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Wes Montgomery Trio: Guitar on the Go
performed by Wes Montgomery, 1923-1968, Melvin Rhyne, 1936-2013 and George Melvin Brown, 1949-, Wes Montgomery Trio (Riverside, 1995), 43 mins, 8 page(s)
Sample
performed by Wes Montgomery, 1923-1968, Melvin Rhyne, 1936-2013 and George Melvin Brown, 1949-, Wes Montgomery Trio (Riverside, 1995), 43 mins, 8 page(s)
Date Written / Recorded
1963-11-27
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Wes Montgomery Trio, Wes Montgomery, 1923-1968, Melvin Rhyne, 1936-2013, George Melvin Brown, 1949-
Author / Creator
Wes Montgomery Trio, Wes Montgomery, 1923-1968, Melvin Rhyne, 1936-2013, George Melvin Brown, 1949-
Date Published / Released
1995
Publisher
Riverside
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Wes Montgomery Trio: Guitar on the Go
performed by Wes Montgomery Trio, Wes Montgomery Trio: Guitar on the Go (Riverside, 1995)
Sample
performed by Wes Montgomery Trio, Wes Montgomery Trio: Guitar on the Go (Riverside, 1995)
Field of Study
Jazz
Content Type
Liner note
Performer / Ensemble
Wes Montgomery Trio
Author / Creator
Wes Montgomery Trio
Date Published / Released
1995
Publisher
Riverside
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Wes Montgomery Trio: Portrait of Wes
performed by Wes Montgomery, 1923-1968, Mel Rhyne and George Melvin Brown, 1949-, Wes Montgomery Trio (Riverside, 1990), 48 mins, 8 page(s)
Wes Montgomery's first recordings for Riverside were in a trio with organist Mel Rhyne and ironically his final albums for the struggling (and soon to be bankrupt) label were with Rhyne again. The brilliant guitarist is in fine form on these appealing tunes with the highlights including "Freddie the Freeloader," "...
Sample
performed by Wes Montgomery, 1923-1968, Mel Rhyne and George Melvin Brown, 1949-, Wes Montgomery Trio (Riverside, 1990), 48 mins, 8 page(s)
Description
Wes Montgomery's first recordings for Riverside were in a trio with organist Mel Rhyne and ironically his final albums for the struggling (and soon to be bankrupt) label were with Rhyne again. The brilliant guitarist is in fine form on these appealing tunes with the highlights including "Freddie the Freeloader," "Blues Riff" and "Moanin.'" As is true with most of Montgomery's CD reissues, there are a couple of "bonus" cuts (alternates of "Blues R...
Wes Montgomery's first recordings for Riverside were in a trio with organist Mel Rhyne and ironically his final albums for the struggling (and soon to be bankrupt) label were with Rhyne again. The brilliant guitarist is in fine form on these appealing tunes with the highlights including "Freddie the Freeloader," "Blues Riff" and "Moanin.'" As is true with most of Montgomery's CD reissues, there are a couple of "bonus" cuts (alternates of "Blues Riff" and "Moanin'") added to bring the playing time up a bit. All of this music is also available as part of Wes Montgomery's 12-CD Riverside box set. ~ Scott Yanow, All Music Guide
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Date Written / Recorded
1963-10-10
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Wes Montgomery Trio, Wes Montgomery, 1923-1968, Mel Rhyne, George Melvin Brown, 1949-
Author / Creator
Wes Montgomery Trio, Wes Montgomery, 1923-1968, Mel Rhyne, George Melvin Brown, 1949-
Date Published / Released
1990
Publisher
Riverside
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Wes Montgomery Trio: Portrait of Wes
performed by Wes Montgomery Trio, Wes Montgomery Trio: Portrait of Wes (Riverside, 1990)
Sample
performed by Wes Montgomery Trio, Wes Montgomery Trio: Portrait of Wes (Riverside, 1990)
Field of Study
Jazz
Content Type
Liner note
Performer / Ensemble
Wes Montgomery Trio
Author / Creator
Wes Montgomery Trio
Date Published / Released
1990
Publisher
Riverside
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Wesakombe (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR189 (11 May 1950) , 1 page(s)
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR189 (11 May 1950) , 1 page(s)
Date Written / Recorded
11 May 1950, 1950
Field of Study
Anthropology
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Folk music, Dance, Clapping, hand, Tumbuka
Copyright Message
Material sourced from the International Library of African Music. Copyright © International Library of African Music.
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Wesakombe (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR189 (1950)
The leader was a Lambya but the rest of his friends were Henga. The song was sung in the Lambya dialect of Tumbuka. The foreign influence of school music is clearly discerned in this song which no doubt had a folk origin but is now distorted by extraneous harmony. A simple European style of clapping.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR189 (1950)
Description
The leader was a Lambya but the rest of his friends were Henga. The song was sung in the Lambya dialect of Tumbuka. The foreign influence of school music is clearly discerned in this song which no doubt had a folk origin but is now distorted by extraneous harmony. A simple European style of clapping.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Clapping, hand
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Wesakombe (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR189 , 1 min
The leader was a Lambya but the rest of his friends were Henga. The song was sung in the Lambya dialect of Tumbuka. The foreign influence of school music is clearly discerned in this song which no doubt had a folk origin but is now distorted by extraneous harmony. A simple European style of clapping.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR189 , 1 min
Description
The leader was a Lambya but the rest of his friends were Henga. The song was sung in the Lambya dialect of Tumbuka. The foreign influence of school music is clearly discerned in this song which no doubt had a folk origin but is now distorted by extraneous harmony. A simple European style of clapping.
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
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Wesendonck-Lieder
directed by Steffen Herrmann, fl. 2002-2015 and Michael Beyer; composed by Richard Wagner, 1813-1883; produced by Paul Smaczny, fl. 1995-2015 and Maria Stodtmeier, fl. 2008, Accentus Music; performed by Elisabeth Kulman, 1808-1825 and Eduard Kutrowat, fl. 2013, in Wagner in Switzerland (Berlin, Berlin State: C Major Entertainment, 2013), 26 mins
This concert is a celebration of Richard Wagner's 200th anniversary in 2013, featuring famous soloists of the Lucerne Festival Orchestra who perform Wagner's Siegfried Idyll at his home in Tribschen, Switzerland: The original place, where he composed and world premiered the piece on the staircase in 1870 as a birt...
Sample
directed by Steffen Herrmann, fl. 2002-2015 and Michael Beyer; composed by Richard Wagner, 1813-1883; produced by Paul Smaczny, fl. 1995-2015 and Maria Stodtmeier, fl. 2008, Accentus Music; performed by Elisabeth Kulman, 1808-1825 and Eduard Kutrowat, fl. 2013, in Wagner in Switzerland (Berlin, Berlin State: C Major Entertainment, 2013), 26 mins
Description
This concert is a celebration of Richard Wagner's 200th anniversary in 2013, featuring famous soloists of the Lucerne Festival Orchestra who perform Wagner's Siegfried Idyll at his home in Tribschen, Switzerland: The original place, where he composed and world premiered the piece on the staircase in 1870 as a birthday present to his wife Cosima. The program is rounded by the Wagner's Wesendonck Lieder in the original version for female voice and...
This concert is a celebration of Richard Wagner's 200th anniversary in 2013, featuring famous soloists of the Lucerne Festival Orchestra who perform Wagner's Siegfried Idyll at his home in Tribschen, Switzerland: The original place, where he composed and world premiered the piece on the staircase in 1870 as a birthday present to his wife Cosima. The program is rounded by the Wagner's Wesendonck Lieder in the original version for female voice and piano, performed by the exceptional mezzo-soprano Elisabeth Kulman and pianist Eduard Kutrowat on Wagner's original grand piano. The performance-part is complemented by documentary features offering an insight into Richard Wagner's life at Tribschen.
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Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Elisabeth Kulman, 1808-1825, Eduard Kutrowat, fl. 2013
Contributor
Mathilde Wesendonck, 1828-1902, Paul Smaczny, fl. 1995-2015, Maria Stodtmeier, fl. 2008, Accentus Music
Author / Creator
Richard Wagner, 1813-1883, Steffen Herrmann, fl. 2002-2015, Michael Beyer, Elisabeth Kulman, 1808-1825, Eduard Kutrowat, fl. 2013
Date Published / Released
2013
Publisher
C Major Entertainment
Copyright Message
Copyright © 2013 by C Major Entertainment
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Wesendonck-Lieder, WWV 91
composed by Richard Wagner, 1813-1883 (1862), Wesendonck-Lieder (Schott Music GmbH & Co. KG, 1977), 71 page(s)
Sample
composed by Richard Wagner, 1813-1883 (1862), Wesendonck-Lieder (Schott Music GmbH & Co. KG, 1977), 71 page(s)
Collection
Classical Scores Library, Volume IV
Date Written / Recorded
1976, 1862
Field of Study
Classical Music
Content Type
Score
Contributor
Mathilde Wesendonck, 1828-1902
Author / Creator
Richard Wagner, 1813-1883
Date Published / Released
1977
Publisher
Schott Music GmbH & Co. KG
Copyright Message
Copyright © 2020 Schott Music GmbH & Co. KG
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Wesendonck-Lieder, Op. 91
composed by Richard Wagner, 1813-1883 (1862), Wesendonck-Lieder (London, England: Ernst Eulenburg & Co. GmbH, 1979), 71 page(s)
Sample
composed by Richard Wagner, 1813-1883 (1862), Wesendonck-Lieder (London, England: Ernst Eulenburg & Co. GmbH, 1979), 71 page(s)
Collection
Classical Scores Library, Volume IV
Date Written / Recorded
1862
Field of Study
Classical Music
Content Type
Score
Contributor
Mathilde Wesendonck, 1828-1902
Author / Creator
Richard Wagner, 1813-1883
Date Published / Released
1979
Publisher
Ernst Eulenburg & Co. GmbH
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