Browse Titles - 2014 results
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Alma de Cuerda (Soul of String)
performed by La Reverie (La Reverie, 2010), 44 mins
La Rêverie have extensive experience in Early and
Eastern music, in this album they propose an improvised take on a selection of pieces by
European composers of the late nineteenth and early twentieth century, namely Manuel de Falla, Satie, Grieg, Lorca, Debussy and Tárrega.
La Rêverie work the sounds of the gu...
Sample
performed by La Reverie (La Reverie, 2010), 44 mins
Description
La Rêverie have extensive experience in Early and
Eastern music, in this album they propose an improvised take on a selection of pieces by
European composers of the late nineteenth and early twentieth century, namely Manuel de Falla, Satie, Grieg, Lorca, Debussy and Tárrega.
La Rêverie work the sounds of the guitar, the santur and the oud for the magic and timbric novelty with which they recreate this repertoire. Enhancing the oriental flavour...
La Rêverie have extensive experience in Early and Eastern music, in this album they propose an improvised take on a selection of pieces by European composers of the late nineteenth and early twentieth century, namely Manuel de Falla, Satie, Grieg, Lorca, Debussy and Tárrega.La Rêverie work the sounds of the guitar, the santur and the oud for the magic and timbric novelty with which they recreate this repertoire. Enhancing the oriental flavour which underlies pieces like Gnossienne No. 1 or Dance of Anitra, and along with the guitar, achieve a dreamlike atmosphere.
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Date Written / Recorded
2010
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
La Reverie
Author / Creator
La Reverie
Date Published / Released
2010-07-04
Publisher
La Reverie
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performed by Shira Kammen, fl. 2000 (Shira Kammen, 2003), 1 hour 10 mins
Date Written / Recorded
2003
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Shira Kammen, fl. 2000
Author / Creator
Shira Kammen, fl. 2000
Date Published / Released
2003-10-09
Publisher
Shira Kammen
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(Fernwood, 2008), 48 mins
Date Written / Recorded
2008
Field of Study
World Music
Content Type
Music recording
Date Published / Released
2008-07-26
Publisher
Fernwood
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performed by Jay Kishor (Jay Kishor, 2003), 1 hour 13 mins
Date Written / Recorded
2001
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Jay Kishor
Author / Creator
Jay Kishor
Date Published / Released
2003-09-24
Publisher
Jay Kishor
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performed by Claudia Schwab, fl. 2000 (Magnatune, 2015), 52 mins
Date Written / Recorded
2015
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Claudia Schwab, fl. 2000
Author / Creator
Claudia Schwab, fl. 2000
Date Published / Released
2015-05-12
Publisher
Magnatune
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performed by Olexa Kabanov, fl. 2012 (Magnatune, 2012), 55 mins
Date Written / Recorded
2012
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Olexa Kabanov, fl. 2012
Author / Creator
Olexa Kabanov, fl. 2012
Date Published / Released
2012-12-15
Publisher
Magnatune
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performed by Luke Gartner-Brereton, fl. 2011 (Magnatune, 2015), 36 mins
Date Written / Recorded
2014
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Luke Gartner-Brereton, fl. 2011
Author / Creator
Luke Gartner-Brereton, fl. 2011
Date Published / Released
2015-05-01
Publisher
Magnatune
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American Banjo: Three-Finger and Scruggs Style
produced by Mike Seeger, 1933-2009 (Smithsonian Folkways Recordings, 1990), 1 hour 3 mins
This recording was the first bluegrass LP ever released. The reissue now contains 16 additional tracks, a total of 43 tunes played by the immortal Snuffy Jenkins and others, including Smiley Hobbs. A banjo classic that runs 60 minutes in length. "...[A]s unspoiled as the day they were recorded..." — Rolling Sto...
Sample
produced by Mike Seeger, 1933-2009 (Smithsonian Folkways Recordings, 1990), 1 hour 3 mins
Description
This recording was the first bluegrass LP ever released. The reissue now contains 16 additional tracks, a total of 43 tunes played by the immortal Snuffy Jenkins and others, including Smiley Hobbs. A banjo classic that runs 60 minutes in length. "...[A]s unspoiled as the day they were recorded..." — Rolling Stone
Field of Study
World Music
Content Type
Music recording
Contributor
Mike Seeger, 1933-2009
Date Published / Released
1990
Publisher
Smithsonian Folkways Recordings
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Amerindian Music of Chile: Aymara, Qaqashqar, Mapuche
produced by Christos Clair-Vasiliades (Folkways Records, 1975), 44 mins
In Chile today there are three indigenous groups who are direct descendants from pre-Hispanic dwellers of America: the Aymara, the Qawashqar (also called Alakaluf), and the Mapuche (also called Araucanian). The Aymara inhabit the Andean mountains and Altiplano located in Chile’s two most northern provinces, Tar...
Sample
produced by Christos Clair-Vasiliades (Folkways Records, 1975), 44 mins
Description
In Chile today there are three indigenous groups who are direct descendants from pre-Hispanic dwellers of America: the Aymara, the Qawashqar (also called Alakaluf), and the Mapuche (also called Araucanian). The Aymara inhabit the Andean mountains and Altiplano located in Chile’s two most northern provinces, Tarapaca and Antofagasta; the Qawashqar are one of the oldest of the original inhabitants of the southernmost region of this planet, the T...
In Chile today there are three indigenous groups who are direct descendants from pre-Hispanic dwellers of America: the Aymara, the Qawashqar (also called Alakaluf), and the Mapuche (also called Araucanian). The Aymara inhabit the Andean mountains and Altiplano located in Chile’s two most northern provinces, Tarapaca and Antofagasta; the Qawashqar are one of the oldest of the original inhabitants of the southernmost region of this planet, the Tierra del Fuego; the Mapuche live mainly in the region called "the Frontier" or the "Araucania" in central Chile, located in the provinces of Malleco and Cantín.
En Chile existen tres grupos indígenas que son descendientes directos de los habitantes prehispánicos de América: los aymara, los qawashqar (también llamados alakaluf) y los mapuches (también llamados araucanos). Los aymara habitan las cumbre andinas y el altiplano localizados en Tarapaca y Antofagasta, las dos provincias chilenas que están ubicadas más al norte; los qawashqar son unos de los más antiguos habitantes de la región más austral del planeta, la Tierra de Fuego; los mapuche viven principalmente en la región llamada " la frontera" o la "Araucania" en el centro de Chile, localizada en las provincias de Malleco y Cantín.
Para información sobre ordenar haga clic aquí.
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En Chile existen tres grupos indígenas que son descendientes directos de los habitantes prehispánicos de América: los aymara, los qawashqar (también llamados alakaluf) y los mapuches (también llamados araucanos). Los aymara habitan las cumbre andinas y el altiplano localizados en Tarapaca y Antofagasta, las dos provincias chilenas que están ubicadas más al norte; los qawashqar son unos de los más antiguos habitantes de la región más austral del planeta, la Tierra de Fuego; los mapuche viven principalmente en la región llamada " la frontera" o la "Araucania" en el centro de Chile, localizada en las provincias de Malleco y Cantín.
Para información sobre ordenar haga clic aquí.
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Field of Study
World Music
Content Type
Music recording
Contributor
Christos Clair-Vasiliades
Date Published / Released
1975
Publisher
Folkways Records
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Ancestral Voices
performed by David Gilden (David Gilden, 2010), 1 hour 7 mins
In creating this album Gilden interwove acoustic
sounds - kora tracks, and on one song, the mbira, a thumb piano from Zimbabwe with midi tracks.
The following year, Gilden took the tapes to Rawlston studio in Brooklyn, New
York, and added more keyboard parts and bass lines. Bassist Jimmy Earl filled
out the sound...
Sample
performed by David Gilden (David Gilden, 2010), 1 hour 7 mins
Description
In creating this album Gilden interwove acoustic
sounds - kora tracks, and on one song, the mbira, a thumb piano from Zimbabwe with midi tracks.
The following year, Gilden took the tapes to Rawlston studio in Brooklyn, New
York, and added more keyboard parts and bass lines. Bassist Jimmy Earl filled
out the sound with his eloquent frettless work on a number of tracks.
In 1990 Gilden recorded a new solo kora track, reflecting the evolution of hi...
In creating this album Gilden interwove acoustic sounds - kora tracks, and on one song, the mbira, a thumb piano from Zimbabwe with midi tracks. The following year, Gilden took the tapes to Rawlston studio in Brooklyn, New York, and added more keyboard parts and bass lines. Bassist Jimmy Earl filled out the sound with his eloquent frettless work on a number of tracks.In 1990 Gilden recorded a new solo kora track, reflecting the evolution of his playing following an extended visit to the Gambia. He also added new colors to the existing tracks. New York studio percussionist Joey Cradello played bells, shakers, congas and talking drum. Internationally know bansuri bamboo flutist, Steve Gorn added a Indian Jazz flourish. John Burrell - known nationally to folk fans as Mr. Bones - used a pair of cow bones to add percolating rhythms to Gilden's kora rendition of an Irish jig. Finally, Ray Spiegel, a veteran to Mickey Hart's Diga Rhythm Band, played table and shaker on a track.
Ancestral Voices was originally issued on cassette in the late 80s and the CD version with additional tracks and remixes was released in 1990. The music has been out of circulation for twenty years, but still sounds fresh and timeless. The new 2010 reissue has been remastered by Foothill Digital using Sonic Solutions. Some older kora tracks have received Sonic's 'No Noise' restoration to remove low level clicks and other noises.
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Date Written / Recorded
2010
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
David Gilden
Author / Creator
David Gilden
Date Published / Released
2010-09-18
Publisher
David Gilden
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