Browse Titles - 198 results
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Highlands Trilogy, 2, Joe Leahy's Neighbors
directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 2 (New York, NY: Filmakers Library, 1994), 1 hour 30 mins
This film is the follow up of First Contact. It traces the fortunes of Joe Leahy, the mixed-race son of Australian explorer Michael Leahy, in his uneasy relationship with his tribal neighbors. Joe built his coffee plantation on land bought from the Ganiga in the mid 1970's. European educated, raised in the highlan...
Sample
directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 2 (New York, NY: Filmakers Library, 1994), 1 hour 30 mins
Description
This film is the follow up of First Contact. It traces the fortunes of Joe Leahy, the mixed-race son of Australian explorer Michael Leahy, in his uneasy relationship with his tribal neighbors. Joe built his coffee plantation on land bought from the Ganiga in the mid 1970's. European educated, raised in the highlands of Papua, freed by his mixed race from the entanglements of tribal obligation, Joe leads a Western lifestyle governed by individuali...
This film is the follow up of First Contact. It traces the fortunes of Joe Leahy, the mixed-race son of Australian explorer Michael Leahy, in his uneasy relationship with his tribal neighbors. Joe built his coffee plantation on land bought from the Ganiga in the mid 1970's. European educated, raised in the highlands of Papua, freed by his mixed race from the entanglements of tribal obligation, Joe leads a Western lifestyle governed by individualism and the pursuit of affluence. While Joe may live in Western grandeur, he is still surrounded by his subsistence level Ganiga 'neighbors,' who never let him forget the original source of his prosperity. Joe spends much of his waking hours just keeping the lid on things. Filmmakers Connolly and Anderson lived for eighteen continuous months on the edge of Joe's plantation, in the 'no man's land' between Leahy and the Ganiga. Their lively, non-judgmental narrative eloquently captures the conflicting values of tribalism and capitalism. College Adult This film is the followup of First Contact. It traces the fortunes of Joe Leahy, the mixed-race son of Australian explorer Michael Leahy, in his uneasy relationship with his tribal neighbors. Joe built his coffee plantation on land bought from the Ganiga in the mid 1970s. European educated, raised in the highlands of Papua, freed by his mixed race from the entanglements of tribal obligation, Joe leads a Western lifestyle governed by individualism and the pursuit of affluence. While Joe may live in Western grandeur, he is still surrounded by his subsistence level Ganiga "neighbors," who never let him forget the original source of his prosperity. Joe spends much of his waking hours just keeping the lid on things. Filmmakers Connolly and Anderson lived for eighteen continuous months on the edge of Joe's plantation, in the "no man's land" between Leahy and the Ganiga. Their lively, non-judgemental narrative eloquently captures the conflicting values of tribalism and capitalism.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Robin Anderson, 1948-2002, Bob Connolly, 1945-, Popina Mai, Tumul, Joseph Madang, Joe Leahy
Author / Creator
Bob Connolly, 1945-, Robin Anderson, 1948-2002
Date Published / Released
1988, 1994
Publisher
Filmakers Library
Series
Highlands Trilogy
Person Discussed
Joe Leahy
Topic / Theme
Australian, Ganiga, Property rights, Coffee, Plantations, Tribal and national groups, Imperialism, Economic development, Cultural change and history, Anthropology, Cultural adaptation, Ethnography, Ethnic Studies, Australians
Copyright Message
Copyright © 1994. Used by permission of Filmakers Library. All rights reserved.
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Highlands Trilogy, 2, Joe Leahy's Neighbors: Film Discussion
directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 2 (New York, NY: Filmakers Library, 1994), 29 mins
This film is the follow up of First Contact. It traces the fortunes of Joe Leahy, the mixed-race son of Australian explorer Michael Leahy, in his uneasy relationship with his tribal neighbors. Joe built his coffee plantation on land bought from the Ganiga in the mid 1970's. European educated, raised in the highlan...
Sample
directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 2 (New York, NY: Filmakers Library, 1994), 29 mins
Description
This film is the follow up of First Contact. It traces the fortunes of Joe Leahy, the mixed-race son of Australian explorer Michael Leahy, in his uneasy relationship with his tribal neighbors. Joe built his coffee plantation on land bought from the Ganiga in the mid 1970's. European educated, raised in the highlands of Papua, freed by his mixed race from the entanglements of tribal obligation, Joe leads a Western lifestyle governed by individuali...
This film is the follow up of First Contact. It traces the fortunes of Joe Leahy, the mixed-race son of Australian explorer Michael Leahy, in his uneasy relationship with his tribal neighbors. Joe built his coffee plantation on land bought from the Ganiga in the mid 1970's. European educated, raised in the highlands of Papua, freed by his mixed race from the entanglements of tribal obligation, Joe leads a Western lifestyle governed by individualism and the pursuit of affluence. While Joe may live in Western grandeur, he is still surrounded by his subsistence level Ganiga 'neighbors,' who never let him forget the original source of his prosperity. Joe spends much of his waking hours just keeping the lid on things. Filmmakers Connolly and Anderson lived for eighteen continuous months on the edge of Joe's plantation, in the 'no man's land' between Leahy and the Ganiga. Their lively, non-judgmental narrative eloquently captures the conflicting values of tribalism and capitalism. College Adult This film is the followup of First Contact. It traces the fortunes of Joe Leahy, the mixed-race son of Australian explorer Michael Leahy, in his uneasy relationship with his tribal neighbors. Joe built his coffee plantation on land bought from the Ganiga in the mid 1970s. European educated, raised in the highlands of Papua, freed by his mixed race from the entanglements of tribal obligation, Joe leads a Western lifestyle governed by individualism and the pursuit of affluence. While Joe may live in Western grandeur, he is still surrounded by his subsistence level Ganiga "neighbors," who never let him forget the original source of his prosperity. Joe spends much of his waking hours just keeping the lid on things. Filmmakers Connolly and Anderson lived for eighteen continuous months on the edge of Joe's plantation, in the "no man's land" between Leahy and the Ganiga. Their lively, non-judgemental narrative eloquently captures the conflicting values of tribalism and capitalism.
Show more
Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
Robin Anderson, 1948-2002, Bob Connolly, 1945-, Popina Mai, Tumul, Joseph Madang, Joe Leahy
Author / Creator
Bob Connolly, 1945-, Robin Anderson, 1948-2002
Date Published / Released
1988, 1994
Publisher
Filmakers Library
Series
Highlands Trilogy
Person Discussed
Joe Leahy
Topic / Theme
Australian, Ganiga, Property rights, Coffee, Plantations, Tribal and national groups, Imperialism, Economic development, Cultural change and history, Anthropology, Cultural adaptation, Ethnography, Ethnic Studies, Australians
Copyright Message
Copyright © 1994. Used by permission of Filmakers Library. All rights reserved.
×
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Highlands Trilogy, 3, Black Harvest
written by Robin Anderson, 1948-2002 and Bob Connolly, 1945-; directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 3 (New York, NY: Filmakers Library, 1992), 1 hour 30 mins
The third film of the renowned trilogy on Papua New Guinea joins First Contact and Joe Leahy's Neighbours in our collection. This film charts the progress of Joe in convincing the Ganiga tribespeople to join him in a coffee growing venture. He is to provide the money and the expertise; they are to supply the land...
Sample
written by Robin Anderson, 1948-2002 and Bob Connolly, 1945-; directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 3 (New York, NY: Filmakers Library, 1992), 1 hour 30 mins
Description
The third film of the renowned trilogy on Papua New Guinea joins First Contact and Joe Leahy's Neighbours in our collection. This film charts the progress of Joe in convincing the Ganiga tribespeople to join him in a coffee growing venture. He is to provide the money and the expertise; they are to supply the land and the labor. He stands to make 60%; the tribespeople 40%. Tribal wars and the drop in coffee prices on the world market conspire to d...
The third film of the renowned trilogy on Papua New Guinea joins First Contact and Joe Leahy's Neighbours in our collection. This film charts the progress of Joe in convincing the Ganiga tribespeople to join him in a coffee growing venture. He is to provide the money and the expertise; they are to supply the land and the labor. He stands to make 60%; the tribespeople 40%. Tribal wars and the drop in coffee prices on the world market conspire to defeat the venture. Always suspect because of his mixed-race status, Joe is in deep trouble with the tribespeople when his promises of riches fail to materialize. As he organizes to emigrate with his family to Australia, he is a saddened man with an uncertain future. College Adult Black Harvest, the final film in the Highlands Trilogy, charts the progress of Joe Leahy in convincing the Ganiga tribespeople to join him in a coffee growing venture. He provides the money and the expertise; they supply the land and labor. But on the eve of success, the world coffee price collapses and tribal warfare erupts in the valley. Always suspect because of his mixed-race status, Joe is in deep trouble with the tribespeople when his promises of riches fail to materialize. As he organizes to emigrate with his family to Australia, he is a saddened man with an uncertain future.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Robin Anderson, 1948-2002, Bob Connolly, 1945-, Joseph Madang, Popina Mai, Joe Leahy
Author / Creator
Robin Anderson, 1948-2002, Bob Connolly, 1945-
Date Published / Released
1992
Publisher
Filmakers Library
Series
Highlands Trilogy
Person Discussed
Joe Leahy
Topic / Theme
Ganiga, Biracial people, War, Social conflict, Plantations, Coffee, Tribal and national groups, Cultural change and history, Cultural identity, Anthropology, Ethnography, Ethnic Studies
Copyright Message
Copyright © 1992. Used by permission of Filmakers Library. All rights reserved.
×
See details
Highlands Trilogy, 3, Black Harvest: Film Discussion
written by Robin Anderson, 1948-2002 and Bob Connolly, 1945-; directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 3 (New York, NY: Filmakers Library, 1992), 28 mins
The third film of the renowned trilogy on Papua New Guinea joins First Contact and Joe Leahy's Neighbours in our collection. This film charts the progress of Joe in convincing the Ganiga tribespeople to join him in a coffee growing venture. He is to provide the money and the expertise; they are to supply the land...
Sample
written by Robin Anderson, 1948-2002 and Bob Connolly, 1945-; directed by Bob Connolly, 1945- and Robin Anderson, 1948-2002; produced by Robin Anderson, 1948-2002 and Bob Connolly, 1945-, in Highlands Trilogy, 3 (New York, NY: Filmakers Library, 1992), 28 mins
Description
The third film of the renowned trilogy on Papua New Guinea joins First Contact and Joe Leahy's Neighbours in our collection. This film charts the progress of Joe in convincing the Ganiga tribespeople to join him in a coffee growing venture. He is to provide the money and the expertise; they are to supply the land and the labor. He stands to make 60%; the tribespeople 40%. Tribal wars and the drop in coffee prices on the world market conspire to d...
The third film of the renowned trilogy on Papua New Guinea joins First Contact and Joe Leahy's Neighbours in our collection. This film charts the progress of Joe in convincing the Ganiga tribespeople to join him in a coffee growing venture. He is to provide the money and the expertise; they are to supply the land and the labor. He stands to make 60%; the tribespeople 40%. Tribal wars and the drop in coffee prices on the world market conspire to defeat the venture. Always suspect because of his mixed-race status, Joe is in deep trouble with the tribespeople when his promises of riches fail to materialize. As he organizes to emigrate with his family to Australia, he is a saddened man with an uncertain future. College Adult Black Harvest, the final film in the Highlands Trilogy, charts the progress of Joe Leahy in convincing the Ganiga tribespeople to join him in a coffee growing venture. He provides the money and the expertise; they supply the land and labor. But on the eve of success, the world coffee price collapses and tribal warfare erupts in the valley. Always suspect because of his mixed-race status, Joe is in deep trouble with the tribespeople when his promises of riches fail to materialize. As he organizes to emigrate with his family to Australia, he is a saddened man with an uncertain future.
Show more
Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
Robin Anderson, 1948-2002, Bob Connolly, 1945-
Author / Creator
Robin Anderson, 1948-2002, Bob Connolly, 1945-
Date Published / Released
1992
Publisher
Filmakers Library
Series
Highlands Trilogy
Person Discussed
Joe Leahy
Topic / Theme
Ganiga, Biracial people, War, Social conflict, Plantations, Coffee, Tribal and national groups, Cultural change and history, Film industry, Ethnography, Ethnic Studies
Copyright Message
Copyright © 1992. Used by permission of Filmakers Library. All rights reserved.
×
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Highlands Trilogy (DER), 1, First Contact
directed by Robin Anderson, 1948-2002 and Bob Connolly, 1945-; produced by Bob Connolly, 1945- and Robin Anderson, 1948-2002, in Highlands Trilogy (DER), 1 (New York, NY: Documentary Educational Resources (DER), 1983), 1 hour 30 mins
This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New...
Sample
directed by Robin Anderson, 1948-2002 and Bob Connolly, 1945-; produced by Bob Connolly, 1945- and Robin Anderson, 1948-2002, in Highlands Trilogy (DER), 1 (New York, NY: Documentary Educational Resources (DER), 1983), 1 hour 30 mins
Description
This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New Guinea in search of gold, they carried a movie camera. Thus they captured on film their unexpected confrontation with thousands of Ston...
This is the classic film of cultural confrontation that is as compelling today as when it was first released over 20 years ago. When Columbus and Cortez ventured into the New World there was no camera to record the drama of this first encounter. But, in 1930, when the Leahy brothers penetrated the interior of New Guinea in search of gold, they carried a movie camera. Thus they captured on film their unexpected confrontation with thousands of Stone Age people who had no concept of human life beyond their valleys. This amazing footage forms the basis of First Contact.Yet there is more to this extraordinary film than the footage that was recovered. Fifty years later some of the participants are still alive and vividly recall their unique experience. The Papuans tell how they thought the white men were their ancestors, bleached by the sun and returned from the dead. They were amazed at the artifacts of 20th century life such as tin cans, phonographs and airplanes. When shown their younger, innocent selves in the found footage, they recall the darker side of their relationship with these mysterious beings with devastating weapons.Australian Dan Leahy describes his fear at being outnumbered by primitive looking people with whom he could not speak. He felt he had to dominate them for his own survival and to continue his quest for gold.First Contact is one of those rare films that holds an audience spellbound. Humor and pathos are combined in this classic story of colonialism, told by the people who were there. Adult College
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Field of Study
Asian Studies
Content Type
Documentary
Contributor
Bob Connolly, 1945-, Robin Anderson, 1948-2002
Author / Creator
Robin Anderson, 1948-2002, Bob Connolly, 1945-
Date Published / Released
1983
Publisher
Documentary Educational Resources (DER)
Series
Highlands Trilogy (DER)
Person Discussed
Michael Leahy, 1901-1979, James Leahy, Daniel Leahy, 1912-1991
Topic / Theme
Cultural adaptation, Anthropology, Cultural change and history, Gold mines and mining, Intercultural communication, Cultural identity, Imperialism, Tribal and national groups, Papua New Guineans
Copyright Message
© Documentary Educational Resources
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The History of the Sons of Hawaii
directed by Eddie Kamae, 1927-; produced by Rodney A. Ohtani, fl. 1998 and Myrna Kamae, fl. 1970 (Honolulu, HI: Hawaiian Legacy Foundation, 2000), 1 hour 21 mins
Some of the leading voices of the Hawaiian cultural renaissance, which began in the early 1960s, were musicians and singers. Their songs carried feelings that were yearning to be expressed throughout the island chain. Among the most influential groups of that era was the SONS OF HAWAI’I, led by Eddie Kamae, alre...
Sample
directed by Eddie Kamae, 1927-; produced by Rodney A. Ohtani, fl. 1998 and Myrna Kamae, fl. 1970 (Honolulu, HI: Hawaiian Legacy Foundation, 2000), 1 hour 21 mins
Description
Some of the leading voices of the Hawaiian cultural renaissance, which began in the early 1960s, were musicians and singers. Their songs carried feelings that were yearning to be expressed throughout the island chain. Among the most influential groups of that era was the SONS OF HAWAI’I, led by Eddie Kamae, already famous for his ‘ukelele styling, and by the great vocalist and slack-key guitar virtuoso, Gabby Pahinui. Together with bassist Jo...
Some of the leading voices of the Hawaiian cultural renaissance, which began in the early 1960s, were musicians and singers. Their songs carried feelings that were yearning to be expressed throughout the island chain. Among the most influential groups of that era was the SONS OF HAWAI’I, led by Eddie Kamae, already famous for his ‘ukelele styling, and by the great vocalist and slack-key guitar virtuoso, Gabby Pahinui. Together with bassist Joe Marshall and the brilliant young steel guitar player David “Feet” Rogers.
This documentary, the seventh in the Kamae’s award winning Hawaiian Legacy Series, tells the story of a charismatic band. Spanning forty years of Hawai’i’s rich musical tradition, the film offers an intimate look at a unique group of performers and composers, their songs, their humour, their devotion to a sound that continues to convey something essential about Hawaiian spirit.
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Field of Study
Asian Studies
Content Type
Documentary
Contributor
Myrna Kamae, fl. 1970, Eddie Kamae, 1927-, Rodney A. Ohtani, fl. 1998, Ka'upena Wong
Author / Creator
Eddie Kamae, 1927-, Myrna Kamae, fl. 1970
Date Published / Released
2000
Publisher
Hawaiian Legacy Foundation
Speaker / Narrator
Ka'upena Wong
Topic / Theme
Hawaiian, Cultural identity, Musicians, Revitalization and ethnogenesis, Ethnomusicology, Hawaiians
Copyright Message
Copyright 2000 The Hawaiian Legacy Foundation
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Howling Into Harmony
directed by Joshua Frank, fl. 1987-2012 (New York, NY: Filmakers Library, 2012), 44 mins
Howling into Harmony offers a portrait of young Chinese rock musicians in Beijing and provides a glimpse into the lives of a generation awakened by Western cultural forces, despite the conservatism of their parents’ generation and their government.
Sample
directed by Joshua Frank, fl. 1987-2012 (New York, NY: Filmakers Library, 2012), 44 mins
Description
Howling into Harmony offers a portrait of young Chinese rock musicians in Beijing and provides a glimpse into the lives of a generation awakened by Western cultural forces, despite the conservatism of their parents’ generation and their government.
Field of Study
Anthropology
Content Type
Documentary
Author / Creator
Joshua Frank, fl. 1987-2012
Date Published / Released
2012
Publisher
Filmakers Library
Topic / Theme
Adolescence, Music careers, Area Studies
Copyright Message
Copyright © 2012. Used by permission of Filmakers Library
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Iconic India, Episode 2, Episode 2
produced by Cable News Network (CNN), in Iconic India, Episode 2 (Atlanta, GA: Cable News Network (CNN), 2019), 23 mins
Karnataka in South West India, a region that has been largely overlooked by visitors until recently, is today turning into a global hotspot for tourists.
Sample
produced by Cable News Network (CNN), in Iconic India, Episode 2 (Atlanta, GA: Cable News Network (CNN), 2019), 23 mins
Description
Karnataka in South West India, a region that has been largely overlooked by visitors until recently, is today turning into a global hotspot for tourists.
Field of Study
Asian Studies
Content Type
Documentary
Contributor
Cable News Network (CNN)
Date Published / Released
2019
Publisher
Cable News Network (CNN)
Series
Iconic India
Topic / Theme
Indians (Asian)
Copyright Message
Copyright © 2019 CNN Newsource Sales, Inc.
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Ideas Roadshow, China, Culturally Speaking: A Conversation with Michael Berry
directed by Howard Burton, 1965-; produced by Open Agenda Publishing; interview by Howard Burton, 1965-, in Ideas Roadshow (Toronto, ON: Open Agenda Publishing, 2016), 59 mins
Michael Berry, Professor of Contemporary Chinese Cultural Studies at UCLA and a world-renowned Chinese literary translator and film scholar takes us on a fascinating tour of modern Chinese film and literature, highlighting the similarities and differences between the Chinese cultural industry and that of the West.
Sample
directed by Howard Burton, 1965-; produced by Open Agenda Publishing; interview by Howard Burton, 1965-, in Ideas Roadshow (Toronto, ON: Open Agenda Publishing, 2016), 59 mins
Description
Michael Berry, Professor of Contemporary Chinese Cultural Studies at UCLA and a world-renowned Chinese literary translator and film scholar takes us on a fascinating tour of modern Chinese film and literature, highlighting the similarities and differences between the Chinese cultural industry and that of the West.
Field of Study
Literature
Content Type
Interview
Contributor
Open Agenda Publishing
Author / Creator
Howard Burton, 1965-
Date Published / Released
2016
Publisher
Open Agenda Publishing
Series
Ideas Roadshow
Person Discussed
Michael Berry
Copyright Message
Copyright © 2016 Open Agenda Publishing
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In My Father's Country
directed by Tom Murray, fl. 2004; produced by Graeme Isaac, fl. 1981 (Australia: Mayfan, 2008), 1 hour 20 mins
Please Note: Aboriginal and Torres Strait Islander viewers should be aware that this content may contain images or names of people who have since passed away. This item also contains graphic content.
In one of the most remote corners of indigenous Australia a boy will soon become a man. His father has told him that his initiation will be soon.
This film documents a rare and intimate moment in the life of a family living in a remote indigenous community in Northern Australia’s Arnhem Land region. Set agains...
Sample
directed by Tom Murray, fl. 2004; produced by Graeme Isaac, fl. 1981 (Australia: Mayfan, 2008), 1 hour 20 mins
Description
In one of the most remote corners of indigenous Australia a boy will soon become a man. His father has told him that his initiation will be soon.
This film documents a rare and intimate moment in the life of a family living in a remote indigenous community in Northern Australia’s Arnhem Land region. Set against the political backdrop of Government pressure to close ‘un-economic outstations’ this small community is doing its best to integr...
In one of the most remote corners of indigenous Australia a boy will soon become a man. His father has told him that his initiation will be soon.
This film documents a rare and intimate moment in the life of a family living in a remote indigenous community in Northern Australia’s Arnhem Land region. Set against the political backdrop of Government pressure to close ‘un-economic outstations’ this small community is doing its best to integrate the understandings of its ancestors with the demands of life in the globalised 21st Century.
Told simultaneously through the eyes of a seven year old boys and his community elders, we are invited to witness the indigenous world of one of the most inaccessible communities in Australia. We see the challenges and joys of a society desperate to shield its younger generations from the corruptions of the individualist West, yet equally desperate to encourage computer skills and English literacy. The battleground may be familiar, but the day-to-day challenges are oddly surprising. How can the song of Baraltja - the Lightning Snake Creator Being - compete with the videos of 50 cent and Eminem?
Set against this background of social struggle the Oldest Living Culture in the world has never before been filmed so powerfully. With incredible ceremonial footage "In My Father’s Country" is ultimately a personal and intimate film about a boy on the cusp of manhood being taught how to live in the land of his ancestors. This is the intimate story of one families’ struggle, and of one boys’ passage into the ancient laws of men.
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Field of Study
Asian Studies
Content Type
Documentary
Contributor
Tom Murray, fl. 2004, Graeme Isaac, fl. 1981
Author / Creator
Tom Murray, fl. 2004
Date Published / Released
2008
Publisher
Mayfan
Topic / Theme
Australian Aboriginal, Cultural participation, Cultural identity, Daily life, Coming of age ceremonies, Australian Aborigines
Copyright Message
Copyright © 2008 by Mayfan Pty Ltd.
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