Browse Titles - 123 results
Kwanukimpi = The smell of war (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR030 (1957) , 2 page(s)
The cries at the end are equivalent to the Zulu "Bayete." "Hail."
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR030 (1957) , 2 page(s)
Description
The cries at the end are equivalent to the Zulu "Bayete." "Hail."
Date Written / Recorded
1957
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Kyarutema (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR057 (1952) , 1 page(s)
This song, used as a lullaby, is in praise of the present Omwami Mutara's grandmother, and recounts her life, her childhood and girlhood, through its various stages till her death. She was both good and beautiful, say the singers. The queen mother's influence at the courts of the Mwami used to be considerable and...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR057 (1952) , 1 page(s)
Description
This song, used as a lullaby, is in praise of the present Omwami Mutara's grandmother, and recounts her life, her childhood and girlhood, through its various stages till her death. She was both good and beautiful, say the singers. The queen mother's influence at the courts of the Mwami used to be considerable and was only broken by the Belgian Authorities when this lady was banished to Kainembe near Lake Kivu in 1931, together with her son Museng...
This song, used as a lullaby, is in praise of the present Omwami Mutara's grandmother, and recounts her life, her childhood and girlhood, through its various stages till her death. She was both good and beautiful, say the singers. The queen mother's influence at the courts of the Mwami used to be considerable and was only broken by the Belgian Authorities when this lady was banished to Kainembe near Lake Kivu in 1931, together with her son Musenga Yushi V who was deposed and banished with her.
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Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Kyebambi (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR132 , 2 mins
The greater African chiefs would, in the old days, always have their court musicians to perform special functions, one of which was to play early in the morning to waken the Chief's household. This duty was performed in the past by the Ntimbo drummers for the Mukama of Bunyoro. ... The little drums, with membranes...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR132 , 2 mins
Description
The greater African chiefs would, in the old days, always have their court musicians to perform special functions, one of which was to play early in the morning to waken the Chief's household. This duty was performed in the past by the Ntimbo drummers for the Mukama of Bunyoro. ... The little drums, with membranes of iguana, water lizard, skin are most musical and respond to every finesse of fingering. They are traditionally associated with the r...
The greater African chiefs would, in the old days, always have their court musicians to perform special functions, one of which was to play early in the morning to waken the Chief's household. This duty was performed in the past by the Ntimbo drummers for the Mukama of Bunyoro. ... The little drums, with membranes of iguana, water lizard, skin are most musical and respond to every finesse of fingering. They are traditionally associated with the royal songs of Bunyoro. This song refers to a previous Mukama of Bunyoro, Kyebambi, who, they say, was much loved by his people.
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Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
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Lahiwe indoda II (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR033 (1957) , 1 page(s)
"In the morning, I'll say one thing, at none another, for my husband is throwing me out of the house." are on the same theme, that of the deserted wife
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR033 (1957) , 1 page(s)
Description
"In the morning, I'll say one thing, at none another, for my husband is throwing me out of the house." are on the same theme, that of the deserted wife but they are sung in good mood by the women when the men are drinking.
Date Written / Recorded
1957
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Praise Song, Clapping, hand
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Lamnandi ugolohlang (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR032 , 3 mins
Citaumvano, the singer, praises Miss Gertie Carter's store. Miss Carter is a well-known and much respected figure in the district, her father having established the store about 1870, about 25 years before the annexation of Pondoland.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR032 , 3 mins
Description
Citaumvano, the singer, praises Miss Gertie Carter's store. Miss Carter is a well-known and much respected figure in the district, her father having established the store about 1870, about 25 years before the annexation of Pondoland.
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Lithoko (I) (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR016 , 1 min
Several bodies of horsemen approached Chief George Moshesh's village during the recording session, and each one had its own Seroki, or praiser, who dismounted and spoke the chief's praises before the group joined the rest of the people present.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR016 , 1 min
Description
Several bodies of horsemen approached Chief George Moshesh's village during the recording session, and each one had its own Seroki, or praiser, who dismounted and spoke the chief's praises before the group joined the rest of the people present.
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Lithoko (II) (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR016 (1957) , 1 page(s)
Several bodies of horsemen approached Chief George Moshesh's village during the recording session, and each one had its own Seroki, or praiser, who dismounted and spoke the chief's praises before the group joined the rest of the people present.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR016 (1957) , 1 page(s)
Description
Several bodies of horsemen approached Chief George Moshesh's village during the recording session, and each one had its own Seroki, or praiser, who dismounted and spoke the chief's praises before the group joined the rest of the people present.
Date Written / Recorded
1957
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Praise Song, Voice
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Lithoko (II) (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR016 , 2 mins
Several bodies of horsemen approached Chief George Moshesh's village during the recording session, and each one had its own Seroki, or praiser, who dismounted and spoke the chief's praises before the group joined the rest of the people present.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR016 , 2 mins
Description
Several bodies of horsemen approached Chief George Moshesh's village during the recording session, and each one had its own Seroki, or praiser, who dismounted and spoke the chief's praises before the group joined the rest of the people present.
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Lithoko (III) (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR016 (1957) , 1 page(s)
Several bodies of horsemen approached Chief George Moshesh's village during the recording session, and each one had its own Seroki, or praiser, who dismounted and spoke the chief's praises before the group joined the rest of the people present.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR016 (1957) , 1 page(s)
Description
Several bodies of horsemen approached Chief George Moshesh's village during the recording session, and each one had its own Seroki, or praiser, who dismounted and spoke the chief's praises before the group joined the rest of the people present.
Date Written / Recorded
1957
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Praise Song, Voice
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
Lithoko (III) (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR016 , 1 min
Several bodies of horsemen approached Chief George Moshesh's village during the recording session, and each one had its own Seroki, or praiser, who dismounted and spoke the chief's praises before the group joined the rest of the people present.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR016 , 1 min
Description
Several bodies of horsemen approached Chief George Moshesh's village during the recording session, and each one had its own Seroki, or praiser, who dismounted and spoke the chief's praises before the group joined the rest of the people present.
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×