of pain in the ears.
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Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
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Zore III (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR196 (1963)
3 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground beaters pegged, open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horThe 2 Kisisu drums were played by one man who beat an irregu...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR196 (1963)
Description
3 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground beaters pegged, open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horThe 2 Kisisu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The...
3 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground beaters pegged, open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horThe 2 Kisisu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken—the women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instruments is:— First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach, if not exceed, the threshold of pain in the ears.
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Date Written / Recorded
1963
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Dance, African Drumming, Drum, Rattle, Clapper
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
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Zore III (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR196 , 1 min
3 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground beaters pegged, open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horThe 2 Kisisu drums were played by one man who beat an irregu...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR196 , 1 min
Description
3 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground beaters pegged, open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horThe 2 Kisisu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The...
3 Chohodwani drums, hanging on poles (beaters) pegged, closed. 1 Shikulu drum. Big drum on ground, hand beaten, wine barrel. 2 Kirisu drums on ground beaters pegged, open. 1 Tsakara corrugated iron strip on supports, 6 ft. long. 1 Punzu sable antelope horThe 2 Kisisu drums were played by one man who beat an irregular rhythm against the three other drum's regular rhythm. The clappers were carefully made of sawn planks, blacked along the edges. The main dance of the GiTonga appears to be a kind of violent dance du ventre in which the hips and belly are rolled and shaken—the women and men coming out in pairs to dance in the centre of the ring. In both Zore II and III the order of appearance of the instruments is:— First Kirisu drums, then the 2 Chohodwani drums, then the Shikulu and then the corrugated iron Tsakara. The GiTonga dances are among the most deafening in Africa. The volume of sound within the circle of spectators, drummers and dancers must approach, if not exceed, the threshold of pain in the ears.
Show more
Show less
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
×
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Zu Suite XXV
edited by Guido Adler, 1855-1941; composed by Johann Jakob Froberger, 1616-1667 (1697), Zu Suite XXV (Österreichischer Bundesverlag and Akademische Druckund Verlagsantalt, 1959), 2 page(s)
Sample
edited by Guido Adler, 1855-1941; composed by Johann Jakob Froberger, 1616-1667 (1697), Zu Suite XXV (Österreichischer Bundesverlag and Akademische Druckund Verlagsantalt, 1959), 2 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1697
Field of Study
Classical Music
Content Type
Score
Contributor
Guido Adler, 1855-1941
Author / Creator
Johann Jakob Froberger, 1616-1667
Date Published / Released
1959
Publisher
Österreichischer Bundesverlag, Akademische Druckund Verlagsantalt
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Zubigainekoa: Festival Music of the Basques of Navarra and Hasparren
(Pan (Netherlands), 2001), 1 hour 5 mins, 25 page(s)
Sample
(Pan (Netherlands), 2001), 1 hour 5 mins, 25 page(s)
Date Written / Recorded
1989-07-09
Field of Study
World Music
Content Type
Music recording
Date Published / Released
2001
Publisher
Pan (Netherlands)
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Zwei deutsche Tänze
composed by Franz Peter Schubert, 1797-1828 (1823), Zwei deutsche Tänze (Breitkopf and Härtel, 1897), 1 page(s)
Sample
composed by Franz Peter Schubert, 1797-1828 (1823), Zwei deutsche Tänze (Breitkopf and Härtel, 1897), 1 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1823
Field of Study
Classical Music
Author / Creator
Franz Peter Schubert, 1797-1828
Date Published / Released
1897
Publisher
Breitkopf and Härtel
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Zwei deutsche Tänze
composed by Franz Peter Schubert, 1797-1828 (1790), Zwei deutsche Tänze (Breitkopf and Härtel, 1897), 1 page(s)
Sample
composed by Franz Peter Schubert, 1797-1828 (1790), Zwei deutsche Tänze (Breitkopf and Härtel, 1897), 1 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1790
Field of Study
Classical Music
Author / Creator
Franz Peter Schubert, 1797-1828
Date Published / Released
1897
Publisher
Breitkopf and Härtel
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Zwei Giguen für Pianoforte
composed by Johannes Brahms, 1833-1897 (1855), Zwei Giguen für Pianoforte (Breitkopf and Härtel, 1928), 4 page(s)
Sample
composed by Johannes Brahms, 1833-1897 (1855), Zwei Giguen für Pianoforte (Breitkopf and Härtel, 1928), 4 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1855
Field of Study
Classical Music
Author / Creator
Johannes Brahms, 1833-1897
Date Published / Released
1928
Publisher
Breitkopf and Härtel
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Zwolf Wiener Deutsche
composed by Franz Peter Schubert, 1797-1828 (1812), Zwolf Wiener Deutsche (Breitkopf and Härtel, 1897), 8 page(s)
Sample
composed by Franz Peter Schubert, 1797-1828 (1812), Zwolf Wiener Deutsche (Breitkopf and Härtel, 1897), 8 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1812
Field of Study
Classical Music
Author / Creator
Franz Peter Schubert, 1797-1828
Date Published / Released
1897
Publisher
Breitkopf and Härtel
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