Browse Titles - 88 results
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Garland Encyclopedia of World Music Volume 2 - South America, Mexico, Central America, and the CaribbeanPart 3 Nations and Musical TraditionsSt. Lucia
written by Jocelyne Guilbault, fl. 1984; edited by Dale A. Olsen, 1941- and Daniel E. Sheehy (Routledge (Publisher), 1998), 10 page(s)
Sample
written by Jocelyne Guilbault, fl. 1984; edited by Dale A. Olsen, 1941- and Daniel E. Sheehy (Routledge (Publisher), 1998), 10 page(s)
Field of Study
World Music
Content Type
General reference book, Compendium
Contributor
Dale A. Olsen, 1941-, Daniel E. Sheehy
Author / Creator
Jocelyne Guilbault, fl. 1984
Date Published / Released
1998-10-01, 1998
Publisher
Routledge (Publisher)
Person Discussed
Jocelyne Guilbault, fl. 1984
Topic / Theme
Yoruba, African, French, European, Catholicism, World, Second Vatican Council, Rome, 1962-1965, Banjo, Bass, double, Bottle, Sticks, Drum, Tanbou, Ka, Manman, Tanbou ich, Tanbou manman, Tambourine, Tanbouwen, Kettledrum, Violin, Flute, bamboo, Cuatro, Guitar, Mandolin, Rattle, Abwe, Scraper, Baha, Trumpet, Fiddle, Chorus, Vocals, male, Tibwa, Chakchak
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Garland Encyclopedia of World Music Volume 2 - South America, Mexico, Central America, and the CaribbeanPart 3 Nations and Musical TraditionsTrinidad and Tobago
written by Lorna McDaniel; edited by Dale A. Olsen, 1941- and Daniel E. Sheehy (Routledge (Publisher), 1998), 16 page(s)
Sample
written by Lorna McDaniel; edited by Dale A. Olsen, 1941- and Daniel E. Sheehy (Routledge (Publisher), 1998), 16 page(s)
Field of Study
World Music
Content Type
General reference book, Compendium
Contributor
Dale A. Olsen, 1941-, Daniel E. Sheehy
Author / Creator
Lorna McDaniel
Date Published / Released
1998-10-01, 1998
Publisher
Routledge (Publisher)
Person Discussed
Rupert Grant, Lorna McDaniel, Muhammad the Prophet, 0570-0632
Topic / Theme
African American, Bemba, Chinese, Yoruba, Scottish, Indian, African, Akan, American, San, Carib, French, Hausa, Hindu, Warao, Venezuelan, Trinidadian, American Indian, Arawak, God, Religious faiths, Christianity, Catholicism, Islam, World, War of 1812, Battle of Stones River, TN, December 31, 1862-January 2, 1863, Columbus's First Voyage to America, 1492-1493, Expedition of Bering and Chirikov to...
African American, Bemba, Chinese, Yoruba, Scottish, Indian, African, Akan, American, San, Carib, French, Hausa, Hindu, Warao, Venezuelan, Trinidadian, American Indian, Arawak, God, Religious faiths, Christianity, Catholicism, Islam, World, War of 1812, Battle of Stones River, TN, December 31, 1862-January 2, 1863, Columbus's First Voyage to America, 1492-1493, Expedition of Bering and Chirikov to Alaska, June-September 1741, U.S. Invades Luzon, January 9, 1945, Bagpipes, Bass, double, Bell, Bottle, Cello, Clapper, Kartal, Sticks, Cymbals, Manjira, Bongo, Conga, Drum, Dholak, Boula, Omele, Drum, bass, Tambourine, Kettledrum, Violin, Cuatro, Guitar, Guitar, electric, Tiple, Harmonium, Horn, Lute, Rote, Triangle, Organ, Rattle, Shaker, Maraca, Trumpet, Voice, Chorus, Vocals, male, Claves, Peak
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Garland Encyclopedia of World Music Volume 2 - South America, Mexico, Central America, and the CaribbeanPart 3 Nations and Musical TraditionsThe Virgin Islands
written by Daniel E. Sheehy; edited by Dale A. Olsen, 1941- and Daniel E. Sheehy (Routledge (Publisher), 1998), 7 page(s)
Sample
written by Daniel E. Sheehy; edited by Dale A. Olsen, 1941- and Daniel E. Sheehy (Routledge (Publisher), 1998), 7 page(s)
Field of Study
World Music
Content Type
General reference book, Compendium
Contributor
Dale A. Olsen, 1941-, Daniel E. Sheehy
Author / Creator
Daniel E. Sheehy
Date Published / Released
1998-10-01, 1998
Publisher
Routledge (Publisher)
Person Discussed
Daniel E. Sheehy
Topic / Theme
Arab, Puerto Rican, Scottish, Indian, African, American, Carib, Danish, French, German, Irish, Nigerian, European, Dutch, Trinidadian, Ghanaian, Arawak, Congolese, Christianity, Catholicism, World, Accordion, Piano, Banjo, Bass, double, Bass, electric, Sticks, Conga, Drum, Drum, bass, Tambora, Tambourine, Kettledrum, Violin, Fife, Guitar, Guitar, electric, Horn, Keyboard, electric, Ukulele, Triang...
Arab, Puerto Rican, Scottish, Indian, African, American, Carib, Danish, French, German, Irish, Nigerian, European, Dutch, Trinidadian, Ghanaian, Arawak, Congolese, Christianity, Catholicism, World, Accordion, Piano, Banjo, Bass, double, Bass, electric, Sticks, Conga, Drum, Drum, bass, Tambora, Tambourine, Kettledrum, Violin, Fife, Guitar, Guitar, electric, Horn, Keyboard, electric, Ukulele, Triangle, Pipe, Saxophone, Saxophone, Alto, Scraper, Tuba, Chorus
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Gospel, Season 1, Episode 2, The Golden Age of Gospel
directed by Shayla Harris; produced by Eric Thielman, fl. 2019, Kevin Burke, Stacey Holman, fl. 1999 and Shayla Harris, Inkwell Media Inc. and McGee Media, in Gospel, Season 1, Episode 2 (Arlington, VA: Public Broadcasting Service, 2024), 53 mins
Starting in the 1940s, Gospel’s hour 2 explores the Golden Age of Gospel -- the dramatic explosion of Black sacred music and the segregated highways of the American South -- through the successful careers of Mahalia Jackson, Sam Cooke and Aretha Franklin. As the lines between the sacred and secular blur, gospel...
Sample
directed by Shayla Harris; produced by Eric Thielman, fl. 2019, Kevin Burke, Stacey Holman, fl. 1999 and Shayla Harris, Inkwell Media Inc. and McGee Media, in Gospel, Season 1, Episode 2 (Arlington, VA: Public Broadcasting Service, 2024), 53 mins
Description
Starting in the 1940s, Gospel’s hour 2 explores the Golden Age of Gospel -- the dramatic explosion of Black sacred music and the segregated highways of the American South -- through the successful careers of Mahalia Jackson, Sam Cooke and Aretha Franklin. As the lines between the sacred and secular blur, gospel music becomes the powerful soundtrack of the freedom struggle.
Field of Study
American Music
Content Type
Documentary
Contributor
Henry Louis Gates, Jr., 1950-, Eric Thielman, fl. 2019, Kevin Burke, Stacey Holman, fl. 1999, Shayla Harris, Inkwell Media Inc., McGee Media
Author / Creator
Shayla Harris
Date Published / Released
2024
Publisher
Public Broadcasting Service
Series
Gospel
Person Discussed
Aretha Franklin, 1942-2018, Sam Cooke, 1931-1964, Mahalia Jackson, 1911-1972
Topic / Theme
Performing arts, Black community, Spirituality, African-Americans, Music history, Musical ensembles, Christianity, Preaching, African Americans
Copyright Message
Copyright © 2024 McGee Media, LLC, Inkwell Media, LLC
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Gospel, Season 1, Episode 3, Take the Message Everywhere
directed by Stacey Holman, fl. 1999; produced by Chelsea Adewunmi, fl. 2018, Kevin Burke, Stacey Holman, fl. 1999 and Shayla Harris, Inkwell Media Inc. and McGee Media, in Gospel, Season 1, Episode 3 (Arlington, VA: Public Broadcasting Service, 2024), 53 mins
Gospel’s hour 3 reveals how gospel was going mainstream and family dynasties, many raised in the Church of God in Christ, would dominate the charts. Meanwhile, other children of the church used their heavenly voice to influence soul music. As gospel artists took the message everywhere, Black pastors continued to...
Sample
directed by Stacey Holman, fl. 1999; produced by Chelsea Adewunmi, fl. 2018, Kevin Burke, Stacey Holman, fl. 1999 and Shayla Harris, Inkwell Media Inc. and McGee Media, in Gospel, Season 1, Episode 3 (Arlington, VA: Public Broadcasting Service, 2024), 53 mins
Description
Gospel’s hour 3 reveals how gospel was going mainstream and family dynasties, many raised in the Church of God in Christ, would dominate the charts. Meanwhile, other children of the church used their heavenly voice to influence soul music. As gospel artists took the message everywhere, Black pastors continued to distinguish their message through a prophetic voice and sound with sermonettes.
Field of Study
American Music
Content Type
Documentary
Contributor
Henry Louis Gates, Jr., 1950-, Chelsea Adewunmi, fl. 2018, Kevin Burke, Stacey Holman, fl. 1999, Shayla Harris, Inkwell Media Inc., McGee Media
Author / Creator
Stacey Holman, fl. 1999
Date Published / Released
2024
Publisher
Public Broadcasting Service
Series
Gospel
Topic / Theme
Ministers, Jesus Christ, Christianity, Black community, Spirituality, African-Americans, Music history, Musical ensembles, Preaching, Martin Luther King, Jr., Assassination, Memphis, TN, April 4, 1968, African Americans
Copyright Message
Copyright © 2024 McGee Media, LLC, Inkwell Media, LLC
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Historias de la Musica Cubana, Ampárame
directed by Patricia Ramos, fl. 2009; produced by Juan Arenas, fl. 2009 and Camilo Vives, Television Espanola, Producciones Gutierrez Aragon, Instituto Cubano del Arte e Industrias Cinematográficos and Antillana de Comunicacion, in Historias de la Musica Cubana (Cuba: Productora Internacional ICAIC, 2009), 51 mins
Serie documental de 5 capítulos, de 52 minutos cada uno, sobre la música cubana, todos bajo la dirección general de Manuel Gutiérrez.
A documentary series of 5 chapters with 52 minutes each, about Cuban Music. With the general direction of Manuel Gutiérrez.
Série documental de 5 capítulos, de 52 minutos cada um...
Sample
directed by Patricia Ramos, fl. 2009; produced by Juan Arenas, fl. 2009 and Camilo Vives, Television Espanola, Producciones Gutierrez Aragon, Instituto Cubano del Arte e Industrias Cinematográficos and Antillana de Comunicacion, in Historias de la Musica Cubana (Cuba: Productora Internacional ICAIC, 2009), 51 mins
Description
Serie documental de 5 capítulos, de 52 minutos cada uno, sobre la música cubana, todos bajo la dirección general de Manuel Gutiérrez.
A documentary series of 5 chapters with 52 minutes each, about Cuban Music. With the general direction of Manuel Gutiérrez.
Série documental de 5 capítulos, de 52 minutos cada um, sobre a música cubana. Com a direção geral de Manuel Gutiérrez.
Field of Study
Dance
Content Type
Documentary
Contributor
Juan Arenas, fl. 2009, Camilo Vives, Television Espanola, Producciones Gutierrez Aragon, Instituto Cubano del Arte e Industrias Cinematográficos, Antillana de Comunicacion
Author / Creator
Patricia Ramos, fl. 2009
Date Published / Released
2009
Publisher
Productora Internacional ICAIC
Series
Historias de la Musica Cubana
Person Discussed
Niño Rivera, 1919-1966, Lázaro Ros, María Teresa Vera
Topic / Theme
Musical performances, Race and culture, Cuban people, Religion, African diaspora, Conjunto, Conga, Latin Jazz, Afro-Cuban, Cubans
Copyright Message
Copyright © 2009 Productora Internacional ICAIC
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Ceremonial
produced by Bernard Keiler, fl. 1962; in Instruments and Music of Indians of Bolivia (Folkways Records, 1962), 2 mins
“The native music of Bolivia is as varied as the landscape of that fascinating country. From the shores of Lake Titicaca 12,000 feet above sea level to the lush valleys of Cochabamba and Tarija instruments and styles of music range from the monotonous pentatonic incantation played by a group of sicuris (panpiper...
Sample
produced by Bernard Keiler, fl. 1962; in Instruments and Music of Indians of Bolivia (Folkways Records, 1962), 2 mins
Description
“The native music of Bolivia is as varied as the landscape of that fascinating country. From the shores of Lake Titicaca 12,000 feet above sea level to the lush valleys of Cochabamba and Tarija instruments and styles of music range from the monotonous pentatonic incantation played by a group of sicuris (panpipers) in Tarabuco to the lively tonada strummed on a charango in the little market town of Tarata...”
Bernard Keiler
“La música n... “The native music of Bolivia is as varied as the landscape of that fascinating country. From the shores of Lake Titicaca 12,000 feet above sea level to the lush valleys of Cochabamba and Tarija instruments and styles of music range from the monotonous pentatonic incantation played by a group of sicuris (panpipers) in Tarabuco to the lively tonada strummed on a charango in the little market town of Tarata...”
Bernard Keiler
“La música nativa de Bolivia es tan variada como el paisaje de ese país fascinante. Desde las orillas del lago Titicaca 3.810 metros sobre el nivel del mar hasta los verdes valles de Cochabamba y Tarija, los instrumentos y los estilos musicales abarcan desde la monótona entonación pentatónica tocada por un grupo de sicuris (tocadores de zampoña) en Tarabuco hasta la vigorosa tonada rasgueada en un charango en un pequeño mercado del pueblo de Tarata...”
Bernard Keiler
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Bernard Keiler
“La música n... “The native music of Bolivia is as varied as the landscape of that fascinating country. From the shores of Lake Titicaca 12,000 feet above sea level to the lush valleys of Cochabamba and Tarija instruments and styles of music range from the monotonous pentatonic incantation played by a group of sicuris (panpipers) in Tarabuco to the lively tonada strummed on a charango in the little market town of Tarata...”
Bernard Keiler
“La música nativa de Bolivia es tan variada como el paisaje de ese país fascinante. Desde las orillas del lago Titicaca 3.810 metros sobre el nivel del mar hasta los verdes valles de Cochabamba y Tarija, los instrumentos y los estilos musicales abarcan desde la monótona entonación pentatónica tocada por un grupo de sicuris (tocadores de zampoña) en Tarabuco hasta la vigorosa tonada rasgueada en un charango en un pequeño mercado del pueblo de Tarata...”
Bernard Keiler
Para información sobre ordenar haga clic aquí.
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Field of Study
World Music
Content Type
Music recording
Contributor
Bernard Keiler, fl. 1962
Date Published / Released
1962
Publisher
Folkways Records
Topic / Theme
Religious rites and ceremonies
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Catholic Mass sung in Quechua
produced by John Cohen, 1932-; in Mountain Music of Peru, Vol. 1 (Smithsonian Folkways Recordings, 1991), 3 mins
Portions of this recording were previously issued in 1966 as Folkways FE 4539.
Sample
produced by John Cohen, 1932-; in Mountain Music of Peru, Vol. 1 (Smithsonian Folkways Recordings, 1991), 3 mins
Description
Portions of this recording were previously issued in 1966 as Folkways FE 4539.
Field of Study
World Music
Content Type
Music recording
Contributor
John Cohen, 1932-
Date Published / Released
1991
Publisher
Smithsonian Folkways Recordings
Topic / Theme
Religious rites and ceremonies
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Music of Cuba
produced by Verna Gillis, 1942- and John Santos (Folkways Records, 1985), 48 mins
Sample
produced by Verna Gillis, 1942- and John Santos (Folkways Records, 1985), 48 mins
Field of Study
World Music
Content Type
Music recording
Contributor
Verna Gillis, 1942-, John Santos
Date Published / Released
1985
Publisher
Folkways Records
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Music of Guatemala, Vol. 2
produced by Jacques Jangoux (Folkways Records, 1973), 42 mins
Produced and recorded by Jacques Jangoux.
"The music presented in this album is typical of rural Guatemala. Most of the inhabitants of this area are Indians of Mayan descent, but almost everywhere in the Guatemalan countryside one can also find Ladinos: persons, of whatever descent, who speak Spanish in their...
"The music presented in this album is typical of rural Guatemala. Most of the inhabitants of this area are Indians of Mayan descent, but almost everywhere in the Guatemalan countryside one can also find Ladinos: persons, of whatever descent, who speak Spanish in their...
Sample
produced by Jacques Jangoux (Folkways Records, 1973), 42 mins
Description
Produced and recorded by Jacques Jangoux.
"The music presented in this album is typical of rural Guatemala. Most of the inhabitants of this area are Indians of Mayan descent, but almost everywhere in the Guatemalan countryside one can also find Ladinos: persons, of whatever descent, who speak Spanish in their homes and have adopted the Ladino way of life, which is mostly Spanish. It is not completely Spanish, however, because both the culture... Produced and recorded by Jacques Jangoux.
"The music presented in this album is typical of rural Guatemala. Most of the inhabitants of this area are Indians of Mayan descent, but almost everywhere in the Guatemalan countryside one can also find Ladinos: persons, of whatever descent, who speak Spanish in their homes and have adopted the Ladino way of life, which is mostly Spanish. It is not completely Spanish, however, because both the cultures of rural Guatemala are the result of the confrontation over several centuries of two very different civilizations, the indigenous Mayan, and the Western, introduced by the Spanish in the 16th century. Both cultures have borrowed traits form the other, and this is nowhere more evident than in their music, which is a mixture of European, Indian, and perhaps also African elements..."
Jacques Jangoux
Producido y grabado por Jacques Jangoux.
"La música que se presenta en este álbum es típica de la Guatemala rural. Muchos de los habitantes de esta área son indios descendientes de los Mayas, pero también se pueden encontrar "ladinos" casi en todo el país rural guatemalteco, es decir, personas de diversos orígenes étnicos que hablan castellano en sus casas y han adoptado las costumbres ladinas, principalmente españolas. No completamente, porque ambas culturas de la Guatemala rural son el resultado de una confrontación de varios siglos entre civilizaciones muy diferentes, la Maya y la occidental, introducida por los españoles en el siglo XVI. Ambas culturas han tomado algunos rasgos de la otra, y esto no puede ser más evidente en ningún otro sitio que es su música, que es una mezcla de elementos europeos, indígenas y quizá también africanos..."
Jacques Jangoux
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"The music presented in this album is typical of rural Guatemala. Most of the inhabitants of this area are Indians of Mayan descent, but almost everywhere in the Guatemalan countryside one can also find Ladinos: persons, of whatever descent, who speak Spanish in their homes and have adopted the Ladino way of life, which is mostly Spanish. It is not completely Spanish, however, because both the culture... Produced and recorded by Jacques Jangoux.
"The music presented in this album is typical of rural Guatemala. Most of the inhabitants of this area are Indians of Mayan descent, but almost everywhere in the Guatemalan countryside one can also find Ladinos: persons, of whatever descent, who speak Spanish in their homes and have adopted the Ladino way of life, which is mostly Spanish. It is not completely Spanish, however, because both the cultures of rural Guatemala are the result of the confrontation over several centuries of two very different civilizations, the indigenous Mayan, and the Western, introduced by the Spanish in the 16th century. Both cultures have borrowed traits form the other, and this is nowhere more evident than in their music, which is a mixture of European, Indian, and perhaps also African elements..."
Jacques Jangoux
Producido y grabado por Jacques Jangoux.
"La música que se presenta en este álbum es típica de la Guatemala rural. Muchos de los habitantes de esta área son indios descendientes de los Mayas, pero también se pueden encontrar "ladinos" casi en todo el país rural guatemalteco, es decir, personas de diversos orígenes étnicos que hablan castellano en sus casas y han adoptado las costumbres ladinas, principalmente españolas. No completamente, porque ambas culturas de la Guatemala rural son el resultado de una confrontación de varios siglos entre civilizaciones muy diferentes, la Maya y la occidental, introducida por los españoles en el siglo XVI. Ambas culturas han tomado algunos rasgos de la otra, y esto no puede ser más evidente en ningún otro sitio que es su música, que es una mezcla de elementos europeos, indígenas y quizá también africanos..."
Jacques Jangoux
Para información sobre ordenar haga clic
Field of Study
World Music
Content Type
Music recording
Contributor
Jacques Jangoux
Date Published / Released
1973
Publisher
Folkways Records
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