Browse Titles - 630 results
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The 9th Festival of Pacific Arts: Oltobed a Malt
produced by Ernest Ongidobel, fl. 2000, Republic of Palau and Secretariat of the Pacific Community (Organization), in The 9th Festival of Pacific Arts: Oltobed a Malt (New Caledonia: Secretariat of the Pacific Community (Organization), 2004), 44 mins
This film recounts the events and the highlights of the 9th Festival of Arts and for 10 days, Islanders of diverse nationalities performed, spoke about, and demonstrated their cultures and what it means to be a Pacific Islander in the 21st century.
Sample
produced by Ernest Ongidobel, fl. 2000, Republic of Palau and Secretariat of the Pacific Community (Organization), in The 9th Festival of Pacific Arts: Oltobed a Malt (New Caledonia: Secretariat of the Pacific Community (Organization), 2004), 44 mins
Description
This film recounts the events and the highlights of the 9th Festival of Arts and for 10 days, Islanders of diverse nationalities performed, spoke about, and demonstrated their cultures and what it means to be a Pacific Islander in the 21st century.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Rhonda Griffiths, fl. 2004, Aren Baoa, fl. 2011, Ernest Ongidobel, fl. 2000, Republic of Palau, Secretariat of the Pacific Community (Organization), Joe Chilton, fl. 2004
Author / Creator
Rhonda Griffiths, fl. 2004, Aren Baoa, fl. 2011
Date Published / Released
2004
Publisher
Secretariat of the Pacific Community (Organization)
Speaker / Narrator
Joe Chilton, fl. 2004
Topic / Theme
Cultural participation, Local customs, Revitalization and ethnogenesis, Fairs and festivals, Pacific Islander ethnic groups, Brazilians
Copyright Message
©2004
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Acting Like a Thief
written by Shashwati Talukdar, fl. 1996 and P. Kerim Friedman, fl. 2006; directed by P. Kerim Friedman, fl. 2006 and Shashwati Talukdar, fl. 1996; produced by P. Kerim Friedman, fl. 2006 and Shashwati Talukdar, fl. 1996 (Watertown, MA: Documentary Educational Resources (DER), 2005), 15 mins
Acting Like a Thief is about a Chhara tribal theatre group in Ahmedabad, India. Starting with the arrest of playwright DaKxin Bajrange (Chhara), the documentary reveals how the Budhan Theatre has transformed the lives of adults and children within the community.
Sample
written by Shashwati Talukdar, fl. 1996 and P. Kerim Friedman, fl. 2006; directed by P. Kerim Friedman, fl. 2006 and Shashwati Talukdar, fl. 1996; produced by P. Kerim Friedman, fl. 2006 and Shashwati Talukdar, fl. 1996 (Watertown, MA: Documentary Educational Resources (DER), 2005), 15 mins
Description
Acting Like a Thief is about a Chhara tribal theatre group in Ahmedabad, India. Starting with the arrest of playwright DaKxin Bajrange (Chhara), the documentary reveals how the Budhan Theatre has transformed the lives of adults and children within the community. Acting Like a Thief is about a Chhara tribal theatre group in Ahmedabad, India. Starting with the arrest of playwright DaKxin Bajrange (Chhara), the documentary reveals how the Budhan The...
Acting Like a Thief is about a Chhara tribal theatre group in Ahmedabad, India. Starting with the arrest of playwright DaKxin Bajrange (Chhara), the documentary reveals how the Budhan Theatre has transformed the lives of adults and children within the community. Acting Like a Thief is about a Chhara tribal theatre group in Ahmedabad, India. Starting with the arrest of playwright DaKxin Bajrange (Chhara), the documentary reveals how the Budhan Theatre has transformed the lives of adults and children within the community. Chhara tribals were notified as "natural criminals" by the British in 1871 and imprisoned in a labor camp in Ahmedabad. After Indian independence, they were de-notified, but the stigma of being a "born criminal" follows them to this day. The Budhan Theatre was inspired by the activism work of Mahasweta Devi.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Shashwati Talukdar, fl. 1996, P. Kerim Friedman, fl. 2006, Dakxin Bajrange, fl. 2005
Author / Creator
Shashwati Talukdar, fl. 1996, P. Kerim Friedman, fl. 2006
Date Published / Released
2005
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Chhara, Politics, Theatrical productions, Tribal and national groups, Cultural change and history, Cultural identity, Ethnic relations, Indigenous peoples, Ethnography, Haryanvi
Copyright Message
© Documentary Educational Resources
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Add & Mabel's Punkin Center
written by Dillon Bustin, fl. 1982; directed by Dillon Bustin, fl. 1982 and Richard Kane, 1944-; produced by Richard Kane, 1944- (Watertown, MA: Documentary Educational Resources (DER), 1984), 16 mins
Add & Mabel's Punkin Center is about memories. It's about the urge to collect things from the past to help make vivid those cherished times. But it's also about today, about two old-timers whose tender and jovial banter reveals a contentment with the present derived only from knowing their past. To experience Punk...
Sample
written by Dillon Bustin, fl. 1982; directed by Dillon Bustin, fl. 1982 and Richard Kane, 1944-; produced by Richard Kane, 1944- (Watertown, MA: Documentary Educational Resources (DER), 1984), 16 mins
Description
Add & Mabel's Punkin Center is about memories. It's about the urge to collect things from the past to help make vivid those cherished times. But it's also about today, about two old-timers whose tender and jovial banter reveals a contentment with the present derived only from knowing their past. To experience Punkin Center in Southern Indiana is to experience the value of reminiscence. Today, we see a homespun folk museum filled with hundreds of...
Add & Mabel's Punkin Center is about memories. It's about the urge to collect things from the past to help make vivid those cherished times. But it's also about today, about two old-timers whose tender and jovial banter reveals a contentment with the present derived only from knowing their past. To experience Punkin Center in Southern Indiana is to experience the value of reminiscence. Today, we see a homespun folk museum filled with hundreds of thousands of antiques and curiosities Add and Mabel Gray have collected since the 1920s. Each item inspires stories about vaudeville acts and organ grinders, Kraft cheese parties and Western Swing, Depression days and Amish neighbors. Over the years, Punkin Center grew to become the hub - the true backbone of their Midwestern community, fulfilling a need for isolated rural folk to be in touch with each other and the rest of the world. Add & Mabel's Punkin Center is about memories. It's about the urge to collect things from the past to help make vivid those cherished times. But it's also about today, about two old-timers whose tender and jovial banter reveals a contentment with the present derived only from knowing their past. To experience Punkin Center in Southern Indiana is to experience the value of reminiscence. Today, we see a homespun folk museum filled with hundreds of thousands of antiques and curiosities Add and Mabel Gray have collected since the 1920s. Each item inspires stories about vaudeville acts and organ grinders, Kraft cheese parties and western swing, Depression days and Amish neighbors. Over the years, Punkin Center grew to become the hub - the true backbone of their Midwestern community, fulfilling a need for isolated rural folk to be in touch with each other and the rest of the world.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Dillon Bustin, fl. 1982, Richard Kane, 1944-, Mabel Gray, fl. 1984, Add Gray, fl. 1984, Mark Hammer, 1937-2007
Author / Creator
Dillon Bustin, fl. 1982, Richard Kane, 1944-
Date Published / Released
1984
Publisher
Documentary Educational Resources (DER)
Speaker / Narrator
Mark Hammer, 1937-2007
Person Discussed
Mabel Gray, fl. 1984, Add Gray, fl. 1984
Topic / Theme
American, Folklore, Museums, Collecting and collectables, Cultural change and history, Ethnography, Americans
Copyright Message
© Documentary Educational Resources
×
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Africa & Africans
written by Philip D. Curtin, 1922-2009 and Paul Bohannan (Long Grove, IL: Waveland Press, Inc., 1995, originally published 1964), 316 page(s)
Sample
written by Philip D. Curtin, 1922-2009 and Paul Bohannan (Long Grove, IL: Waveland Press, Inc., 1995, originally published 1964), 316 page(s)
Field of Study
Anthropology
Content Type
General reference book
Contributor
Philip D. Curtin, 1922-2009, Paul Bohannan
Author / Creator
Philip D. Curtin, 1922-2009, Paul Bohannan
Date Published / Released
1964, 1995
Publisher
Waveland Press, Inc.
Topic / Theme
African, Revolutions, Social institutions, Cultural identity, African ethnic groups, Cultural change and history, Africans
Copyright Message
Copyright © 1988 by Waveland Press
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African Dance: Sand, Drum, and Shostakovich
written by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973-; directed by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973-; produced by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973- (Watertown, MA: Documentary Educational Resources (DER), 2002), 1 hour 10 mins
This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999.
Sample
written by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973-; directed by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973-; produced by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973- (Watertown, MA: Documentary Educational Resources (DER), 2002), 1 hour 10 mins
Description
This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999. This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999. Interviews, includ...
This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999. This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999. Interviews, including those with dance historians Yacouba Konate and Alponse Tierou, add insight to beautifully-photographed performances. What emerges is a fascinating diversity of contemporary African dance themes and styles. Exploring the interactions between tradition and modernism, the consequences of colonization and urbanization, the self-expression of women through dance, and the roles of masculinity and family relationships, the film is a unique source of information and inspiration for dancers, dance historians, choreographers, critics, as well as those interested in African culture, past and present. "More than ever, as a forum for cross-cultural exchanges, this ninth edition of the Festival showcases African dance because it appears to be undergoing a cultural and artistic renaissance nurtured by the contact and clash between tradition and modernity, and by a reevaluation of its global links." — Festival International de Nouvelle Danse
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Field of Study
Dance
Content Type
Documentary
Contributor
Ken Glazebrook, fl. 1970, Alla Kovgan, 1973-, Yacouba Konaté, Alphonse Tierou, fl. 1988, Susanne Linke, 1944-, Mathilde Monnier, 1959-, Seydou Boro, 1968-, Vincent Mantsoe, 1971-, Germaine Acogny, 1944-
Author / Creator
Ken Glazebrook, fl. 1970, Alla Kovgan, 1973-
Date Published / Released
2004, 2002
Publisher
Documentary Educational Resources (DER)
Topic / Theme
African, Movement in performance, Choreographers, Dance theory, Expression in performance, Cultural change and history, Cultural identity, Dance, Ethnography, Africans
Copyright Message
© Documentary Educational Resources
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African Merchants of the Indian Ocean: Swahili of the East African Coast
written by John Middleton, fl. 1990 (Long Grove, IL: Waveland Press, Inc., 2004, originally published 2004), 156 page(s)
Sample
written by John Middleton, fl. 1990 (Long Grove, IL: Waveland Press, Inc., 2004, originally published 2004), 156 page(s)
Field of Study
Anthropology
Content Type
Ethnography
Contributor
John Middleton, fl. 1990
Author / Creator
John Middleton, fl. 1990
Date Published / Released
2004
Publisher
Waveland Press, Inc.
Topic / Theme
Swahili, Cultural life, Merchants, Field work for anthropology, African ethnic groups
Copyright Message
Copyright © 2004 by Waveland Press
Sections
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Aftertaste
written by Ceridwen Dovey, 1980-; directed by Ceridwen Dovey, 1980-; produced by Ceridwen Dovey, 1980- (Watertown, MA: Documentary Educational Resources (DER), 2004), 36 mins
Wine has been made in the Western Cape region of South Africa for over 300 years. At first, slaves and indigenous Khoisan worked the vineyards owned by white European settlers. Classified as 'Coloureds,' the descendants of these laborers have continued to work these vineyards for generations. Until recently, they...
Sample
written by Ceridwen Dovey, 1980-; directed by Ceridwen Dovey, 1980-; produced by Ceridwen Dovey, 1980- (Watertown, MA: Documentary Educational Resources (DER), 2004), 36 mins
Description
Wine has been made in the Western Cape region of South Africa for over 300 years. At first, slaves and indigenous Khoisan worked the vineyards owned by white European settlers. Classified as 'Coloureds,' the descendants of these laborers have continued to work these vineyards for generations. Until recently, they could not own the houses they lived in, and were paid for their labor partly in alcohol. This instituted form of abuse – called the d...
Wine has been made in the Western Cape region of South Africa for over 300 years. At first, slaves and indigenous Khoisan worked the vineyards owned by white European settlers. Classified as 'Coloureds,' the descendants of these laborers have continued to work these vineyards for generations. Until recently, they could not own the houses they lived in, and were paid for their labor partly in alcohol. This instituted form of abuse – called the dop system – was designed by wine farm owners to encourage alcohol dependency in their workers so that they would not leave the farm to look for work elsewhere. Wine has been made in the Western Cape region of South Africa for over 300 years. At first, slaves and indigenous Khoisan worked the vineyards owned by white European settlers, and the descendants of these laborers have continued to work these vineyards for generations. Until recently, laborers could not own their houses, and were paid for their labor partly in alcohol. This exploitation – called the dop system – was designed by wine farm owners to encourage alcohol dependency in their workers so that they would not leave the farm to look for work elsewhere. This film focuses on two wine farms where “empowerment” projects have recently been started in response to calls for change. The wine farm workers receive part of the profits from the sale of “empowerment” brand wine Winds of Change. They have used this money to buy their own houses and shares in the wine farm business. On the surface, these “empowerment” projects seem to be a radical departure from the abusive, paternalistic labor relationship between farm owners and workers that has existed for so long. But the legacy of centuries of abuse cannot be eradicated overnight. The film tells an optimistic – but realistic – story about life and change in the new South Africa.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Ceridwen Dovey, 1980-, Jaco van der Merwe, Loala Van der Westhuizen, Johan Booysen, Andries Lotter, Lilly Lotter
Author / Creator
Ceridwen Dovey, 1980-
Date Published / Released
2004
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Khoisan, South African, Cultural change and history, Economics, Wine, Agriculture, Imperialism, Human rights, Racial integration, Ethnography, South Africans
Copyright Message
by Documentary Educational Resources
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Ainikien Jidjid Ilo Boñ: The Sound of Crickets at Night
directed by Jack Niedenthal, fl. 2008 and Suzanne Chutaro, fl. 2010; produced by Jack Niedenthal, fl. 2008 and Suzanne Chutaro, fl. 2010 (Microwave Films, 2012), 1 hour 20 mins
Ainikien Jidjid ilo Boñ (The Sound of Crickets at Night) is the story of a family displaced as a result of nuclear testing on Bikini Atoll and now living in exile on Ejit Island on Majuro Atoll in the Marshall Islands.
Kali, a darling-though-curious 10-year-old Bikinian girl, watches in dismay as her mother and f...
Sample
directed by Jack Niedenthal, fl. 2008 and Suzanne Chutaro, fl. 2010; produced by Jack Niedenthal, fl. 2008 and Suzanne Chutaro, fl. 2010 (Microwave Films, 2012), 1 hour 20 mins
Description
Ainikien Jidjid ilo Boñ (The Sound of Crickets at Night) is the story of a family displaced as a result of nuclear testing on Bikini Atoll and now living in exile on Ejit Island on Majuro Atoll in the Marshall Islands.
Kali, a darling-though-curious 10-year-old Bikinian girl, watches in dismay as her mother and father argue bitterly, then finally separate and leave the island.
Left alone to care for her elderly grandfather, Jebuki, who has been...
Ainikien Jidjid ilo Boñ (The Sound of Crickets at Night) is the story of a family displaced as a result of nuclear testing on Bikini Atoll and now living in exile on Ejit Island on Majuro Atoll in the Marshall Islands.
Kali, a darling-though-curious 10-year-old Bikinian girl, watches in dismay as her mother and father argue bitterly, then finally separate and leave the island.
Left alone to care for her elderly grandfather, Jebuki, who has been hiding a life-threatening illness, Kali deteriorates, refusing to eat, work or play. Fearing for his granddaughter’s wellbeing, Jebuki makes a desperate decision to summon Worejabato, an ancient deity from Bikini Atoll. Appearing in the form of an unshaven American stranger, Worejabato washes up on the beach on Ejit Island, and is discovered by Kali. The deity immediately begins to weave his way into Kali's life, but wishes from Worejabato do not come for free. What will Jebuki promise to Worejabato to ensure Kali’s happiness?
Actors in this film are mostly from the Bikinian community that resides in exile on Ejit Island of Majuro Atoll.
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Field of Study
Asian Studies
Content Type
Performance
Contributor
Jack Niedenthal, fl. 2008, Suzanne Chutaro, fl. 2010
Author / Creator
Jack Niedenthal, fl. 2008, Suzanne Chutaro, fl. 2010
Date Published / Released
2012
Publisher
Microwave Films
Topic / Theme
Marshallese, Cultural change and history, Religious beliefs, Folklore, Island life
Copyright Message
Copyright © 2012 by Jack Neidenthal
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The Ainu Bear Ceremony
directed by Neil Gordon Munro, 1863-1942; produced by Royal Anthropological Institute (London, England: Royal Anthropological Institute, 2001), 29 mins
The RAI has reedited the original film of this ceremony among the Ainu people of Japan. In the bear ceremony, now no longer performed, a specially reared bear was reverently killed and its flesh and blood eaten by the participants. The film shows a series of ritual acts with some commentary on their meaning.
Sample
directed by Neil Gordon Munro, 1863-1942; produced by Royal Anthropological Institute (London, England: Royal Anthropological Institute, 2001), 29 mins
Description
The RAI has reedited the original film of this ceremony among the Ainu people of Japan. In the bear ceremony, now no longer performed, a specially reared bear was reverently killed and its flesh and blood eaten by the participants. The film shows a series of ritual acts with some commentary on their meaning.
Date Written / Recorded
1931
Field of Study
Anthropology
Content Type
Documentary
Contributor
Neil Gordon Munro, 1863-1942, Royal Anthropological Institute
Author / Creator
Neil Gordon Munro, 1863-1942
Date Published / Released
2001
Publisher
Royal Anthropological Institute
Topic / Theme
Ainu, Ethnozoology, Tribal and national groups, Cultural change and history, Religious beliefs, Social customs, Religious rites and ceremonies, Ethnography
Copyright Message
Copyright 2001. Used by permission of Royal Anthropological Institute. All rights reserved.
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Ajishama, The White Ibis
written by John Dickinson, 1946-; directed by John Dickinson, 1946-; produced by John Dickinson, 1946- (Watertown, MA: Documentary Educational Resources (DER), 2003), 1 hour 25 mins
Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary with the indigenous people of the Amazon.
Sample
written by John Dickinson, 1946-; directed by John Dickinson, 1946-; produced by John Dickinson, 1946- (Watertown, MA: Documentary Educational Resources (DER), 2003), 1 hour 25 mins
Description
Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary with the indigenous people of the Amazon. Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary who joined the Makiritare tribe in the remote upper Ventuari Amazon Territory to initiate economic self-development projects i...
Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary with the indigenous people of the Amazon. Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary who joined the Makiritare tribe in the remote upper Ventuari Amazon Territory to initiate economic self-development projects in which Indians produced honey and meat, managed their own transport systems and participated in a broad based marketing co-op called CEPAI. The success of these ventures, and Korta's increasing dedication to economic development instead of proselytizing caused resentment among other missionaries. The Indians at times mismanaged their new resources as they found themselves unprepared for the increased contact with the outside world. In 1990 Korta realized that although CEPAI had gone a long way to solve some of the economic problems particularly in the Amazon basin, it had not addressed general cultural issues.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
John Dickinson, 1946-, Virgilio Sarmiento, Henry Quintero, José A. Colinas, Noel Rodriguez, Hector Cantele, Alberto Valdez, Ignacio Castellot, Alejandro Goñi, Antonio Rodriguez, Isaias Rodriguez, José Maria Korta, 1929-
Author / Creator
John Dickinson, 1946-
Date Published / Released
2003
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Yecuana, Cultural assimilation, Schools, Cultural identity, Economic development, Cultural change and history, Tribal and national groups, Missionaries, Indigenous peoples, Ethnography, Maquiritari
Copyright Message
© Documentary Educational Resources
×
