Browse Titles - 2425 results
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Afro-Dominican Music from San Cristobal, Dominican Republic
produced by Morton Marks, fl. 1982 and Isidro Bobadilla (Folkways Records, 1983), 37 mins
"The Dominican Republic is a culturally complex country and is roughly divisible into several different culture zones. These include the more Hispanic or Iberian North (the Cibao), and the more African-influenced central-South region (including the province of San Cristóbal and the area around the capital, Santo...
Sample
produced by Morton Marks, fl. 1982 and Isidro Bobadilla (Folkways Records, 1983), 37 mins
Description
"The Dominican Republic is a culturally complex country and is roughly divisible into several different culture zones. These include the more Hispanic or Iberian North (the Cibao), and the more African-influenced central-South region (including the province of San Cristóbal and the area around the capital, Santo Domingo). The music of this record features examples of several different drumming styles from San Cristóbal..."
"La República Domi... "The Dominican Republic is a culturally complex country and is roughly divisible into several different culture zones. These include the more Hispanic or Iberian North (the Cibao), and the more African-influenced central-South region (including the province of San Cristóbal and the area around the capital, Santo Domingo). The music of this record features examples of several different drumming styles from San Cristóbal..."
"La República Dominicana es un país culturalmente muy complejo, que puede ser divido a grandes rasgos en zonas culturales diferentes. Dentro de ellas se encuentran la más hispánica o ibérica hacia el norte (el Cibao), y la más africana hacia el sur de la región central (incluyendo a la provincia de San Cristóbal y toda el área que circunda la capital, Santo Domingo). La música recogida en esta grabación muestra ejemplos de diversos estilos de golpes de tambor de San Cristóbal..."
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"La República Domi... "The Dominican Republic is a culturally complex country and is roughly divisible into several different culture zones. These include the more Hispanic or Iberian North (the Cibao), and the more African-influenced central-South region (including the province of San Cristóbal and the area around the capital, Santo Domingo). The music of this record features examples of several different drumming styles from San Cristóbal..."
"La República Dominicana es un país culturalmente muy complejo, que puede ser divido a grandes rasgos en zonas culturales diferentes. Dentro de ellas se encuentran la más hispánica o ibérica hacia el norte (el Cibao), y la más africana hacia el sur de la región central (incluyendo a la provincia de San Cristóbal y toda el área que circunda la capital, Santo Domingo). La música recogida en esta grabación muestra ejemplos de diversos estilos de golpes de tambor de San Cristóbal..."
Para información sobre ordenar haga clic aquí.
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Field of Study
World Music
Content Type
Music recording
Contributor
Morton Marks, fl. 1982, Isidro Bobadilla
Date Published / Released
1983
Publisher
Folkways Records
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The Afro-Indian Project- Travels with the Kora in India
produced by John Leckie, 1949- and Ravi (ARC Music Productions), 1 hour 3 mins
Sample
produced by John Leckie, 1949- and Ravi (ARC Music Productions), 1 hour 3 mins
Date Written / Recorded
2001
Field of Study
World Music
Content Type
Music recording
Contributor
John Leckie, 1949-, Ravi
Publisher
ARC Music Productions
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Ahe likalakati (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR064 (1957) , 1 page(s)
The four leading women sang this song on their knees, and the principal singer also mimed the torso, hip and arm movements of the dance whilst she sang.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR064 (1957) , 1 page(s)
Description
The four leading women sang this song on their knees, and the principal singer also mimed the torso, hip and arm movements of the dance whilst she sang.
Date Written / Recorded
1957
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Ahe likalakati (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR064 , 2 mins
The four leading women sang this song on their knees, and the principal singer also mimed the torso, hip and arm movements of the dance whilst she sang.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR064 , 2 mins
Description
The four leading women sang this song on their knees, and the principal singer also mimed the torso, hip and arm movements of the dance whilst she sang.
Date Written / Recorded
1957
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
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Ahmed Mukhtar & Sattar Al-Saadi: Music From Iraq - Rhythms of Baghdad
performed by Ahmed Mukhtar, 1967- and Sattar Al-Saadi, 1967- (ARC Music Productions, 2010), 1 hour 9 mins, 14 page(s)
Sample
performed by Ahmed Mukhtar, 1967- and Sattar Al-Saadi, 1967- (ARC Music Productions, 2010), 1 hour 9 mins, 14 page(s)
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Ahmed Mukhtar, 1967-, Sattar Al-Saadi, 1967-
Author / Creator
Ahmed Mukhtar, 1967-, Sattar Al-Saadi, 1967-
Date Published / Released
2010
Publisher
ARC Music Productions
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Ahmed Mukhtar: The Road to Bagdad: New Maqams from Iraq
produced by Ahmed Mukhtar, 1967-; performed by Ahmed Mukhtar, 1967-, Alaa Majeed, Shaker Hassan, 1972-, Hassan Falih, 1963- and Wassem Faris, 1970- (ARC Music Productions, 2005), 1 hour 2 mins, 16 page(s)
Sample
produced by Ahmed Mukhtar, 1967-; performed by Ahmed Mukhtar, 1967-, Alaa Majeed, Shaker Hassan, 1972-, Hassan Falih, 1963- and Wassem Faris, 1970- (ARC Music Productions, 2005), 1 hour 2 mins, 16 page(s)
Date Written / Recorded
2005-02
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Ahmed Mukhtar, 1967-, Alaa Majeed, Shaker Hassan, 1972-, Hassan Falih, 1963-, Wassem Faris, 1970-
Contributor
Diz Heller, Ahmed Mukhtar, 1967-
Author / Creator
Ahmed Mukhtar, 1967-, Alaa Majeed, Shaker Hassan, 1972-, Hassan Falih, 1963-, Wassem Faris, 1970-
Date Published / Released
2005-06-14
Publisher
ARC Music Productions
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performed by Solace, Solace (Solace, 2003), 52 mins
Date Written / Recorded
2000
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Solace
Author / Creator
Solace
Date Published / Released
2003-05-16
Publisher
Solace
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Aiba mange kimiango (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR126 (1952) , 1 page(s)
This Buudu tribe is said to have come across the Savannah along the northern edge of the great tropical Ituri forest from the Ruwenzori mountains in the East to this present locality in North Central Congo. On their way they are said to have become much influenced by the Mbuti Pygmies, several of their songs and d...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR126 (1952) , 1 page(s)
Description
This Buudu tribe is said to have come across the Savannah along the northern edge of the great tropical Ituri forest from the Ruwenzori mountains in the East to this present locality in North Central Congo. On their way they are said to have become much influenced by the Mbuti Pygmies, several of their songs and dances closely resembling those of the dwarfs. Their pet name for the pygmies is Batikitki.
Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Dance, African Drumming, Drum, Rattle, basket, Horn, ivory
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
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Aiba mange kimiango (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR126 , 3 mins
This Buudu tribe is said to have come across the Savannah along the northern edge of the great tropical Ituri forest from the Ruwenzori mountains in the East to this present locality in North Central Congo. On their way they are said to have become much influenced by the Mbuti Pygmies, several of their songs and d...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR126 , 3 mins
Description
This Buudu tribe is said to have come across the Savannah along the northern edge of the great tropical Ituri forest from the Ruwenzori mountains in the East to this present locality in North Central Congo. On their way they are said to have become much influenced by the Mbuti Pygmies, several of their songs and dances closely resembling those of the dwarfs. Their pet name for the pygmies is Batikitki.
Date Written / Recorded
1952
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
See details
A.J. Racy, James Peterson: When the Rivers Met
performed by James Peterson and A. J. Racy (Lyrichord, 2009), 38 mins, 12 page(s)
Sample
performed by James Peterson and A. J. Racy (Lyrichord, 2009), 38 mins, 12 page(s)
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
James Peterson, A. J. Racy
Author / Creator
James Peterson, A. J. Racy
Date Published / Released
2009
Publisher
Lyrichord
Copyright Message
Copyright © 2009 by Lyrichord
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