Browse Titles - 210 results
Church Sonata in C major, K. 278
directed by Claus Viller; composed by Wolfgang Amadeus Mozart, 1756-1791 (1777); conducted by Bertrand de Billy; produced by Paul Smaczny, fl. 1995-2015 and Isabel Iturriagagoitia; performed by Vienna Boys' Choir, Chorus Viennensis and Vienna Radio Symphony Orchestra, in A Mozart Celebration from Stephansdom (EuroArts, 2006), 5 mins
This is a performance of Church Sonata in C major, performed by Vienna Radio Symphony Orchestra, Chorus Viennensis, and Wiener Sängerknaben, and conducted by Bertrand de Billy.
Sample
directed by Claus Viller; composed by Wolfgang Amadeus Mozart, 1756-1791 (1777); conducted by Bertrand de Billy; produced by Paul Smaczny, fl. 1995-2015 and Isabel Iturriagagoitia; performed by Vienna Boys' Choir, Chorus Viennensis and Vienna Radio Symphony Orchestra, in A Mozart Celebration from Stephansdom (EuroArts, 2006), 5 mins
Description
This is a performance of Church Sonata in C major, performed by Vienna Radio Symphony Orchestra, Chorus Viennensis, and Wiener Sängerknaben, and conducted by Bertrand de Billy.
Date Written / Recorded
1777, 2006-01-27
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Vienna Boys' Choir, Chorus Viennensis, Vienna Radio Symphony Orchestra
Contributor
Bertrand de Billy, Paul Smaczny, fl. 1995-2015, Isabel Iturriagagoitia
Author / Creator
Wolfgang Amadeus Mozart, 1756-1791, Claus Viller, Vienna Boys' Choir, Chorus Viennensis, Vienna Radio Symphony Orchestra
Date Published / Released
2006
Publisher
EuroArts
Topic / Theme
Classical Music
Copyright Message
Copyright © 2011. Used by permission of EuroArts Music International GmbH.
×
Church Sonata in C major, K. 329
directed by Claus Viller; composed by Wolfgang Amadeus Mozart, 1756-1791 (1779); conducted by Bertrand de Billy; produced by Paul Smaczny, fl. 1995-2015 and Isabel Iturriagagoitia; performed by Vienna Radio Symphony Orchestra, Vienna Boys' Choir and Chorus Viennensis, in A Mozart Celebration from Stephansdom (EuroArts, 2006), 5 mins
This is a performance of Church Sonata in C major, K. 329, performed by Wiener Sängerknaben, Chorus Viennensis, and Vienna Radio Symphony Orchestra, and conducted by Bertrand de Billy.
Sample
directed by Claus Viller; composed by Wolfgang Amadeus Mozart, 1756-1791 (1779); conducted by Bertrand de Billy; produced by Paul Smaczny, fl. 1995-2015 and Isabel Iturriagagoitia; performed by Vienna Radio Symphony Orchestra, Vienna Boys' Choir and Chorus Viennensis, in A Mozart Celebration from Stephansdom (EuroArts, 2006), 5 mins
Description
This is a performance of Church Sonata in C major, K. 329, performed by Wiener Sängerknaben, Chorus Viennensis, and Vienna Radio Symphony Orchestra, and conducted by Bertrand de Billy.
Date Written / Recorded
1779, 2006-01-27
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Vienna Radio Symphony Orchestra, Vienna Boys' Choir, Chorus Viennensis
Contributor
Bertrand de Billy, Paul Smaczny, fl. 1995-2015, Isabel Iturriagagoitia
Author / Creator
Wolfgang Amadeus Mozart, 1756-1791, Claus Viller, Vienna Radio Symphony Orchestra, Vienna Boys' Choir, Chorus Viennensis
Date Published / Released
2006
Publisher
EuroArts
Topic / Theme
Classical Music
Copyright Message
Copyright © 2011. Used by permission of EuroArts Music International GmbH.
×
Concerto for Flute, Harp, and Orchestra in C major, K. 299
directed by Mando Bernardinello; composed by Wolfgang Amadeus Mozart, 1756-1791 (1778); conducted by Sir Neville Marriner, 1924-2016; produced by Elmar Kruse, 2004-2009; performed by Patrick Gallois and Fabrice Pierre, Orchestra della Svizzera Italiana (OSI), Lugano, in Marriner Conducts Mozart (EuroArts, 2006), 30 mins
This is a performance of Concerto for Flute, Harp, and Orchestra in C major, K. 299, performed by Orchestra della Svizzera Italiana, and conducted by Sir Neville Marriner.
Sample
directed by Mando Bernardinello; composed by Wolfgang Amadeus Mozart, 1756-1791 (1778); conducted by Sir Neville Marriner, 1924-2016; produced by Elmar Kruse, 2004-2009; performed by Patrick Gallois and Fabrice Pierre, Orchestra della Svizzera Italiana (OSI), Lugano, in Marriner Conducts Mozart (EuroArts, 2006), 30 mins
Description
This is a performance of Concerto for Flute, Harp, and Orchestra in C major, K. 299, performed by Orchestra della Svizzera Italiana, and conducted by Sir Neville Marriner.
Date Written / Recorded
1778, 2006-11-11
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Orchestra della Svizzera Italiana (OSI), Lugano, Patrick Gallois, Fabrice Pierre
Contributor
Sir Neville Marriner, 1924-2016, Elmar Kruse, 2004-2009
Author / Creator
Wolfgang Amadeus Mozart, 1756-1791, Mando Bernardinello, Orchestra della Svizzera Italiana (OSI), Lugano, Patrick Gallois, Fabrice Pierre
Date Published / Released
2006
Publisher
EuroArts
Topic / Theme
Classical Music
Copyright Message
Copyright © 2011. Used by permission of EuroArts Music International GmbH.
×
Concerto in C major, RV 433
directed by Agnes Meth; composed by Antonio Vivaldi, 1678-1741; conducted by Bramwell Tovey, 1953-; produced by Bernhard Fleischer, 1971- and Xavier Thillen; performed by Evelyn Glennie, 1965-, Orchestre Philharmonique du Luxembourg, in Evelyn Glennie à Luxembourg (EuroArts, 2005), 11 mins
This is a performance of Concerto in C major, RV 433, performed by Orchestre Philharmonique du Luxembourg, and conducted by Bramwell Tovey.
Sample
directed by Agnes Meth; composed by Antonio Vivaldi, 1678-1741; conducted by Bramwell Tovey, 1953-; produced by Bernhard Fleischer, 1971- and Xavier Thillen; performed by Evelyn Glennie, 1965-, Orchestre Philharmonique du Luxembourg, in Evelyn Glennie à Luxembourg (EuroArts, 2005), 11 mins
Description
This is a performance of Concerto in C major, RV 433, performed by Orchestre Philharmonique du Luxembourg, and conducted by Bramwell Tovey.
Date Written / Recorded
2004-09
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Orchestre Philharmonique du Luxembourg, Evelyn Glennie, 1965-
Contributor
Bramwell Tovey, 1953-, Bernhard Fleischer, 1971-, Xavier Thillen
Author / Creator
Antonio Vivaldi, 1678-1741, Agnes Meth, Orchestre Philharmonique du Luxembourg, Evelyn Glennie, 1965-
Date Published / Released
2005
Publisher
EuroArts
Topic / Theme
Classical Music
Copyright Message
Copyright © 2011. Used by permission of EuroArts Music International GmbH.
×
Contredanse: Les Filles Malicieuses
composed by Wolfgang Amadeus Mozart, 1756-1791 (1791); produced by Gothenburg Symphony; performed by Freiburg Baroque Orchestra (Freiburger Barockorchester) (Windrose (Film distributor), 2015), 2 mins
The Freiburger Barockorchester conquered the most famous international concert halls thanks to their mastery of historical instruments. The great Italian soloist Lorenzo Coppola plays Mozart's Clarinet Concerto on a replica of the clarinetto that Anton Stadler used for the Première. Christian Gerhaher, German Bar...
Sample
composed by Wolfgang Amadeus Mozart, 1756-1791 (1791); produced by Gothenburg Symphony; performed by Freiburg Baroque Orchestra (Freiburger Barockorchester) (Windrose (Film distributor), 2015), 2 mins
Description
The Freiburger Barockorchester conquered the most famous international concert halls thanks to their mastery of historical instruments. The great Italian soloist Lorenzo Coppola plays Mozart's Clarinet Concerto on a replica of the clarinetto that Anton Stadler used for the Première. Christian Gerhaher, German Bariton, sings the well-known Mozart Arias, a vigorous version of Mozart's "Paris" Symphony, No 31 and Contredance “Les filles des malic...
The Freiburger Barockorchester conquered the most famous international concert halls thanks to their mastery of historical instruments. The great Italian soloist Lorenzo Coppola plays Mozart's Clarinet Concerto on a replica of the clarinetto that Anton Stadler used for the Première. Christian Gerhaher, German Bariton, sings the well-known Mozart Arias, a vigorous version of Mozart's "Paris" Symphony, No 31 and Contredance “Les filles des malicieuses”.
Show more
Show less
Date Written / Recorded
1791
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Freiburg Baroque Orchestra (Freiburger Barockorchester)
Contributor
Gothenburg Symphony
Author / Creator
Wolfgang Amadeus Mozart, 1756-1791, Freiburg Baroque Orchestra (Freiburger Barockorchester)
Date Published / Released
2015
Publisher
Windrose (Film distributor)
Copyright Message
Copyright © 2015 Göteborg Sympfoniker. All Rights Reserved
×
Le Coq d'Or Fantasy (Golden Cockerel) for violin and String Orchestra
directed by Bernhard Fleischer, 1971-; composed by Efrem Zimbalist, 1890-1985; produced by Bernhard Fleischer, 1971-, Bernhard Fleischer Moving Images; performed by Elena Kawazu, LGT Young Soloists (Berlin, Berlin State: C Major Entertainment, 2016), 10 mins
The LGT Young Soloists delight audiences worldwide with their rousing performances at highest artistic level. They are invited to perform regularly at renowned concert halls around the world in cities like New York, Beijing, Shanghai, Moscow, Munich, Vienna, Zurich, Hong Kong and Singapore. The string ensemble is...
Sample
directed by Bernhard Fleischer, 1971-; composed by Efrem Zimbalist, 1890-1985; produced by Bernhard Fleischer, 1971-, Bernhard Fleischer Moving Images; performed by Elena Kawazu, LGT Young Soloists (Berlin, Berlin State: C Major Entertainment, 2016), 10 mins
Description
The LGT Young Soloists delight audiences worldwide with their rousing performances at highest artistic level. They are invited to perform regularly at renowned concert halls around the world in cities like New York, Beijing, Shanghai, Moscow, Munich, Vienna, Zurich, Hong Kong and Singapore. The string ensemble is made up of highly gifted young musicians aged between 13 and 22 years. Each member already has a successful soloist career: between the...
The LGT Young Soloists delight audiences worldwide with their rousing performances at highest artistic level. They are invited to perform regularly at renowned concert halls around the world in cities like New York, Beijing, Shanghai, Moscow, Munich, Vienna, Zurich, Hong Kong and Singapore. The string ensemble is made up of highly gifted young musicians aged between 13 and 22 years. Each member already has a successful soloist career: between them, the LGT Young Soloists have already won more than 80 prizes in national and international competitions. PROGRAM: Rimsky-Korsakov/E. Zimbalist: Le Coq d‘Or Fantasy (Golden Cockerel) for violin and string orchestra, arr. Paul Struck; Rachmaninov: Vocalise op 34, No. 14 for viola and string orchestra
Show more
Show less
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
LGT Young Soloists, Elena Kawazu
Contributor
Bernhard Fleischer, 1971-, Bernhard Fleischer Moving Images
Author / Creator
Efrem Zimbalist, 1890-1985, Bernhard Fleischer, 1971-, LGT Young Soloists, Elena Kawazu
Date Published / Released
2016
Publisher
C Major Entertainment
Copyright Message
Copyright © 2016 C Major Entertainment
×
Cras: Trio
directed by Vincent Massip, fl. 2008; composed by Maurice Ravel, 1875-1937; produced by Daniel Charrier; performed by Julien Dieudegard, fl. 1997, Noemi Boutin, 1983- and Julian Boutin, in Musique Française (Lyon, Auvergne-Rhône-Alpes: CLC Productions, 2007), 25 mins
This is a performance of French compositions by Ravel, Cras, and Fauré, performed by Jonas Vitaud, Jean Cras, Julien Dieudegard, Julien Boutin and Noemi Boutin and directed by Vincent Massip.
Sample
directed by Vincent Massip, fl. 2008; composed by Maurice Ravel, 1875-1937; produced by Daniel Charrier; performed by Julien Dieudegard, fl. 1997, Noemi Boutin, 1983- and Julian Boutin, in Musique Française (Lyon, Auvergne-Rhône-Alpes: CLC Productions, 2007), 25 mins
Description
This is a performance of French compositions by Ravel, Cras, and Fauré, performed by Jonas Vitaud, Jean Cras, Julien Dieudegard, Julien Boutin and Noemi Boutin and directed by Vincent Massip.
Date Written / Recorded
2007-04-22
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Julien Dieudegard, fl. 1997, Noemi Boutin, 1983-, Julian Boutin
Contributor
Daniel Charrier
Author / Creator
Maurice Ravel, 1875-1937, Vincent Massip, fl. 2008, Julien Dieudegard, fl. 1997, Noemi Boutin, 1983-, Julian Boutin
Date Published / Released
2007
Publisher
CLC Productions
Copyright Message
Copyright © 2007 by CLC Productions
×
A Day in the Life of Johannes Moser
directed by Holger Preusse; produced by Claus Wischmann, 1966-, Sounding Images; performed by Johannes Moser, in A Day in the Life of Johannes Moser (Paris, Ile-de-France: Windrose (Film distributor), 2012), 26 mins
Building his reputation on a variety of repertoire, he performed with many of the world's leading orchestras.
Sample
directed by Holger Preusse; produced by Claus Wischmann, 1966-, Sounding Images; performed by Johannes Moser, in A Day in the Life of Johannes Moser (Paris, Ile-de-France: Windrose (Film distributor), 2012), 26 mins
Description
Building his reputation on a variety of repertoire, he performed with many of the world's leading orchestras.
Field of Study
Classical Music
Content Type
Documentary
Performer / Ensemble
Johannes Moser
Contributor
Claus Wischmann, 1966-, Sounding Images
Author / Creator
Holger Preusse, Johannes Moser
Date Published / Released
2012
Publisher
Windrose (Film distributor)
Person Discussed
Johannes Moser
Topic / Theme
Musicians, Rehearsals, Performance practice, Orchestral, Piece, Cello
Copyright Message
Copyright © 2011. Used by permission of Windrose Distribution.
×
Dracula: ou la musique troue le ciel
directed by David Daurier, fl. 2009; composed by Pierre Henry, 1927- (2002); conducted by Maxime Pascal, fl. 2000; produced by Laetitia Bartoli and Norman Amram, Gingerlemon; performed by Le Balcon (Berlin State: EuroArts, 2017), 59 mins
Pierre Henry: DraculaThe late French composer Pierre Henry was among the pivotal forces behind the development of musique concrète, becoming the first formally educated musician to devote his energies to the electronic medium. His final work Dracula was originally composed with two different tracks: one with Rich...
Sample
directed by David Daurier, fl. 2009; composed by Pierre Henry, 1927- (2002); conducted by Maxime Pascal, fl. 2000; produced by Laetitia Bartoli and Norman Amram, Gingerlemon; performed by Le Balcon (Berlin State: EuroArts, 2017), 59 mins
Description
Pierre Henry: DraculaThe late French composer Pierre Henry was among the pivotal forces behind the development of musique concrète, becoming the first formally educated musician to devote his energies to the electronic medium. His final work Dracula was originally composed with two different tracks: one with Richard Wagner’s music (mainy his ‘hits’) and the second one with horror film soundtracks. The orchestra Le Balcon – 17 musicians o...
Pierre Henry: DraculaThe late French composer Pierre Henry was among the pivotal forces behind the development of musique concrète, becoming the first formally educated musician to devote his energies to the electronic medium. His final work Dracula was originally composed with two different tracks: one with Richard Wagner’s music (mainy his ‘hits’) and the second one with horror film soundtracks. The orchestra Le Balcon – 17 musicians on stage and 30 speakers everywhere in the theatre – bring the music in a canon-like merry-go-round to life: one half performs Wagner, the other half plays film soundtracks up until they reverse their roles.
Show more
Show less
Date Written / Recorded
2002, 2017-06-03
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Le Balcon
Contributor
Maxime Pascal, fl. 2000, Laetitia Bartoli, Norman Amram, Gingerlemon
Author / Creator
Pierre Henry, 1927-, David Daurier, fl. 2009, Le Balcon
Date Published / Released
2017
Publisher
EuroArts
Copyright Message
Copyright © 2017 EuroArts Music International
×
The Dying Swan
composed by Camille Saint-Saëns, 1835-1921 (1886); choreographed by Michel Fokine, 1880-1942; produced by Carl Simons and Julia Matheson, NVC Arts; performed by Olga Moiseyeva (Berlin, Berlin State: C Major Entertainment, 1995), 4 mins
From the early 20th century, the Maryinsky Ballet, later the Kirov, dazzled audiences with the beauty of dance. This fascinating footage of many of the company’s greatest dancers draws on five years’ research in Russia’s film archives. Extracts from: Swan Lake, Raymonda, Viennese Waltz, Reflection, Le Corsai...
Sample
composed by Camille Saint-Saëns, 1835-1921 (1886); choreographed by Michel Fokine, 1880-1942; produced by Carl Simons and Julia Matheson, NVC Arts; performed by Olga Moiseyeva (Berlin, Berlin State: C Major Entertainment, 1995), 4 mins
Description
From the early 20th century, the Maryinsky Ballet, later the Kirov, dazzled audiences with the beauty of dance. This fascinating footage of many of the company’s greatest dancers draws on five years’ research in Russia’s film archives. Extracts from: Swan Lake, Raymonda, Viennese Waltz, Reflection, Le Corsaire, Laurencia, The Tale of Serf Nikish, The Dying Swan, Pas de Quatre, Syrinx, Spartacus, Romeo and Juliet, The Ice Maiden, Les Sylphides
Date Written / Recorded
1886
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Olga Moiseyeva
Contributor
Michel Fokine, 1880-1942, Carl Simons, Julia Matheson, NVC Arts
Author / Creator
Michel Fokine, 1880-1942, Camille Saint-Saëns, 1835-1921, Olga Moiseyeva
Date Published / Released
1995
Publisher
C Major Entertainment
Copyright Message
Copyright © 1995 C Major Entertainment
×