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Visit to Dera Bugti #2, (5/17/94
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Picnic scenes: Roasting 12 goats, baking bread, entertainment of guns and rocket launchers, swimming and model of handsome Baloch. In the evening, in Nawab Bugti's guest house, musicians came to play and sing traditional songs, including a narh-suri performance..
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Visit to Dera Bugti #3, (5/17/94).  Continuation of recording session.   Next day's recording session (5/18/940).  Third day of rcording, (5/19/94).      (PK--94-9)
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5/17/94: Continuation of recording session with narh solo. 5/18/94: Next day's session begins with a double flute example, Jori. Later a women comes to sing some women's songs. When alone with me, she sang lullabies. After 6:00 pm, went to someone else's home where women came and sang and danced for me. 5/19/94...
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Visit to Dera Bugti #4. Continuation of performance by Sechu Khan (5/19/94. (PK-94-10)
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Continuation of Sechu Khan playing examples 5 -10, then takes a break and Qadar Bakhsh, instrument maker, shows how he does "dast kari" hand-work to make designs on sarundas. Sechu Khan plays two more tunes to end tape.
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Visit to Dera Bugti #5.  Conclusion of Sechu Khan's recordings (5/19/94).  (PK-94-11)
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Conclusion of Sechu Khan's performances (24 pieces in total including Murid Ali singing). After break (at 4:20 pm), Tara Khan with damburo sings Baloch tales of heros and lovers--8 songs. Haji Nabi Bakhsh begins to sing to end of tape
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Visit to Dera Bugti #6.  Faqir Gora Ghara (5/20/94). Haji Nabi Bakhsh (5/21/94).                                     The Army Music School in Abbottabad, (5/31/94). (PK-94-12)
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5/20/94: Mohammad Gora Ghara, faqir from Pir Koh, dances and tells fortune while his assistant plays the damburo. 5/21/94: Next day, Haji Nabi Bakhsh returns and records more songs, then Faqir also returns and I record him again, but can't go into trance. Continuation of Haji Nabi Bakhsh until end of recording s...
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