Browse Titles - 1985 results
Cloudburst
composed by Eric Whitacre, 1970- (1991); conducted by Eric Whitacre, 1970-; performed by VanderCook College of Music Symphonic Band; in The 56th Annual Midwest Clinic, 2002: VanderCook College of Music Symphonic Band (Mark Custom, 2003), 9 mins
Sample
composed by Eric Whitacre, 1970- (1991); conducted by Eric Whitacre, 1970-; performed by VanderCook College of Music Symphonic Band; in The 56th Annual Midwest Clinic, 2002: VanderCook College of Music Symphonic Band (Mark Custom, 2003), 9 mins
Date Written / Recorded
1991, 2002
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
VanderCook College of Music Symphonic Band
Contributor
Eric Whitacre, 1970-
Author / Creator
Eric Whitacre, 1970-, VanderCook College of Music Symphonic Band
Date Published / Released
2003
Publisher
Mark Custom
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Moon by Night
composed by Jonathan Newman, 1972- (2001); conducted by Dr. Charles T. Menghini; performed by VanderCook College of Music Symphonic Band; in The 58th Annual Midwest Clinic, 2004: Vandercook College of Music Symphonic Band (Mark Custom, 2004), 4 mins
Sample
composed by Jonathan Newman, 1972- (2001); conducted by Dr. Charles T. Menghini; performed by VanderCook College of Music Symphonic Band; in The 58th Annual Midwest Clinic, 2004: Vandercook College of Music Symphonic Band (Mark Custom, 2004), 4 mins
Date Written / Recorded
2001, 2004
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
VanderCook College of Music Symphonic Band
Contributor
Dr. Charles T. Menghini
Author / Creator
Jonathan Newman, 1972-, VanderCook College of Music Symphonic Band
Date Published / Released
2004
Publisher
Mark Custom
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The 70th Year
conducted by Ellie Lin, fl. 2016; produced by Mark Morette and Ellie Lin, fl. 2016; performed by Texas Boys Choir (Mark Custom, 2017), 1 hour 12 mins
Sample
conducted by Ellie Lin, fl. 2016; produced by Mark Morette and Ellie Lin, fl. 2016; performed by Texas Boys Choir (Mark Custom, 2017), 1 hour 12 mins
Date Written / Recorded
2016-04
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Texas Boys Choir
Contributor
Ellie Lin, fl. 2016, Mark Morette
Author / Creator
Texas Boys Choir
Date Published / Released
2017
Publisher
Mark Custom
Copyright Message
Copyright © 2017 by Mark Custom
Tracks
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Abbey Sings Abbey
performed by Abbey Lincoln, 1930-2010 (Universal Classics & Jazz, 2007), 59 mins
Sample
performed by Abbey Lincoln, 1930-2010 (Universal Classics & Jazz, 2007), 59 mins
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Abbey Lincoln, 1930-2010
Author / Creator
Abbey Lincoln, 1930-2010
Date Published / Released
2007-05-22
Publisher
Universal Classics & Jazz
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Accentuate The Positive
performed by Al Jarreau, 1940-2017 (Verve Records, 2004), 50 mins
Although centered around songs from the 1940s, Al Jarreau's Accentuate the Positive is another stellar modern jazz album that continues the winning streak he began with his 2000 comeback, Tomorrow Today. Similar to his previous effort, the R&B-infused All I Got, the album features classy production from Tommy LiPu...
Sample
performed by Al Jarreau, 1940-2017 (Verve Records, 2004), 50 mins
Description
Although centered around songs from the 1940s, Al Jarreau's Accentuate the Positive is another stellar modern jazz album that continues the winning streak he began with his 2000 comeback, Tomorrow Today. Similar to his previous effort, the R&B-infused All I Got, the album features classy production from Tommy LiPuma and a natty cast of backing musicians, including bassist Christian McBride and guitarist Anthony Wilson, among others. Centered arou...
Although centered around songs from the 1940s, Al Jarreau's Accentuate the Positive is another stellar modern jazz album that continues the winning streak he began with his 2000 comeback, Tomorrow Today. Similar to his previous effort, the R&B-infused All I Got, the album features classy production from Tommy LiPuma and a natty cast of backing musicians, including bassist Christian McBride and guitarist Anthony Wilson, among others. Centered around Jarreau's still limber and evocative vocals, Accentuate moves from uptempo bluesy numbers like Eddie Henderson's "Cold Duck" to lush ballads, including "My Foolish Heart" and reworked standards, most notably "Ac-Cent-Tchu-Ate the Positive," turned here into a funky and expansive toe-tapper. This is a solid, poignant, and straight-ahead album that showcases Jarreau's unique gift in the best light possible and should appeal to longtime fans and contemporary jazz listeners alike. ~ Matt Collar, All Music Guide
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Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Al Jarreau, 1940-2017
Author / Creator
Al Jarreau, 1940-2017
Date Published / Released
2004-08-03
Publisher
Verve Records
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Faure: After a dream op.7-1
composed by Gabriel Fauré, 1845-1924 (1877); performed by Adalbert Skocic and Rie Oda; in Adalbert Skocic: Violoncello Recital (Ton 4 Records, 2009), 3 mins
Sample
composed by Gabriel Fauré, 1845-1924 (1877); performed by Adalbert Skocic and Rie Oda; in Adalbert Skocic: Violoncello Recital (Ton 4 Records, 2009), 3 mins
Date Written / Recorded
1877
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Adalbert Skocic, Rie Oda
Author / Creator
Gabriel Fauré, 1845-1924, Adalbert Skocic, Rie Oda
Date Published / Released
2009-05-01
Publisher
Ton 4 Records
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Adams: Harmonium/Rachmaninoff: The Bells
conducted by Robert Shaw, 1916-1999; produced by James Mallinson, fl. 1979; performed by Atlanta Symphony Orchestra & Chorus (Telarc, 1996), 1 hour 13 mins
Sample
conducted by Robert Shaw, 1916-1999; produced by James Mallinson, fl. 1979; performed by Atlanta Symphony Orchestra & Chorus (Telarc, 1996), 1 hour 13 mins
Date Written / Recorded
1995-11
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Atlanta Symphony Orchestra & Chorus
Contributor
Robert Shaw, 1916-1999, Jack Renner, 1935-, James Mallinson, fl. 1979
Author / Creator
Atlanta Symphony Orchestra & Chorus
Date Published / Released
1996
Publisher
Telarc
Copyright Message
Copyright © 1996. Used by permission of Telarc International Corporation. All rights reserved.
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Adeste Fideles
conducted by Jean Ashworth Bartle; produced by Anton Kwiatkowski, fl. 1969; performed by Louis Quilico, 1925-2000, Gino Quilico, 1955- and Judy Loman, 1936-, Toronto Symphony Orchestra and Toronto Children's Chorus (CBC Records, 1992), 1 hour 15 mins
Sample
conducted by Jean Ashworth Bartle; produced by Anton Kwiatkowski, fl. 1969; performed by Louis Quilico, 1925-2000, Gino Quilico, 1955- and Judy Loman, 1936-, Toronto Symphony Orchestra and Toronto Children's Chorus (CBC Records, 1992), 1 hour 15 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Toronto Symphony Orchestra, Toronto Children's Chorus, Louis Quilico, 1925-2000, Gino Quilico, 1955-, Judy Loman, 1936-
Contributor
Jean Ashworth Bartle, Ray Folcik, Mike Furness, Anton Kwiatkowski, fl. 1969
Author / Creator
Toronto Symphony Orchestra, Toronto Children's Chorus, Louis Quilico, 1925-2000, Gino Quilico, 1955-, Judy Loman, 1936-
Date Published / Released
1992
Publisher
CBC Records
Copyright Message
Copyright © 1992 by CBC Records
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After Hours
conducted by Hal Mooney and Horace Ott; performed by Lisle Atkinson, 1940-, Bobby Hamilton, fl. 1960, Al Schackman, fl. 1958, Rudy Stevenson, 1929-2010 and Nina Simone, 1933-2003, Hal Mooney's Orchestra (Universal Classics & Jazz, 1995), 1 hour 1 mins
Sample
conducted by Hal Mooney and Horace Ott; performed by Lisle Atkinson, 1940-, Bobby Hamilton, fl. 1960, Al Schackman, fl. 1958, Rudy Stevenson, 1929-2010 and Nina Simone, 1933-2003, Hal Mooney's Orchestra (Universal Classics & Jazz, 1995), 1 hour 1 mins
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Hal Mooney's Orchestra, Lisle Atkinson, 1940-, Bobby Hamilton, fl. 1960, Al Schackman, fl. 1958, Rudy Stevenson, 1929-2010, Nina Simone, 1933-2003
Contributor
Hal Mooney, Horace Ott
Author / Creator
Hal Mooney's Orchestra, Lisle Atkinson, 1940-, Bobby Hamilton, fl. 1960, Al Schackman, fl. 1958, Rudy Stevenson, 1929-2010, Nina Simone, 1933-2003
Date Published / Released
1995-04-13
Publisher
Universal Classics & Jazz
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After Hours At The London House
performed by Sarah Vaughan, 1924-1990, Frank Wess, 1922-, Thad Jones, 1923-1986, Wendell Culley, 1906-1983, Henry Coker, Ronnell Bright, 1930-, Richard Davis, 1930- and Roy Haynes, 1925- (Universal Classics & Jazz, 2005), 38 mins
Seven months after Mercury recorded Sarah Vaughan in a live setting for the surprisingly successful At Mr. Kelly's, the label planned another date with the microphones for the night of March 7, 1958. This time, however, instead of setting up at Mr. Kelly's (although she was booked for three shows that night), the...
Sample
performed by Sarah Vaughan, 1924-1990, Frank Wess, 1922-, Thad Jones, 1923-1986, Wendell Culley, 1906-1983, Henry Coker, Ronnell Bright, 1930-, Richard Davis, 1930- and Roy Haynes, 1925- (Universal Classics & Jazz, 2005), 38 mins
Description
Seven months after Mercury recorded Sarah Vaughan in a live setting for the surprisingly successful At Mr. Kelly's, the label planned another date with the microphones for the night of March 7, 1958. This time, however, instead of setting up at Mr. Kelly's (although she was booked for three shows that night), the producers invited a small group of friends and well-wishers to another Chicago club, London House, for an after-hours session. Vaughan...
Seven months after Mercury recorded Sarah Vaughan in a live setting for the surprisingly successful At Mr. Kelly's, the label planned another date with the microphones for the night of March 7, 1958. This time, however, instead of setting up at Mr. Kelly's (although she was booked for three shows that night), the producers invited a small group of friends and well-wishers to another Chicago club, London House, for an after-hours session. Vaughan expanded her trio with a quartet of Count Basie titans, including trumpeter Thad Jones and tenor Frank Wess, and as if the settings weren't challenging enough already, decided to record a set that, in true after-hours fashion, was completely improvised. (The cover photo even shows her studying a sheet as she sings.) Although the results are certainly far looser and more relaxed than a studio date, Vaughan and the instrumentalists don't shine as expected. Vaughan in particular plays it safe with this material, drawing out her cozy ballads with interpretive ease, but never taking them as far as she could in a more stable setting. The format breaks down completely on the final song, "Thanks for the Memory," when Vaughan misreads a lyric, puzzles over it for a few seconds, restarts the number, flubs it again, starts over one more time, and finally wraps up after seven minutes by declaring the session -- while still singing, of course -- "the most craziest, upsettin', down-sided recording date I ever had in my life." ~ John Bush, All Music Guide
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Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Sarah Vaughan, 1924-1990, Frank Wess, 1922-, Thad Jones, 1923-1986, Wendell Culley, 1906-1983, Henry Coker, Ronnell Bright, 1930-, Richard Davis, 1930-, Roy Haynes, 1925-
Author / Creator
Sarah Vaughan, 1924-1990, Frank Wess, 1922-, Thad Jones, 1923-1986, Wendell Culley, 1906-1983, Henry Coker, Ronnell Bright, 1930-, Richard Davis, 1930-, Roy Haynes, 1925-
Date Published / Released
2005-07-26
Publisher
Universal Classics & Jazz
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