Browse Titles - 130 results
Kwaheri naja (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR150 , 3 mins
Goodbye for now, I'll be back soon.' Several songs under this title 'Kwaheri naja,' are to be found in Tanganyika, but they do not necessarily have the same melody or follow the same pattern.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR150 , 3 mins
Description
Goodbye for now, I'll be back soon.' Several songs under this title 'Kwaheri naja,' are to be found in Tanganyika, but they do not necessarily have the same melody or follow the same pattern.
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
×
Kwa-kwa-kwa uma-ye (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR095 , 3 mins
The Nyau dance, they say, is performed in the dry season. The dancers put on rags and cover their faces and heads with feathers or grass masks so that they cannot be recognized. In some cases disobedient girls can be caught and beaten. It is an initiation dance for boys but the women instructors can use them for t...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR095 , 3 mins
Description
The Nyau dance, they say, is performed in the dry season. The dancers put on rags and cover their faces and heads with feathers or grass masks so that they cannot be recognized. In some cases disobedient girls can be caught and beaten. It is an initiation dance for boys but the women instructors can use them for this purpose. It always appears to be girls who needs instruction and never the boys who merely go through their initiation ceremonies.
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Kwende kwende ku mphilipili (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR092 , 3 mins
A strange dance in which the dancers move their necks forward and backward like a chicken walking. The sung music is not easily followed at first until the drums between them simplify the ensemble with their clear crossed rhythms, the one (Kachisi) maintaining the ground rhythm. "Kwende, kwende kumpilipili Kwana m...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR092 , 3 mins
Description
A strange dance in which the dancers move their necks forward and backward like a chicken walking. The sung music is not easily followed at first until the drums between them simplify the ensemble with their clear crossed rhythms, the one (Kachisi) maintaining the ground rhythm. "Kwende, kwende kumpilipili Kwana mayambo Kwana a dusi na diki." "Go, go to Mpili Where there is an affair starting up between Duri and Diki."
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Leka nzunule (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR188 , 3 mins
A new young peoples dance. The boys dance in a group and the girls in another within the circle, - the two drummers standing on one side. It consists of a number of simple rhythmic steps. The sound of the drums and whistle overshadows the voices in the recording, which in fact is the impression gained by spectator...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR188 , 3 mins
Description
A new young peoples dance. The boys dance in a group and the girls in another within the circle, - the two drummers standing on one side. It consists of a number of simple rhythmic steps. The sound of the drums and whistle overshadows the voices in the recording, which in fact is the impression gained by spectators standing outside the circle of dancers.
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
×
Libela (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR047 , 3 mins
"We are going to dance a great deal today. When I die I will stop dancing. I am proud of my country because I was born there. Now good-bye to you."
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR047 , 3 mins
Description
"We are going to dance a great deal today. When I die I will stop dancing. I am proud of my country because I was born there. Now good-bye to you."
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
×
Lugendo ewa halaka (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR149 , 3 mins
A hasty journey! I hurt my toe, Open the door for me, Mtandika Majembe.'
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR149 , 3 mins
Description
A hasty journey! I hurt my toe, Open the door for me, Mtandika Majembe.'
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Lulua mukwabumba (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR183 , 3 mins
This item should prove interesting to linguists for an analysis of the sung tones of the soloist, as her voice is clear and sure.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR183 , 3 mins
Description
This item should prove interesting to linguists for an analysis of the sung tones of the soloist, as her voice is clear and sure.
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
×
Lyalulumila lya Manyanga (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR149 , 2 mins
This is the first time I have been able to record my songs. I am the leader of the Manyanga dances.'
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR149 , 2 mins
Description
This is the first time I have been able to record my songs. I am the leader of the Manyanga dances.'
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Mailole (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR192 , 2 mins
"I'll go to Zomba to dance Jirí with my friend Mailole." The girls clap the first four beats in the bar.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR192 , 2 mins
Description
"I'll go to Zomba to dance Jirí with my friend Mailole." The girls clap the first four beats in the bar.
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
×
Makarita nyaku hakanye (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR196 , 1 min
Introduced by the 'Hino Nacional,' the Portuguese national anthem. Women came out in pairs and danced opposite each other, each doing a violent dance du ventre. As soon as they tired, their places would be taken by two others. The singing horns here are usually manufactured by a local tin smith from galvanised fla...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR196 , 1 min
Description
Introduced by the 'Hino Nacional,' the Portuguese national anthem. Women came out in pairs and danced opposite each other, each doing a violent dance du ventre. As soon as they tired, their places would be taken by two others. The singing horns here are usually manufactured by a local tin smith from galvanised flat iron usually taken from old kerosine tins. One of the horns used was the horn of an old acoustic gramophone. The use of singing horns...
Introduced by the 'Hino Nacional,' the Portuguese national anthem. Women came out in pairs and danced opposite each other, each doing a violent dance du ventre. As soon as they tired, their places would be taken by two others. The singing horns here are usually manufactured by a local tin smith from galvanised flat iron usually taken from old kerosine tins. One of the horns used was the horn of an old acoustic gramophone. The use of singing horns made of metal in a speciality of the GiTonga. They are played with very noisy drums and struck iron, and the result is deafening rather than musical.
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Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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