Browse Titles - 8428 results
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Aba Seveni abada (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR136 (1950) , 1 page(s)
The 'Aba Seveni,' the soldiers of the 7th King's African Rifles, are back from the war, but they have no money left. The ones who stayed are better off than the soldiers.' A story with a familiar aftermath theme.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR136 (1950) , 1 page(s)
Description
The 'Aba Seveni,' the soldiers of the 7th King's African Rifles, are back from the war, but they have no money left. The ones who stayed are better off than the soldiers.' A story with a familiar aftermath theme.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Narrative Songs, Bowl Lyre, Endongo, Lute, Ndingidi, Drum, Ntenga
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Aba Seveni abada (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR136 , 3 mins
The 'Aba Seveni,' the soldiers of the 7th King's African Rifles, are back from the war, but they have no money left. The ones who stayed are better off than the soldiers.' A story with a familiar aftermath theme.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR136 , 3 mins
Description
The 'Aba Seveni,' the soldiers of the 7th King's African Rifles, are back from the war, but they have no money left. The ones who stayed are better off than the soldiers.' A story with a familiar aftermath theme.
Date Written / Recorded
1950
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
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Abadereva Ba Matatu
performed by Ilungu Jazz Band (Music Copyright Society Of Kenya, 2004), 1 hour 5 mins
Sample
performed by Ilungu Jazz Band (Music Copyright Society Of Kenya, 2004), 1 hour 5 mins
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Ilungu Jazz Band
Author / Creator
Ilungu Jazz Band
Date Published / Released
2004-01-01
Publisher
Music Copyright Society Of Kenya
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Abafazi pandle (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR062 (1957) , 1 page(s)
Drinking parties in this region were usually held inside the huts as there is plenty of wind over the open downs, especially near the sea. The song calls on the women to leave the hut to the men, as they pass the beer around and sing their drinking songs.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR062 (1957) , 1 page(s)
Description
Drinking parties in this region were usually held inside the huts as there is plenty of wind over the open downs, especially near the sea. The song calls on the women to leave the hut to the men, as they pass the beer around and sing their drinking songs.
Date Written / Recorded
1957
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
See details
Abafazi pandle (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR062 , 3 mins
Drinking parties in this region were usually held inside the huts as there is plenty of wind over the open downs, especially near the sea. The song calls on the women to leave the hut to the men, as they pass the beer around and sing their drinking songs.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR062 , 3 mins
Description
Drinking parties in this region were usually held inside the huts as there is plenty of wind over the open downs, especially near the sea. The song calls on the women to leave the hut to the men, as they pass the beer around and sing their drinking songs.
Date Written / Recorded
1957
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
See details
Abagenyi baizire (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR132 (1950) , 2 page(s)
The eight horn blowers stand in a row with the women opposite them while the dancers strut in between. "The visitors have arrived," a welcome to the visitors at a party. The Engwara are built up of sections of gourds bound together with plantain strings and reinforced longitudinally by lathes of bamboo. They are s...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR132 (1950) , 2 page(s)
Description
The eight horn blowers stand in a row with the women opposite them while the dancers strut in between. "The visitors have arrived," a welcome to the visitors at a party. The Engwara are built up of sections of gourds bound together with plantain strings and reinforced longitudinally by lathes of bamboo. They are side blown and have a hole at the small end so as to produce two notes each. They vary in size from about 12 inches to approximately 36...
The eight horn blowers stand in a row with the women opposite them while the dancers strut in between. "The visitors have arrived," a welcome to the visitors at a party. The Engwara are built up of sections of gourds bound together with plantain strings and reinforced longitudinally by lathes of bamboo. They are side blown and have a hole at the small end so as to produce two notes each. They vary in size from about 12 inches to approximately 36 inches.
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Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Horn, Rattle, Ebinyege, Clapping, hand
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
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Abagenyi baizire (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR132 , 2 mins
The eight horn blowers stand in a row with the women opposite them while the dancers strut in between. "The visitors have arrived," a welcome to the visitors at a party. The Engwara are built up of sections of gourds bound together with plantain strings and reinforced longitudinally by lathes of bamboo. They are s...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR132 , 2 mins
Description
The eight horn blowers stand in a row with the women opposite them while the dancers strut in between. "The visitors have arrived," a welcome to the visitors at a party. The Engwara are built up of sections of gourds bound together with plantain strings and reinforced longitudinally by lathes of bamboo. They are side blown and have a hole at the small end so as to produce two notes each. They vary in size from about 12 inches to approximately 36...
The eight horn blowers stand in a row with the women opposite them while the dancers strut in between. "The visitors have arrived," a welcome to the visitors at a party. The Engwara are built up of sections of gourds bound together with plantain strings and reinforced longitudinally by lathes of bamboo. They are side blown and have a hole at the small end so as to produce two notes each. They vary in size from about 12 inches to approximately 36 inches.
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Date Written / Recorded
1950
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
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Abagungu (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR133 (1950) , 1 page(s)
Tunes, like the bosun's piping in the navy, which drum and pipe the Mukama as he leaves his Kikale (house) to go his rounds or visit the Council Chamber or Court. The Nsegu pipes are made in two sections and joined together by binding with hide, or iguana skin which is shrunk or bound onto the two halves.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR133 (1950) , 1 page(s)
Description
Tunes, like the bosun's piping in the navy, which drum and pipe the Mukama as he leaves his Kikale (house) to go his rounds or visit the Council Chamber or Court. The Nsegu pipes are made in two sections and joined together by binding with hide, or iguana skin which is shrunk or bound onto the two halves.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
See details
Abagungu (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR133 , 3 mins
The Bagungu people are fishermen and live near the eastern shores of Lake Albert. They are renowned for their cheerful rhythmic dancing with leg rattles. The water lizard skin membranes of their drums make for high quality drumming and clear finger work. The 'legevans' or iguana are found near the lake shore, the...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR133 , 3 mins
Description
The Bagungu people are fishermen and live near the eastern shores of Lake Albert. They are renowned for their cheerful rhythmic dancing with leg rattles. The water lizard skin membranes of their drums make for high quality drumming and clear finger work. The 'legevans' or iguana are found near the lake shore, they say.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
×
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Abakaikula kitulayeza twena tucome Mlekule (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR147 (1950) , 2 page(s)
When we harvest our crops we shall all enjoy dancing the Mlekule.' Mlekule is a dance done for the chief at his village.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR147 (1950) , 2 page(s)
Description
When we harvest our crops we shall all enjoy dancing the Mlekule.' Mlekule is a dance done for the chief at his village.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Mbira, Mbira, likembe muchapata
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
