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De Luna a Luna
De luna a luna cuenta el día a día de dos mujeres colombianas: una mujer indígena guambiana y una afrodecendiente cortera de caña. Por medio de sus historias, el documental intenta visibilizar el exceso de trabajo que recae en las mujeres que a la vez son madres, trabajadoras, campesinas, cabezas de familia y...
De luna a luna cuenta el día a día de dos mujeres colombianas: una mujer indígena guambiana y una afrodecendiente cortera de caña. Por medio de sus historias, el documental intenta visibilizar el exceso de trabajo que recae en las mujeres que a la vez son madres, trabajadoras, campesinas, cabezas de familia y que no cuentan con protección social.
De lua a lua tem conta o dia a dia de duas mulheres colombianas, uma índia Guambiana e uma negra que...
De luna a luna cuenta el día a día de dos mujeres colombianas: una mujer indígena guambiana y una afrodecendiente cortera de caña. Por medio de sus historias, el documental intenta visibilizar el exceso de trabajo que recae en las mujeres que a la vez son madres, trabajadoras, campesinas, cabezas de familia y que no cuentan con protección social.
De lua a lua tem conta o dia a dia de duas mulheres colombianas, uma índia Guambiana e uma negra que trabalhar no canavial. Através de suas histórias, o filme mostra o excesso de trabalho que recai sobre as mulheres que são mães, trabalhadores, agricultoras, chefes de família e não contam com nunhuma proteção social.
De Luna a Luna shows the daily life of two Colombian women, a Guambiana Indian and an African-Colombian that works in the sugar cane plantation. Through their stories, the film depicts the overwork that falls on women who are both mothers, workers, farmers, householders and no social protection.
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Ella es el Matador
Ella es el Matador (She is the Matador) For Spaniards – and for the world – nothing has expressed the country’s traditionally rigid gender roles more powerfully than the image of the male matador. So sacred was the bullfighter’s masculinity to Spanish identity that a 1908 law barred women from the sport. E...
Ella es el Matador (She is the Matador) For Spaniards – and for the world – nothing has expressed the country’s traditionally rigid gender roles more powerfully than the image of the male matador. So sacred was the bullfighter’s masculinity to Spanish identity that a 1908 law barred women from the sport. Ella es el Matador (She is the Matador) reveals the surprising history of the women who made such a law necessary, and offers fascinatin...
Ella es el Matador (She is the Matador) For Spaniards – and for the world – nothing has expressed the country’s traditionally rigid gender roles more powerfully than the image of the male matador. So sacred was the bullfighter’s masculinity to Spanish identity that a 1908 law barred women from the sport. Ella es el Matador (She is the Matador) reveals the surprising history of the women who made such a law necessary, and offers fascinating profiles of two female matadors currently in the arena, the veteran Maripaz Vega and neophyte Eva Florencia. These women are gender pioneers by necessity. But what emerges as their truest motivation is their sheer passion – for bullfighting and the pursuit of a dream.
https://www.gemmacuberofilms.com Gemma Cubero del Barrio is a Spanish/American documentary director and producer. For the last 20 years she has gained a breath of experience producing non-fiction documentary films and original programming. In 2006, she founded Talcual Films. Gemma has produced and directed films in Spain, United States, Mexico, Cuba, Germany, Argentina, Hawai’i, New Zealand, and the Cook Islands from development through distribution. /
SINOPSIS EN ESPAÑOL Para los españoles – y para el resto del mundo – no hay símbolo de masculinidad que se exprese de forma más clara que la imagen del matador. De hecho, para preservar la masculinidad del torero, en 1908 se prohíbe que las mujeres participen en la fiesta. Ella es el Matador (She is the Matador) revela la sorprendente historia de las mujeres que hicieron que esta ley fuera derogada. La película ofrece retratos fascinantes de dos mujeres que hoy participan en la fiesta: la veterana Maripaz Vega y la novillera italiana, Eva Florencia. Estas mujeres son pioneras por necesidad y lo que el espectador descubre es su verdadera pasión por el toro y por la realización de un sueño.
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