Browse Titles - 34010 results
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Shyam Ganguly- Thumri, Sarod, Rag Bhairavi
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N63. Fieldtrip to survey varieties of Indian music in 1963-1964., 1:42:84 (New Delhi, Delhi State) , 15 mins
Thumri in Rag Bhairavi performed on the sarod by Shyam Ganguly. The performer is accompanied by Kishan Maharaj on the tabla.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N63. Fieldtrip to survey varieties of Indian music in 1963-1964., 1:42:84 (New Delhi, Delhi State) , 15 mins
Description
Thumri in Rag Bhairavi performed on the sarod by Shyam Ganguly. The performer is accompanied by Kishan Maharaj on the tabla. North Indian classical music-vocal
Date Written / Recorded
1963
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright Amy Catlin-Jairazbhoy.
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Si Vavagi Aposetolo
in Bronislaw Malinowski Papers (LSE), of London School of Economics and Political Science. Library. Archives and Special Collections Team (Box 5: Linguistic notes and lectures, based on Trobriand Islands fieldwork, Folder 10: Vocabulary: Lexicographical) (London, England) (1924) , 13 page(s)
Thirteen carefully handwritten pages headed 'Si Vavagi Aposetolo' contain an extensive apparent passage from the Bible in indigenous text, very likely written by Sister Ethel M. Prisk. The notes are written in two sections, 'Vula I' and 'Vula II,' with 26 and 47 numbered verses, respectively. A note in English in...
Sample
in Bronislaw Malinowski Papers (LSE), of London School of Economics and Political Science. Library. Archives and Special Collections Team (Box 5: Linguistic notes and lectures, based on Trobriand Islands fieldwork, Folder 10: Vocabulary: Lexicographical) (London, England) (1924) , 13 page(s)
Description
Thirteen carefully handwritten pages headed 'Si Vavagi Aposetolo' contain an extensive apparent passage from the Bible in indigenous text, very likely written by Sister Ethel M. Prisk. The notes are written in two sections, 'Vula I' and 'Vula II,' with 26 and 47 numbered verses, respectively. A note in English in the corner of the first page mentions 'our district translation for Holy Spirit' in the Dobuan dialect.
Date Written / Recorded
1924
Field of Study
Anthropology
Content Type
Field notes
Contributor
Ethel M. Prisk, fl. 1915
Author / Creator
Ethel M. Prisk, fl. 1915
Topic / Theme
Pacific Islanders
Copyright Message
Materials sourced from Yale University. Copyright © 2016 by Patrick Burke
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'Sia 41 - During stay at white house'
in Ruth Fulton Benedict Papers, of Vassar College. Libraries. Archives and Special Collections Library ([Box 96]: Serrano Field Trip Notes) (1922) , 1 page(s)
Handwritten citation note written on an unlined white paper. Note includes the citation, 'Sia 41 - During stay at white house - migration women - come not badly - children.' Note also includes the following keywords: ok'oyo, spider woman, hunter.
Open Access
in Ruth Fulton Benedict Papers, of Vassar College. Libraries. Archives and Special Collections Library ([Box 96]: Serrano Field Trip Notes) (1922) , 1 page(s)
Description
Handwritten citation note written on an unlined white paper. Note includes the citation, 'Sia 41 - During stay at white house - migration women - come not badly - children.' Note also includes the following keywords: ok'oyo, spider woman, hunter.
Date Written / Recorded
1922
Field of Study
Anthropology
Content Type
Research notes
Contributor
Ruth Benedict, 1887-1948
Author / Creator
Ruth Benedict, 1887-1948
Topic / Theme
American Indians
Copyright Message
Material sourced from the Ruth Fulton Benedict Papers, Vassar College. Copyright © 2016 by Mary Catherine Bateson
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Siaga Kinship III
in Max Gluckman Papers, of Royal Anthropological Institute. Archives and Manuscripts (Box 22: Lozi Field Notes 1947, [Folder 1]) (16 May 1947) , 2 page(s)
Date: 16.5.47. Place: Kabompo. Source: Sianga. A two-page, typewritten field note headed "Sianga Kinship III" contains information on: the Batanga people; divorce for marrying younger sister; forced intercourse in marriage; lawsuit over venereal disease; change in a custom that allowed the taking of cattle or othe...
Sample
in Max Gluckman Papers, of Royal Anthropological Institute. Archives and Manuscripts (Box 22: Lozi Field Notes 1947, [Folder 1]) (16 May 1947) , 2 page(s)
Description
Date: 16.5.47. Place: Kabompo. Source: Sianga. A two-page, typewritten field note headed "Sianga Kinship III" contains information on: the Batanga people; divorce for marrying younger sister; forced intercourse in marriage; lawsuit over venereal disease; change in a custom that allowed the taking of cattle or other property from relatives.
Date Written / Recorded
16 May 1947, 1947
Field of Study
Anthropology
Content Type
Field notes
Contributor
Max Gluckman, 1911-1975
Author / Creator
Max Gluckman, 1911-1975
Topic / Theme
Trials and litigation, Divorce, Marriage customs
Copyright Message
Material sourced from the Royal Anthropological Institute Archive. Copyright © 2016 by Royal Anthropological Institute
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Siaka: An African Musician
written by Hugo Zemp, 1937-; directed by Hugo Zemp, 1937- (Watertown, MA: Documentary Educational Resources (DER), 2005), 1 hour 22 mins
Siaka Diabaté is a musician at Bouaké, the second largest town in the Côte d'Ivoire. Through his mother's family he is Senufo, but through his father's ancestry he considers himself a Mande griot. He is a multi-talented professional musician, and for the local festivals plays five instruments: the Senufo and Ma...
Sample
written by Hugo Zemp, 1937-; directed by Hugo Zemp, 1937- (Watertown, MA: Documentary Educational Resources (DER), 2005), 1 hour 22 mins
Description
Siaka Diabaté is a musician at Bouaké, the second largest town in the Côte d'Ivoire. Through his mother's family he is Senufo, but through his father's ancestry he considers himself a Mande griot. He is a multi-talented professional musician, and for the local festivals plays five instruments: the Senufo and Maninka balafons, the kora harp, the dundun drum and the electric guitar. This film shows Siaka playing in the group led by Soungalo Cou...
Siaka Diabaté is a musician at Bouaké, the second largest town in the Côte d'Ivoire. Through his mother's family he is Senufo, but through his father's ancestry he considers himself a Mande griot. He is a multi-talented professional musician, and for the local festivals plays five instruments: the Senufo and Maninka balafons, the kora harp, the dundun drum and the electric guitar. This film shows Siaka playing in the group led by Soungalo Coulibaly before his death in 2004, including the use of jembe drums, which we also see being made.Using long continuous shots that give priority to the music and to what Siaka and Soungalo have to say, this documentary introduces the audience to a fascinating world of urban music that incorporates traditional songs and dances by griots. Shot on site a few weeks before rising of civil war, during various festivities, this film presents a living portrait of this lovable and highly skilled musician working in a traditional environment, adding another dimension to the pleasure of seeing and hearing him during his international tours.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Hugo Zemp, 1937-, Siaka Diabaté
Author / Creator
Hugo Zemp, 1937-
Date Published / Released
2005
Publisher
Documentary Educational Resources (DER)
Person Discussed
Siaka Diabaté
Topic / Theme
Senufo, Mandinka (Mandingo, Malinke), Tribal and national groups, Music, Social dances, Cultural identity, Musical instruments, Musicians, Ethnography, Palaka Sénoufo, Mandinka
Copyright Message
Copyright © 2005 by Documentary Educational Resources
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Siamawe siya (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR155 (1950) , 1 page(s)
"All the men are joining the army and leave us behind to do the work." Marangu is the small village on the lower slopes of Mount Kilimanjaro. The first of these songs may not be an authentic Chaga song, but is rather similar to songs taught in the schools.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR155 (1950) , 1 page(s)
Description
"All the men are joining the army and leave us behind to do the work." Marangu is the small village on the lower slopes of Mount Kilimanjaro. The first of these songs may not be an authentic Chaga song, but is rather similar to songs taught in the schools.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Praise Song, Stamping, foot, Drum, bass, Sticks
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Siamawe siya (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR155 , 1 min
"All the men are joining the army and leave us behind to do the work." Marangu is the small village on the lower slopes of Mount Kilimanjaro. The first of these songs may not be an authentic Chaga song, but is rather similar to songs taught in the schools.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR155 , 1 min
Description
"All the men are joining the army and leave us behind to do the work." Marangu is the small village on the lower slopes of Mount Kilimanjaro. The first of these songs may not be an authentic Chaga song, but is rather similar to songs taught in the schools.
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Siamese man from village of Ban-Sai Kau
in Annandale Collection, of Royal Anthropological Institute. Photographs (London, England); photographed by Nelson Annandale, 1876-1924 (1900) , 1 page(s)
Sample
in Annandale Collection, of Royal Anthropological Institute. Photographs (London, England); photographed by Nelson Annandale, 1876-1924 (1900) , 1 page(s)
Date Written / Recorded
1900
Field of Study
Anthropology
Content Type
Photograph
Contributor
Nelson Annandale, 1876-1924
Author / Creator
Nelson Annandale, 1876-1924
Topic / Theme
Men, Thai
Copyright Message
Copyright © 2013 Royal Anthropological Institute. All Rights Reserved.
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Siamese woman, Siamese Malay States or perhaps Malay States.
in Annandale Collection, of Royal Anthropological Institute. Photographs (London, England); photographed by Nelson Annandale, 1876-1924 (1900) , 1 page(s)
Sample
in Annandale Collection, of Royal Anthropological Institute. Photographs (London, England); photographed by Nelson Annandale, 1876-1924 (1900) , 1 page(s)
Date Written / Recorded
1900
Field of Study
Anthropology
Content Type
Photograph
Contributor
Nelson Annandale, 1876-1924
Author / Creator
Nelson Annandale, 1876-1924
Topic / Theme
Women, Thai
Copyright Message
Copyright © 2013 Royal Anthropological Institute. All Rights Reserved.
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Siamese woman, Siamese Malay States or perhaps Malay States.
in Annandale Collection, of Royal Anthropological Institute. Photographs (London, England); photographed by Nelson Annandale, 1876-1924 (1900) , 1 page(s)
Sample
in Annandale Collection, of Royal Anthropological Institute. Photographs (London, England); photographed by Nelson Annandale, 1876-1924 (1900) , 1 page(s)
Date Written / Recorded
1900
Field of Study
Anthropology
Content Type
Photograph
Contributor
Nelson Annandale, 1876-1924
Author / Creator
Nelson Annandale, 1876-1924
Topic / Theme
Women, Thai
Copyright Message
Copyright © 2013 Royal Anthropological Institute. All Rights Reserved.
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