Browse Titles - 1952 results
Advanced-Intermediate Modern Dance With Daniel Fetecua
presented by Daniel Fetecua Soto, fl. 2006 (New York, NY: Dancio, 2021), 1 hour 10 mins
10-year company Soloist, Daniel Fetecua teaches, leads workshops, and reconstructs Limón repertoire internationally. This class fuses complex traditional rhythmic structures with a focus on the Limón principles and dynamic movements. Throughout the class students are encouraged to find their own intentions and e...
Sample
presented by Daniel Fetecua Soto, fl. 2006 (New York, NY: Dancio, 2021), 1 hour 10 mins
Description
10-year company Soloist, Daniel Fetecua teaches, leads workshops, and reconstructs Limón repertoire internationally. This class fuses complex traditional rhythmic structures with a focus on the Limón principles and dynamic movements. Throughout the class students are encouraged to find their own intentions and explore with weight, breath, fall and recovery, helping to train the body, while staying alive in the moment as a performer.
Music: Ste...
10-year company Soloist, Daniel Fetecua teaches, leads workshops, and reconstructs Limón repertoire internationally. This class fuses complex traditional rhythmic structures with a focus on the Limón principles and dynamic movements. Throughout the class students are encouraged to find their own intentions and explore with weight, breath, fall and recovery, helping to train the body, while staying alive in the moment as a performer.
Music: Stephen Wienstock
Dancers: Kaitlyn Albanese, Nicholas Ruscica, Savannah Spratt, and Victoria Marie Strata
Category: Modern, Limón
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Field of Study
Dance
Content Type
Instructional material
Author / Creator
Daniel Fetecua Soto, fl. 2006
Date Published / Released
2021
Publisher
Dancio
Topic / Theme
Performance practice, Dance technique, Modern
Copyright Message
Copyright © 2021 Dancio
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Aeros
choreographed by Robbie Barnett, fl. 1971, Alison Chase, 1946-, Michael Tracy, 1952- and Jonathan Wolken, 1949-2010; produced by William Hannah, 1910-2001 and Bobby Dobbs, fl. 1985; performed by Alison Chase, 1946- and Michael Tracy, 1952-, Pilobolus (American Dance Festival, 1997), 22 mins
This documentary, produced by University of North Carolina Public Television, offers an insightful look at the work of these modern dance originals. Since their earliest days, Pilobolus has been astounding and confounding audiences around the world with their particular brand of modern dance. The documentary featu...
Sample
choreographed by Robbie Barnett, fl. 1971, Alison Chase, 1946-, Michael Tracy, 1952- and Jonathan Wolken, 1949-2010; produced by William Hannah, 1910-2001 and Bobby Dobbs, fl. 1985; performed by Alison Chase, 1946- and Michael Tracy, 1952-, Pilobolus (American Dance Festival, 1997), 22 mins
Description
This documentary, produced by University of North Carolina Public Television, offers an insightful look at the work of these modern dance originals. Since their earliest days, Pilobolus has been astounding and confounding audiences around the world with their particular brand of modern dance. The documentary features interviews with two of the artistic directors, Alison Chase and Michael Tracy, and complete multi-camera versions of "Walklyndon" (...
This documentary, produced by University of North Carolina Public Television, offers an insightful look at the work of these modern dance originals. Since their earliest days, Pilobolus has been astounding and confounding audiences around the world with their particular brand of modern dance. The documentary features interviews with two of the artistic directors, Alison Chase and Michael Tracy, and complete multi-camera versions of "Walklyndon" (1971), "Aeros" (1996), "Solo From The Empty Suitor" (1980), and "Olympic Dances" (1997).
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Date Written / Recorded
1997
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Pilobolus, Alison Chase, 1946-, Michael Tracy, 1952-
Contributor
Robbie Barnett, fl. 1971, Alison Chase, 1946-, Michael Tracy, 1952-, Jonathan Wolken, 1949-2010, Mike Milstead, fl. 1994, William Hannah, 1910-2001, Bobby Dobbs, fl. 1985, Pilobolus, Todd Hall, Charles L. Reinhart, fl. 1968
Author / Creator
Robbie Barnett, fl. 1971, Alison Chase, 1946-, Michael Tracy, 1952-, Jonathan Wolken, 1949-2010, Pilobolus
Date Published / Released
1997
Publisher
American Dance Festival
Topic / Theme
Dance
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AFASAM: Advanced Contemporary with Michel Kouakou
presented by Michel Kouakou, fl. 2004 (New York, NY: Dancio, 2020), 1 hour
AFASAM class begins with a simple warm up with floor movement focusing on the spine as the center in relationship to our body. In my approach, all movements depart from the three essential points of the spine, which are the cervical, the thoracic and the lumber spine before returning to their origin. The point of...
Sample
presented by Michel Kouakou, fl. 2004 (New York, NY: Dancio, 2020), 1 hour
Description
AFASAM class begins with a simple warm up with floor movement focusing on the spine as the center in relationship to our body. In my approach, all movements depart from the three essential points of the spine, which are the cervical, the thoracic and the lumber spine before returning to their origin. The point of this exercise is to emphasize the flow of the spine by un-stacking the vertebrates creating space between those vertebrates for larger...
AFASAM class begins with a simple warm up with floor movement focusing on the spine as the center in relationship to our body. In my approach, all movements depart from the three essential points of the spine, which are the cervical, the thoracic and the lumber spine before returning to their origin. The point of this exercise is to emphasize the flow of the spine by un-stacking the vertebrates creating space between those vertebrates for larger movement while staying in connection to the rest of our articulations. By doing so, we can enable the entire body like an imaginary accordion that can extend and compress itself through the support of the floor. Moving in and out of the floor with the pelvis to reorganize our largest body parts such as our limbs in relationship to space while creating a stabilization and core strength through plié without hurting the knees but to increase support to the joints. This will include movement phrases across the floor that reinforces and expands the body’s inherent mobility with details and power based on the notion and aesthetics of the body in a circular motion and awareness.
This class is a physical practice to build an advanced body, brain and artistic spirit with a concept of weight within the execution of each movement.
Before the end of each class, a combination phrase will be taught to emphasize the exercises done during class in order to prepare the endurance of the dancer in a more practical approach providing opportunity for peers to push each other in a more supportive environment.
This class runs approximately 60 minutes long and is great for intermediate advanced contemporary practitioners.
Music: Pablo
Dancers: Andrew Pester and Liam McLaughlin
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Field of Study
Dance
Content Type
Instructional material
Author / Creator
Michel Kouakou, fl. 2004
Date Published / Released
2020
Publisher
Dancio
Topic / Theme
Performance practice, Dance technique, Contemporary, Advanced
Copyright Message
Copyright © 2020 Dancio
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Africa and the Blues
written by Gerhard Kubik, 1934- (Jackson, MS: University Press of Mississippi, 1999), 240 page(s)
Sample
written by Gerhard Kubik, 1934- (Jackson, MS: University Press of Mississippi, 1999), 240 page(s)
Field of Study
American Music
Content Type
General reference book
Author / Creator
Gerhard Kubik, 1934-
Date Published / Released
1999
Publisher
University Press of Mississippi
Topic / Theme
African American Music, Blues
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African American Music: A Chronology: 1619-19951: 1619-1865: The Music of Enslavement and Struggle
written by Hansonia L. Caldwell, fl. 1999 (Los Angeles, CA: Ikoro Communications, 1995), 54 page(s)
Sample
written by Hansonia L. Caldwell, fl. 1999 (Los Angeles, CA: Ikoro Communications, 1995), 54 page(s)
Field of Study
American Music
Content Type
General reference book, Compendium
Author / Creator
Hansonia L. Caldwell, fl. 1999
Date Published / Released
1995
Publisher
Ikoro Communications
Topic / Theme
African American, Slavery, Christianity, Abolitionism, Sociocultural trends, Expression in performance, African American Music, Slavery and Abolition, 1776 - 1865
Copyright Message
Copyright Statement: Copyright © 1995 by Hansonia L. Caldwell.
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African American Music: A Chronology: 1619-19954: 1921-1945: The Music of the Renaissance
written by Hansonia L. Caldwell, fl. 1999 (Los Angeles, CA: Ikoro Communications, 1995), 78 page(s)
Sample
written by Hansonia L. Caldwell, fl. 1999 (Los Angeles, CA: Ikoro Communications, 1995), 78 page(s)
Field of Study
American Music
Content Type
Compendium
Author / Creator
Hansonia L. Caldwell, fl. 1999
Date Published / Released
1995
Publisher
Ikoro Communications
Topic / Theme
African American, Cultural identity, Film and films, Ethnic relations, Sociocultural trends, Expression in performance, Audio recordings, African American Music, Harlem Renaissance, 1920-1939
Copyright Message
Copyright Statement: Copyright © 1995 by Hansonia L. Caldwell.
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African American Music: A Chronology: 1619-19956: 1960-1969: The Music of Civil Rights and Cultural Revolution
written by Hansonia L. Caldwell, fl. 1999 (Los Angeles, CA: Ikoro Communications, 1995), 40 page(s)
Sample
written by Hansonia L. Caldwell, fl. 1999 (Los Angeles, CA: Ikoro Communications, 1995), 40 page(s)
Field of Study
American Music
Content Type
Compendium
Author / Creator
Hansonia L. Caldwell, fl. 1999
Date Published / Released
1995
Publisher
Ikoro Communications
Topic / Theme
African American, Civil rights, African diaspora, Performance influences, Expression in performance, African American Music
Copyright Message
Copyright Statement: Copyright © 1995 by Hansonia L. Caldwell.
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African Dance: Sand, Drum, and Shostakovich
written by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973-; directed by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973-; produced by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973- (Watertown, MA: Documentary Educational Resources (DER), 2002), 1 hour 10 mins
This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999.
Sample
written by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973-; directed by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973-; produced by Ken Glazebrook, fl. 1970 and Alla Kovgan, 1973- (Watertown, MA: Documentary Educational Resources (DER), 2002), 1 hour 10 mins
Description
This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999. This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999. Interviews, includ...
This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999. This documentary explores African contemporary dance through eight modern dance companies from Africa, Europe and Canada that participated in the Festival International de Nouvelle Danse in Montreal, Canada in 1999. Interviews, including those with dance historians Yacouba Konate and Alponse Tierou, add insight to beautifully-photographed performances. What emerges is a fascinating diversity of contemporary African dance themes and styles. Exploring the interactions between tradition and modernism, the consequences of colonization and urbanization, the self-expression of women through dance, and the roles of masculinity and family relationships, the film is a unique source of information and inspiration for dancers, dance historians, choreographers, critics, as well as those interested in African culture, past and present. "More than ever, as a forum for cross-cultural exchanges, this ninth edition of the Festival showcases African dance because it appears to be undergoing a cultural and artistic renaissance nurtured by the contact and clash between tradition and modernity, and by a reevaluation of its global links." — Festival International de Nouvelle Danse
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Field of Study
Dance
Content Type
Documentary
Contributor
Ken Glazebrook, fl. 1970, Alla Kovgan, 1973-, Yacouba Konaté, Alphonse Tierou, fl. 1988, Susanne Linke, 1944-, Mathilde Monnier, 1959-, Seydou Boro, 1968-, Vincent Mantsoe, 1971-, Germaine Acogny, 1944-
Author / Creator
Ken Glazebrook, fl. 1970, Alla Kovgan, 1973-
Date Published / Released
2004, 2002
Publisher
Documentary Educational Resources (DER)
Topic / Theme
African, Movement in performance, Choreographers, Dance theory, Expression in performance, Cultural change and history, Cultural identity, Dance, Ethnography, Africans
Copyright Message
© Documentary Educational Resources
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Afro American Folksongs
written by Henry Edward Krehbiel, 1854-1923 (New York, NY: Frederick Ungar Publishing Company, 1962), 176 page(s)
Sample
written by Henry Edward Krehbiel, 1854-1923 (New York, NY: Frederick Ungar Publishing Company, 1962), 176 page(s)
Field of Study
American Music
Content Type
General reference book
Author / Creator
Henry Edward Krehbiel, 1854-1923
Date Published / Released
1962
Publisher
Frederick Ungar Publishing Company
Topic / Theme
African American Music, Folk Music
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Afro-Dance With Angel Kaba
presented by Angel Kaba, fl. 2000 (New York, NY: Dancio, 2021), 42 mins
Afro'Dance class is a mixture of the new generation of African influences and street dance. In the class you will work on musicality heavily influenced by the rhythm and musical trends from The Congo, Ivory Coast, Angola.... Urban street styles are incorporated into the backdrop of this heavily African based techn...
Sample
presented by Angel Kaba, fl. 2000 (New York, NY: Dancio, 2021), 42 mins
Description
Afro'Dance class is a mixture of the new generation of African influences and street dance. In the class you will work on musicality heavily influenced by the rhythm and musical trends from The Congo, Ivory Coast, Angola.... Urban street styles are incorporated into the backdrop of this heavily African based technique. The cultural, social, and free-spirited side of this class creates an environment where students dance, learn, have fun, and feel...
Afro'Dance class is a mixture of the new generation of African influences and street dance. In the class you will work on musicality heavily influenced by the rhythm and musical trends from The Congo, Ivory Coast, Angola.... Urban street styles are incorporated into the backdrop of this heavily African based technique. The cultural, social, and free-spirited side of this class creates an environment where students dance, learn, have fun, and feel free. Dancers: Mila; Musician: Gregory Stutzer; Category: Afro'Dance.
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Field of Study
Dance
Content Type
Instructional material
Author / Creator
Angel Kaba, fl. 2000
Date Published / Released
2021
Publisher
Dancio
Topic / Theme
Performance practice, Dance technique, African
Copyright Message
Copyright © 2021 Dancio
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