Browse Titles - 1983 results
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Almeida Dances
composed by Jonathan Lloyd, 1948- (1986), Almeida Dances (Boosey and Hawkes, 1986), 37 page(s)
Sample
composed by Jonathan Lloyd, 1948- (1986), Almeida Dances (Boosey and Hawkes, 1986), 37 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1986
Field of Study
Classical Music
Author / Creator
Jonathan Lloyd, 1948-
Date Published / Released
1986
Publisher
Boosey and Hawkes
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composed by Francisco de la Torre, fl. 1483-1504 (1504), Alta (Harvard University Press, 1950), 1 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1504
Field of Study
Classical Music
Author / Creator
Francisco de la Torre, fl. 1483-1504
Date Published / Released
1950
Publisher
Harvard University Press
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Alte italienische Tänze
edited by René Clemencic, 1928-; composed by Gasparo Zannetti, 1626-1645 (1645), Alte italienische Tänze (Universal Edition, 1973), 20 page(s)
Sample
edited by René Clemencic, 1928-; composed by Gasparo Zannetti, 1626-1645 (1645), Alte italienische Tänze (Universal Edition, 1973), 20 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1645
Field of Study
Classical Music
Content Type
Score
Contributor
René Clemencic, 1928-
Author / Creator
Gasparo Zannetti, 1626-1645
Date Published / Released
1973
Publisher
Universal Edition
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Follia
composed by Bernardo Storace; performed by Hespèrion XXI and Jordi Savall, Hespèrion XXI; in Altre Follie (1500-1750) (Alia Vox, 2005), 4 mins
Sample
composed by Bernardo Storace; performed by Hespèrion XXI and Jordi Savall, Hespèrion XXI; in Altre Follie (1500-1750) (Alia Vox, 2005), 4 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Hespèrion XXI, Jordi Savall
Author / Creator
Bernardo Storace, Hespèrion XXI, Jordi Savall
Date Published / Released
2005-01-01
Publisher
Alia Vox
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Alume yerani malo (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR162 (1950) , 1 page(s)
The singer calls to those behind to hurry and catch up with the dance team as they are going to a big dance competition. This item is a fascinating example of the authentic 2 against 3 African cross rhythm.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR162 (1950) , 1 page(s)
Description
The singer calls to those behind to hurry and catch up with the dance team as they are going to a big dance competition. This item is a fascinating example of the authentic 2 against 3 African cross rhythm.
Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Dance, Rattle, Kayamba, Clapping, hand
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Alume yerani malo (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR162 , 3 mins
The singer calls to those behind to hurry and catch up with the dance team as they are going to a big dance competition. This item is a fascinating example of the authentic 2 against 3 African cross rhythm.
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR162 , 3 mins
Description
The singer calls to those behind to hurry and catch up with the dance team as they are going to a big dance competition. This item is a fascinating example of the authentic 2 against 3 African cross rhythm.
Date Written / Recorded
1950
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
Tracks
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Amai, Amai, ndikunene eleli (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR087 , 2 mins
"Mother, mother I will say much to you You have taken my child. I myself am only small You have taken my child. No, you have taken my child, as I say."
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR087 , 2 mins
Description
"Mother, mother I will say much to you You have taken my child. I myself am only small You have taken my child. No, you have taken my child, as I say."
Date Written / Recorded
1959
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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Amanecer Andino
produced by Eckart Rahn; performed by Pamela Darington, Jorge Tapia and Omar Sepulveda, fl. 1985, Inkuyo (Celestial Harmonies, 2015), 51 mins, 14 page(s)
Sample
produced by Eckart Rahn; performed by Pamela Darington, Jorge Tapia and Omar Sepulveda, fl. 1985, Inkuyo (Celestial Harmonies, 2015), 51 mins, 14 page(s)
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Inkuyo, Pamela Darington, Jorge Tapia, Omar Sepulveda, fl. 1985
Contributor
Eckart Rahn
Author / Creator
Inkuyo, Pamela Darington, Jorge Tapia, Omar Sepulveda, fl. 1985
Date Published / Released
2015
Publisher
Celestial Harmonies
Copyright Message
Copyright © 2015 by Celestial Harmonies
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Amati akatambe tilawe (Field Card)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR192 (1950)
Three Mcoma dance songs for women and girls, with 2 goblet drums, one weighted and whistles (-11.515-). "She wanted to go dancing, but she got into trouble and could not go." The girls stand in a circle and come out in pairs prancing a few steps in the centre of the circle. They retire and the next two come out u...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR192 (1950)
Description
Three Mcoma dance songs for women and girls, with 2 goblet drums, one weighted and whistles (-11.515-). "She wanted to go dancing, but she got into trouble and could not go." The girls stand in a circle and come out in pairs prancing a few steps in the centre of the circle. They retire and the next two come out until the whole circle has been completed. It was done very gracefully. A graceful circle dance performed by young girls, pairs of dance...
Three Mcoma dance songs for women and girls, with 2 goblet drums, one weighted and whistles (-11.515-). "She wanted to go dancing, but she got into trouble and could not go." The girls stand in a circle and come out in pairs prancing a few steps in the centre of the circle. They retire and the next two come out until the whole circle has been completed. It was done very gracefully. A graceful circle dance performed by young girls, pairs of dancers coming out into the circle at a time.
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Date Written / Recorded
1950
Field of Study
World Music
Content Type
Field notes
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Topic / Theme
Song, Dance, Drum, Whistle
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
×
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Amati akatambe tilawe (Track)
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR192 , 3 mins
Three Mcoma dance songs for women and girls, with 2 goblet drums, one weighted and whistles (-11.515-). "She wanted to go dancing, but she got into trouble and could not go." The girls stand in a circle and come out in pairs prancing a few steps in the centre of the circle. They retire and the next two come out u...
Sample
of International Library of African Music (ILAM), in Hugh Tracey Fieldwork Collection and the Sound of Africa Series, TR192 , 3 mins
Description
Three Mcoma dance songs for women and girls, with 2 goblet drums, one weighted and whistles (-11.515-). "She wanted to go dancing, but she got into trouble and could not go." The girls stand in a circle and come out in pairs prancing a few steps in the centre of the circle. They retire and the next two come out until the whole circle has been completed. It was done very gracefully. A graceful circle dance performed by young girls, pairs of dance...
Three Mcoma dance songs for women and girls, with 2 goblet drums, one weighted and whistles (-11.515-). "She wanted to go dancing, but she got into trouble and could not go." The girls stand in a circle and come out in pairs prancing a few steps in the centre of the circle. They retire and the next two come out until the whole circle has been completed. It was done very gracefully. A graceful circle dance performed by young girls, pairs of dancers coming out into the circle at a time.
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Date Written / Recorded
1950
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hugh Tracey, 1903-1977
Author / Creator
Hugh Tracey, 1903-1977
Copyright Message
Material sourced from the International Library of African Music. Copyright International Library of African Music.
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