Browse Titles - 121 results
Katela I (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR177 (1952) , 2 page(s)
These songs and the accompanying dances are performed when there is a death in the village. Ketela is the generic name of this type of dance song. A number of clapping rhythms occur in these songs including: -- a. //1, -, 3, 4, -, 6, 7, -//
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR177 (1952) , 2 page(s)
Description
These songs and the accompanying dances are performed when there is a death in the village. Ketela is the generic name of this type of dance song. A number of clapping rhythms occur in these songs including: -- a. //1, -, 3, 4, -, 6, 7, -//
Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Drinking Song, Drum
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Konjiwa nda ifa neuwe (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR215 (23 May 1965) , 1 page(s)
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR215 (23 May 1965) , 1 page(s)
Date Written / Recorded
23 May 1965, 1965
Field of Study
Anthropology
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Folk music, Folk, Drinking Song, Clapping, hand, Ovambo, Kwanyama
Copyright Message
Material sourced from the International Library of African Music. Copyright © International Library of African Music.
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Kufidi mpara bituta (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR177 (1952) , 1 page(s)
The clapping rhythm is the same as in the previous item. "Don't be afraid of an angry face."
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR177 (1952) , 1 page(s)
Description
The clapping rhythm is the same as in the previous item. "Don't be afraid of an angry face."
Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Drinking Song, Gourd, struck, Clapping, hand
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Kufidi mpara bituta (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR177 , 3 mins
The clapping rhythm is the same as in the previous item. "Don't be afraid of an angry face."
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR177 , 3 mins
Description
The clapping rhythm is the same as in the previous item. "Don't be afraid of an angry face."
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Kugiga (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR043 , 1 min
The patter of the dancer's feet on the dusty ground can be heard clearly in this recording.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR043 , 1 min
Description
The patter of the dancer's feet on the dusty ground can be heard clearly in this recording.
Date Written / Recorded
1957
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
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Kuku lu-lu-ku (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR088 (1959) , 2 page(s)
"Uncle, uncle, uncle, drink your beer carefully. They who hate me, Eyae! They would put poison in my beer. Uncle drink your beer carefully."
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR088 (1959) , 2 page(s)
Description
"Uncle, uncle, uncle, drink your beer carefully. They who hate me, Eyae! They would put poison in my beer. Uncle drink your beer carefully."
Date Written / Recorded
1959
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Kuku lu-lu-ku (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR088 , 2 mins
"The crowing of the cock, father, the cock crow. The people here, father, the cock crow They like to deceive, father, to affect something tomorrow. At someone's village, father. Walking is like dancing, the cock crow." No doubt to the singers of this drinking song, walking home would indeed be similar to dancing a...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR088 , 2 mins
Description
"The crowing of the cock, father, the cock crow. The people here, father, the cock crow They like to deceive, father, to affect something tomorrow. At someone's village, father. Walking is like dancing, the cock crow." No doubt to the singers of this drinking song, walking home would indeed be similar to dancing after an all night party which only broke up at cock crow.
Date Written / Recorded
1959
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Kumwa mowa nkhulina (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR188 (1950) , 1 page(s)
Song without words. The ddrinking songs of this village are a kind of chant with two singers singing closely one after the other with members of the party interpolating cries and shouts.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR188 (1950) , 1 page(s)
Description
Song without words. The ddrinking songs of this village are a kind of chant with two singers singing closely one after the other with members of the party interpolating cries and shouts.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Drinking Song, Clapping, hand
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Kumwa mowa nkhulina (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR188 , 1 min
Song without words. The ddrinking songs of this village are a kind of chant with two singers singing closely one after the other with members of the party interpolating cries and shouts.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR188 , 1 min
Description
Song without words. The ddrinking songs of this village are a kind of chant with two singers singing closely one after the other with members of the party interpolating cries and shouts.
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Kusambare (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR091 (1958) , 3 page(s)
"The small spear de-de (is broken) The small spear Mazira. Mother is calling de-de The small spear Mazira." There would appear to be a double meaning behind the simple songs of which, no doubt, the young sngers were innocent.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR091 (1958) , 3 page(s)
Description
"The small spear de-de (is broken) The small spear Mazira. Mother is calling de-de The small spear Mazira." There would appear to be a double meaning behind the simple songs of which, no doubt, the young sngers were innocent.
Date Written / Recorded
1958
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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