Browse Titles - 670 results
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Aiba mange kimiango (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR126 (1952) , 1 page(s)
This Buudu tribe is said to have come across the Savannah along the northern edge of the great tropical Ituri forest from the Ruwenzori mountains in the East to this present locality in North Central Congo. On their way they are said to have become much influenced by the Mbuti Pygmies, several of their songs and d...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR126 (1952) , 1 page(s)
Description
This Buudu tribe is said to have come across the Savannah along the northern edge of the great tropical Ituri forest from the Ruwenzori mountains in the East to this present locality in North Central Congo. On their way they are said to have become much influenced by the Mbuti Pygmies, several of their songs and dances closely resembling those of the dwarfs. Their pet name for the pygmies is Batikitki.
Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Dance, African Drumming, Drum, Rattle, basket, Horn, ivory
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Air and Dance
composed by Christopher Le Fleming, 1908- (1937), Air and Dance (Chester Music, 1993, originally published 1937), 3 mins, 12 page(s)
Sample
composed by Christopher Le Fleming, 1908- (1937), Air and Dance (Chester Music, 1993, originally published 1937), 3 mins, 12 page(s)
Collection
Classical Scores Library, Volume III
Date Written / Recorded
1937
Field of Study
Classical Music
Content Type
Score
Author / Creator
Christopher Le Fleming, 1908-
Date Published / Released
1937, 1993
Publisher
Chester Music
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Air and Dance
composed by Christopher Le Fleming, 1908- (1937), Air and Dance (Chester Music, 1993), 3 mins, 12 page(s)
Sample
composed by Christopher Le Fleming, 1908- (1937), Air and Dance (Chester Music, 1993), 3 mins, 12 page(s)
Collection
Classical Scores Library, Volume III
Date Written / Recorded
1937
Field of Study
Classical Music
Content Type
Score
Author / Creator
Christopher Le Fleming, 1908-
Date Published / Released
1993
Publisher
Chester Music
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Akakalu Babini (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR126 (1952) , 1 page(s)
The large Igogo deja was carved out of a single log and shaped like an antelope. It was 43" tall, the body 52" long, the tail 28 1/2" and the head 33". It was 42 1/2" wide, a total of 9 foot 5 1/2" long from tip to tail. The four legs were 10" tall carrying the triangular sectioned body, sounding two notes -- 56...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR126 (1952) , 1 page(s)
Description
The large Igogo deja was carved out of a single log and shaped like an antelope. It was 43" tall, the body 52" long, the tail 28 1/2" and the head 33". It was 42 1/2" wide, a total of 9 foot 5 1/2" long from tip to tail. The four legs were 10" tall carrying the triangular sectioned body, sounding two notes -- 56 and 48 vs. one from either flank. The wooden drums are in reality wooden gongs from which two or more tones can be produced according...
The large Igogo deja was carved out of a single log and shaped like an antelope. It was 43" tall, the body 52" long, the tail 28 1/2" and the head 33". It was 42 1/2" wide, a total of 9 foot 5 1/2" long from tip to tail. The four legs were 10" tall carrying the triangular sectioned body, sounding two notes -- 56 and 48 vs. one from either flank. The wooden drums are in reality wooden gongs from which two or more tones can be produced according to the position of the blow. The two sides of the slit usually record two distinct tones when hit near the mouth of the slit. Blows in this position appear to be those usually employed when sending messages or signals. For dancing, lighter tones can be produced by striking the upper ends of the drum, and deeper notes by hitting low down on the body of the drum nearer the waist. This recording is a part only of the dance already in progress.
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Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Dance, Drum
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Aku dewile nu wakate pwana dewile (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR123 (1952) , 1 page(s)
Mongonika sang the solo phrases to this dance which is called by the same name as himself. He is a clerk at the Chief's office and dressed himself in the traditional barkcloth 'breeches' and beads for the dances. The breeches are made from a five to six foot length of barkcloth about 4 foot wide which is drawn up...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR123 (1952) , 1 page(s)
Description
Mongonika sang the solo phrases to this dance which is called by the same name as himself. He is a clerk at the Chief's office and dressed himself in the traditional barkcloth 'breeches' and beads for the dances. The breeches are made from a five to six foot length of barkcloth about 4 foot wide which is drawn up loosely between the legs and spread out fore and aft and secured by a belt. The result is a rather voluminous dress typical of many tri...
Mongonika sang the solo phrases to this dance which is called by the same name as himself. He is a clerk at the Chief's office and dressed himself in the traditional barkcloth 'breeches' and beads for the dances. The breeches are made from a five to six foot length of barkcloth about 4 foot wide which is drawn up loosely between the legs and spread out fore and aft and secured by a belt. The result is a rather voluminous dress typical of many tribes in N. Eastern Congo. Tuning of Kponingbo:-- 664, 568, 496, 392, 360, 332, 284, 248, 196.
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Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Alaina n’kuphika nkhwani (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR097 (1958) , 2 page(s)
This kind of dance, they say, was first introduced into the district by Yao people, about 15 years ago, 1940, when it was originally sung in the Yao language, from the Fort Johnstone District. But the Chewa girls liked the dance and made up their own words for it. They reflect the young girls growing sense of resp...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR097 (1958) , 2 page(s)
Description
This kind of dance, they say, was first introduced into the district by Yao people, about 15 years ago, 1940, when it was originally sung in the Yao language, from the Fort Johnstone District. But the Chewa girls liked the dance and made up their own words for it. They reflect the young girls growing sense of responsibility toward her domestic duties. "Alaina nkuphika nkhwani nanga ine ndidyele ciani alaina Mai wanga nkuphika nkhwani nanga ine nd...
This kind of dance, they say, was first introduced into the district by Yao people, about 15 years ago, 1940, when it was originally sung in the Yao language, from the Fort Johnstone District. But the Chewa girls liked the dance and made up their own words for it. They reflect the young girls growing sense of responsibility toward her domestic duties. "Alaina nkuphika nkhwani nanga ine ndidyele ciani alaina Mai wanga nkuphika nkhwani nanga ine ndidyele ciani." "Alaina cooked vegetables, what shall I do for vegetables myself? My mother cooked vegetables, what shall I do for vegetables myself?"
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Date Written / Recorded
1958
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Dance, African Drumming, Clapping, hand
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Aliyale (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR096 (1958) , 2 page(s)
Who Angozo might have been and what he had done could not be explained, but the song was, no doubt, founded on fact, and the singing of this song would ensure publicity. "Angoza, ine ee ee, umerewo ndimwano Ambani ee-ee-ee-ee! Simudziwa mbodola ansani ee-ee!" "Angozo (man's name) you are very indiscreet. You have...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR096 (1958) , 2 page(s)
Description
Who Angozo might have been and what he had done could not be explained, but the song was, no doubt, founded on fact, and the singing of this song would ensure publicity. "Angoza, ine ee ee, umerewo ndimwano Ambani ee-ee-ee-ee! Simudziwa mbodola ansani ee-ee!" "Angozo (man's name) you are very indiscreet. You have not kept our affair private."
Date Written / Recorded
1958
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
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Alla breve
composed by Johann Sebastian Bach, 1685-1750 (1725), Alla breve (Bach Gesellschaft Edition, Leipzig, 1899), 4 page(s)
Sample
composed by Johann Sebastian Bach, 1685-1750 (1725), Alla breve (Bach Gesellschaft Edition, Leipzig, 1899), 4 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1725
Field of Study
Classical Music
Author / Creator
Johann Sebastian Bach, 1685-1750
Date Published / Released
1899
Publisher
Bach Gesellschaft Edition, Leipzig
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edited by Friedrich Chrysander, 1826-1901; composed by George Frideric Handel, 1685-1759 (1733), Allemande (Chrysander at Bergdorf-bei-Hamburg, 1902), 1 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1733
Field of Study
Classical Music
Contributor
Friedrich Chrysander, 1826-1901
Author / Creator
George Frideric Handel, 1685-1759
Date Published / Released
1902
Publisher
Chrysander at Bergdorf-bei-Hamburg
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Allemande und Courante
composed by Johann Sebastian Bach, 1685-1750 (1715), Allemande und Courante (Bach Gesellschaft Edition, Leipzig, 1899), 2 page(s)
Sample
composed by Johann Sebastian Bach, 1685-1750 (1715), Allemande und Courante (Bach Gesellschaft Edition, Leipzig, 1899), 2 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1715
Field of Study
Classical Music
Author / Creator
Johann Sebastian Bach, 1685-1750
Date Published / Released
1899
Publisher
Bach Gesellschaft Edition, Leipzig
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