Browse Titles - 899 results
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African Dance: Sand, Drum, and Shostakovich
written by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973-; directed by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973-; produced by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973- (Watertown, MA: Documentary Educational Resources (DER), 2002), 1 hour 10 mins
This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999.
Sample
written by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973-; directed by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973-; produced by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973- (Watertown, MA: Documentary Educational Resources (DER), 2002), 1 hour 10 mins
Description
This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999. This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999. Interviews, includ...
This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999. This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999. Interviews, including those with dance historians Yacouba Konate and Alponse Tierou, add insight to beautifully-photographed performances. What emerges is a fascinating diversity of contemporary African dance themes and styles. Exploring the interactions between tradition and modernism, the consequences of colonization and urbanization, the self-expression of women through dance, and the roles of masculinity and family relationships, the film is a unique source of information and inspiration for dancers, dance historians, choreographers, critics, as well as those interested in African culture, past and present. "More than ever, as a forum for cross-cultural exchanges, this ninth edition of the Festival showcases African dance because it appears to be undergoing a cultural and artistic renaissance nurtured by the contact and clash between tradition and modernity, and by a reevaluation of its global links." — Festival International de Nouvelle Danse
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Field of Study
Dance
Content Type
Documentary
Contributor
Ken Glazebrook, fl. 1970, Alla Kovgan, 1973-, Yacouba Konaté, Alphonse Tierou, fl. 1988, Susanne Linke, 1944-, Mathilde Monnier, 1959-, Seydou Boro, 1968-, Vincent Mantsoe, 1971-, Germaine Acogny, 1944-
Author / Creator
Ken Glazebrook, fl. 1970, Alla Kovgan, 1973-
Date Published / Released
2004, 2002
Publisher
Documentary Educational Resources (DER)
Topic / Theme
African, Movement in performance, Choreographers, Dance theory, Expression in performance, Cultural change and history, Cultural identity, Dance, Ethnography, Africans
Copyright Message
© Documentary Educational Resources
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After Passing
written by Tai-Li Hu, 1950-; directed by Tai-Li Hu, 1950-; produced by Tai-Li Hu, 1950- (Watertown, MA: Documentary Educational Resources (DER), 1997), 11 mins
The East-West Highway was soon to be built in central Taiwan. It would pass through the village of Liu Ts'o, and many homes and rice paddies would be destroyed. The film maker Hu Tai-Li went back to her mother-in-law's village Liu Ts'o, where she did anthropological research from 1976-78, to preserve some images o...
Sample
written by Tai-Li Hu, 1950-; directed by Tai-Li Hu, 1950-; produced by Tai-Li Hu, 1950- (Watertown, MA: Documentary Educational Resources (DER), 1997), 11 mins
Description
The East-West Highway was soon to be built in central Taiwan. It would pass through the village of Liu Ts'o, and many homes and rice paddies would be destroyed. The film maker Hu Tai-Li went back to her mother-in-law's village Liu Ts'o, where she did anthropological research from 1976-78, to preserve some images of life forever. The East-West Highway was soon to be built in central Taiwan. It would pass through the village of Liu Ts'o, and many h...
The East-West Highway was soon to be built in central Taiwan. It would pass through the village of Liu Ts'o, and many homes and rice paddies would be destroyed. The film maker Hu Tai-Li went back to her mother-in-law's village Liu Ts'o, where she did anthropological research from 1976-78, to preserve some images of life forever. The East-West Highway was soon to be built in central Taiwan. It would pass through the village of Liu Ts'o, and many homes and rice paddies would be destroyed. The film maker Hu Tai-Li went back to her mother-in-law's village Liu Ts'o, where she did anthropological research from 1976-78, to preserve some images of life forever. This film was shot in a natural and intimate climate. During the annual two harvests, various activities in daily life and festivals were presented in the film reflecting the villagers' attitudes towards gods, ghosts, ancestors, women, farmlands, urbanization, industrialization, reclamation and resettlement. The film maker attempted to reveal the Taiwanese way of facing drastic social changes. In this unusual film—the first Taiwanese documentary to achieve commercial Success—we are treated to a series of affectionate vignettes of life in filmmaker Hu Tai-Li’s mother-in-law’s village before large portions of it are destroyed to make way for the new East-West hightway.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Tai-Li Hu, 1950-
Author / Creator
Tai-Li Hu, 1950-
Date Published / Released
1997
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Taiwanese, Farming, Agriculture, Economic development, Government land, Factories, Roadbuilding, Ethnography
Copyright Message
© Documentary Educational Resources
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Aftertaste
written by Ceridwen Dovey, 1980-; directed by Ceridwen Dovey, 1980-; produced by Ceridwen Dovey, 1980- (Watertown, MA: Documentary Educational Resources (DER), 2004), 36 mins
Wine has been made in the Western Cape region of South Africa for over 300 years. At first, slaves and indigenous Khoisan worked the vineyards owned by white European settlers. Classified as 'Coloureds,' the descendants of these laborers have continued to work these vineyards for generations. Until recently, they...
Sample
written by Ceridwen Dovey, 1980-; directed by Ceridwen Dovey, 1980-; produced by Ceridwen Dovey, 1980- (Watertown, MA: Documentary Educational Resources (DER), 2004), 36 mins
Description
Wine has been made in the Western Cape region of South Africa for over 300 years. At first, slaves and indigenous Khoisan worked the vineyards owned by white European settlers. Classified as 'Coloureds,' the descendants of these laborers have continued to work these vineyards for generations. Until recently, they could not own the houses they lived in, and were paid for their labor partly in alcohol. This instituted form of abuse – called the d...
Wine has been made in the Western Cape region of South Africa for over 300 years. At first, slaves and indigenous Khoisan worked the vineyards owned by white European settlers. Classified as 'Coloureds,' the descendants of these laborers have continued to work these vineyards for generations. Until recently, they could not own the houses they lived in, and were paid for their labor partly in alcohol. This instituted form of abuse – called the dop system – was designed by wine farm owners to encourage alcohol dependency in their workers so that they would not leave the farm to look for work elsewhere. Wine has been made in the Western Cape region of South Africa for over 300 years. At first, slaves and indigenous Khoisan worked the vineyards owned by white European settlers, and the descendants of these laborers have continued to work these vineyards for generations. Until recently, laborers could not own their houses, and were paid for their labor partly in alcohol. This exploitation – called the dop system – was designed by wine farm owners to encourage alcohol dependency in their workers so that they would not leave the farm to look for work elsewhere. This film focuses on two wine farms where “empowerment” projects have recently been started in response to calls for change. The wine farm workers receive part of the profits from the sale of “empowerment” brand wine Winds of Change. They have used this money to buy their own houses and shares in the wine farm business. On the surface, these “empowerment” projects seem to be a radical departure from the abusive, paternalistic labor relationship between farm owners and workers that has existed for so long. But the legacy of centuries of abuse cannot be eradicated overnight. The film tells an optimistic – but realistic – story about life and change in the new South Africa.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Ceridwen Dovey, 1980-, Jaco van der Merwe, Loala Van der Westhuizen, Johan Booysen, Andries Lotter, Lilly Lotter
Author / Creator
Ceridwen Dovey, 1980-
Date Published / Released
2004
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Khoisan, South African, Cultural change and history, Economics, Wine, Agriculture, Imperialism, Human rights, Racial integration, Ethnography, South Africans
Copyright Message
by Documentary Educational Resources
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Ajishama, The White Ibis
written by John Dickinson, 1946-; directed by John Dickinson, 1946-; produced by John Dickinson, 1946- (Watertown, MA: Documentary Educational Resources (DER), 2003), 1 hour 25 mins
Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary with the indigenous people of the Amazon.
Sample
written by John Dickinson, 1946-; directed by John Dickinson, 1946-; produced by John Dickinson, 1946- (Watertown, MA: Documentary Educational Resources (DER), 2003), 1 hour 25 mins
Description
Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary with the indigenous people of the Amazon. Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary who joined the Makiritare tribe in the remote upper Ventuari Amazon Territory to initiate economic self-development projects i...
Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary with the indigenous people of the Amazon. Shot in Venezuela over a 30-year period, this documentary depicts the life and work of Jose Maria Korta, the controversial Jesuit Missionary who joined the Makiritare tribe in the remote upper Ventuari Amazon Territory to initiate economic self-development projects in which Indians produced honey and meat, managed their own transport systems and participated in a broad based marketing co-op called CEPAI. The success of these ventures, and Korta's increasing dedication to economic development instead of proselytizing caused resentment among other missionaries. The Indians at times mismanaged their new resources as they found themselves unprepared for the increased contact with the outside world. In 1990 Korta realized that although CEPAI had gone a long way to solve some of the economic problems particularly in the Amazon basin, it had not addressed general cultural issues.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
John Dickinson, 1946-, Virgilio Sarmiento, Henry Quintero, José A. Colinas, Noel Rodriguez, Hector Cantele, Alberto Valdez, Ignacio Castellot, Alejandro Goñi, Antonio Rodriguez, Isaias Rodriguez, José Maria Korta, 1929-
Author / Creator
John Dickinson, 1946-
Date Published / Released
2003
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Yecuana, Cultural assimilation, Schools, Cultural identity, Economic development, Cultural change and history, Tribal and national groups, Missionaries, Indigenous peoples, Ethnography, Maquiritari
Copyright Message
© Documentary Educational Resources
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The Akha Way
written by Sharon Hainsfurther, fl. 1999 and Mary Flannery; directed by Sharon Hainsfurther, fl. 1999; produced by Sharon Hainsfurther, fl. 1999, Yellowcat Productions (Watertown, MA: Documentary Educational Resources (DER), 1999), 25 mins
For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This documentary describes their origins and their culture.
Sample
written by Sharon Hainsfurther, fl. 1999 and Mary Flannery; directed by Sharon Hainsfurther, fl. 1999; produced by Sharon Hainsfurther, fl. 1999, Yellowcat Productions (Watertown, MA: Documentary Educational Resources (DER), 1999), 25 mins
Description
For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This documentary describes their origins and their culture. For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This doc...
For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This documentary describes their origins and their culture. For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This documentary describes their origins and their culture. It contains extraordinary footage of a shaman healing ceremony; a funeral, with the ritual sacrifice of a water buffalo; the reading of a pig's liver after a new house is built, and more. Today the Akha Way is fast disappearing. Forced migration, Christianity, money and drugs are eroding the cultural heritage of the Akha tribe.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Sharon Hainsfurther, fl. 1999, Mary Flannery, Yellowcat Productions
Author / Creator
Sharon Hainsfurther, fl. 1999, Mary Flannery
Date Published / Released
1999
Publisher
Documentary Educational Resources (DER)
Speaker / Narrator
Mary Flannery
Topic / Theme
Akha, Cultural change and history, Religious beliefs, Cultural identity, Tribal and national groups, Indigenous peoples, Ethnography
Copyright Message
© Documentary Educational Resources
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The Al Hadji and His Wives
directed by Jie Li, fl. 2006; produced by Jie Li, fl. 2006 (Watertown, MA: Documentary Educational Resources (DER), 2006), 52 mins
The Al-Hadji and His Wives is a film portrait of a Mbororo Fulani patriarch, Al-Hadji Isa, his savvy wives, and their rebellious daughters. The documentary provides a glimpse into their everyday lives, religious and moral practices, as well as the political opinions the Al-Hadji has to offer from his particular co...
Sample
directed by Jie Li, fl. 2006; produced by Jie Li, fl. 2006 (Watertown, MA: Documentary Educational Resources (DER), 2006), 52 mins
Description
The Al-Hadji and His Wives is a film portrait of a Mbororo Fulani patriarch, Al-Hadji Isa, his savvy wives, and their rebellious daughters. The documentary provides a glimpse into their everyday lives, religious and moral practices, as well as the political opinions the Al-Hadji has to offer from his particular corner of the world. With a critical but sympathetic gaze, it also chronicles and investigates the process and rationale by which Amina,...
The Al-Hadji and His Wives is a film portrait of a Mbororo Fulani patriarch, Al-Hadji Isa, his savvy wives, and their rebellious daughters. The documentary provides a glimpse into their everyday lives, religious and moral practices, as well as the political opinions the Al-Hadji has to offer from his particular corner of the world. With a critical but sympathetic gaze, it also chronicles and investigates the process and rationale by which Amina, a 16-year-old daughter of the family, is forced into an unwanted marriage. While her attempted escape had been in vain, Amina has inscribed her silent protest on the walls of her mother's hut and onto the film, serving as a testimony of women's resistance and resilience under an oppressive patriarchy.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Jie Li, fl. 2006
Author / Creator
Jie Li, fl. 2006
Date Published / Released
2006
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Polygamous marriages
Copyright Message
Copyright © 2006 Documentary Educational Resources (DER)
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Alaskan Eskimo, Tununeremiut
directed by Leonard Kamerling, fl. 1974-2012; produced by Andrew Chikoyak, fl. 1972, in Alaskan Eskimo (Watertown, MA: Documentary Educational Resources (DER), 1972), 37 mins
Four sequences, filmed over a two-month period, portray aspects of the lives of the people of Tununak, a village on the south-western coast of Alaska. In the first, the villagers evacuate their homes and camp on higher ground, fearing that a Nuclear test on Amchitka Island, 1000 miles away, may cause a tidal wave....
Sample
directed by Leonard Kamerling, fl. 1974-2012; produced by Andrew Chikoyak, fl. 1972, in Alaskan Eskimo (Watertown, MA: Documentary Educational Resources (DER), 1972), 37 mins
Description
Four sequences, filmed over a two-month period, portray aspects of the lives of the people of Tununak, a village on the south-western coast of Alaska. In the first, the villagers evacuate their homes and camp on higher ground, fearing that a Nuclear test on Amchitka Island, 1000 miles away, may cause a tidal wave. In a quietly ironic scene, the Eskimos listen to the countdown on their radios, wondering if this modern blast will bring forth an anc...
Four sequences, filmed over a two-month period, portray aspects of the lives of the people of Tununak, a village on the south-western coast of Alaska. In the first, the villagers evacuate their homes and camp on higher ground, fearing that a Nuclear test on Amchitka Island, 1000 miles away, may cause a tidal wave. In a quietly ironic scene, the Eskimos listen to the countdown on their radios, wondering if this modern blast will bring forth an ancient disaster.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Andrew Chikoyak, fl. 1972
Author / Creator
Leonard Kamerling, fl. 1974-2012
Date Published / Released
1972
Publisher
Documentary Educational Resources (DER)
Series
Alaskan Eskimo
Topic / Theme
Weapons testing, Nuclear weapons, Daily life, Cultural communities, Yupik
Copyright Message
Copyright © 1972 Documentary Educational Resources
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Alaskan Eskimo, At The Time of Whaling
directed by Sarah Elder, fl. 1973-2015 and Leonard Kamerling, fl. 1974-2012; produced by Leonard Kamerling, fl. 1974-2012, Alaska Native Heritage Film Project, in Alaskan Eskimo (Watertown, MA: Documentary Educational Resources (DER), 1974), 39 mins
Gambell, Alaska is a Yupik-speaking community on St. Lawrence Island on the Bering Sea. Here, as on the coast, sea mammals are still the major source of food. During their three-week Spring migration through the Bering Channel, whales are hunted using a combination of traditional organization and recently introduc...
Sample
directed by Sarah Elder, fl. 1973-2015 and Leonard Kamerling, fl. 1974-2012; produced by Leonard Kamerling, fl. 1974-2012, Alaska Native Heritage Film Project, in Alaskan Eskimo (Watertown, MA: Documentary Educational Resources (DER), 1974), 39 mins
Description
Gambell, Alaska is a Yupik-speaking community on St. Lawrence Island on the Bering Sea. Here, as on the coast, sea mammals are still the major source of food. During their three-week Spring migration through the Bering Channel, whales are hunted using a combination of traditional organization and recently introduced technology such as motors and darting guns. A bowhead whale weighs about one ton per foot, and may reach seventy feet in length. Wor...
Gambell, Alaska is a Yupik-speaking community on St. Lawrence Island on the Bering Sea. Here, as on the coast, sea mammals are still the major source of food. During their three-week Spring migration through the Bering Channel, whales are hunted using a combination of traditional organization and recently introduced technology such as motors and darting guns. A bowhead whale weighs about one ton per foot, and may reach seventy feet in length. Working together, even fifteen Eskimo skin boats with up to ten persons on each boat cannot assure a safe venture or the taking of a whale.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Leonard Kamerling, fl. 1974-2012, Alaska Native Heritage Film Project
Author / Creator
Sarah Elder, fl. 1973-2015, Leonard Kamerling, fl. 1974-2012
Date Published / Released
1974
Publisher
Documentary Educational Resources (DER)
Series
Alaskan Eskimo
Topic / Theme
Whales, Hunting, Yupik
Copyright Message
Copyright © 1974 Documentary Educational Resources
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Alaskan Eskimo, On the Spring Ice
directed by Leonard Kamerling, fl. 1974-2012 and Sarah Elder, fl. 1973-2015, in Alaskan Eskimo (Watertown, MA: Documentary Educational Resources (DER), 1975), 46 mins
Walrus as well as whales are hunted by the Eskimos of Gambell on St. Lawrence Island. As the film opens, an old man tells of the dangers of moving ice, how people used to drift on such ice and never return.
Sample
directed by Leonard Kamerling, fl. 1974-2012 and Sarah Elder, fl. 1973-2015, in Alaskan Eskimo (Watertown, MA: Documentary Educational Resources (DER), 1975), 46 mins
Description
Walrus as well as whales are hunted by the Eskimos of Gambell on St. Lawrence Island. As the film opens, an old man tells of the dangers of moving ice, how people used to drift on such ice and never return. Walrus as well as whales are hunted by the Eskimos of Gambell on St. Lawrence Island. As the film opens, an old man tells of the dangers of moving ice, how people used to drift on such ice and never return. A cluster of men stand on a snowy ro...
Walrus as well as whales are hunted by the Eskimos of Gambell on St. Lawrence Island. As the film opens, an old man tells of the dangers of moving ice, how people used to drift on such ice and never return. Walrus as well as whales are hunted by the Eskimos of Gambell on St. Lawrence Island. As the film opens, an old man tells of the dangers of moving ice, how people used to drift on such ice and never return. A cluster of men stand on a snowy rooftop, scanning the sea ice for walrus, when one spots a skin boat in distress far out on the ice. The crew had not come home the night before, and now were drifting toward Siberia. Long ago, there was nothing that could have been done to save them. Today, the men call the Coast Guard. The next day, preparations for another walrus hunt are made. The hunters load the boat and travel fifty miles out to sea, where they spot two walrus sunning themselves on an ice floe. "Don't move," one hunter tells the camera. The walrus are shot, admired, butchered on the ice, and loaded onto the boat. Back in the village, the meat is cut again and hung to dry.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Leonard Kamerling, fl. 1974-2012, Sarah Elder, fl. 1973-2015
Author / Creator
Leonard Kamerling, fl. 1974-2012, Sarah Elder, fl. 1973-2015
Date Published / Released
1975
Publisher
Documentary Educational Resources (DER)
Series
Alaskan Eskimo
Topic / Theme
Eskimo, Tribal and national groups, Ice floes, Hunting, Ethnography, Inuit
Copyright Message
Copyright © by Documentary Educational Resources
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Alaskan Eskimo, From The First People
directed by Sarah Elder, fl. 1973-2015 and Leonard Kamerling, fl. 1974-2012; produced by Leonard Kamerling, fl. 1974-2012, Alaska Native Heritage Film Project, in Alaskan Eskimo (Watertown, MA: Documentary Educational Resources (DER), 1977), 46 mins
This is a film about change and contemporary life in Shungnak, a village on the Kobuk River in northwestern Alaska, 75 miles north of the Arctic Circle. Life in this inland community is dominated by the seasons and the river. In October, when the film begins, the Kobuk becomes filled with ice, which slowly thicken...
Sample
directed by Sarah Elder, fl. 1973-2015 and Leonard Kamerling, fl. 1974-2012; produced by Leonard Kamerling, fl. 1974-2012, Alaska Native Heritage Film Project, in Alaskan Eskimo (Watertown, MA: Documentary Educational Resources (DER), 1977), 46 mins
Description
This is a film about change and contemporary life in Shungnak, a village on the Kobuk River in northwestern Alaska, 75 miles north of the Arctic Circle. Life in this inland community is dominated by the seasons and the river. In October, when the film begins, the Kobuk becomes filled with ice, which slowly thickens until freeze-up is complete. Traditional subsistence activities still continue: women net fish under the ice, and a man and his wife...
This is a film about change and contemporary life in Shungnak, a village on the Kobuk River in northwestern Alaska, 75 miles north of the Arctic Circle. Life in this inland community is dominated by the seasons and the river. In October, when the film begins, the Kobuk becomes filled with ice, which slowly thickens until freeze-up is complete. Traditional subsistence activities still continue: women net fish under the ice, and a man and his wife construct a cottonwood mudshark trap that is carefully placed in the river ice. The combination of old and new technology is pervasive. Some people hitch their teams of huskies to a sled, others travel by snowmobile.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Leonard Kamerling, fl. 1974-2012, Alaska Native Heritage Film Project
Author / Creator
Sarah Elder, fl. 1973-2015, Leonard Kamerling, fl. 1974-2012
Date Published / Released
1977
Publisher
Documentary Educational Resources (DER)
Series
Alaskan Eskimo
Topic / Theme
Cold weather, Hunting, Daily life, Cultural change and history, Inupiat
Copyright Message
Copyright © 1977 Documentary Educational Resources
×
