Browse Titles - 1900 results
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Aditi Exhibition - Lehra - Algoza - Rag Sindhi Sorath - Langa - Rajasthan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:172:84 (New Delhi, Delhi State) , 4 mins
Lehra in Sindhi Sorath Rag played on the Algoza by Nizamuddin Langa accompanied on the Dholak by Rehmat Khan Langa. This was recorded in connection with the exhibition Aditi which was part of the Festival of India in the USA in 1985.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:172:84 (New Delhi, Delhi State) , 4 mins
Description
Lehra in Sindhi Sorath Rag played on the Algoza by Nizamuddin Langa accompanied on the Dholak by Rehmat Khan Langa. This was recorded in connection with the exhibition Aditi which was part of the Festival of India in the USA in 1985.
Date Written / Recorded
1978
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Aditi Exhibition - Pabuji ri Par - Ram Karan Bhopa - film recording - Nazir Jairazbhoy - Rajasthan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:172:84 (New Delhi, Delhi State) , 7 mins
An episode of Pabuji ri Par performed by Ram Karan Bhopa with the Bhopi with Ravanhatha and Ghungru accompaniment. Nazir Jairazbhoy, while filming and recording simultaneously, give the cue to the performers to start. Pabuji ri Par is a ritual narrative sung with a painted scroll which depicts the life of Pabuji,...
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:172:84 (New Delhi, Delhi State) , 7 mins
Description
An episode of Pabuji ri Par performed by Ram Karan Bhopa with the Bhopi with Ravanhatha and Ghungru accompaniment. Nazir Jairazbhoy, while filming and recording simultaneously, give the cue to the performers to start. Pabuji ri Par is a ritual narrative sung with a painted scroll which depicts the life of Pabuji, a pastoral deity. This was recorded in connection with the exhibition Aditi which was part of the Festival of India in the USA in 1985.
Date Written / Recorded
1978
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
See details
Aditi Exhibition - Pabuji ri Par - ritual narrative - Rajasthan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:172:84 (New Delhi, Delhi State) , 5 mins
An episode of Pabuji ri Par performed by Ram Karan Bhopa with the Bhopi with Ravanhatha and Ghungru accompaniment. Pabuji ri Par is a ritual narrative sung with a painted scroll which depicts the life of Pabuji, a pastoral deity. This was recorded in connection with the exhibition Aditi which was part of the Festi...
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:172:84 (New Delhi, Delhi State) , 5 mins
Description
An episode of Pabuji ri Par performed by Ram Karan Bhopa with the Bhopi with Ravanhatha and Ghungru accompaniment. Pabuji ri Par is a ritual narrative sung with a painted scroll which depicts the life of Pabuji, a pastoral deity. This was recorded in connection with the exhibition Aditi which was part of the Festival of India in the USA in 1985.
Date Written / Recorded
1978
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Aditi exhibition - Pallo latke - Bhat community - Rajasthan.
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:172:84 (New Delhi, Delhi State) , 4 mins
A song 'Pallo Latke' sung by two male singers with Harmonium, Dholak and Manjira accompaniment. The musicians belong to the Bhat community of Rajasthan. This is a popular Rajasthani song sung by all communities. This was recorded in connection with the exhibition Aditi which was part of the Festival of India in th...
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:172:84 (New Delhi, Delhi State) , 4 mins
Description
A song 'Pallo Latke' sung by two male singers with Harmonium, Dholak and Manjira accompaniment. The musicians belong to the Bhat community of Rajasthan. This is a popular Rajasthani song sung by all communities. This was recorded in connection with the exhibition Aditi which was part of the Festival of India in the USA in 1985.
Date Written / Recorded
1978
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
See details
Aditi Exhibition - Pallo Latke - Kathputli - Puppetry - Bhat - Rajasthan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:173:84 (New Delhi, Delhi State) , 5 mins
A song 'Pallo Latke' sung by musicians of the Bhat community along with puppetry performance with Dholak and Jhanjh accompaniment. This was recorded in connection with the exhibition Aditi which was part of the Festival of India in the USA in 1985.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:173:84 (New Delhi, Delhi State) , 5 mins
Description
A song 'Pallo Latke' sung by musicians of the Bhat community along with puppetry performance with Dholak and Jhanjh accompaniment. This was recorded in connection with the exhibition Aditi which was part of the Festival of India in the USA in 1985.
Date Written / Recorded
1978
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
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Adomba (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR120 , 3 mins
"What a liar." Chorus: "Yes indeed, what a terrible liar." (Meant humourously) An attractive chorus with typical declining melody almost like a series of yodels.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR120 , 3 mins
Description
"What a liar." Chorus: "Yes indeed, what a terrible liar." (Meant humourously) An attractive chorus with typical declining melody almost like a series of yodels.
Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Ahume bangu okonda kuyenda njinga nityale (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR038 , 3 mins
"My husband likes to roam, so I shall break his bicycle." These women were Ngoni, but singing in Nsenga the language of their forebears. The singign of the Ngoni is expecially interesting for the fact that tey sing in 2 distinct styles, that of the Zulu (Ngoni), their father's tribe and that their mothers' tribes...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR038 , 3 mins
Description
"My husband likes to roam, so I shall break his bicycle." These women were Ngoni, but singing in Nsenga the language of their forebears. The singign of the Ngoni is expecially interesting for the fact that tey sing in 2 distinct styles, that of the Zulu (Ngoni), their father's tribe and that their mothers' tribes who were conquered by the Ngoni. Both strains are still clearly defined after nearly a century of integration.
Date Written / Recorded
1957
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Ai lelo kwa Masula kotokoto (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR094 , 1 min
Kotokoto means, literally, a sick person, suffering in all his limbs.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR094 , 1 min
Description
Kotokoto means, literally, a sick person, suffering in all his limbs.
Date Written / Recorded
1958
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Aiba mange kimiango (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR126 , 3 mins
This Buudu tribe is said to have come across the Savannah along the northern edge of the great tropical Ituri forest from the Ruwenzori mountains in the East to this present locality in North Central Congo. On their way they are said to have become much influenced by the Mbuti Pygmies, several of their songs and d...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR126 , 3 mins
Description
This Buudu tribe is said to have come across the Savannah along the northern edge of the great tropical Ituri forest from the Ruwenzori mountains in the East to this present locality in North Central Congo. On their way they are said to have become much influenced by the Mbuti Pygmies, several of their songs and dances closely resembling those of the dwarfs. Their pet name for the pygmies is Batikitki.
Date Written / Recorded
1952
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Ain't goin' to Study War No More
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 9 (New York, NY) , 1 min
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 9 (New York, NY) , 1 min
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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