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The Art of Documentary Filmmaking, Girls Like Us
written by Lindsey Merrison, 1959-; directed by Lindsey Merrison, 1959-, in The Art of Documentary Filmmaking (Watertown, MA: Documentary Educational Resources (DER), 2005), 15 mins
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled 'The Art of Documentary Filmmaking.' The venue was a quiet hotel in Myanmar's capital, Yangon.
Sample
written by Lindsey Merrison, 1959-; directed by Lindsey Merrison, 1959-, in The Art of Documentary Filmmaking (Watertown, MA: Documentary Educational Resources (DER), 2005), 15 mins
Description
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled 'The Art of Documentary Filmmaking.' The venue was a quiet hotel in Myanmar's capital, Yangon. At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Au...
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled 'The Art of Documentary Filmmaking.' The venue was a quiet hotel in Myanmar's capital, Yangon. At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled "The Art of Documentary Filmmaking." The venue was a quiet hotel in Myanmar's capital, Yangon. The Burmese participants had little or no prior knowledge of filming stories from real life. A task that would have been daunting in any country posed a particular challenge in autocratic Myanmar, where documenting reality is a risky undertaking for those on both sides of the camera. All the more remarkable then, that, 21 days later, the participants on this residential course had learned how to handle the equipment, grappled with the artistic and ethical aspects of the genre, and researched, wrote, and filmed four short documentary portraits inspired by the subject of "Women in Myanmar." The greatest achievement of the event could well have been the impetus and direction it gave to these budding filmmakers, all of whom are already developing new projects. The DVD features the four final films made by the participants. It also includes the participants' first film exercise and a video diary chronicling the workshop itself. Together, these works provide a vibrant record of a surprisingly rewarding encounter
Show more
Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
Lindsey Merrison, 1959-
Author / Creator
Lindsey Merrison, 1959-
Date Published / Released
2005
Publisher
Documentary Educational Resources (DER)
Series
The Art of Documentary Filmmaking
Speaker / Narrator
Lindsey Merrison, 1959-
Topic / Theme
Burmese, Women, Memories, Film and films, Students, Education, Film industry, Ethnography
Copyright Message
© Documentary Educational Resources
×
See details
Art of Documentary Filmmaking, Girls Like Us
directed by Khine Khine Saw; produced by Lindsey Merrison Film, in Art of Documentary Filmmaking (Watertown, MA: Documentary Educational Resources (DER), 2005), 15 mins
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled "The Art of Documentary Filmmaking." The venue was a quiet hotel in Myanmar's capital, Yangon. T...
Sample
directed by Khine Khine Saw; produced by Lindsey Merrison Film, in Art of Documentary Filmmaking (Watertown, MA: Documentary Educational Resources (DER), 2005), 15 mins
Description
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled "The Art of Documentary Filmmaking." The venue was a quiet hotel in Myanmar's capital, Yangon. The Burmese participants had little or no prior knowledge of filming stories from real life. A task that would have been daunting in any...
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled "The Art of Documentary Filmmaking." The venue was a quiet hotel in Myanmar's capital, Yangon. The Burmese participants had little or no prior knowledge of filming stories from real life. A task that would have been daunting in any country posed a particular challenge in autocratic Myanmar, where documenting reality is a risky undertaking for those on both sides of the camera. All the more remarkable then, that, 21 days later, the participants on this residential course had learned how to handle the equipment, grappled with the artistic and ethical aspects of the genre, and researched, wrote, and filmed four short documentary portraits inspired by the subject of "Women in Myanmar." The greatest achievement of the event could well have been the impetus and direction it gave to these budding filmmakers, all of whom are already developing new projects. The DVD features the four final films made by the participants. It also includes the participants' first film exercise and a video diary chronicling the workshop itself. Together, these works provide a vibrant record of a surprisingly rewarding encounter.
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Field of Study
Media Studies
Content Type
Documentary
Contributor
Lindsey Merrison Film
Author / Creator
Khine Khine Saw
Date Published / Released
2005
Publisher
Documentary Educational Resources (DER)
Series
Art of Documentary Filmmaking
Copyright Message
Copyright © 2005 Documentary Educational Resources (DER)
×
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The Art of Documentary Filmmaking, Happy Mossie
written by Lindsey Merrison, 1959-; directed by Lindsey Merrison, 1959-, in The Art of Documentary Filmmaking (Watertown, MA: Documentary Educational Resources (DER), 2005), 5 mins
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled 'The Art of Documentary Filmmaking.' The venue was a quiet hotel in Myanmar's capital, Yangon.
Sample
written by Lindsey Merrison, 1959-; directed by Lindsey Merrison, 1959-, in The Art of Documentary Filmmaking (Watertown, MA: Documentary Educational Resources (DER), 2005), 5 mins
Description
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled 'The Art of Documentary Filmmaking.' The venue was a quiet hotel in Myanmar's capital, Yangon. At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Au...
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled 'The Art of Documentary Filmmaking.' The venue was a quiet hotel in Myanmar's capital, Yangon. At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled "The Art of Documentary Filmmaking." The venue was a quiet hotel in Myanmar's capital, Yangon. The Burmese participants had little or no prior knowledge of filming stories from real life. A task that would have been daunting in any country posed a particular challenge in autocratic Myanmar, where documenting reality is a risky undertaking for those on both sides of the camera. All the more remarkable then, that, 21 days later, the participants on this residential course had learned how to handle the equipment, grappled with the artistic and ethical aspects of the genre, and researched, wrote, and filmed four short documentary portraits inspired by the subject of "Women in Myanmar." The greatest achievement of the event could well have been the impetus and direction it gave to these budding filmmakers, all of whom are already developing new projects. The DVD features the four final films made by the participants. It also includes the participants' first film exercise and a video diary chronicling the workshop itself. Together, these works provide a vibrant record of a surprisingly rewarding encounter
Show more
Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
Lindsey Merrison, 1959-
Author / Creator
Lindsey Merrison, 1959-
Date Published / Released
2005
Publisher
Documentary Educational Resources (DER)
Series
The Art of Documentary Filmmaking
Speaker / Narrator
Lindsey Merrison, 1959-
Topic / Theme
Burmese, Women, Memories, Film and films, Students, Education, Film industry, Ethnography
Copyright Message
© Documentary Educational Resources
×
See details
The Art of Documentary Filmmaking, Homesick
written by Lindsey Merrison, 1959-; directed by Lindsey Merrison, 1959-, in The Art of Documentary Filmmaking (Watertown, MA: Documentary Educational Resources (DER), 2005), 5 mins
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled 'The Art of Documentary Filmmaking.' The venue was a quiet hotel in Myanmar's capital, Yangon.
Sample
written by Lindsey Merrison, 1959-; directed by Lindsey Merrison, 1959-, in The Art of Documentary Filmmaking (Watertown, MA: Documentary Educational Resources (DER), 2005), 5 mins
Description
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled 'The Art of Documentary Filmmaking.' The venue was a quiet hotel in Myanmar's capital, Yangon. At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Au...
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled 'The Art of Documentary Filmmaking.' The venue was a quiet hotel in Myanmar's capital, Yangon. At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled "The Art of Documentary Filmmaking." The venue was a quiet hotel in Myanmar's capital, Yangon. The Burmese participants had little or no prior knowledge of filming stories from real life. A task that would have been daunting in any country posed a particular challenge in autocratic Myanmar, where documenting reality is a risky undertaking for those on both sides of the camera. All the more remarkable then, that, 21 days later, the participants on this residential course had learned how to handle the equipment, grappled with the artistic and ethical aspects of the genre, and researched, wrote, and filmed four short documentary portraits inspired by the subject of "Women in Myanmar." The greatest achievement of the event could well have been the impetus and direction it gave to these budding filmmakers, all of whom are already developing new projects. The DVD features the four final films made by the participants. It also includes the participants' first film exercise and a video diary chronicling the workshop itself. Together, these works provide a vibrant record of a surprisingly rewarding encounter
Show more
Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
Lindsey Merrison, 1959-
Author / Creator
Lindsey Merrison, 1959-
Date Published / Released
2005
Publisher
Documentary Educational Resources (DER)
Series
The Art of Documentary Filmmaking
Speaker / Narrator
Lindsey Merrison, 1959-
Topic / Theme
Burmese, Women, Memories, Film and films, Students, Education, Film industry, Ethnography
Copyright Message
© Documentary Educational Resources
×
See details
The Art of Documentary Filmmaking, Mi Mi Makes Noodles
written by Lindsey Merrison, 1959-; directed by Lindsey Merrison, 1959-, in The Art of Documentary Filmmaking (Watertown, MA: Documentary Educational Resources (DER), 2005), 4 mins
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled 'The Art of Documentary Filmmaking.' The venue was a quiet hotel in Myanmar's capital, Yangon.
Sample
written by Lindsey Merrison, 1959-; directed by Lindsey Merrison, 1959-, in The Art of Documentary Filmmaking (Watertown, MA: Documentary Educational Resources (DER), 2005), 4 mins
Description
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled 'The Art of Documentary Filmmaking.' The venue was a quiet hotel in Myanmar's capital, Yangon. At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Au...
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled 'The Art of Documentary Filmmaking.' The venue was a quiet hotel in Myanmar's capital, Yangon. At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled "The Art of Documentary Filmmaking." The venue was a quiet hotel in Myanmar's capital, Yangon. The Burmese participants had little or no prior knowledge of filming stories from real life. A task that would have been daunting in any country posed a particular challenge in autocratic Myanmar, where documenting reality is a risky undertaking for those on both sides of the camera. All the more remarkable then, that, 21 days later, the participants on this residential course had learned how to handle the equipment, grappled with the artistic and ethical aspects of the genre, and researched, wrote, and filmed four short documentary portraits inspired by the subject of "Women in Myanmar." The greatest achievement of the event could well have been the impetus and direction it gave to these budding filmmakers, all of whom are already developing new projects. The DVD features the four final films made by the participants. It also includes the participants' first film exercise and a video diary chronicling the workshop itself. Together, these works provide a vibrant record of a surprisingly rewarding encounter
Show more
Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
Lindsey Merrison, 1959-
Author / Creator
Lindsey Merrison, 1959-
Date Published / Released
2005
Publisher
Documentary Educational Resources (DER)
Series
The Art of Documentary Filmmaking
Speaker / Narrator
Lindsey Merrison, 1959-
Topic / Theme
Burmese, Women, Memories, Film and films, Students, Education, Film industry, Ethnography
Copyright Message
© Documentary Educational Resources
×
See details
The Art of Documentary Filmmaking, Peace of Mind
written by Lindsey Merrison, 1959-; directed by Lindsey Merrison, 1959-, in The Art of Documentary Filmmaking (Watertown, MA: Documentary Educational Resources (DER), 2005), 10 mins
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled 'The Art of Documentary Filmmaking.' The venue was a quiet hotel in Myanmar's capital, Yangon.
Sample
written by Lindsey Merrison, 1959-; directed by Lindsey Merrison, 1959-, in The Art of Documentary Filmmaking (Watertown, MA: Documentary Educational Resources (DER), 2005), 10 mins
Description
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled 'The Art of Documentary Filmmaking.' The venue was a quiet hotel in Myanmar's capital, Yangon. At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Au...
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled 'The Art of Documentary Filmmaking.' The venue was a quiet hotel in Myanmar's capital, Yangon. At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled "The Art of Documentary Filmmaking." The venue was a quiet hotel in Myanmar's capital, Yangon. The Burmese participants had little or no prior knowledge of filming stories from real life. A task that would have been daunting in any country posed a particular challenge in autocratic Myanmar, where documenting reality is a risky undertaking for those on both sides of the camera. All the more remarkable then, that, 21 days later, the participants on this residential course had learned how to handle the equipment, grappled with the artistic and ethical aspects of the genre, and researched, wrote, and filmed four short documentary portraits inspired by the subject of "Women in Myanmar." The greatest achievement of the event could well have been the impetus and direction it gave to these budding filmmakers, all of whom are already developing new projects. The DVD features the four final films made by the participants. It also includes the participants' first film exercise and a video diary chronicling the workshop itself. Together, these works provide a vibrant record of a surprisingly rewarding encounter
Show more
Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
Lindsey Merrison, 1959-
Author / Creator
Lindsey Merrison, 1959-
Date Published / Released
2005
Publisher
Documentary Educational Resources (DER)
Series
The Art of Documentary Filmmaking
Speaker / Narrator
Lindsey Merrison, 1959-
Topic / Theme
Burmese, Women, Memories, Film and films, Students, Education, Film industry, Ethnography
Copyright Message
© Documentary Educational Resources
×
See details
Art of Documentary Filmmaking, Peace of Mind
directed by Phyu Shin Kyi, 1975-; produced by Lindsey Merrison Film, in Art of Documentary Filmmaking (Watertown, MA: Documentary Educational Resources (DER), 2005), 10 mins
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled "The Art of Documentary Filmmaking." The venue was a quiet hotel in Myanmar's capital, Yangon. T...
Sample
directed by Phyu Shin Kyi, 1975-; produced by Lindsey Merrison Film, in Art of Documentary Filmmaking (Watertown, MA: Documentary Educational Resources (DER), 2005), 10 mins
Description
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled "The Art of Documentary Filmmaking." The venue was a quiet hotel in Myanmar's capital, Yangon. The Burmese participants had little or no prior knowledge of filming stories from real life. A task that would have been daunting in any...
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled "The Art of Documentary Filmmaking." The venue was a quiet hotel in Myanmar's capital, Yangon. The Burmese participants had little or no prior knowledge of filming stories from real life. A task that would have been daunting in any country posed a particular challenge in autocratic Myanmar, where documenting reality is a risky undertaking for those on both sides of the camera. All the more remarkable then, that, 21 days later, the participants on this residential course had learned how to handle the equipment, grappled with the artistic and ethical aspects of the genre, and researched, wrote, and filmed four short documentary portraits inspired by the subject of "Women in Myanmar." The greatest achievement of the event could well have been the impetus and direction it gave to these budding filmmakers, all of whom are already developing new projects. The DVD features the four final films made by the participants. It also includes the participants' first film exercise and a video diary chronicling the workshop itself. Together, these works provide a vibrant record of a surprisingly rewarding encounter.
Show more
Show less
Field of Study
Media Studies
Content Type
Documentary
Contributor
Lindsey Merrison Film
Author / Creator
Phyu Shin Kyi, 1975-
Date Published / Released
2005
Publisher
Documentary Educational Resources (DER)
Series
Art of Documentary Filmmaking
Topic / Theme
Buddhism
Copyright Message
Copyright © 2005 Documentary Educational Resources (DER)
×
See details
The Art of Documentary Filmmaking, Stories from the Princess Hotel
written by Lindsey Merrison, 1959-; directed by Lindsey Merrison, 1959-, in The Art of Documentary Filmmaking (Watertown, MA: Documentary Educational Resources (DER), 2005), 5 mins
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled 'The Art of Documentary Filmmaking.' The venue was a quiet hotel in Myanmar's capital, Yangon.
Sample
written by Lindsey Merrison, 1959-; directed by Lindsey Merrison, 1959-, in The Art of Documentary Filmmaking (Watertown, MA: Documentary Educational Resources (DER), 2005), 5 mins
Description
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled 'The Art of Documentary Filmmaking.' The venue was a quiet hotel in Myanmar's capital, Yangon. At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Au...
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled 'The Art of Documentary Filmmaking.' The venue was a quiet hotel in Myanmar's capital, Yangon. At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled "The Art of Documentary Filmmaking." The venue was a quiet hotel in Myanmar's capital, Yangon. The Burmese participants had little or no prior knowledge of filming stories from real life. A task that would have been daunting in any country posed a particular challenge in autocratic Myanmar, where documenting reality is a risky undertaking for those on both sides of the camera. All the more remarkable then, that, 21 days later, the participants on this residential course had learned how to handle the equipment, grappled with the artistic and ethical aspects of the genre, and researched, wrote, and filmed four short documentary portraits inspired by the subject of "Women in Myanmar." The greatest achievement of the event could well have been the impetus and direction it gave to these budding filmmakers, all of whom are already developing new projects. The DVD features the four final films made by the participants. It also includes the participants' first film exercise and a video diary chronicling the workshop itself. Together, these works provide a vibrant record of a surprisingly rewarding encounter
Show more
Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
Lindsey Merrison, 1959-
Author / Creator
Lindsey Merrison, 1959-
Date Published / Released
2005
Publisher
Documentary Educational Resources (DER)
Series
The Art of Documentary Filmmaking
Speaker / Narrator
Lindsey Merrison, 1959-
Topic / Theme
Burmese, Women, Memories, Film and films, Students, Education, Film industry, Ethnography
Copyright Message
© Documentary Educational Resources
×
See details
The Art of Documentary Filmmaking
written by Lindsey Merrison, 1959-; directed by Lindsey Merrison, 1959-, in The Art of Documentary Filmmaking (Watertown, MA: Documentary Educational Resources (DER), 2005), 45 mins
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled 'The Art of Documentary Filmmaking.' The venue was a quiet hotel in Myanmar's capital, Yangon.
Sample
written by Lindsey Merrison, 1959-; directed by Lindsey Merrison, 1959-, in The Art of Documentary Filmmaking (Watertown, MA: Documentary Educational Resources (DER), 2005), 45 mins
Description
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled 'The Art of Documentary Filmmaking.' The venue was a quiet hotel in Myanmar's capital, Yangon. At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Au...
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled 'The Art of Documentary Filmmaking.' The venue was a quiet hotel in Myanmar's capital, Yangon. At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled "The Art of Documentary Filmmaking." The venue was a quiet hotel in Myanmar's capital, Yangon. The Burmese participants had little or no prior knowledge of filming stories from real life. A task that would have been daunting in any country posed a particular challenge in autocratic Myanmar, where documenting reality is a risky undertaking for those on both sides of the camera. All the more remarkable then, that, 21 days later, the participants on this residential course had learned how to handle the equipment, grappled with the artistic and ethical aspects of the genre, and researched, wrote, and filmed four short documentary portraits inspired by the subject of "Women in Myanmar." The greatest achievement of the event could well have been the impetus and direction it gave to these budding filmmakers, all of whom are already developing new projects. The DVD features the four final films made by the participants. It also includes the participants' first film exercise and a video diary chronicling the workshop itself. Together, these works provide a vibrant record of a surprisingly rewarding encounter
Show more
Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
Lindsey Merrison, 1959-
Author / Creator
Lindsey Merrison, 1959-
Date Published / Released
2005
Publisher
Documentary Educational Resources (DER)
Series
The Art of Documentary Filmmaking
Speaker / Narrator
Lindsey Merrison, 1959-
Topic / Theme
Burmese, Women, Memories, Film and films, Students, Education, Film industry, Ethnography
Copyright Message
© Documentary Educational Resources
×
See details
Art of Documentary Filmmaking, Workshop Diary
produced by Lindsey Merrison Film, in Art of Documentary Filmmaking (Watertown, MA: Documentary Educational Resources (DER), 2005), 45 mins
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled "The Art of Documentary Filmmaking." The venue was a quiet hotel in Myanmar's capital, Yangon. T...
Sample
produced by Lindsey Merrison Film, in Art of Documentary Filmmaking (Watertown, MA: Documentary Educational Resources (DER), 2005), 45 mins
Description
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled "The Art of Documentary Filmmaking." The venue was a quiet hotel in Myanmar's capital, Yangon. The Burmese participants had little or no prior knowledge of filming stories from real life. A task that would have been daunting in any...
At the end of 2005, Anglo-Burmese filmmaker Lindsey Merrison brought together eight tutors well-versed in documentary from Europe and Australia with twelve young Burmese men and women for a three-week workshop entitled "The Art of Documentary Filmmaking." The venue was a quiet hotel in Myanmar's capital, Yangon. The Burmese participants had little or no prior knowledge of filming stories from real life. A task that would have been daunting in any country posed a particular challenge in autocratic Myanmar, where documenting reality is a risky undertaking for those on both sides of the camera. All the more remarkable then, that, 21 days later, the participants on this residential course had learned how to handle the equipment, grappled with the artistic and ethical aspects of the genre, and researched, wrote, and filmed four short documentary portraits inspired by the subject of "Women in Myanmar." The greatest achievement of the event could well have been the impetus and direction it gave to these budding filmmakers, all of whom are already developing new projects. The DVD features the four final films made by the participants. It also includes the participants' first film exercise and a video diary chronicling the workshop itself. Together, these works provide a vibrant record of a surprisingly rewarding encounter.
Show more
Show less
Field of Study
Media Studies
Content Type
Documentary
Contributor
Lindsey Merrison, 1959-, Lindsey Merrison Film
Author / Creator
Lindsey Merrison, 1959-
Date Published / Released
2005
Publisher
Documentary Educational Resources (DER)
Series
Art of Documentary Filmmaking
Speaker / Narrator
Lindsey Merrison, 1959-
Topic / Theme
Film and filmmaking careers
Copyright Message
Copyright © 2005 Documentary Educational Resources (DER)
×
