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African Carving: A Dogon Kanaga Mask
written by Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973 and Thomas D. Blakely; directed by Thomas D. Blakely and Eliot Elisofon, 1911-1973 (Watertown, MA: Documentary Educational Resources (DER), 1974), 18 mins
The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used.
Sample
written by Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973 and Thomas D. Blakely; directed by Thomas D. Blakely and Eliot Elisofon, 1911-1973 (Watertown, MA: Documentary Educational Resources (DER), 1974), 18 mins
Description
The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The carver, a blacksmith, finds the proper tree and, in a secret cave outside the village, he shapes the mask with ges...
The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The carver, a blacksmith, finds the proper tree and, in a secret cave outside the village, he shapes the mask with gestures which repeat the movement of the dancers who will wear it. When a dancer wears the Kanaga mask he becomes the Creator symbolically. He touches the ground with his mask and directs a soul to Heaven. Although these dances are now frequently performed for the public, the meaning of Kanaga is retained by the Dogon who fear, respect and depend on the power of the mask.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973, Thomas D. Blakely
Author / Creator
Robert G. Gardner, 1925-2014, Eliot Elisofon, 1911-1973, Thomas D. Blakely
Date Published / Released
1974
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Dogon, Costumes, Crafts, Tribal and national groups, Religious faiths, Dance and dancing, Religious rites and ceremonies, Cultural identity, Ethnography
Copyright Message
by Documentary Educational Resources
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African Christianity Rising: Ghana
directed by James Ault, fl. 2004; produced by James Ault, fl. 2004, Documentary Educational Resources (DER) (Watertown, MA: Documentary Educational Resources (DER), 2013), 1 hour 17 mins
Christianity's explosive growth in Africa was totally unexpected at the dawn of independence from colonial rule and is part of a startling reversal in world history. Christianity is no longer the religion of the West. Over two-thirds of the world's Christians now live in the global South — with Africa growing th...
Sample
directed by James Ault, fl. 2004; produced by James Ault, fl. 2004, Documentary Educational Resources (DER) (Watertown, MA: Documentary Educational Resources (DER), 2013), 1 hour 17 mins
Description
Christianity's explosive growth in Africa was totally unexpected at the dawn of independence from colonial rule and is part of a startling reversal in world history. Christianity is no longer the religion of the West. Over two-thirds of the world's Christians now live in the global South — with Africa growing the fastest.
Field of Study
Anthropology
Content Type
Documentary
Contributor
James Ault, fl. 2004, Documentary Educational Resources (DER)
Author / Creator
James Ault, fl. 2004
Date Published / Released
2013
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Cultural ethos, Religious beliefs, Christianity, Ghanaians
Copyright Message
Copyright © 2013 Documentary Educational Resources
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African Christianity Rising: Zimbabwe
directed by James Ault, fl. 2004; produced by James Ault, fl. 2004, Documentary Educational Resources (DER) (Watertown, MA: Documentary Educational Resources (DER), 2013), 1 hour 14 mins
Christianity's explosive growth in Africa was totally unexpected at the dawn of independence from colonial rule and is part of a startling reversal in world history. Christianity is no longer the religion of the West. Over two-thirds of the world's Christians now live in the global South — with Africa growing th...
Sample
directed by James Ault, fl. 2004; produced by James Ault, fl. 2004, Documentary Educational Resources (DER) (Watertown, MA: Documentary Educational Resources (DER), 2013), 1 hour 14 mins
Description
Christianity's explosive growth in Africa was totally unexpected at the dawn of independence from colonial rule and is part of a startling reversal in world history. Christianity is no longer the religion of the West. Over two-thirds of the world's Christians now live in the global South — with Africa growing the fastest.
Field of Study
Anthropology
Content Type
Documentary
Contributor
James Ault, fl. 2004, Documentary Educational Resources (DER)
Author / Creator
James Ault, fl. 2004
Date Published / Released
2013
Publisher
Documentary Educational Resources (DER)
Topic / Theme
Cultural ethos, Religious beliefs, Christianity
Copyright Message
Copyright © 2013 Documentary Educational Resources
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African Merchants of the Indian Ocean: Swahili of the East African Coast
written by John Middleton, fl. 1990 (Long Grove, IL: Waveland Press, Inc., 2004, originally published 2004), 156 page(s)
Sample
written by John Middleton, fl. 1990 (Long Grove, IL: Waveland Press, Inc., 2004, originally published 2004), 156 page(s)
Field of Study
Anthropology
Content Type
Ethnography
Contributor
John Middleton, fl. 1990
Author / Creator
John Middleton, fl. 1990
Date Published / Released
2004
Publisher
Waveland Press, Inc.
Topic / Theme
Swahili, Cultural life, Merchants, Field work for anthropology, African ethnic groups
Copyright Message
Copyright © 2004 by Waveland Press
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After Death
in Raymond William Firth Papers, of London School of Economics and Political Science. Library. Archives and Special Collections Team (Tikopia and Solomon Islands Other, Sickness and Cure: Rough Notes) (London, England) (1939) , 3 page(s)
Handwritten notes, mostly in Tikopia language, with sections titled in English: Renewal of Youth, Cultivate Food, Live in Marriage, Dance of Atua, Child Spirits Grow Up. Undated.
Sample
in Raymond William Firth Papers, of London School of Economics and Political Science. Library. Archives and Special Collections Team (Tikopia and Solomon Islands Other, Sickness and Cure: Rough Notes) (London, England) (1939) , 3 page(s)
Description
Handwritten notes, mostly in Tikopia language, with sections titled in English: Renewal of Youth, Cultivate Food, Live in Marriage, Dance of Atua, Child Spirits Grow Up. Undated.
Date Written / Recorded
1939
Field of Study
Anthropology
Content Type
Essay
Contributor
Sir Raymond Firth, 1901-2002
Author / Creator
Sir Raymond Firth, 1901-2002
Topic / Theme
Religious rites and ceremonies, Death, Tikopia
Copyright Message
Material sourced from the Sir Raymond William Firth Collection, LSE Library. Used with permission of the LSE Library and the Raymond Firth Estate.
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Afterlife and Reincarnation
in Bronislaw Malinowski Papers (LSE), of London School of Economics and Political Science. Library. Archives and Special Collections Team (Box 2: Trobriand Islands fieldwork notebooks and notes, Folder 35: Field notes) (London, England) (05 September 1918) , 4 page(s)
5/9/18: Two pages of handwritten notes in indigenous language with English translation are headed, 'T.36 Afterlife & Reincarnation' and are numbered 368 in the upper left corner. The note discusses a ritual associated with beliefs about the afterlife and reincarnation. The information is written on reused statione...
Sample
in Bronislaw Malinowski Papers (LSE), of London School of Economics and Political Science. Library. Archives and Special Collections Team (Box 2: Trobriand Islands fieldwork notebooks and notes, Folder 35: Field notes) (London, England) (05 September 1918) , 4 page(s)
Description
5/9/18: Two pages of handwritten notes in indigenous language with English translation are headed, 'T.36 Afterlife & Reincarnation' and are numbered 368 in the upper left corner. The note discusses a ritual associated with beliefs about the afterlife and reincarnation. The information is written on reused stationery, consisting of manuscript pages from 'The Magic of the Kiwai Papuans in Warfare' by Gunnar Landtman.
Date Written / Recorded
05 September 1918, 1918
Field of Study
Anthropology
Content Type
Field notes
Contributor
Bronisław Malinowski, 1884-1942
Author / Creator
Bronisław Malinowski, 1884-1942
Topic / Theme
Religious beliefs, Afterlife, Trobriand Islanders
Copyright Message
Materials sourced from Yale University. Copyright © 2016 by Patrick Burke
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Afterlife, Second Death and Reincarnation
in Bronislaw Malinowski Papers (LSE), of London School of Economics and Political Science. Library. Archives and Special Collections Team (Box 5: Linguistic notes and lectures, based on Trobriand Islands fieldwork, Folder 13: Texts, manuscripts) (London, England) (18 August 1918) , 2 page(s)
Date: 18.8.18. Informant: Motagoi. A passage in the Trobriand language with simultaneous English translation, numbered J180, discusses the 'second death' that the baloma, the ancestral spirits, will eventually succumb to, then to be reborn as a flesh-and-blood infant. It is written on the back of reused stationery...
Sample
in Bronislaw Malinowski Papers (LSE), of London School of Economics and Political Science. Library. Archives and Special Collections Team (Box 5: Linguistic notes and lectures, based on Trobriand Islands fieldwork, Folder 13: Texts, manuscripts) (London, England) (18 August 1918) , 2 page(s)
Description
Date: 18.8.18. Informant: Motagoi. A passage in the Trobriand language with simultaneous English translation, numbered J180, discusses the 'second death' that the baloma, the ancestral spirits, will eventually succumb to, then to be reborn as a flesh-and-blood infant. It is written on the back of reused stationery, consisting of a partial, handwritten letter from M.M., giving news of various acquaintances and referring to the recipient as 'my lov...
Date: 18.8.18. Informant: Motagoi. A passage in the Trobriand language with simultaneous English translation, numbered J180, discusses the 'second death' that the baloma, the ancestral spirits, will eventually succumb to, then to be reborn as a flesh-and-blood infant. It is written on the back of reused stationery, consisting of a partial, handwritten letter from M.M., giving news of various acquaintances and referring to the recipient as 'my love.'
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Date Written / Recorded
18 August 1918, 1918
Field of Study
Anthropology
Content Type
Field notes
Contributor
Bronisław Malinowski, 1884-1942
Author / Creator
Bronisław Malinowski, 1884-1942
Topic / Theme
Afterlife, Guardian spirits, Trobriand Islanders
Copyright Message
Materials sourced from Yale University. Copyright © 2016 by Patrick Burke
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Aidyo, ghosts in the forest
of University of Oxford. Pitt Rivers Museum, in The Louis Sarno Archive, Film; interview by Nick Lobley, fl. 2013 (Oxford, England: University of Oxford. Pitt Rivers Museum), 1 min,
Source: web.prm.ox.ac.uk
Source: web.prm.ox.ac.uk
The video clip shows Louis Sarno talking about meeting forest spirits in the rainforests of the Central African Republic, and is part of a series of video interviews with Louis that were recorded in April 2012. Bayaka believe in a divine creator, Kumba, who created the world and then retreated. Bayaka life in the...
Sample
of University of Oxford. Pitt Rivers Museum, in The Louis Sarno Archive, Film; interview by Nick Lobley, fl. 2013 (Oxford, England: University of Oxford. Pitt Rivers Museum), 1 min,
Source: web.prm.ox.ac.uk
Source: web.prm.ox.ac.uk
Description
The video clip shows Louis Sarno talking about meeting forest spirits in the rainforests of the Central African Republic, and is part of a series of video interviews with Louis that were recorded in April 2012. Bayaka believe in a divine creator, Kumba, who created the world and then retreated. Bayaka life in the rainforests is intimately connected with many different types of spirit, many of which must be propitiated for ecological and social we...
The video clip shows Louis Sarno talking about meeting forest spirits in the rainforests of the Central African Republic, and is part of a series of video interviews with Louis that were recorded in April 2012. Bayaka believe in a divine creator, Kumba, who created the world and then retreated. Bayaka life in the rainforests is intimately connected with many different types of spirit, many of which must be propitiated for ecological and social wellbeing. Some spirits, such as bobé, appear in leaf form, sometimes even glowing in the dark. Some spirits, such as the women's Lingboku spirit, are heard but not seen. Other spirits are believed to be present in birds such as owls. In this clip Louis Sarno talks about meeting spirits in the forest.
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Date Written / Recorded
2012-04
Field of Study
World Music
Content Type
Archival footage
Contributor
Louis Sarno, 1954-2017
Author / Creator
Louis Sarno, 1954-2017, Nick Lobley, fl. 2013
Publisher
University of Oxford. Pitt Rivers Museum
Person Discussed
Louis Sarno, 1954-2017
Topic / Theme
Spirituality, Ghosts, Occultism, Aka
Copyright Message
Material sourced from the Louis Sarno Archive, Pitt Rivers Museum, University of Oxford. Copyright © Pitt Rivers Museum, University of Oxford.
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Ainikien Jidjid Ilo Boñ: The Sound of Crickets at Night
directed by Jack Niedenthal, fl. 2008 and Suzanne Chutaro, fl. 2010; produced by Jack Niedenthal, fl. 2008 and Suzanne Chutaro, fl. 2010 (Microwave Films, 2012), 1 hour 20 mins
Ainikien Jidjid ilo Boñ (The Sound of Crickets at Night) is the story of a family displaced as a result of nuclear testing on Bikini Atoll and now living in exile on Ejit Island on Majuro Atoll in the Marshall Islands.
Kali, a darling-though-curious 10-year-old Bikinian girl, watches in dismay as her mother and f...
Sample
directed by Jack Niedenthal, fl. 2008 and Suzanne Chutaro, fl. 2010; produced by Jack Niedenthal, fl. 2008 and Suzanne Chutaro, fl. 2010 (Microwave Films, 2012), 1 hour 20 mins
Description
Ainikien Jidjid ilo Boñ (The Sound of Crickets at Night) is the story of a family displaced as a result of nuclear testing on Bikini Atoll and now living in exile on Ejit Island on Majuro Atoll in the Marshall Islands.
Kali, a darling-though-curious 10-year-old Bikinian girl, watches in dismay as her mother and father argue bitterly, then finally separate and leave the island.
Left alone to care for her elderly grandfather, Jebuki, who has been...
Ainikien Jidjid ilo Boñ (The Sound of Crickets at Night) is the story of a family displaced as a result of nuclear testing on Bikini Atoll and now living in exile on Ejit Island on Majuro Atoll in the Marshall Islands.
Kali, a darling-though-curious 10-year-old Bikinian girl, watches in dismay as her mother and father argue bitterly, then finally separate and leave the island.
Left alone to care for her elderly grandfather, Jebuki, who has been hiding a life-threatening illness, Kali deteriorates, refusing to eat, work or play. Fearing for his granddaughter’s wellbeing, Jebuki makes a desperate decision to summon Worejabato, an ancient deity from Bikini Atoll. Appearing in the form of an unshaven American stranger, Worejabato washes up on the beach on Ejit Island, and is discovered by Kali. The deity immediately begins to weave his way into Kali's life, but wishes from Worejabato do not come for free. What will Jebuki promise to Worejabato to ensure Kali’s happiness?
Actors in this film are mostly from the Bikinian community that resides in exile on Ejit Island of Majuro Atoll.
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Field of Study
Asian Studies
Content Type
Performance
Contributor
Jack Niedenthal, fl. 2008, Suzanne Chutaro, fl. 2010
Author / Creator
Jack Niedenthal, fl. 2008, Suzanne Chutaro, fl. 2010
Date Published / Released
2012
Publisher
Microwave Films
Topic / Theme
Marshallese, Cultural change and history, Religious beliefs, Folklore, Island life
Copyright Message
Copyright © 2012 by Jack Neidenthal
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The Ainu Bear Ceremony
directed by Neil Gordon Munro, 1863-1942; produced by Royal Anthropological Institute (London, England: Royal Anthropological Institute, 2001), 29 mins
The RAI has reedited the original film of this ceremony among the Ainu people of Japan. In the bear ceremony, now no longer performed, a specially reared bear was reverently killed and its flesh and blood eaten by the participants. The film shows a series of ritual acts with some commentary on their meaning.
Sample
directed by Neil Gordon Munro, 1863-1942; produced by Royal Anthropological Institute (London, England: Royal Anthropological Institute, 2001), 29 mins
Description
The RAI has reedited the original film of this ceremony among the Ainu people of Japan. In the bear ceremony, now no longer performed, a specially reared bear was reverently killed and its flesh and blood eaten by the participants. The film shows a series of ritual acts with some commentary on their meaning.
Date Written / Recorded
1931
Field of Study
Anthropology
Content Type
Documentary
Contributor
Neil Gordon Munro, 1863-1942, Royal Anthropological Institute
Author / Creator
Neil Gordon Munro, 1863-1942
Date Published / Released
2001
Publisher
Royal Anthropological Institute
Topic / Theme
Ainu, Ethnozoology, Tribal and national groups, Cultural change and history, Religious beliefs, Social customs, Religious rites and ceremonies, Ethnography
Copyright Message
Copyright 2001. Used by permission of Royal Anthropological Institute. All rights reserved.
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