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Tiziyendelana (Field Card)
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"I have built my house near the road so that we can visit each other." The player learnt his playing from a Nshenga at Fort Jameson called Jeremia Phiri in 1931. Items 'e' and 'f' are his own compositions. The apparent over-modulation of the voice seems to be caused by the vibration of the mirliton buzzer.
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Tiziyendelana (Track)
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"I have built my house near the road so that we can visit each other." The player learnt his playing from a Nshenga at Fort Jameson called Jeremia Phiri in 1931. Items 'e' and 'f' are his own compositions. The apparent over-modulation of the voice seems to be caused by the vibration of the mirliton buzzer.
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Tlhaba we re tsena bene kakwe babwe rea (Field Card)
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The peace at the place from which we come, is oppressive. There they are, climbing the mountain. Let them alone
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Tlhaba we re tsena bene kakwe babwe rea (Track)
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The peace at the place from which we come, is oppressive. There they are, climbing the mountain. Let them alone
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To women and three children outside dome-shaped shelters.
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of University of Oxford. Pitt Rivers Museum, in The Louis Sarno Archive, Photographs; photographed by Louis Sarno, 1954-2017 (1997) , 1 page(s)
To women and three children outside dome-shaped shelters. The framework of the shelters is made from branches. The outer layer of the shelters is made from large leaves. Small trimmed wooden logs are visible in piles and a chair a low raised platform have been built using these logs.
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of University of Oxford. Pitt Rivers Museum, in The Louis Sarno Archive, Photographs; photographed by Louis Sarno, 1954-2017 (1997) , 1 page(s)
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Toleka ntamwako (Field Card)
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"Let me drink and go, father, and make me a witness myself." It appears to be usual for a couple of friends to start singing by singing against each other in a set pattern.
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Toleka ntamwako (Track)
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"Let me drink and go, father, and make me a witness myself." It appears to be usual for a couple of friends to start singing by singing against each other in a set pattern.
Sample
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