Browse Titles - 2769 results
Akasozi bamunanika (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR136 , 3 mins
The new Lubili (palace of the Kabaka, King of Bugunda) is very beautiful. The Kabaka is good and does his duties well -- We like him -- and also his office bearers.' This is the gist of the song.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR136 , 3 mins
Description
The new Lubili (palace of the Kabaka, King of Bugunda) is very beautiful. The Kabaka is good and does his duties well -- We like him -- and also his office bearers.' This is the gist of the song.
Date Written / Recorded
1950
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Akpadi Kaolisi (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR119 , 1 min
"This food is for the girls." Lili is the sister of Chief Anga, and Nebaliya is his cousin. They are both good looking girls and have been much photographed and praised by visitors to their village near Paulis. These girls have the typical slanting eyes and the long upper eyelids associated with the Mangbetu grou...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR119 , 1 min
Description
"This food is for the girls." Lili is the sister of Chief Anga, and Nebaliya is his cousin. They are both good looking girls and have been much photographed and praised by visitors to their village near Paulis. These girls have the typical slanting eyes and the long upper eyelids associated with the Mangbetu group, but more commonly seen in China rather than Africa.
Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Aku dewile nu wakate pwana dewile (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR123 , 2 mins
The music for the Zande round dance. All the dancers perform the same steps in unison, short quick steps to and fro, turning into file and then facing inwards again, gradually moving around in an anti-clockwise direction. The enthusiasm of the Zande men and women for their Kponingbo xylophone dance has to be expe...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR123 , 2 mins
Description
The music for the Zande round dance. All the dancers perform the same steps in unison, short quick steps to and fro, turning into file and then facing inwards again, gradually moving around in an anti-clockwise direction. The enthusiasm of the Zande men and women for their Kponingbo xylophone dance has to be experienced to be fully appreciated. The dancers are caught in the swirl of the music and compel sympathetic action from everyone within ea...
The music for the Zande round dance. All the dancers perform the same steps in unison, short quick steps to and fro, turning into file and then facing inwards again, gradually moving around in an anti-clockwise direction. The enthusiasm of the Zande men and women for their Kponingbo xylophone dance has to be experienced to be fully appreciated. The dancers are caught in the swirl of the music and compel sympathetic action from everyone within earshot. The tuning of the xylophone was:-- 976, 880, 784, 672, 584, 488, 440, 392, 336, 292, 244 vs.
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Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR076 , 2 mins
Date Written / Recorded
1958
Field of Study
Anthropology
Content Type
Music recording
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright © International Library of African Music.
Tracks
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Alaina n’kuphika nkhwani (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR097 , 2 mins
This kind of dance, they say, was first introduced into the district by Yao people, about 15 years ago, 1940, when it was originally sung in the Yao language, from the Fort Johnstone District. But the Chewa girls liked the dance and made up their own words for it. They reflect the young girls growing sense of resp...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR097 , 2 mins
Description
This kind of dance, they say, was first introduced into the district by Yao people, about 15 years ago, 1940, when it was originally sung in the Yao language, from the Fort Johnstone District. But the Chewa girls liked the dance and made up their own words for it. They reflect the young girls growing sense of responsibility toward her domestic duties. "Alaina nkuphika nkhwani nanga ine ndidyele ciani alaina Mai wanga nkuphika nkhwani nanga ine nd...
This kind of dance, they say, was first introduced into the district by Yao people, about 15 years ago, 1940, when it was originally sung in the Yao language, from the Fort Johnstone District. But the Chewa girls liked the dance and made up their own words for it. They reflect the young girls growing sense of responsibility toward her domestic duties. "Alaina nkuphika nkhwani nanga ine ndidyele ciani alaina Mai wanga nkuphika nkhwani nanga ine ndidyele ciani." "Alaina cooked vegetables, what shall I do for vegetables myself? My mother cooked vegetables, what shall I do for vegetables myself?"
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Date Written / Recorded
1958
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR166 , 3 mins
Field of Study
Anthropology
Content Type
Music recording
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright © International Library of African Music.
Tracks
×
Alele iya olumbe (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR127 , 3 mins
The canoes of the Wagenya are large dugouts, often 60 feet in length and about 30 to 50 inches in width. They can hold as many as 70 - 100 paddlers on festive occasions and have been made famous of recent years by their appearance in films such as "Sander
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR127 , 3 mins
Description
The canoes of the Wagenya are large dugouts, often 60 feet in length and about 30 to 50 inches in width. They can hold as many as 70 - 100 paddlers on festive occasions and have been made famous of recent years by their appearance in films such as "Sander
Date Written / Recorded
1952
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
×
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR211 , 7 mins
Field of Study
Anthropology
Content Type
Music recording
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright © International Library of African Music.
×
Aliva enaku adheta (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR142 , 3 mins
A song in which a number of topics are touched upon including Ngobi, a local glutton, and the sorrow of a mourner who sits alone in a house watching over the dead body of a friend or relative. This combination of lyre and lute is popular among Soga minstrels.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR142 , 3 mins
Description
A song in which a number of topics are touched upon including Ngobi, a local glutton, and the sorrow of a mourner who sits alone in a house watching over the dead body of a friend or relative. This combination of lyre and lute is popular among Soga minstrels.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Aliyale (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR096 , 4 mins
The story concerns a husband who was complaining about his wife -- that she was running about with other men. He questions his son about the matter and blames his unfaithful wife for several misfortunes which befell him, such as a pot of paint falling on him and his children dying. "Aliyale he! aliyale he! Wameter...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR096 , 4 mins
Description
The story concerns a husband who was complaining about his wife -- that she was running about with other men. He questions his son about the matter and blames his unfaithful wife for several misfortunes which befell him, such as a pot of paint falling on him and his children dying. "Aliyale he! aliyale he! Wametera metera cifukwa nkacece!" "She has shaved off her hair to make herself beautiful." The Nkacece was at one time a dance at which everyb...
The story concerns a husband who was complaining about his wife -- that she was running about with other men. He questions his son about the matter and blames his unfaithful wife for several misfortunes which befell him, such as a pot of paint falling on him and his children dying. "Aliyale he! aliyale he! Wametera metera cifukwa nkacece!" "She has shaved off her hair to make herself beautiful." The Nkacece was at one time a dance at which everybody came well-dressed for the party. He infers (sic) that although his wife 'dolled' herself up to look nice, she was still worthless.
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Date Written / Recorded
1958
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×