Browse Titles - 910 results
Baba Badalnath - Anwar Khan - Chandan Khan Manganiar - Rajasthan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:181:84 (New Delhi, Delhi State) , 3 mins
A song on the life and deeds of Baba Badalnath sung by Anwar Khan and Chandan Khan Manganiar with Kamaicha, Harmonium and Dholak and Khartal accompaniment. Baba Badalnath was a dacoit and became a saint in his later life. He is worshipped as a deity in a temple at Miajalar, Rajasthan.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:181:84 (New Delhi, Delhi State) , 3 mins
Description
A song on the life and deeds of Baba Badalnath sung by Anwar Khan and Chandan Khan Manganiar with Kamaicha, Harmonium and Dholak and Khartal accompaniment. Baba Badalnath was a dacoit and became a saint in his later life. He is worshipped as a deity in a temple at Miajalar, Rajasthan.
Date Written / Recorded
1979
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Baba Badalnath song extract- Anwar Khan - Chandan Khan Manganiar - Rajasthan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:181:84 (New Delhi, Delhi State) , 1 min
An extract of a song on the life and deeds of Baba Badalnath sung by Anwar Khan and Chandan Khan Manganiar with Kamaicha, Harmonium and Dholak and Khartal accompaniment. Baba Badalnath was a dacoit and became a saint in his later life. He is worshipped as a deity in a temple at Miajalar, Rajasthan.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:181:84 (New Delhi, Delhi State) , 1 min
Description
An extract of a song on the life and deeds of Baba Badalnath sung by Anwar Khan and Chandan Khan Manganiar with Kamaicha, Harmonium and Dholak and Khartal accompaniment. Baba Badalnath was a dacoit and became a saint in his later life. He is worshipped as a deity in a temple at Miajalar, Rajasthan.
Date Written / Recorded
1979
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
Bada Khayal-Rag Puriya Dhanashree-Rajasthan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:157:84 (New Delhi, Delhi State) , 4 mins
Atam Khan singing a Bada Khayal in Rag Puriya Dhanashree, sung with the accompaniment of Harmonium and Dholak
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:157:84 (New Delhi, Delhi State) , 4 mins
Description
Atam Khan singing a Bada Khayal in Rag Puriya Dhanashree, sung with the accompaniment of Harmonium and Dholak
Date Written / Recorded
1978
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Topic / Theme
Indians (Asian)
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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(Pan (Netherlands), 1994), 1 hour 20 mins, 13 page(s)
Date Written / Recorded
1992-08-11
Field of Study
World Music
Content Type
Music recording
Date Published / Released
1994
Publisher
Pan (Netherlands)
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Bahurupia-Jogi-Sadhu-Banya-song fragment-Bana-Biyavalo-Parvati vivah-New Delhi
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:143:84 (New Delhi, Delhi State) , 3 mins
3 Bahurupia singers from Jaipur dressed as Jogi, a Sadhu and a Banya playing Chimta, Manjira and Ektara performed a fragment of song on Parvati vivah. The performers narrated and called it Bana and also as Biyavalo.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:143:84 (New Delhi, Delhi State) , 3 mins
Description
3 Bahurupia singers from Jaipur dressed as Jogi, a Sadhu and a Banya playing Chimta, Manjira and Ektara performed a fragment of song on Parvati vivah. The performers narrated and called it Bana and also as Biyavalo.
Date Written / Recorded
1978
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Topic / Theme
Indians (Asian)
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
Baithak Gana sung by Droeh Nankoe
performed by Drhoeh Nankoe, 1960-, Ardjoen Autar, 1956- and Mohammed Ferooz (Dennis) Saddal, 1964- (Pan (Netherlands), 2003), 1 hour 3 mins, 11 page(s)
Sample
performed by Drhoeh Nankoe, 1960-, Ardjoen Autar, 1956- and Mohammed Ferooz (Dennis) Saddal, 1964- (Pan (Netherlands), 2003), 1 hour 3 mins, 11 page(s)
Date Written / Recorded
2003-03
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Drhoeh Nankoe, 1960-, Ardjoen Autar, 1956-, Mohammed Ferooz (Dennis) Saddal, 1964-
Author / Creator
Drhoeh Nankoe, 1960-, Ardjoen Autar, 1956-, Mohammed Ferooz (Dennis) Saddal, 1964-
Date Published / Released
2003
Publisher
Pan (Netherlands)
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Bake recording and performance - snake song - Kerala
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:237:84 (New Delhi, Delhi State) , 5 mins
Bake recording played followed by singing of the song. It is supposed to be an imitation of Adi pambe - the forest people who caught snakes. This song was sung by the Pambati community for their one act plays.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:237:84 (New Delhi, Delhi State) , 5 mins
Description
Bake recording played followed by singing of the song. It is supposed to be an imitation of Adi pambe - the forest people who caught snakes. This song was sung by the Pambati community for their one act plays.
Date Written / Recorded
1984
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
Bake recording played - Jew’s harp - Tamil Nadu
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:252:84 (New Delhi, Delhi State) , 14 mins
Recording by Arnold Bake played for performers. Jew’s harp. Could not be identified by the performers present there in the village Trichagadi.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:252:84 (New Delhi, Delhi State) , 14 mins
Description
Recording by Arnold Bake played for performers. Jew’s harp. Could not be identified by the performers present there in the village Trichagadi.
Date Written / Recorded
1984
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
Bake recording played - Kota tribe - Tamil Nadu
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:252:84 (New Delhi, Delhi State); performed by Nazir Ali Jairazbhoy, 1927-2009 , 1 min
Bake recording played. 3 Kota music tunes. The performers could identify the songs and responded by singing them back. There is conversation and discussion among the performers and Nazir Jairazbhoy.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N84-1. Eighteen-week fieldtrip to India (including last five days in Pakistan) to 1) carry out Bake 1938-9 restudy; 2) participate in the audio seminars at the National Centre for the Performing Arts; 3) install the computer retrieval system in the ARCE. The Bake restudy was undertaken with the collaboration of the ARCE staff and Dr. Amy Catlin (who also instructed the staff in the operation of the retrieval system). Recordings were made in Maharashtra, Karnataka, Tamilnadu and Kerala. The following formats were used: Audio—digital PCM (3+ hours), analog audio cassette, Sony TC D5M and WM D6 (about 42 hours). Diary, datasheets, video and audio logs and miscellaneous notes., 1:252:84 (New Delhi, Delhi State); performed by Nazir Ali Jairazbhoy, 1927-2009 , 1 min
Description
Bake recording played. 3 Kota music tunes. The performers could identify the songs and responded by singing them back. There is conversation and discussion among the performers and Nazir Jairazbhoy.
Date Written / Recorded
1984
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Nazir Ali Jairazbhoy, 1927-2009
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
×
Ballad - Raja Bharthari - Sovan Bhopa - Ravanhatha - Nazir Jairazbhoy - Rajasthan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:182:84 (New Delhi, Delhi State) , 2 mins
A song from the ballad of Raja Bharthari sung by Sovan Bhopa and the Bhopi with Ravanhatha accompaniment. Raja Bharthari was a king known for his kindness and philanthropy.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:182:84 (New Delhi, Delhi State) , 2 mins
Description
A song from the ballad of Raja Bharthari sung by Sovan Bhopa and the Bhopi with Ravanhatha accompaniment. Raja Bharthari was a king known for his kindness and philanthropy.
Date Written / Recorded
1979
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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