Browse Titles - 119 results
Joseph Lamb: A Study in Classic Ragtime
Kevin Roth Sings and Plays Dulcimer
Kilby Snow: Country Songs and Tunes with Autoharp
L ere du petrole
The synthetic is not far from the organic as petrol becomes plastic, and this album share this quality. From jungle atmospheres to the glassy and futuristic vision of "Cité Utopie", Soleil Vert del...
The synthetic is not far from the organic as petrol becomes plastic, and this album share this quality. From jungle atmospheres to the glassy and futuristic vision of "Cité Utopie", Soleil Vert delivers a texture-rich album driven by a strong emotional feel.
In line with Soleil Vert previous album release, "Du déluge au désert...
Using our current era of fossil fuel usage as an inspiration, "L'Ère du pétrole" fits the bill of a concept album.The synthetic is not far from the organic as petrol becomes plastic, and this album share this quality. From jungle atmospheres to the glassy and futuristic vision of "Cité Utopie", Soleil Vert delivers a texture-rich album driven by a strong emotional feel.
In line with Soleil Vert previous album release, "Du déluge au désert", L'Ère du pétrole" is bound to appeal to a surprising array of open-minded listeners, from fans of ambient/IDM genres to those coming from psychedelic and space-rock references.
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Sally Ann
Louisiana Creole Music
Mark Spoelstra Recorded at Club 47
When he recorded this album, Mark Spoelstra was heading to the Southwest to work with American Indians instead of joining the military—but he said he felt he was getting into something rather than getting out of anything. By the early 21st century, the "white blues" guitarist had played with Bob Dylan, had his...
When he recorded this album, Mark Spoelstra was heading to the Southwest to work with American Indians instead of joining the militarybut he said he felt he was getting into something rather than getting out of anything. By the early 21st century, the "white blues" guitarist had played with Bob Dylan, had his music covered by Janis Joplin and Harry Belafonte, and released eight full albums of folk music. A gem from Spoelstra’s early career.
When he recorded this album, Mark Spoelstra was heading to the Southwest to work with American Indians instead of joining the militarybut he said he felt he was getting into something rather than getting out of anything. By the early 21st century, the "white blues" guitarist had played with Bob Dylan, had his music covered by Janis Joplin and Harry Belafonte, and released eight full albums of folk music. A gem from Spoelstra’s early career.
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A Fungus Amungus
So versatile that she was able to sustain a professional career for more than thirty years, jazz pianist, composer and arranger Mary Lou Williams ran the gamut from Dixieland to swing, bop and avant-garde. This album is among her 1960s avant-garde works, with intimate piano combos and vocal jazz choruses; it inclu...
So versatile that she was able to sustain a professional career for more than thirty years, jazz pianist, composer and arranger Mary Lou Williams ran the gamut from Dixieland to swing, bop and avant-garde. This album is among her 1960s avant-garde works, with intimate piano combos and vocal jazz choruses; it includes her well-known cantata, The Black Christ of the Andes (also available remastered and reissued on SFW40816 as a CD, complete with...
So versatile that she was able to sustain a professional career for more than thirty years, jazz pianist, composer and arranger Mary Lou Williams ran the gamut from Dixieland to swing, bop and avant-garde. This album is among her 1960s avant-garde works, with intimate piano combos and vocal jazz choruses; it includes her well-known cantata, The Black Christ of the Andes (also available remastered and reissued on SFW40816 as a CD, complete with extensive liner notes and historic photos).
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Mary Lou Williams: The Asch Recordings 1944-47
This double set brings together thirty-five sides recorded by Mary Lou Williams for Moses Asch between 1944 and 1947. Twenty-eight of these songs were previously only released on 78 rpm, and this collection includes solo and trio performances, as well as small-group and big band recordings.
This double set brings together thirty-five sides recorded by Mary Lou Williams for Moses Asch between 1944 and 1947. Twenty-eight of these songs were previously only released on 78 rpm, and this collection includes solo and trio performances, as well as small-group and big band recordings.
