Browse Titles - 471 results
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Welcome song - Talam - Tamil Nadu
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:233:84 (New Delhi, Delhi State) , 3 mins
A male singer sung a song addressed to deity Krishna and his wife, accompanying himself on Talam.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:233:84 (New Delhi, Delhi State) , 3 mins
Description
A male singer sung a song addressed to deity Krishna and his wife, accompanying himself on Talam.
Date Written / Recorded
1984
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Women song-Bhat - Karnataka
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:230:84 (New Delhi, Delhi State) , 5 mins
Bhat women song with hand clapping and Dholak. Bhats are originally from Rajasthan and Gujarat.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:230:84 (New Delhi, Delhi State) , 5 mins
Description
Bhat women song with hand clapping and Dholak. Bhats are originally from Rajasthan and Gujarat.
Date Written / Recorded
1984
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Women song-Karnataka
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:229:84 (New Delhi, Delhi State) , 9 mins
A song for pregnant women in 7th month, sung by a group of women without accompaniment
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:229:84 (New Delhi, Delhi State) , 9 mins
Description
A song for pregnant women in 7th month, sung by a group of women without accompaniment
Date Written / Recorded
1984
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Women’s song- Karnataka
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:228:84 (New Delhi, Delhi State) , 2 mins
A song in Kannada sung by a group of Harijan (Holeya) women
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:228:84 (New Delhi, Delhi State) , 2 mins
Description
A song in Kannada sung by a group of Harijan (Holeya) women
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Women’s song -Karnataka
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:228:84 (New Delhi, Delhi State) , 7 mins
Women sung a song about attaining puberty, sung without accompaniment.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:228:84 (New Delhi, Delhi State) , 7 mins
Description
Women sung a song about attaining puberty, sung without accompaniment.
Date Written / Recorded
1984
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Women’s song - Sobana - Karnataka
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:227:84 (New Delhi, Delhi State) , 5 mins
Sobana by a group of women sung without accompaniment. The themes of Sobana are always about the beauty of a woman.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:227:84 (New Delhi, Delhi State) , 5 mins
Description
Sobana by a group of women sung without accompaniment. The themes of Sobana are always about the beauty of a woman.
Date Written / Recorded
1984
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Women’s song - Sravan gauri - Karnataka
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:227:84 (New Delhi, Delhi State) , 3 mins
Women’s song sung on every last Friday of the Indian calendar month Shravan. It is addressed to Mahalaxmi
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:227:84 (New Delhi, Delhi State) , 3 mins
Description
Women’s song sung on every last Friday of the Indian calendar month Shravan. It is addressed to Mahalaxmi
Date Written / Recorded
1984
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Women’s song - Tamil Nadu
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:253:84 (New Delhi, Delhi State) , 4 mins
Women’s song sung with hand clapping. This is sung in the persona of a priest’s wife, who had been unfaithful to his wife. Starts with Nazir Jairazbhoy asking about the song.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:253:84 (New Delhi, Delhi State) , 4 mins
Description
Women’s song sung with hand clapping. This is sung in the persona of a priest’s wife, who had been unfaithful to his wife. Starts with Nazir Jairazbhoy asking about the song.
Date Written / Recorded
1984
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Women’s song - wedding song - Karnataka
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:227:84 (New Delhi, Delhi State) , 16 mins
Women’s song sung without accompaniment. This is a wedding song sung during bride entering the wedding pandal.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:227:84 (New Delhi, Delhi State) , 16 mins
Description
Women’s song sung without accompaniment. This is a wedding song sung during bride entering the wedding pandal.
Date Written / Recorded
1984
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Work song - Hamarcho - Jimmu - Pakistan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N83. Three-week fieldtrip to India (2 weeks – Bhopal, Bombay – Kach) and Pakistan (1 week – Islamabad, Karachi, Hyderabad). Purpose of trip was to accompany Ralph Rinzler (Director, International Center (?), Smithsonian) and Peter Seitel (Director, Folklife Program, Smithsonian) on a feasibility study to explore areas of collaboration between the Smithsonian and Indian and Pakistani institutions. Miscellaneous recordings of Madhya Pradesh folk, devotional and tribal traditions, Kachi devotional songs, Pakistani classical music and Sindhi folk traditions. Recordings on Sony TC D5M and photographs on Canon A1. 5 audio cassettes. Still photographs. Diary (incomplete). Tape contents., 1:198:84 (New Delhi, Delhi State) , 2 mins, 1 page(s)
Hamarcho, a work song sung by Jimmu. Three male singers are also singing the song in the background in a slower tempo and a higher pitch.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N83. Three-week fieldtrip to India (2 weeks – Bhopal, Bombay – Kach) and Pakistan (1 week – Islamabad, Karachi, Hyderabad). Purpose of trip was to accompany Ralph Rinzler (Director, International Center (?), Smithsonian) and Peter Seitel (Director, Folklife Program, Smithsonian) on a feasibility study to explore areas of collaboration between the Smithsonian and Indian and Pakistani institutions. Miscellaneous recordings of Madhya Pradesh folk, devotional and tribal traditions, Kachi devotional songs, Pakistani classical music and Sindhi folk traditions. Recordings on Sony TC D5M and photographs on Canon A1. 5 audio cassettes. Still photographs. Diary (incomplete). Tape contents., 1:198:84 (New Delhi, Delhi State) , 2 mins, 1 page(s)
Description
Hamarcho, a work song sung by Jimmu. Three male singers are also singing the song in the background in a slower tempo and a higher pitch.
Date Written / Recorded
1983
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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