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Akbar Khan - Manganiar - Nazir Jairazbhoy - Rajasthan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:174:84 (New Delhi, Delhi State) , 37 mins
A series of songs by Akbar Khan Manganiar in various Rags followed by a discussion with Nazir Jairazbhoy and another female interlocutor.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:174:84 (New Delhi, Delhi State) , 37 mins
Description
A series of songs by Akbar Khan Manganiar in various Rags followed by a discussion with Nazir Jairazbhoy and another female interlocutor.
Date Written / Recorded
1978
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Akpadi Kaolisi (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR119 (1952) , 2 page(s)
"A woman stole some maize." Togo women are said to have a large repertoire of women's songs which are sung at special parties and dances.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR119 (1952) , 2 page(s)
Description
"A woman stole some maize." Togo women are said to have a large repertoire of women's songs which are sung at special parties and dances.
Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Akpadi Kaolisi (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR119 , 1 min
"This food is for the girls." Lili is the sister of Chief Anga, and Nebaliya is his cousin. They are both good looking girls and have been much photographed and praised by visitors to their village near Paulis. These girls have the typical slanting eyes and the long upper eyelids associated with the Mangbetu grou...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR119 , 1 min
Description
"This food is for the girls." Lili is the sister of Chief Anga, and Nebaliya is his cousin. They are both good looking girls and have been much photographed and praised by visitors to their village near Paulis. These girls have the typical slanting eyes and the long upper eyelids associated with the Mangbetu group, but more commonly seen in China rather than Africa.
Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Alaina n’kuphika nkhwani (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR097 (1958) , 2 page(s)
This kind of dance, they say, was first introduced into the district by Yao people, about 15 years ago, 1940, when it was originally sung in the Yao language, from the Fort Johnstone District. But the Chewa girls liked the dance and made up their own words for it. They reflect the young girls growing sense of resp...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR097 (1958) , 2 page(s)
Description
This kind of dance, they say, was first introduced into the district by Yao people, about 15 years ago, 1940, when it was originally sung in the Yao language, from the Fort Johnstone District. But the Chewa girls liked the dance and made up their own words for it. They reflect the young girls growing sense of responsibility toward her domestic duties. "Alaina nkuphika nkhwani nanga ine ndidyele ciani alaina Mai wanga nkuphika nkhwani nanga ine nd...
This kind of dance, they say, was first introduced into the district by Yao people, about 15 years ago, 1940, when it was originally sung in the Yao language, from the Fort Johnstone District. But the Chewa girls liked the dance and made up their own words for it. They reflect the young girls growing sense of responsibility toward her domestic duties. "Alaina nkuphika nkhwani nanga ine ndidyele ciani alaina Mai wanga nkuphika nkhwani nanga ine ndidyele ciani." "Alaina cooked vegetables, what shall I do for vegetables myself? My mother cooked vegetables, what shall I do for vegetables myself?"
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Date Written / Recorded
1958
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Dance, African Drumming, Clapping, hand
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Alan Faqir - Sufi devotional -Sindhi- Pakistan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N83. Three-week fieldtrip to India (2 weeks – Bhopal, Bombay – Kach) and Pakistan (1 week – Islamabad, Karachi, Hyderabad). Purpose of trip was to accompany Ralph Rinzler (Director, International Center (?), Smithsonian) and Peter Seitel (Director, Folklife Program, Smithsonian) on a feasibility study to explore areas of collaboration between the Smithsonian and Indian and Pakistani institutions. Miscellaneous recordings of Madhya Pradesh folk, devotional and tribal traditions, Kachi devotional songs, Pakistani classical music and Sindhi folk traditions. Recordings on Sony TC D5M and photographs on Canon A1. 5 audio cassettes. Still photographs. Diary (incomplete). Tape contents., 1:197:84 (New Delhi, Delhi State) , 11 mins, 1 page(s)
Sufi song by Alam Faqir sung with Sarangi, Tabla, clappers with jingles accompaniment
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N83. Three-week fieldtrip to India (2 weeks – Bhopal, Bombay – Kach) and Pakistan (1 week – Islamabad, Karachi, Hyderabad). Purpose of trip was to accompany Ralph Rinzler (Director, International Center (?), Smithsonian) and Peter Seitel (Director, Folklife Program, Smithsonian) on a feasibility study to explore areas of collaboration between the Smithsonian and Indian and Pakistani institutions. Miscellaneous recordings of Madhya Pradesh folk, devotional and tribal traditions, Kachi devotional songs, Pakistani classical music and Sindhi folk traditions. Recordings on Sony TC D5M and photographs on Canon A1. 5 audio cassettes. Still photographs. Diary (incomplete). Tape contents., 1:197:84 (New Delhi, Delhi State) , 11 mins, 1 page(s)
Description
Sufi song by Alam Faqir sung with Sarangi, Tabla, clappers with jingles accompaniment
Date Written / Recorded
1983
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Alan Faqir - Sufi devotional - Sindhi - Pakistan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N83. Three-week fieldtrip to India (2 weeks – Bhopal, Bombay – Kach) and Pakistan (1 week – Islamabad, Karachi, Hyderabad). Purpose of trip was to accompany Ralph Rinzler (Director, International Center (?), Smithsonian) and Peter Seitel (Director, Folklife Program, Smithsonian) on a feasibility study to explore areas of collaboration between the Smithsonian and Indian and Pakistani institutions. Miscellaneous recordings of Madhya Pradesh folk, devotional and tribal traditions, Kachi devotional songs, Pakistani classical music and Sindhi folk traditions. Recordings on Sony TC D5M and photographs on Canon A1. 5 audio cassettes. Still photographs. Diary (incomplete). Tape contents., 1:197:84 (New Delhi, Delhi State) , 7 mins, 1 page(s)
Sufi song by Alan Faqir sung with Sarangi, Tabla, clappers with jingles accompaniment. The
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N83. Three-week fieldtrip to India (2 weeks – Bhopal, Bombay – Kach) and Pakistan (1 week – Islamabad, Karachi, Hyderabad). Purpose of trip was to accompany Ralph Rinzler (Director, International Center (?), Smithsonian) and Peter Seitel (Director, Folklife Program, Smithsonian) on a feasibility study to explore areas of collaboration between the Smithsonian and Indian and Pakistani institutions. Miscellaneous recordings of Madhya Pradesh folk, devotional and tribal traditions, Kachi devotional songs, Pakistani classical music and Sindhi folk traditions. Recordings on Sony TC D5M and photographs on Canon A1. 5 audio cassettes. Still photographs. Diary (incomplete). Tape contents., 1:197:84 (New Delhi, Delhi State) , 7 mins, 1 page(s)
Description
Sufi song by Alan Faqir sung with Sarangi, Tabla, clappers with jingles accompaniment. The
Date Written / Recorded
1983
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Alele iya olumbe (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR127 (1952) , 1 page(s)
The canoes of the Wagenya are large dugouts, often 60 feet in length and about 30 to 50 inches in width. They can hold as many as 70 - 100 paddlers on festive occasions and have been made famous of recent years by their appearance in films such as "Sander
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR127 (1952) , 1 page(s)
Description
The canoes of the Wagenya are large dugouts, often 60 feet in length and about 30 to 50 inches in width. They can hold as many as 70 - 100 paddlers on festive occasions and have been made famous of recent years by their appearance in films such as "Sander
Date Written / Recorded
1952
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Drum
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Alele iya olumbe (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR127 , 3 mins
The canoes of the Wagenya are large dugouts, often 60 feet in length and about 30 to 50 inches in width. They can hold as many as 70 - 100 paddlers on festive occasions and have been made famous of recent years by their appearance in films such as "Sander
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR127 , 3 mins
Description
The canoes of the Wagenya are large dugouts, often 60 feet in length and about 30 to 50 inches in width. They can hold as many as 70 - 100 paddlers on festive occasions and have been made famous of recent years by their appearance in films such as "Sander
Date Written / Recorded
1952
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
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Alha beginning - invocation of gods
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N63. Fieldtrip to survey varieties of Indian music in 1963-1964., 1:31:84 (New Delhi, Delhi State) , 1 min
Alha begins with invocation to the various Gods.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N63. Fieldtrip to survey varieties of Indian music in 1963-1964., 1:31:84 (New Delhi, Delhi State) , 1 min
Description
Alha begins with invocation to the various Gods.
Date Written / Recorded
1964
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright Amy Catlin-Jairazbhoy.
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Alha extract
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N63. Fieldtrip to survey varieties of Indian music in 1963-1964., 1:31:84 (New Delhi, Delhi State) , 3 mins
Episode of Alha, an oral epic
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N63. Fieldtrip to survey varieties of Indian music in 1963-1964., 1:31:84 (New Delhi, Delhi State) , 3 mins
Description
Episode of Alha, an oral epic
Date Written / Recorded
1964
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright Amy Catlin-Jairazbhoy.
Tracks
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