Browse Titles - 39640 results
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There's Rest When You Get to Glory
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 7 (New York, NY) , 2 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 7 (New York, NY) , 2 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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Therese Schroeder-Sheker: Rosa Mystica
performed by Therese Schroeder-Sheker and David Lockington, 1956- (Celestial Harmonies, 1990), 50 mins, 7 page(s)
Sample
performed by Therese Schroeder-Sheker and David Lockington, 1956- (Celestial Harmonies, 1990), 50 mins, 7 page(s)
Date Written / Recorded
1989-12
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Therese Schroeder-Sheker, David Lockington, 1956-
Author / Creator
Therese Schroeder-Sheker, David Lockington, 1956-
Date Published / Released
1990
Publisher
Celestial Harmonies
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Therese Schroeder-Sheker: Rosa Mystica
Therese Schroeder-Sheker: Rosa Mystica (Celestial Harmonies, 1990)
Sample
Therese Schroeder-Sheker: Rosa Mystica (Celestial Harmonies, 1990)
Field of Study
World Music
Content Type
Liner note
Date Published / Released
1990
Publisher
Celestial Harmonies
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performed by Caleb's Cosmosis (Weaving Waves, 2000), 44 mins
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Caleb's Cosmosis
Author / Creator
Caleb's Cosmosis
Date Published / Released
2000-10-03
Publisher
Weaving Waves
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performed by La Lupe (Fania Records, 2006), 29 mins
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
La Lupe
Author / Creator
La Lupe
Date Published / Released
2006-10-10
Publisher
Fania Records
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They Crucified My Lord
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 10 (New York, NY) , 2 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 10 (New York, NY) , 2 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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They Moved My Job to Georgia or Was It Tennessee?
performed by Peyton Hopkins, fl. 1986 (Collector Records, 1981), 34 mins
Sample
performed by Peyton Hopkins, fl. 1986 (Collector Records, 1981), 34 mins
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Peyton Hopkins, fl. 1986
Author / Creator
Peyton Hopkins, fl. 1986
Date Published / Released
1981
Publisher
Collector Records
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They Moved My Job to Georgia or Was It Tennessee?
They Moved My Job to Georgia or Was It Tennessee? (Collector Records, 1981)
Sample
They Moved My Job to Georgia or Was It Tennessee? (Collector Records, 1981)
Field of Study
World Music
Content Type
Liner note
Date Published / Released
1981
Publisher
Collector Records
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They, The Krikat Women = Elas, as mulheres Krikat
directed by Carlos Eduardo Magalhães, fl. 2022; produced by Pablo Adriano Silva Santos and Samara Regina (Estonia: Utopic Documentaries, 2022), 19 mins
A song echoes through the savannah of Maranhão state on a moonlit and bonfire night, the ancestry of this voice brings the strength of the warriors who say that now is theirs, the Krikati Women.
Sample
directed by Carlos Eduardo Magalhães, fl. 2022; produced by Pablo Adriano Silva Santos and Samara Regina (Estonia: Utopic Documentaries, 2022), 19 mins
Description
A song echoes through the savannah of Maranhão state on a moonlit and bonfire night, the ancestry of this voice brings the strength of the warriors who say that now is theirs, the Krikati Women.
Field of Study
World Music
Content Type
Documentary
Contributor
Pablo Adriano Silva Santos, Samara Regina
Author / Creator
Carlos Eduardo Magalhães, fl. 2022
Date Published / Released
2022
Publisher
Utopic Documentaries
Topic / Theme
Krikati/Timbira
Copyright Message
Copyright © 2022 Utopic Documentaries
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The Ngodo of Cabo Mahamba (Chibudu 7th Movement) 1963 (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR202 (1963) , 2 page(s)
The newly composed words of this Mdano are most interesting to anyone long familiar with Chopi music. They demonstrate the constant vitality in Chopi musicians and dancers, which shows no sign of declining, a joy in this art form which is uniquely theirs. One great difficulty remains with the recorder; that of at...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR202 (1963) , 2 page(s)
Description
The newly composed words of this Mdano are most interesting to anyone long familiar with Chopi music. They demonstrate the constant vitality in Chopi musicians and dancers, which shows no sign of declining, a joy in this art form which is uniquely theirs. One great difficulty remains with the recorder; that of attempting to transcribe the Chopi words as sung. This is what the singers said they sang:— "Hetina becha ngu chipele chamajuta Mandeva...
The newly composed words of this Mdano are most interesting to anyone long familiar with Chopi music. They demonstrate the constant vitality in Chopi musicians and dancers, which shows no sign of declining, a joy in this art form which is uniquely theirs. One great difficulty remains with the recorder; that of attempting to transcribe the Chopi words as sung. This is what the singers said they sang:— "Hetina becha ngu chipele chamajuta Mandevane. Uchi hapala unateka dotse da chinyeteni Unga becha ngu timbila Heti tsute Johanesbegi chilungu Hewo isa murumbu- wokura Mwani waguma mtini nguresa Zhioshitini kungaruma mtumo Wachilingu- tsula daurembuweni Kokolani komba wani, nditiko dokulawalawo di pwata watu ndanyenyesa." The Kupeka Hahatsi of the shields is clearly heard in this movement. "O' hingapfa mdano wa timnila olora hechisika Mandevame. Mahungu, sadimu kamaziwi mahungu.
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Date Written / Recorded
1963
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Dance, Xylophone, Timbila, Rattle, Njele
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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