Browse Titles - 4419 results
Abarinda nibarwana (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR134 (1950) , 1 page(s)
The people who protect this country are away fighting.' This refers to old tribal fighting before the Europeans came and stopped it all, i.e. before 1890.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR134 (1950) , 1 page(s)
Description
The people who protect this country are away fighting.' This refers to old tribal fighting before the Europeans came and stopped it all, i.e. before 1890.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Dance, Song, Flute, Drum
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Abarinda nibarwana (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR134 , 3 mins
The people who protect this country are away fighting.' This refers to old tribal fighting before the Europeans came and stopped it all, i.e. before 1890.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR134 , 3 mins
Description
The people who protect this country are away fighting.' This refers to old tribal fighting before the Europeans came and stopped it all, i.e. before 1890.
Date Written / Recorded
1950
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Abasungu balisa-we tata (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR182 (19 January 1952) , 2 page(s)
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR182 (19 January 1952) , 2 page(s)
Date Written / Recorded
19 January 1952, 1952
Field of Study
Anthropology
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Folk music, Folk, Bemba
Copyright Message
Material sourced from the International Library of African Music. Copyright © International Library of African Music.
×
Abasungu balisa-we tata (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR182 (1952) , 2 page(s)
"The White people have come, father, They are flying in the sky. They have made the smelter They have made the shaft. They have brought money They have brought clothing. They have come here for good, They will never turn back from our country. They have settled in our country These settlers of the Copper Belt." Th...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR182 (1952) , 2 page(s)
Description
"The White people have come, father, They are flying in the sky. They have made the smelter They have made the shaft. They have brought money They have brought clothing. They have come here for good, They will never turn back from our country. They have settled in our country These settlers of the Copper Belt." This refers to the great industrial intrusion into this part of Africa where large deposits of copper are now being mined in what used to...
"The White people have come, father, They are flying in the sky. They have made the smelter They have made the shaft. They have brought money They have brought clothing. They have come here for good, They will never turn back from our country. They have settled in our country These settlers of the Copper Belt." This refers to the great industrial intrusion into this part of Africa where large deposits of copper are now being mined in what used to be a remote and densely wooded part of the country.
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Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Narrative Songs, Vocals, group
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Abasungu balisa-we tata (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR182 , 3 mins
"The White people have come, father, They are flying in the sky. They have made the smelter They have made the shaft. They have brought money They have brought clothing. They have come here for good, They will never turn back from our country. They have settled in our country These settlers of the Copper Belt." Th...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR182 , 3 mins
Description
"The White people have come, father, They are flying in the sky. They have made the smelter They have made the shaft. They have brought money They have brought clothing. They have come here for good, They will never turn back from our country. They have settled in our country These settlers of the Copper Belt." This refers to the great industrial intrusion into this part of Africa where large deposits of copper are now being mined in what used to...
"The White people have come, father, They are flying in the sky. They have made the smelter They have made the shaft. They have brought money They have brought clothing. They have come here for good, They will never turn back from our country. They have settled in our country These settlers of the Copper Belt." This refers to the great industrial intrusion into this part of Africa where large deposits of copper are now being mined in what used to be a remote and densely wooded part of the country.
Show more
Show less
Date Written / Recorded
1952
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Abatandani ngumasingili = Their love for each other is exalted (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR013 (1957) , 1 page(s)
The interpreter used the word 'high' to describe the love of the singer and her man. 'High' in the sense of exalted, romantic, not quite of this earth.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR013 (1957) , 1 page(s)
Description
The interpreter used the word 'high' to describe the love of the singer and her man. 'High' in the sense of exalted, romantic, not quite of this earth.
Date Written / Recorded
1957
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Bow, musical, Hadi
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Abatandani ngumasingili = Their love for each other is exalted (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR013 , 2 mins
The interpreter used the word 'high' to describe the love of the singer and her man. 'High' in the sense of exalted, romantic, not quite of this earth.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR013 , 2 mins
Description
The interpreter used the word 'high' to describe the love of the singer and her man. 'High' in the sense of exalted, romantic, not quite of this earth.
Date Written / Recorded
1957
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Abavuga obugali (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR139 (1952) , 1 page(s)
In this song to the twittering accompaniment of lutes and lyres the Ganda singers retail to their considerable audiences the events of the day, its humour and tragedies, its scandals and protestations.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR139 (1952) , 1 page(s)
Description
In this song to the twittering accompaniment of lutes and lyres the Ganda singers retail to their considerable audiences the events of the day, its humour and tragedies, its scandals and protestations.
Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Lyre, Endongo, Lute, Ndingidi, Drum
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Abavuga obugali (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR139 , 3 mins
In this song to the twittering accompaniment of lutes and lyres the Ganda singers retail to their considerable audiences the events of the day, its humour and tragedies, its scandals and protestations.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR139 , 3 mins
Description
In this song to the twittering accompaniment of lutes and lyres the Ganda singers retail to their considerable audiences the events of the day, its humour and tragedies, its scandals and protestations.
Date Written / Recorded
1952
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Abiia nensawo asiima (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR142 (1952) , 1 page(s)
A song which is sung when a woman gives birth to twins. Twins are born, they say, 'in a certain manner'. They tell the father of twins to play the drums and rejoice. "You people who were laughing at me, you thought I could not have children. But look! Here I have two at a time". Sewaswa is kind to everyone and esp...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR142 (1952) , 1 page(s)
Description
A song which is sung when a woman gives birth to twins. Twins are born, they say, 'in a certain manner'. They tell the father of twins to play the drums and rejoice. "You people who were laughing at me, you thought I could not have children. But look! Here I have two at a time". Sewaswa is kind to everyone and especially to children. He is a traditional figure in their folklore.
Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×