Browse Titles - 11437 results
1994 'Urs of Data Ganj Bakhsh, #2. Continuation of first day of 'urs. (PK-94-21)
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Videos , 1 hour 46 mins
Continuation of Maqbul Sabri performance, then Mehr and Sher Ali performs. Followed by others. Video hard to watch.
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Videos , 1 hour 46 mins
Description
Continuation of Maqbul Sabri performance, then Mehr and Sher Ali performs. Followed by others. Video hard to watch.
Date Written / Recorded
1994-07-29
Field of Study
Anthropology
Content Type
Archival footage
Contributor
Hiromi Lorraine Sakata, fl. 2002
Author / Creator
Hiromi Lorraine Sakata, fl. 2002
Topic / Theme
Traditional history, Pakistanis
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
×
1994 Urs of Data Ganj Bakhsh, #2. Continuation of the first day of 1994 'Urs of Data Saheb. (PK-94-05 / UW00125)
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1994), 1 hour 21 mins, 1 page(s)
Continuation of the first day of the Urs. There are 12 groups of qawwals on this tape. There are no more DAT recordings of 1994 Urs. Due to heavy rain, the last day of the Urs, July 30th, was shifted to the basement of the school house where there was no PA system. The rest of the Urs has been recorded on video.
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1994), 1 hour 21 mins, 1 page(s)
Description
Continuation of the first day of the Urs. There are 12 groups of qawwals on this tape. There are no more DAT recordings of 1994 Urs. Due to heavy rain, the last day of the Urs, July 30th, was shifted to the basement of the school house where there was no PA system. The rest of the Urs has been recorded on video.
Date Written / Recorded
1994-07-29
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-
Date Published / Released
1994
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
×
1994 'Urs of Data Ganj Bakhsh, #3. Night program of first day including radio broadcast, (PK-94-22)
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Videos , 2 hours 3 mins
After break at night, mehfil-e sama' begins again after 9:00. Radio program starts around 10:30 pm. Faiz Ali Faiz sings before Nusrat Fateh Ali Khan who sings the last part of program, but tape finishes before he is done.
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Videos , 2 hours 3 mins
Description
After break at night, mehfil-e sama' begins again after 9:00. Radio program starts around 10:30 pm. Faiz Ali Faiz sings before Nusrat Fateh Ali Khan who sings the last part of program, but tape finishes before he is done.
Date Written / Recorded
1994-07-29
Field of Study
Anthropology
Content Type
Archival footage
Contributor
Hiromi Lorraine Sakata, fl. 2002
Author / Creator
Hiromi Lorraine Sakata, fl. 2002
Topic / Theme
Traditional history, Pakistanis
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
×
1994 'Urs of Data Ganj Bakhsh, #4. Continuation of night program. Second day of 'Urs. (PK-94-23)
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Videos , 1 hour 55 mins
Continuation of Nusrat Fateh Ali Khan followed by long announcement, then Haji Maqbul Sabri. Missed the morning session. Due to heavy rains, mehfil-e sama' moved to basement of school where they stayed until chadar ceremony. Scenes of cleanup of sama' grounds. After the afternoon break, the last night of 'urs b...
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Videos , 1 hour 55 mins
Description
Continuation of Nusrat Fateh Ali Khan followed by long announcement, then Haji Maqbul Sabri. Missed the morning session. Due to heavy rains, mehfil-e sama' moved to basement of school where they stayed until chadar ceremony. Scenes of cleanup of sama' grounds. After the afternoon break, the last night of 'urs began at 9:00 pm.
Date Written / Recorded
1994-01-30
Field of Study
Anthropology
Content Type
Archival footage
Contributor
Hiromi Lorraine Sakata, fl. 2002
Author / Creator
Hiromi Lorraine Sakata, fl. 2002
Topic / Theme
Traditional history, Pakistanis
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
×
1994 'Urs of Data Ganj Bakhsh, #5. Continuation of the last session of the Urs. (PK-94-24)
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Videos , 2 hours 3 mins
Qawwals conntinue including Aziz Mian. Sufi dressed as woman arrives. Leads up to climax of the 'urs with announcement of Nusrat Fateh Ali Khan singing the last songs and the rang.
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Videos , 2 hours 3 mins
Description
Qawwals conntinue including Aziz Mian. Sufi dressed as woman arrives. Leads up to climax of the 'urs with announcement of Nusrat Fateh Ali Khan singing the last songs and the rang.
Date Written / Recorded
1994-07-31
Field of Study
Anthropology
Content Type
Archival footage
Contributor
Hiromi Lorraine Sakata, fl. 2002
Author / Creator
Hiromi Lorraine Sakata, fl. 2002
Topic / Theme
Traditional history, Pakistanis
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
×
1995 Continuation of the official music program for Sachal Sarmast's 'Urs. (PK-95-09 / UW00112)
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings; performed by Abida Parveen, 1954- (1995), 1 hour 58 mins, 1 page(s)
Governor supposed to be the chief guest. Stayed until Abida Parveen's appearance. She sang 3 songs. Governor left after her appearance.
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings; performed by Abida Parveen, 1954- (1995), 1 hour 58 mins, 1 page(s)
Description
Governor supposed to be the chief guest. Stayed until Abida Parveen's appearance. She sang 3 songs. Governor left after her appearance.
Date Written / Recorded
1995-02-15
Field of Study
Anthropology
Content Type
Field recording (raw)
Performer / Ensemble
Abida Parveen, 1954-
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-, Abida Parveen, 1954-
Date Published / Released
1995
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
×
1995 Hyderabad, Sindh. Leader of a group of manganihar was Mohammed Wakil. Later 2 dhols and naqara play different rhythms. Went to 'urs of...
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 1 hour 57 mins, 1 page(s)
Ensemble of sharnai (mutto), bagpipe (mashk bajo) and dhol. Sharnai (shenai) players: Faqir Hussain Bakhsh, Ali Nawaz, Bashir Ahmad; Mashk bajo player: Abdul Rezak; Dhol player: Nak Mohammed. Music program of Sachal Sarmast 'Urs with announcer.
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 1 hour 57 mins, 1 page(s)
Description
Ensemble of sharnai (mutto), bagpipe (mashk bajo) and dhol. Sharnai (shenai) players: Faqir Hussain Bakhsh, Ali Nawaz, Bashir Ahmad; Mashk bajo player: Abdul Rezak; Dhol player: Nak Mohammed. Music program of Sachal Sarmast 'Urs with announcer.
Date Written / Recorded
1995-02
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-
Date Published / Released
1995
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
×
1995 Makran Recordings #2. Turbat. Performance of a double flute donali (pair of fipple flutes). Later, can hear song accompanied by benjo....
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 1 hour 47 mins, 1 page(s)
Beg Mohammed learned to play as a young shepherd. Now he is a shopkeeper. He bought the donali from a carpenter. Second player, Har Mohammed tries to play the kalam. Also was a shepherd. Later, Barakat sings and plays the benjo (Balochi zither with keys) outside. Finally, Safar sings sher (literally poems, but her...
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 1 hour 47 mins, 1 page(s)
Description
Beg Mohammed learned to play as a young shepherd. Now he is a shopkeeper. He bought the donali from a carpenter. Second player, Har Mohammed tries to play the kalam. Also was a shepherd. Later, Barakat sings and plays the benjo (Balochi zither with keys) outside. Finally, Safar sings sher (literally poems, but here, refers to story songs. Next day, Khan Mohammed brought a kalam and recorded Safar who sang a story song for about 40 minutes. accomp...
Beg Mohammed learned to play as a young shepherd. Now he is a shopkeeper. He bought the donali from a carpenter. Second player, Har Mohammed tries to play the kalam. Also was a shepherd. Later, Barakat sings and plays the benjo (Balochi zither with keys) outside. Finally, Safar sings sher (literally poems, but here, refers to story songs. Next day, Khan Mohammed brought a kalam and recorded Safar who sang a story song for about 40 minutes. accompanied by damburag. Near end, old lady came to see me, when I asked her if she knew any lullubies, she just recited a nazink for a child.
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Date Written / Recorded
1995-01-28
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-
Date Published / Released
1995
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
×
1995 Makran Recordings #3. Went to village of Kafkafan for lunch and recording session around 2:00 p.m. (PK-95-03 / UW00082)
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 1 hour 56 mins, 1 page(s)
First piece played by saroz is zahirog, then damburag joins. After 40 min. or so, Safar and Shahdad (known as Palawan) started singing sher.
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 1 hour 56 mins, 1 page(s)
Description
First piece played by saroz is zahirog, then damburag joins. After 40 min. or so, Safar and Shahdad (known as Palawan) started singing sher.
Date Written / Recorded
1995-01-29
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-
Date Published / Released
1995
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
×
1995 Makran Recordings #4. Continuation of Kafkafan recording session. Around 52 minutes into tape, setting changes to following day in Tur...
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 1 hour 28 mins, 1 page(s)
Shahdad continues singing a song until Safar takes over again. Around 52 minutes into tape, setting changes to Turbat the following day. Allah Baksh's wife asked her neighbor Zainab to sing for her 10 female guests. Zainab started singing baitss then got another neighbor to sing. Session stopped abruptly when star...
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 1 hour 28 mins, 1 page(s)
Description
Shahdad continues singing a song until Safar takes over again. Around 52 minutes into tape, setting changes to Turbat the following day. Allah Baksh's wife asked her neighbor Zainab to sing for her 10 female guests. Zainab started singing baitss then got another neighbor to sing. Session stopped abruptly when started singing zahirog because it reminded singer of her young son who was killed.
Date Written / Recorded
1995
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-
Date Published / Released
1995
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
×