Browse Titles - 479 results
Aliva enaku adheta (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR142 (1950) , 1 page(s)
A song recalling the first arrival of the English who introduced trade and better methods of agriculture.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR142 (1950) , 1 page(s)
Description
A song recalling the first arrival of the English who introduced trade and better methods of agriculture.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Aliva enaku adheta (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR142 , 3 mins
A song in which a number of topics are touched upon including Ngobi, a local glutton, and the sorrow of a mourner who sits alone in a house watching over the dead body of a friend or relative. This combination of lyre and lute is popular among Soga minstrels.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR142 , 3 mins
Description
A song in which a number of topics are touched upon including Ngobi, a local glutton, and the sorrow of a mourner who sits alone in a house watching over the dead body of a friend or relative. This combination of lyre and lute is popular among Soga minstrels.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Amai, Amai, ndikunene eleli (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR087 (1959) , 2 page(s)
"Mother, mother I will say much to you You have taken my child. I myself am only small You have taken my child. No, you have taken my child, as I say."
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR087 (1959) , 2 page(s)
Description
"Mother, mother I will say much to you You have taken my child. I myself am only small You have taken my child. No, you have taken my child, as I say."
Date Written / Recorded
1959
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Narrative Songs, Rattle, Clapping, hand
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Amalume kuwayawa (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR185 (1957) , 1 page(s)
"Boys marry young girls. Whi is Lami going to marry? You will never have any food You're going to eat your mother My uncle is not settled For he thinks I am his wife." One woman claps gently in the background.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR185 (1957) , 1 page(s)
Description
"Boys marry young girls. Whi is Lami going to marry? You will never have any food You're going to eat your mother My uncle is not settled For he thinks I am his wife." One woman claps gently in the background.
Date Written / Recorded
1957
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Narrative Songs, Clapping, hand
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Ambiga (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR126 , 3 mins
The singer's face resembled the West African mask with extremely slanting eyes. He sang with his Mbira pressed against the side of his face giving a strange impression of a spirit out of the forest.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR126 , 3 mins
Description
The singer's face resembled the West African mask with extremely slanting eyes. He sang with his Mbira pressed against the side of his face giving a strange impression of a spirit out of the forest.
Date Written / Recorded
1952
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
×
Anawela Kokakola (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR004 (1955) , 1 page(s)
d) A certain girl liked coca-cola very much, but her brother who was looking after her was too fond of drinking beer to worry about giving her coca-cola.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR004 (1955) , 1 page(s)
Description
d) A certain girl liked coca-cola very much, but her brother who was looking after her was too fond of drinking beer to worry about giving her coca-cola.
Date Written / Recorded
1955
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Anawela Kokakola (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR004 , 3 mins
d) A certain girl liked coca-cola very much, but her brother who was looking after her was too fond of drinking beer to worry about giving her coca-cola.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR004 , 3 mins
Description
d) A certain girl liked coca-cola very much, but her brother who was looking after her was too fond of drinking beer to worry about giving her coca-cola.
Date Written / Recorded
1955
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
×
Andisaguta (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR173 (1949) , 1 page(s)
The story of a woman who was driven away from the village as they said she was a 'witch' and her husband too rude. The common name for a person whose behaviour or presence is a cause of offence to the others in the community was a 'witch' as used in the mediaeval sense.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR173 (1949) , 1 page(s)
Description
The story of a woman who was driven away from the village as they said she was a 'witch' and her husband too rude. The common name for a person whose behaviour or presence is a cause of offence to the others in the community was a 'witch' as used in the mediaeval sense.
Date Written / Recorded
1949
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Ansati Iwe u nganaye = That woman with you (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR011 (1956) , 1 page(s)
The singer's wife asked a tailor to make her a new fashioned blouse. He did so and she was very happy and delighted with her new blouse. The origin of the word 'Achikatao' is obscure, possibly from the Portuguese chita -- cotton print fabric or Chit ¢o -- cretonne.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR011 (1956) , 1 page(s)
Description
The singer's wife asked a tailor to make her a new fashioned blouse. He did so and she was very happy and delighted with her new blouse. The origin of the word 'Achikatao' is obscure, possibly from the Portuguese chita -- cotton print fabric or Chit ¢o -- cretonne. That woman with you is not your wife. -- You have only borrowed her for the time being. Soon she will be taken by someone else.' A true sidelight on town life.
Date Written / Recorded
1956
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Narrative Songs, Guitar
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Ansati Iwe u nganaye = That woman with you (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR011 , 3 mins
That woman with you is not your wife. -- You have only borrowed her for the time being. Soon she will be taken by someone else.' A true sidelight on town life.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR011 , 3 mins
Description
That woman with you is not your wife. -- You have only borrowed her for the time being. Soon she will be taken by someone else.' A true sidelight on town life.
Date Written / Recorded
1956
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×