Browse Titles - 380 results
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Bena kasai ba kalenga balala nenyema pamwe (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR178 , 3 mins
The Chisanzhi Mbira is the traditional type of the district: The basket rattle is a well-made woven article with a handle
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR178 , 3 mins
Description
The Chisanzhi Mbira is the traditional type of the district: The basket rattle is a well-made woven article with a handle
Date Written / Recorded
1952
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Benu (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR186 , 3 mins
"What am I going to tell them? Where am I going to complain? I am singing like a church organ." Benu is the name of a jumping action in the dance. This instrument was particularly well played and well made of its kind. The one stringed lute appears to come from the upper Nile and has not been found south of Nyasal...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR186 , 3 mins
Description
"What am I going to tell them? Where am I going to complain? I am singing like a church organ." Benu is the name of a jumping action in the dance. This instrument was particularly well played and well made of its kind. The one stringed lute appears to come from the upper Nile and has not been found south of Nyasaland and the Zambesi valley.
Date Written / Recorded
1950
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
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Bia akponingbo (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR123 , 3 mins
The music for the Zande round dance. All the dancers perform the same steps in unison, short quick steps to and fro, turning into file and then facing inwards again, gradually moving around in an anti-clockwise direction. The enthusiasm of the Zande men and women for their Kponingbo xylophone dance has to be exper...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR123 , 3 mins
Description
The music for the Zande round dance. All the dancers perform the same steps in unison, short quick steps to and fro, turning into file and then facing inwards again, gradually moving around in an anti-clockwise direction. The enthusiasm of the Zande men and women for their Kponingbo xylophone dance has to be experienced to be fully appreciated. The dancers are caught in the swirl of the music and compel sympathetic action from everyone within ear...
The music for the Zande round dance. All the dancers perform the same steps in unison, short quick steps to and fro, turning into file and then facing inwards again, gradually moving around in an anti-clockwise direction. The enthusiasm of the Zande men and women for their Kponingbo xylophone dance has to be experienced to be fully appreciated. The dancers are caught in the swirl of the music and compel sympathetic action from everyone within earshot. The tuning of the xylophone was:-- 976, 880, 784, 672, 584, 488, 440, 392, 336, 292, 244 vs.
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Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
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Bia bagbele (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR123 , 3 mins
Bugu (-12.183-) slit drum beaten with sticks. Ndimu or Ndimo (14.03303-) membrane drum beaten with hand and stick. Andzolo (-12.55-) hand bells. The double headed drums may be beaten at either end according to the pitch of the note required by the player. The metal bells are pod shaped 3" long and are fixed onto w...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR123 , 3 mins
Description
Bugu (-12.183-) slit drum beaten with sticks. Ndimu or Ndimo (14.03303-) membrane drum beaten with hand and stick. Andzolo (-12.55-) hand bells. The double headed drums may be beaten at either end according to the pitch of the note required by the player. The metal bells are pod shaped 3" long and are fixed onto wooden handles. They are similar in shape to most dancing bells in Southern Africa which are worn elsewhere as anklets. The dancing of t...
Bugu (-12.183-) slit drum beaten with sticks. Ndimu or Ndimo (14.03303-) membrane drum beaten with hand and stick. Andzolo (-12.55-) hand bells. The double headed drums may be beaten at either end according to the pitch of the note required by the player. The metal bells are pod shaped 3" long and are fixed onto wooden handles. They are similar in shape to most dancing bells in Southern Africa which are worn elsewhere as anklets. The dancing of the Sudanic tribe of Zande people is most attractive. It is a round dance in which the movements of the dancers are not exaggerated but the routines are subtle and complex. The 'slit drums' in this region are made with feet and do not need insulating from the ground as with the simple cylindrical slit drums elsewhere. The feet emerge from the body of the slit drum at nodel points and so do not interfere with the resonance of the drum.
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Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
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Bilumbu (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR183 , 3 mins
The singers of this item had come north, down the Lualaba River and were over 400 miles from their home in Kongolo, near the junction of the Lualaba with its tributary which drains the overflow flood waters from Lake Tanganyika. This simple repetitive song is similar to many others associated with divination -- th...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR183 , 3 mins
Description
The singers of this item had come north, down the Lualaba River and were over 400 miles from their home in Kongolo, near the junction of the Lualaba with its tributary which drains the overflow flood waters from Lake Tanganyika. This simple repetitive song is similar to many others associated with divination -- the repetitions in themselves exercising a kind of hypnotic effect suited to the occasion.
Date Written / Recorded
1952
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
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Bolo neno kari koongo (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR168 , 3 mins
Bolo achieved an unenviable reputation for having neither shield nor ostrich feathers, and for being an uninvited guest at drinking parties. The playing of drums by these Nilotic people is usually far simpler in rhythm than that of the Bantu.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR168 , 3 mins
Description
Bolo achieved an unenviable reputation for having neither shield nor ostrich feathers, and for being an uninvited guest at drinking parties. The playing of drums by these Nilotic people is usually far simpler in rhythm than that of the Bantu.
Date Written / Recorded
1950
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
See details
Bugenda kilo (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR147 , 3 mins
You are too fond of visiting villages in search of women. One day you will meet an angry man who will hit you.'
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR147 , 3 mins
Description
You are too fond of visiting villages in search of women. One day you will meet an angry man who will hit you.'
Date Written / Recorded
1950
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
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Chamukumai (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR178 , 3 mins
The Chisanzhi Mbira is the traditional type of the district: The basket rattle is a well-made woven article with a handle
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR178 , 3 mins
Description
The Chisanzhi Mbira is the traditional type of the district: The basket rattle is a well-made woven article with a handle
Date Written / Recorded
1952
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
×
See details
Chibola mu lumbai (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR183 , 3 mins
The solo part of the leader is answered by four long stanzas, or lines of verse by the chorus.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR183 , 3 mins
Description
The solo part of the leader is answered by four long stanzas, or lines of verse by the chorus.
Date Written / Recorded
1957
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
×
See details
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR002 , 3 mins
Date Written / Recorded
1955
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
