Browse Titles - 461151 results
You, Myself and Art, 7, What Future for Museums?
directed by Thomas Deshays; produced by Ulloa Films, in You, Myself and Art, 7 (Los Angeles, CA - Venice: TMW Media Group, 2022), 31 mins
This program discusses how art is a fundamental need within us from birth without conditioning. One that exists for all of us. Not only does art give us the joy of making but also the pleasure of bonding, sharing and making sense of the world.
Sample
directed by Thomas Deshays; produced by Ulloa Films, in You, Myself and Art, 7 (Los Angeles, CA - Venice: TMW Media Group, 2022), 31 mins
Description
This program discusses how art is a fundamental need within us from birth without conditioning. One that exists for all of us. Not only does art give us the joy of making but also the pleasure of bonding, sharing and making sense of the world.
Field of Study
Art & Architecture
Content Type
Documentary
Contributor
Ulloa Films, Diego Mestanza
Author / Creator
Thomas Deshays
Date Published / Released
2022
Publisher
TMW Media Group
Series
You, Myself and Art
Speaker / Narrator
Diego Mestanza
Topic / Theme
Art criticism, Art museums
Copyright Message
Copyright © 2022 TMW Media
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You, Myself and Art, 8, Art and Now What? The Beauty and Transcendence in Art
directed by Thomas Deshays; produced by Ulloa Films, in You, Myself and Art, 8 (Los Angeles, CA - Venice: TMW Media Group, 2022), 26 mins
This program discusses how art is a fundamental need within us from birth without conditioning. One that exists for all of us. Not only does art give us the joy of making but also the pleasure of bonding, sharing and making sense of the world.
Sample
directed by Thomas Deshays; produced by Ulloa Films, in You, Myself and Art, 8 (Los Angeles, CA - Venice: TMW Media Group, 2022), 26 mins
Description
This program discusses how art is a fundamental need within us from birth without conditioning. One that exists for all of us. Not only does art give us the joy of making but also the pleasure of bonding, sharing and making sense of the world.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Ulloa Films, Diego Mestanza
Author / Creator
Thomas Deshays
Date Published / Released
2022
Publisher
TMW Media Group
Series
You, Myself and Art
Speaker / Narrator
Diego Mestanza
Topic / Theme
Art criticism
Copyright Message
Copyright © 2022 TMW Media
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You 'N Me
performed by Al Cohn, 1925-1988, Zoot Sims, 1925-1985, Mose Allison, 1927-, Major Holley, 1924-1995 and Osie Johnson, 1923-1966, Al Cohn-Zoot Sims Quintet (Verve Records, 2002), 37 mins
Sample
performed by Al Cohn, 1925-1988, Zoot Sims, 1925-1985, Mose Allison, 1927-, Major Holley, 1924-1995 and Osie Johnson, 1923-1966, Al Cohn-Zoot Sims Quintet (Verve Records, 2002), 37 mins
Date Written / Recorded
1960-06-01
Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Al Cohn-Zoot Sims Quintet, Al Cohn, 1925-1988, Zoot Sims, 1925-1985, Mose Allison, 1927-, Major Holley, 1924-1995, Osie Johnson, 1923-1966
Author / Creator
Al Cohn-Zoot Sims Quintet, Al Cohn, 1925-1988, Zoot Sims, 1925-1985, Mose Allison, 1927-, Major Holley, 1924-1995, Osie Johnson, 1923-1966
Date Published / Released
2002-01-08
Publisher
Verve Records
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performed by Sachiko, fl. 1988 (there-musik atlach, 2006), 50 mins
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Sachiko, fl. 1988
Author / Creator
Sachiko, fl. 1988
Date Published / Released
2006-08-27
Publisher
there-musik atlach
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You Never Can Tell
written by George Bernard Shaw, 1856-1950 (1897); directed by Rosalind Ayres, 1946-; produced by Susan Loewenberg; performed by James Callis, Nicholas Hormann, Martin Jarvis, 1941-, Christopher Neame, 1947-, Moira Quirk, 1968-, Susan Sullivan, 1942-, Simon Templeman, Matthew Wolf and Siobhán Hewlett (Los Angeles, CA: L.A. Theatre Works, 2015), 1 hour 42 mins
You Never Can Tell was originally born out of a bet that Shaw couldn’t write a “seaside comedy”, a popular theatrical genre at that time. The result is perhaps the most surprising of Shaw’s plays, complete with marital mayhem, tangled romance, and even doubtful dentistry. Despite the play’s lighthearted...
Sample
written by George Bernard Shaw, 1856-1950 (1897); directed by Rosalind Ayres, 1946-; produced by Susan Loewenberg; performed by James Callis, Nicholas Hormann, Martin Jarvis, 1941-, Christopher Neame, 1947-, Moira Quirk, 1968-, Susan Sullivan, 1942-, Simon Templeman, Matthew Wolf and Siobhán Hewlett (Los Angeles, CA: L.A. Theatre Works, 2015), 1 hour 42 mins
Description
You Never Can Tell was originally born out of a bet that Shaw couldn’t write a “seaside comedy”, a popular theatrical genre at that time. The result is perhaps the most surprising of Shaw’s plays, complete with marital mayhem, tangled romance, and even doubtful dentistry. Despite the play’s lighthearted tone, it’s really another of Shaw’s brilliantly observed social treatises, this time in the guise of a light comedy.Directed by Ros...
You Never Can Tell was originally born out of a bet that Shaw couldn’t write a “seaside comedy”, a popular theatrical genre at that time. The result is perhaps the most surprising of Shaw’s plays, complete with marital mayhem, tangled romance, and even doubtful dentistry. Despite the play’s lighthearted tone, it’s really another of Shaw’s brilliantly observed social treatises, this time in the guise of a light comedy.Directed by Rosalind Ayres. An L.A. Theatre Works full cast recording featuring:James Callis as Mr. ValentineSiobhán Hewlett as Gloria ClandonNicholas Hormann as Mr. Finch McComasMartin Jarvis as The WaiterChristopher Neame as Mr. Fergus CramptonMoira Quirk as Dolly ClandonSusan Sullivan as Mrs. Lanfrey ClandonSimon Templeman as BohunMatthew Wolf as Phillip ClandonRecorded in Los Angeles before a live audience at The James Bridges Theater, UCLA, in May of 2015. You Never Can Tell was originally born out of a bet that Shaw couldn’t write a “seaside comedy”, a popular theatrical genre at that time. The result is perhaps the most surprising of Shaw’s plays, complete with marital mayhem, tangled romance, and even doubtful dentistry. Despite the play’s lighthearted tone, it’s really another of Shaw’s brilliantly observed social treatises, this time in the guise of a light comedy.
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Date Written / Recorded
1897, 2015-05-14
Field of Study
Drama
Content Type
Spoken word recording
Performer / Ensemble
James Callis, Nicholas Hormann, Martin Jarvis, 1941-, Christopher Neame, 1947-, Moira Quirk, 1968-, Susan Sullivan, 1942-, Simon Templeman, Matthew Wolf, Siobhán Hewlett
Contributor
Susan Loewenberg
Author / Creator
Rosalind Ayres, 1946-, James Callis, Nicholas Hormann, Martin Jarvis, 1941-, Christopher Neame, 1947-, Moira Quirk, 1968-, Susan Sullivan, 1942-, Simon Templeman, Matthew Wolf, Siobhán Hewlett, George Bernard Shaw, 1856-1950
Date Published / Released
2015
Publisher
L.A. Theatre Works
Topic / Theme
Mr. Valentine, Gloria Clandon, Dolly Clandon, Mrs. Lanfrey Clandon, Phillip Clandon, The Waiter, Mr. Finch McComas, Mr. Fergus Crampton, Bohun
Copyright Message
Copyright © 2015 L.A. Theatre Works
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You or You?
written by Reinhold Niebuhr, 1892-1971, in Reinhold Niebuhr Papers, 1907-1990, of United States. Library of Congress. Manuscript Division (District of Columbia) , 3 page(s)
Sample
written by Reinhold Niebuhr, 1892-1971, in Reinhold Niebuhr Papers, 1907-1990, of United States. Library of Congress. Manuscript Division (District of Columbia) , 3 page(s)
Field of Study
Religion & Thought
Content Type
General reference book
Author / Creator
Reinhold Niebuhr, 1892-1971
Topic / Theme
Christian, Faith
Copyright Message
Alexander Street Press is not aware of any existing copyright in this work. Alexander Street Press would like to hear from any copyright holder that is not cited in this database.
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You ought to have gone to Jordan
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 5 (New York, NY) , 2 mins
Sample
of Center for Ethnomusicology, Columbia University, in U.S.A. South Negro Folklore Collection, Reel 5 (New York, NY) , 2 mins
Date Written / Recorded
1937
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Walter Garwick, fl. 1935
Author / Creator
Walter Garwick, fl. 1935
Copyright Message
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may...
Recordings made between 1935 and 1937 by Walter C. Garwick, on behalf of Columbia University, and were aggregated within the “Laura Boulton Collection of Liturgical and Traditional Music” in 1963. Master recordings are on permanent loan to the Library of Congress. All Audio Reproduction Rights and Commercial Rights Reserved by the Center for Ethnomusicology at Columbia University. Users may freely transcribe from these materials. The Center is committed to repatriating field recordings in its possession to their source communities and descendants of the performers featured, and welcomes inquiries from descendants of original performers or writers of materials on these recordings or from representatives of the communities or institutions in which they were made.
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You Owe Yourself a Drunk: An Ethnography of Urban Nomads
written by James P. Spradley (Long Grove, IL: Waveland Press, Inc., 2000, originally published 1970), 340 page(s)
Sample
written by James P. Spradley (Long Grove, IL: Waveland Press, Inc., 2000, originally published 1970), 340 page(s)
Field of Study
Anthropology
Content Type
Ethnography
Contributor
James P. Spradley
Author / Creator
James P. Spradley
Date Published / Released
1970, 2000
Publisher
Waveland Press, Inc.
Topic / Theme
American, Homelessness, Field work for anthropology, Courts, Law enforcement, Social drinking, Americans
Copyright Message
Copyright © 2000 by Waveland Press
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You Pay the Taxes, You Call the Tune
written by National League of Women Voters (District of Columbia: National League of Women Voters, 1949, originally published 1949), 31 page(s)
Sample
written by National League of Women Voters (District of Columbia: National League of Women Voters, 1949, originally published 1949), 31 page(s)
Collection
Women and Social Movements in the United States,1600-2000
Field of Study
Women and Social Movements
Content Type
Pamphlet
Author / Creator
National League of Women Voters
Date Published / Released
1949
Publisher
National League of Women Voters
Topic / Theme
Finance, Government policy, Taxation, Women and Immigration, Citizenship Rights, Late 20th Century (1975–2000), 20th Century in World History (1914--2000)
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You Send Me
performed by Roy Ayers, 1940- and Carla Vaughn, fl. 1970 (Universal Classics & Jazz, 2008), 39 mins
With 1978's You Send Me, Roy Ayers added vocalist Carla Vaughn to his band Ubiquity. Vaughn, who is featured on several selections, never became a big name in the R&B world, but showed some promise on this LP. When she hits the high notes, Vaughn has a Deniece Williams-ish appeal -- and she proves to be an asset t...
Sample
performed by Roy Ayers, 1940- and Carla Vaughn, fl. 1970 (Universal Classics & Jazz, 2008), 39 mins
Description
With 1978's You Send Me, Roy Ayers added vocalist Carla Vaughn to his band Ubiquity. Vaughn, who is featured on several selections, never became a big name in the R&B world, but showed some promise on this LP. When she hits the high notes, Vaughn has a Deniece Williams-ish appeal -- and she proves to be an asset to Ayers when she sings lead on "I Want to Touch You Baby," the hypnotic "Can't You See Me," and a lush remake of Sam Cooke's "You Send...
With 1978's You Send Me, Roy Ayers added vocalist Carla Vaughn to his band Ubiquity. Vaughn, who is featured on several selections, never became a big name in the R&B world, but showed some promise on this LP. When she hits the high notes, Vaughn has a Deniece Williams-ish appeal -- and she proves to be an asset to Ayers when she sings lead on "I Want to Touch You Baby," the hypnotic "Can't You See Me," and a lush remake of Sam Cooke's "You Send Me." While Cooke's original 1957 version was pure doo wop, Ayers' sexy interpretation has a lot of quiet storm appeal. The gems that don't feature Benson at all include the funky "It Ain't Your Sign, It's Your Mind" and the disco-influenced "Get On Up, Get On Down," which didn't receive much radio airplay, but enjoyed its share of dance club exposure. Like other albums that Ayers recorded in the late '70s, You Send Me won't interest jazz purists but is rightly considered a classic by soul and funk enthusiasts. ~ Alex Henderson, All Music Guide
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Field of Study
Jazz
Content Type
Music recording
Performer / Ensemble
Roy Ayers, 1940-, Carla Vaughn, fl. 1970
Author / Creator
Roy Ayers, 1940-, Carla Vaughn, fl. 1970
Date Published / Released
2008-09-23
Publisher
Universal Classics & Jazz
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