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Wemiso Movement (Field Card)
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Some of the best wood for making Timbila notes, grows in the district of this Chief, Regulo Canda. His orchestra, perhaps as a direct result, has been noted for its tone quality. His district includes part of the sea coast and is covered with thick bush whith many cashew nut trees. it will be noted that the spell...
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Wiener Damen-Ländler und Ecossaisen
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composed by Franz Peter Schubert, 1797-1828 (1822), Wiener Damen-Ländler und Ecossaisen (Breitkopf and Härtel, 1897), 6 page(s)
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composed by Franz Peter Schubert, 1797-1828 (1822), Wiener Damen-Ländler und Ecossaisen (Breitkopf and Härtel, 1897), 6 page(s)
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Windsor Dances
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composed by William Henry Harris, 1883-, Windsor Dances (Novello & Company, 1939), 22 page(s)
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composed by William Henry Harris, 1883-, Windsor Dances (Novello & Company, 1939), 22 page(s)
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Pittar, Fanny Krumpholtz (1784/88?-after 1823)
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written by Ursula M. Rempel; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 15 page(s)
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written by Ursula M. Rempel; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 15 page(s)
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Szymanowska, Maria (1789-1831)
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written by Anne Swartz; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 51 page(s)
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written by Anne Swartz; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1996), 51 page(s)
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from Dix-huit Danses de Différent Genres Pour Le Piano-Forte
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edited by Anne Swartz; composed by Maria Szymanowska, 1789-1831 (1820) (G.K. Hall & Co., 1996), 15 page(s)
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edited by Anne Swartz; composed by Maria Szymanowska, 1789-1831 (1820) (G.K. Hall & Co., 1996), 15 page(s)
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Szymanowska, Maria (1789-1831)
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written by Sarah Hanks Karlowicz; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1998), 24 page(s)
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written by Sarah Hanks Karlowicz; edited by Martha Furman Schleifer and Sylvia Glickman (New York, NY: G.K. Hall & Co., 1998), 24 page(s)
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Eine kleine Gigue
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edited by Martin Haselböck and Thomas Daniel Schlee; composed by Wolfgang Amadeus Mozart, 1756-1791 (1789); in Works for Organ I (Universal Edition, 1980)
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edited by Martin Haselböck and Thomas Daniel Schlee; composed by Wolfgang Amadeus Mozart, 1756-1791 (1789); in Works for Organ I (Universal Edition, 1980)
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Yango na mobangi (Field Card)
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Contemplation of death, its inevitability, and its constant appearance, is an important subject in many African folk songs. The apparent joie de vivre displayed at the feast and the dance after a funeral is strange to foreign ideas but typical of Africa.
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Yohane ulembe kalata (Field Card)
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Note how the song becomes faster and the pitch rises. It is an old traditional song of the Nyasa Ngoni and appears to stem from the Zulu side of their culture.
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