Browse Titles - 179 results
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Broadway's Favorite Clowns
produced by Meagan Hennessey; performed by Six Brown Brothers (Archeophone Records, 2010), 1 hour 6 mins, 24 page(s)
Sample
produced by Meagan Hennessey; performed by Six Brown Brothers (Archeophone Records, 2010), 1 hour 6 mins, 24 page(s)
Date Written / Recorded
1920
Field of Study
American Music
Content Type
Music recording
Performer / Ensemble
Six Brown Brothers
Contributor
Meagan Hennessey
Author / Creator
Six Brown Brothers
Date Published / Released
2010
Publisher
Archeophone Records
Copyright Message
Copyright © 2010 by Archeophone Records
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Broken Line
composed by Alvin Lucier, 1941-; produced by Eckhard Glauche, fl. 2001 (Mode Records, 2015), 1 hour 4 mins
Sample
composed by Alvin Lucier, 1941-; produced by Eckhard Glauche, fl. 2001 (Mode Records, 2015), 1 hour 4 mins
Date Written / Recorded
2012-07
Field of Study
Classical Music
Content Type
Music recording
Contributor
Thomas Monnerjahn, fl. 2012, Eckhard Glauche, fl. 2001
Author / Creator
Alvin Lucier, 1941-
Date Published / Released
2015
Publisher
Mode Records
Copyright Message
Copyright © 2015 by Mode
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Buxtehude - Suites and Variations
composed by Dieterich Buxtehude, 1637-1707; performed by Colin Booth, fl. 1980 (Colin Booth, 2011), 11 mins
Dietrich Buxtehude was the greatest musician in north Germany before J.S.Bach,
who, being at that stage young and without many resources, took leave from his
first organist post and walked for several days to stay and study with him in
Lubeck. Buxtehude was justly famous as a virtuoso organist, composer,
concert-o...
Sample
composed by Dieterich Buxtehude, 1637-1707; performed by Colin Booth, fl. 1980 (Colin Booth, 2011), 11 mins
Description
Dietrich Buxtehude was the greatest musician in north Germany before J.S.Bach,
who, being at that stage young and without many resources, took leave from his
first organist post and walked for several days to stay and study with him in
Lubeck. Buxtehude was justly famous as a virtuoso organist, composer,
concert-organiser, and harpsichordist.
This selection from his keyboard works show him to have been a lively, tuneful character, and Bach, who...
Dietrich Buxtehude was the greatest musician in north Germany before J.S.Bach, who, being at that stage young and without many resources, took leave from his first organist post and walked for several days to stay and study with him in Lubeck. Buxtehude was justly famous as a virtuoso organist, composer, concert-organiser, and harpsichordist.This selection from his keyboard works show him to have been a lively, tuneful character, and Bach, who was not known for his patience, was eventually reprimanded by his employers for staying in Lubeck long after his leave of absence had expired. Buxtehude's best-known harpsichord work closes this album: the 32 variations "La Capriciosa" were undoubtedly an inspiration and challenge for Bach, who was to "cap" them with his own "Goldberg Variations.
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Date Written / Recorded
2007
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Colin Booth, fl. 1980
Author / Creator
Dieterich Buxtehude, 1637-1707, Colin Booth, fl. 1980
Date Published / Released
2011-05-28
Publisher
Colin Booth
Tracks
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Cage: A Cage of Saxophones, Vol. 1
composed by John Cage, 1912-1992; produced by Dr. Wilhelm Schlemm; performed by Ulrich Krieger, 1962-, Kathrin Wagner, Gerhard Scherer, Mario Bertoncini, Reinhold Friedl, Friedemann Werzlau, Tobias Rüger, Reimar Volker, Raymond Kaczynski and Andreas Peters (Mode Records), 1 hour 14 mins
Sample
composed by John Cage, 1912-1992; produced by Dr. Wilhelm Schlemm; performed by Ulrich Krieger, 1962-, Kathrin Wagner, Gerhard Scherer, Mario Bertoncini, Reinhold Friedl, Friedemann Werzlau, Tobias Rüger, Reimar Volker, Raymond Kaczynski and Andreas Peters (Mode Records), 1 hour 14 mins
Date Written / Recorded
1999-11-01
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Ulrich Krieger, 1962-, Kathrin Wagner, Gerhard Scherer, Mario Bertoncini, Reinhold Friedl, Friedemann Werzlau, Tobias Rüger, Reimar Volker, Raymond Kaczynski, Andreas Peters
Contributor
Ekkehard Stoffregen, Dr. Wilhelm Schlemm
Author / Creator
John Cage, 1912-1992, Ulrich Krieger, 1962-, Kathrin Wagner, Gerhard Scherer, Mario Bertoncini, Reinhold Friedl, Friedemann Werzlau, Tobias Rüger, Reimar Volker, Raymond Kaczynski, Andreas Peters
Publisher
Mode Records
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Cage: Two^6; Four No3
composed by John Cage, 1912-1992; produced by Michel Bernard; performed by Ami Flammer, Martine Joste, Dominique Alchourroun and Jean Michaut (Mode Records), 1 hour 9 mins
Cage's last series of works was a total of 47 so-called "number pieces" written between 1987 and 1992. They are performed on this CD by Ami Flammer (violin and rainsticks), Martine Joste (piano and rainsticks), Dominique Alchourroun (piano and rainsticks), and Jean Michaut (rainsticks). The title Four3, describes...
Sample
composed by John Cage, 1912-1992; produced by Michel Bernard; performed by Ami Flammer, Martine Joste, Dominique Alchourroun and Jean Michaut (Mode Records), 1 hour 9 mins
Description
Cage's last series of works was a total of 47 so-called "number pieces" written between 1987 and 1992. They are performed on this CD by Ami Flammer (violin and rainsticks), Martine Joste (piano and rainsticks), Dominique Alchourroun (piano and rainsticks), and Jean Michaut (rainsticks). The title Four3, describes four "interpenetrating" activities (silence, rainsticks, a high note without vibrato, two pianists playing random fragments from Cage's...
Cage's last series of works was a total of 47 so-called "number pieces" written between 1987 and 1992. They are performed on this CD by Ami Flammer (violin and rainsticks), Martine Joste (piano and rainsticks), Dominique Alchourroun (piano and rainsticks), and Jean Michaut (rainsticks). The title Four3, describes four "interpenetrating" activities (silence, rainsticks, a high note without vibrato, two pianists playing random fragments from Cage's Extended Lullaby) and only incidentally four performers, similar to Robert Ashley's Trios (White on White) for various instruments (1963). This has a subtle and mysterious landscape effect. One5 for Piano Solo is a 21-minute piece, made from 21 isolated sound "tanks" for the left hand and 24 for the right hand which are freely chosen by the performer. The sustaining pedal is used to overlap these sounds. Dynamics are also left to the performer, as is duration to a certain extent. In Two6 for Violin and Piano, each performer has two "data banks" of materials with which to fill the time brackets that total 20 minutes. And silence is always an option. The violinist either plays at the verge of audibility, or plays a florid passage. The pianist may select from an ascending scale of sonorities, and may also play from the Extended Lullaby, the set of (quasi-)random variations that Cage composed on Erik Satie's Vexations. The parts are realized by the performers from these materials, as they are encouraged to maintain a sense of the "intangible" which these performances achieve beautifully. ~ "Blue Gene" Tyranny, All Music Guide
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Date Written / Recorded
1994-01-24
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Ami Flammer, Martine Joste, Dominique Alchourroun, Jean Michaut
Contributor
Madeline Sola, fl. 1988, Michel Bernard
Author / Creator
John Cage, 1912-1992, Ami Flammer, Martine Joste, Dominique Alchourroun, Jean Michaut
Publisher
Mode Records
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performed by Poeticall Musicke (Magnatune, 2013), 27 mins
Date Written / Recorded
2013
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Poeticall Musicke
Author / Creator
Poeticall Musicke
Date Published / Released
2013-06-23
Publisher
Magnatune
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performed by Poeticall Musicke (Magnatune, 2013), 38 mins
Date Written / Recorded
2012
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Poeticall Musicke
Author / Creator
Poeticall Musicke
Date Published / Released
2013-07-20
Publisher
Magnatune
Tracks
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Canto y Danza
performed by Carrie Henneman Shaw, Chambure Vihuela Quartet (Magnatune, 2013), 49 mins
Sample
performed by Carrie Henneman Shaw, Chambure Vihuela Quartet (Magnatune, 2013), 49 mins
Date Written / Recorded
2011
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Chambure Vihuela Quartet, Carrie Henneman Shaw
Author / Creator
Chambure Vihuela Quartet, Carrie Henneman Shaw
Date Published / Released
2013-04-19
Publisher
Magnatune
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Carnaval-Carnival
conducted by Max Lifchitz, 1948-; produced by Max Lifchitz, 1948- (North-South, 2002), 1 hour 3 mins
Sample
conducted by Max Lifchitz, 1948-; produced by Max Lifchitz, 1948- (North-South, 2002), 1 hour 3 mins
Date Written / Recorded
2001-09-01
Field of Study
Classical Music
Content Type
Music recording
Contributor
Max Lifchitz, 1948-, James McLean
Date Published / Released
2002
Publisher
North-South
Tracks
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I Cavalieri del Liuto - The Knights of the Lute
performed by Paul Beier, fl. 1990 (Paul Beier, 2010), 2 mins
Originally it was thought that there was one "Knight of the Lute", Laurencinus
Romanus, Il Cavaliere del Liuto, Eques Romanus. After new discoveries and an
up-to-date biography of "The Knights of the Lute" by Mariagrazia Carlone, published in the Journal
of the American Lute Society, we now know that there were tw...
Sample
performed by Paul Beier, fl. 1990 (Paul Beier, 2010), 2 mins
Description
Originally it was thought that there was one "Knight of the Lute", Laurencinus
Romanus, Il Cavaliere del Liuto, Eques Romanus. After new discoveries and an
up-to-date biography of "The Knights of the Lute" by Mariagrazia Carlone, published in the Journal
of the American Lute Society, we now know that there were two.
Lorenzino Tracetti, servant of Cardinal Ippolito II d'Este until 1572, and the
pious Vincenzo Pinti, resident at the palace of the V...
Originally it was thought that there was one "Knight of the Lute", Laurencinus
Romanus, Il Cavaliere del Liuto, Eques Romanus. After new discoveries and an
up-to-date biography of "The Knights of the Lute" by Mariagrazia Carlone, published in the Journal
of the American Lute Society, we now know that there were two.
Lorenzino Tracetti, servant of Cardinal Ippolito II d'Este until 1572, and the
pious Vincenzo Pinti, resident at the palace of the Vatican Vice-chancellor
under Cardinals Alessandro Farnese and Montalto (Alessandro Peretti), until his
death in 1608.
As for attributing the music, it would be very hard, if not impossible, to tell which of the works recorded here were by Tracetti and which may have been by Pinti. Neither of these composers, it seems, was ever involved directly in the publication or dissemination of their works.
While the ambiguity between the two Roman knights is still maintained, the only revision that seems necessary is to the title: no longer singular, it now celebrates "The Knights of the Lute."
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Date Written / Recorded
2010
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Paul Beier, fl. 1990
Author / Creator
Paul Beier, fl. 1990
Date Published / Released
2010-06-12
Publisher
Paul Beier
Tracks
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