Browse Titles - 38 results
Interview-Discussion-Sola-Manganiar-Rajasthan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:154:84 (New Delhi, Delhi State) , 3 mins
Interview and discussion on 'Sola', the structure of Antaras and the relationship of Akshar (syllable) and Antaras. This also includes narration of the text, followed by singing and demonstration.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:154:84 (New Delhi, Delhi State) , 3 mins
Description
Interview and discussion on 'Sola', the structure of Antaras and the relationship of Akshar (syllable) and Antaras. This also includes narration of the text, followed by singing and demonstration.
Date Written / Recorded
1978
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Topic / Theme
Indians (Asian)
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Interview-Rana khan-Rana Mumal ka Bait-Manganiar-Rajasthan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:152:84 (New Delhi, Delhi State) , 14 mins
Interview of Manganiar musician Rana khan. Discussed about Ragas and time relationship. During conversation he also sung Rana Moomal ka Bait, started with Duhas, in Rag Desi, in 8 beats, sung with Khartal, Kamaicha, Dholak and Harmonium accompaniment.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:152:84 (New Delhi, Delhi State) , 14 mins
Description
Interview of Manganiar musician Rana khan. Discussed about Ragas and time relationship. During conversation he also sung Rana Moomal ka Bait, started with Duhas, in Rag Desi, in 8 beats, sung with Khartal, Kamaicha, Dholak and Harmonium accompaniment.
Date Written / Recorded
1978
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Topic / Theme
Indians (Asian)
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Itlanganiso ya magqiha ye Izangoma (I) (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR022 , 8 mins
Extracts from the proceedings at the first conference of Izangoma Diviners, to be held in Umtata, Transkei. The speech and songs were entirely impromptu and demonstrate the type of speech employed by such herbalists and their supporting singers or assistants.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR022 , 8 mins
Description
Extracts from the proceedings at the first conference of Izangoma Diviners, to be held in Umtata, Transkei. The speech and songs were entirely impromptu and demonstrate the type of speech employed by such herbalists and their supporting singers or assistants.
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Itlanganiso ya magqika ye Izangoma (II) (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR022 , 15 mins
Led by Dangazela and by Nowinjile Sincabo his wife. Dangazela is the son of Chief Bota the paramount chief of Lusikisiki. This recording demonstrates the procedure adopted by herbalists and diviners at their meetings and healing ceremonies -- the music and speeches helping to create an atmosphere of serious contem...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR022 , 15 mins
Description
Led by Dangazela and by Nowinjile Sincabo his wife. Dangazela is the son of Chief Bota the paramount chief of Lusikisiki. This recording demonstrates the procedure adopted by herbalists and diviners at their meetings and healing ceremonies -- the music and speeches helping to create an atmosphere of serious contemplation and thereby assisting in the cure of the patient.
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Itlanganiso ya magqika ye Izangoma (III) (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR050 , 16 mins
Nowinile is the wife of L. S. Khontsiwe, the 'President' of the African National Herbalist Dokhtors Association.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR050 , 16 mins
Description
Nowinile is the wife of L. S. Khontsiwe, the 'President' of the African National Herbalist Dokhtors Association.
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Kaliya-liya, ndinde kaliya (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR190 (1950) , 1 page(s)
There was once a man who used to work very hard from sunrise till sunset out in his fields. His wife used to cook many different kinds of food and as soon as it was ready she would send her young son to go out to the fields to call his father. This he did by singing him a song each time, when the father would stop...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR190 (1950) , 1 page(s)
Description
There was once a man who used to work very hard from sunrise till sunset out in his fields. His wife used to cook many different kinds of food and as soon as it was ready she would send her young son to go out to the fields to call his father. This he did by singing him a song each time, when the father would stop working and come home.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Spoken Word, Song
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Kaliya-liya, ndinde kaliya (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR190 , 3 mins
There was once a man who used to work very hard from sunrise till sunset out in his fields. His wife used to cook many different kinds of food and as soon as it was ready she would send her young son to go out to the fields to call his father. This he did by singing him a song each time, when the father would stop...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR190 , 3 mins
Description
There was once a man who used to work very hard from sunrise till sunset out in his fields. His wife used to cook many different kinds of food and as soon as it was ready she would send her young son to go out to the fields to call his father. This he did by singing him a song each time, when the father would stop working and come home.
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Mayo, mayo = mother, mother! (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR023 (1957) , 1 page(s)
Mothers, mothers, harvest your crops.'
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR023 (1957) , 1 page(s)
Description
Mothers, mothers, harvest your crops.'
Date Written / Recorded
1957
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Spoken Word, Guitar
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Nayandi Melam - Discussion - Nadaswaram - Thavil - Tamil Nadu
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:233:84 (New Delhi, Delhi State) , 5 mins
Discussion followed by performance of - Nayandi Melam performance with Thavil and Nadaswaram and Jalara, followed by another discussion
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:233:84 (New Delhi, Delhi State) , 5 mins
Description
Discussion followed by performance of - Nayandi Melam performance with Thavil and Nadaswaram and Jalara, followed by another discussion
Date Written / Recorded
1984
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
Pfeni nengoma (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR176 , 3 mins
Story of the baboon who kept on jumping on and off a drum till he died. There was a man who had the brilliant idea of putting a pole across the path by which a baboon entered his fields, and a drum on the far side. The baboon leaping over the pole landed on the drum and did a back somersault over the pole again. T...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR176 , 3 mins
Description
Story of the baboon who kept on jumping on and off a drum till he died. There was a man who had the brilliant idea of putting a pole across the path by which a baboon entered his fields, and a drum on the far side. The baboon leaping over the pole landed on the drum and did a back somersault over the pole again. The sound so delighted the baboon that he went on the leaping and back somersaulting until he died of exhaustion.
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
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