Browse Titles - 32 results
Music from the Spanish Kingdoms
conducted by Nancy Hadden; produced by Nicholas Parker; performed by Emily van Evera, Circa 1500 (CRD), 1 hour 1 mins
Sample
conducted by Nancy Hadden; produced by Nicholas Parker; performed by Emily van Evera, Circa 1500 (CRD), 1 hour 1 mins
Date Written / Recorded
1987-11-12
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Circa 1500, Emily van Evera
Contributor
Nancy Hadden, Nicholas Parker
Author / Creator
Circa 1500, Emily van Evera
Publisher
CRD
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The Music of William Byrd
composed by William Byrd, 1540-1623; produced by Beverly Merrill, fl. 1998; performed by Russell Oberlin, In Nomine Players (Lyrichord, 1995), 38 mins
Sample
composed by William Byrd, 1540-1623; produced by Beverly Merrill, fl. 1998; performed by Russell Oberlin, In Nomine Players (Lyrichord, 1995), 38 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
In Nomine Players, Russell Oberlin
Contributor
Jerry Newman, fl. 1954, Beverly Merrill, fl. 1998
Author / Creator
William Byrd, 1540-1623, In Nomine Players, Russell Oberlin
Date Published / Released
1995
Publisher
Lyrichord
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Musica da Camera - L. Crescini · G. Pianezzola · S. Heger
composed by Aldo Finzi, 1897-1945; produced by Riccardo Caramella; performed by Giambattista Pianezzola, Simonetta Heger and Laura Crescini, Quartetto Erasmus (Nuova Era), 1 hour 13 mins
Sample
composed by Aldo Finzi, 1897-1945; produced by Riccardo Caramella; performed by Giambattista Pianezzola, Simonetta Heger and Laura Crescini, Quartetto Erasmus (Nuova Era), 1 hour 13 mins
Date Written / Recorded
1996
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Quartetto Erasmus, Giambattista Pianezzola, Simonetta Heger, Laura Crescini
Contributor
Luigi Oselin, fl. 1994, Riccardo Caramella
Author / Creator
Aldo Finzi, 1897-1945, Quartetto Erasmus, Giambattista Pianezzola, Simonetta Heger, Laura Crescini
Publisher
Nuova Era
Tracks
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Musiques Nuptiales
produced by Ivan Pastor, fl. 1986; performed by Andre Bernard, Jean-Louis Gil, Françoise-Henri Houbart, 1952- and Bernard Soustrot (Forlane CI, 2001), 55 mins
Sample
produced by Ivan Pastor, fl. 1986; performed by Andre Bernard, Jean-Louis Gil, Françoise-Henri Houbart, 1952- and Bernard Soustrot (Forlane CI, 2001), 55 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Andre Bernard, Jean-Louis Gil, Françoise-Henri Houbart, 1952-, Bernard Soustrot
Contributor
Ivan Pastor, fl. 1986
Author / Creator
Andre Bernard, Jean-Louis Gil, Françoise-Henri Houbart, 1952-, Bernard Soustrot
Date Published / Released
2001
Publisher
Forlane CI
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New Fashions: Cries & Ballads of London
conducted by Nancy Hadden; produced by John Hadden, fl. 1970; performed by John Potter, Richard Wistreich, Harvey Brough, Suzie LeBlanc, Nancy Hadden, Erin Headly, Sarah Cunningham, Lee Santana, Dirk Freymuth, Margriet Tindemans and Hille Perl, Red Byrd and Circa 1500 (CRD), 1 hour 6 mins
Sample
conducted by Nancy Hadden; produced by John Hadden, fl. 1970; performed by John Potter, Richard Wistreich, Harvey Brough, Suzie LeBlanc, Nancy Hadden, Erin Headly, Sarah Cunningham, Lee Santana, Dirk Freymuth, Margriet Tindemans and Hille Perl, Red Byrd and Circa 1500 (CRD), 1 hour 6 mins
Date Written / Recorded
1991-04-26
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Red Byrd, Circa 1500, John Potter, Richard Wistreich, Harvey Brough, Suzie LeBlanc, Nancy Hadden, Erin Headly, Sarah Cunningham, Lee Santana, Dirk Freymuth, Margriet Tindemans, Hille Perl
Contributor
Nancy Hadden, John Hadden, fl. 1970
Author / Creator
Red Byrd, Circa 1500, John Potter, Richard Wistreich, Harvey Brough, Suzie LeBlanc, Nancy Hadden, Erin Headly, Sarah Cunningham, Lee Santana, Dirk Freymuth, Margriet Tindemans, Hille Perl
Publisher
CRD
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Newband
composed by Harry Partch, 1901-1976; produced by Don Hunerberg, fl. 1981; performed by Stefani Starin, Dean Drummond, 1949-, Dominic Donato, James Pugliese, 1952-, Theodore Mook, Elizabeth Rodgers and Frank Cassara, Newband (Mode Records), 1 hour 1 mins
Newband emerged from the avant-garde of the 1970s and its daring explorations have helped fuel a movement devoted to new sonic possibilities. Microtonal works are a central part of the band's repertoire and each of the pieces on this CD represents aspects of several unconventional tuning systems. Harry Partch's ha...
Sample
composed by Harry Partch, 1901-1976; produced by Don Hunerberg, fl. 1981; performed by Stefani Starin, Dean Drummond, 1949-, Dominic Donato, James Pugliese, 1952-, Theodore Mook, Elizabeth Rodgers and Frank Cassara, Newband (Mode Records), 1 hour 1 mins
Description
Newband emerged from the avant-garde of the 1970s and its daring explorations have helped fuel a movement devoted to new sonic possibilities. Microtonal works are a central part of the band's repertoire and each of the pieces on this CD represents aspects of several unconventional tuning systems. Harry Partch's haunting Daphne of the Dunes employs a plethora of invented instruments, most of them built by the composer. To achieve his extraordinary...
Newband emerged from the avant-garde of the 1970s and its daring explorations have helped fuel a movement devoted to new sonic possibilities. Microtonal works are a central part of the band's repertoire and each of the pieces on this CD represents aspects of several unconventional tuning systems. Harry Partch's haunting Daphne of the Dunes employs a plethora of invented instruments, most of them built by the composer. To achieve his extraordinary timbral palette, Partch used scales based on just intonation. The variation of pitches opens up a fantastic array of intervals, making even-tempered scales seem bland in comparison. James Pugliese's Freeze derives its sliding alto flute tones and heterophony from Native American singing, though without attempting to directly mimic that style. Dean Drummond's Different Drums for Different Strokes explores contrasts between electronic and acoustic drums, and the merging of sonorities extends the percussion's coloristic range in fascinating ways. Mathew Rosenblum's eclectic Circadian Rhythms crosses over tonal and stylistic boundaries to a precarious middle ground, where convention and the unorthodox uneasily coexist. The vibraphone-like Zoomoozophone is featured in Thelonious Monk's 'Round Midnight, though it is miked too closely, resulting in an unpleasant clanging blur. Otherwise, the disc's sound quality is superb. ~ Blair Sanderson, All Music Guide
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Date Written / Recorded
1991-01-26
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Newband, Stefani Starin, Dean Drummond, 1949-, Dominic Donato, James Pugliese, 1952-, Theodore Mook, Elizabeth Rodgers, Frank Cassara
Contributor
Don Hunerberg, fl. 1981
Author / Creator
Harry Partch, 1901-1976, Newband, Stefani Starin, Dean Drummond, 1949-, Dominic Donato, James Pugliese, 1952-, Theodore Mook, Elizabeth Rodgers, Frank Cassara
Publisher
Mode Records
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Piano Trio No. 2
composed by Franz Peter Schubert, 1797-1828; produced by Andrew Keener, 1954-; performed by Simon Blendis, Douglas Paterson, Jane Salmon and William Howard, Schubert Ensemble of London (Quicksilva), 2 hours 13 mins
Sample
composed by Franz Peter Schubert, 1797-1828; produced by Andrew Keener, 1954-; performed by Simon Blendis, Douglas Paterson, Jane Salmon and William Howard, Schubert Ensemble of London (Quicksilva), 2 hours 13 mins
Date Written / Recorded
1998-06-07
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Schubert Ensemble of London, Simon Blendis, Douglas Paterson, Jane Salmon, William Howard
Contributor
Tony Faulkner, Andrew Keener, 1954-
Author / Creator
Franz Peter Schubert, 1797-1828, Schubert Ensemble of London, Simon Blendis, Douglas Paterson, Jane Salmon, William Howard
Publisher
Quicksilva
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Virtuoso Violin Masterpieces (CD 1)
composed by Fritz Kreisler, 1875-1962; produced by Seymour Solomon; performed by Mischa Elman, 1891- and Joseph Seiger, in Recordings for the connoisseur (Artemis-Vanguard), 1 hour 14 mins
Sample
composed by Fritz Kreisler, 1875-1962; produced by Seymour Solomon; performed by Mischa Elman, 1891- and Joseph Seiger, in Recordings for the connoisseur (Artemis-Vanguard), 1 hour 14 mins
Date Written / Recorded
1960-06-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Mischa Elman, 1891-, Joseph Seiger
Contributor
Marc Aubort, Seymour Solomon
Author / Creator
Fritz Kreisler, 1875-1962, Mischa Elman, 1891-, Joseph Seiger
Publisher
Artemis-Vanguard
Series
Recordings for the connoisseur
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The Reed Of Pan: British Flute Music, Volume 3
composed by Sir Granville Bantock, 1868-1946; produced by Antony Hodgson; performed by Kenneth Smith and Paul Rhodes (ASV, 1994), 1 hour 16 mins
Sample
composed by Sir Granville Bantock, 1868-1946; produced by Antony Hodgson; performed by Kenneth Smith and Paul Rhodes (ASV, 1994), 1 hour 16 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Kenneth Smith, Paul Rhodes
Contributor
Geoffrey Addis, fl. 2008, Antony Hodgson
Author / Creator
Sir Granville Bantock, 1868-1946, Kenneth Smith, Paul Rhodes
Date Published / Released
1994
Publisher
ASV
Tracks
×
So Much to Tell
composed by Aaron Copland, 1900-1990; conducted by Roy Goodman, 1951-2014; produced by Karen Wilson; performed by Measha Brueggergosman, Manitoba Chamber Orchestra (CBC Records), 1 hour 5 mins
Sample
composed by Aaron Copland, 1900-1990; conducted by Roy Goodman, 1951-2014; produced by Karen Wilson; performed by Measha Brueggergosman, Manitoba Chamber Orchestra (CBC Records), 1 hour 5 mins
Date Written / Recorded
2004
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Manitoba Chamber Orchestra, Measha Brueggergosman
Contributor
Roy Goodman, 1951-2014, Charles Simon, fl. 1992, Karen Wilson
Author / Creator
Aaron Copland, 1900-1990, Manitoba Chamber Orchestra, Measha Brueggergosman
Publisher
CBC Records
Tracks
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