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1995 Makran Recordings #2. Turbat. Performance of a double flute donali (pair of fipple flutes). Later, can hear song accompanied by benjo....
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 1 hour 47 mins, 1 page(s)
Beg Mohammed learned to play as a young shepherd. Now he is a shopkeeper. He bought the donali from a carpenter. Second player, Har Mohammed tries to play the kalam. Also was a shepherd. Later, Barakat sings and plays the benjo (Balochi zither with keys) outside. Finally, Safar sings sher (literally poems, but her...
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 1 hour 47 mins, 1 page(s)
Description
Beg Mohammed learned to play as a young shepherd. Now he is a shopkeeper. He bought the donali from a carpenter. Second player, Har Mohammed tries to play the kalam. Also was a shepherd. Later, Barakat sings and plays the benjo (Balochi zither with keys) outside. Finally, Safar sings sher (literally poems, but here, refers to story songs. Next day, Khan Mohammed brought a kalam and recorded Safar who sang a story song for about 40 minutes. accomp...
Beg Mohammed learned to play as a young shepherd. Now he is a shopkeeper. He bought the donali from a carpenter. Second player, Har Mohammed tries to play the kalam. Also was a shepherd. Later, Barakat sings and plays the benjo (Balochi zither with keys) outside. Finally, Safar sings sher (literally poems, but here, refers to story songs. Next day, Khan Mohammed brought a kalam and recorded Safar who sang a story song for about 40 minutes. accompanied by damburag. Near end, old lady came to see me, when I asked her if she knew any lullubies, she just recited a nazink for a child.
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Date Written / Recorded
1995-01-28
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-
Date Published / Released
1995
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
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1995 Makran Recordings #3. Went to village of Kafkafan for lunch and recording session around 2:00 p.m. (PK-95-03 / UW00082)
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 1 hour 56 mins, 1 page(s)
First piece played by saroz is zahirog, then damburag joins. After 40 min. or so, Safar and Shahdad (known as Palawan) started singing sher.
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 1 hour 56 mins, 1 page(s)
Description
First piece played by saroz is zahirog, then damburag joins. After 40 min. or so, Safar and Shahdad (known as Palawan) started singing sher.
Date Written / Recorded
1995-01-29
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-
Date Published / Released
1995
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
×
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1995 Makran Recordings #4. Continuation of Kafkafan recording session. Around 52 minutes into tape, setting changes to following day in Tur...
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 1 hour 28 mins, 1 page(s)
Shahdad continues singing a song until Safar takes over again. Around 52 minutes into tape, setting changes to Turbat the following day. Allah Baksh's wife asked her neighbor Zainab to sing for her 10 female guests. Zainab started singing baitss then got another neighbor to sing. Session stopped abruptly when star...
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 1 hour 28 mins, 1 page(s)
Description
Shahdad continues singing a song until Safar takes over again. Around 52 minutes into tape, setting changes to Turbat the following day. Allah Baksh's wife asked her neighbor Zainab to sing for her 10 female guests. Zainab started singing baitss then got another neighbor to sing. Session stopped abruptly when started singing zahirog because it reminded singer of her young son who was killed.
Date Written / Recorded
1995
Field of Study
World Music
Content Type
Field recording (raw)
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-
Date Published / Released
1995
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
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1995 Makran Recordings #5. Gwadar, Makran. Recordings of Palawan Mazar Ibrahim and a guati ceremony. (PK-95-05 / UW00086)
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings; performed by Palawan Mazar Ibrahim, Abdul Ghafur and Abdul Samad (1995), 2 hours 3 mins, 1 page(s)
Visited Bakhshi, a cultural PR person for Gwadar arts. Invited to tea at tahsildar's home where I met and recorded Palawan Mazar Ibrahim who had made recording for Jean Durring. Recorded 4 or 5 songs. Palawan Mazar Ibrahim was around 55 yrs old. Sang dastan (story songs). Accompanied by his sons on saroz (Abdul Gh...
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings; performed by Palawan Mazar Ibrahim, Abdul Ghafur and Abdul Samad (1995), 2 hours 3 mins, 1 page(s)
Description
Visited Bakhshi, a cultural PR person for Gwadar arts. Invited to tea at tahsildar's home where I met and recorded Palawan Mazar Ibrahim who had made recording for Jean Durring. Recorded 4 or 5 songs. Palawan Mazar Ibrahim was around 55 yrs old. Sang dastan (story songs). Accompanied by his sons on saroz (Abdul Ghafur) and tamburi (Abdul Samad). Sang about Shah Murid and Hanni, Doda Baloch. He is probably the most professional, sophisticated sing...
Visited Bakhshi, a cultural PR person for Gwadar arts. Invited to tea at tahsildar's home where I met and recorded Palawan Mazar Ibrahim who had made recording for Jean Durring. Recorded 4 or 5 songs. Palawan Mazar Ibrahim was around 55 yrs old. Sang dastan (story songs). Accompanied by his sons on saroz (Abdul Ghafur) and tamburi (Abdul Samad). Sang about Shah Murid and Hanni, Doda Baloch. He is probably the most professional, sophisticated singer from Makran. Around 11:00 pm at night, Bakhshi took me to his brother-in-law's home for guati session performed for my sake.
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Date Written / Recorded
1995-01-02
Field of Study
World Music
Content Type
Field recording (raw)
Performer / Ensemble
Palawan Mazar Ibrahim, Abdul Ghafur, Abdul Samad
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-, Palawan Mazar Ibrahim, Abdul Ghafur, Abdul Samad
Date Published / Released
1995
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
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1995 Makran Recordings #6. Pasni, a port town in Makran. Recording of real guati ceremony. (PK-95-06 / UW00088)
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings; performed by Karim Bakhsh (1995), 1 hour 40 mins, 1 page(s)
Just turned on the DAT recorder and let it run while I took videos. The Sheikh was Sheikh Anifa (Anisa?) and saroz player was Karim Bakhsh. Took tea breaks with conversation as well.
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings; performed by Karim Bakhsh (1995), 1 hour 40 mins, 1 page(s)
Description
Just turned on the DAT recorder and let it run while I took videos. The Sheikh was Sheikh Anifa (Anisa?) and saroz player was Karim Bakhsh. Took tea breaks with conversation as well.
Date Written / Recorded
1995-02-03
Field of Study
World Music
Content Type
Field recording (raw)
Performer / Ensemble
Karim Bakhsh
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-, Karim Bakhsh
Date Published / Released
1995
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
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1995 Makran Recordings #7. Recording of guati musicians and Ustad Ershad, came to guest house where I was staying. Recorded until 2:30 or 3:...
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 1 hour 32 mins, 1 page(s)
Guati musicians from Guati ceremony came to the guest house where I was staying after the guati ceremony. Addition of Ustad Ershad, a blind dhol player. Played around 6 pieces. Recorded until 2:30 or 3:00 am. Last part of tape is discussion, but hard to hear because of low volume.
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 1 hour 32 mins, 1 page(s)
Description
Guati musicians from Guati ceremony came to the guest house where I was staying after the guati ceremony. Addition of Ustad Ershad, a blind dhol player. Played around 6 pieces. Recorded until 2:30 or 3:00 am. Last part of tape is discussion, but hard to hear because of low volume.
Date Written / Recorded
1995-02-03
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-
Date Published / Released
1995
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
×
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1995 Turbat. Chogan (Zikiri ritual); the biggest outdoor ritual gathering during the pilgrimage to the sacred mountains, Koh-I Murad and Koh...
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 2 hours 3 mins, 1 page(s)
I recorded DAT numbers 10, 11, and about 1/2 hour of Dat # 12--from 11:30 pm until 4:00 am. Most famous chogan leader is woman named Durri. I recorded over 4 1/2 hours. I was too cold and tired to stay to the end so I don't know what happened after I left--Durri was still singing when I left.
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 2 hours 3 mins, 1 page(s)
Description
I recorded DAT numbers 10, 11, and about 1/2 hour of Dat # 12--from 11:30 pm until 4:00 am. Most famous chogan leader is woman named Durri. I recorded over 4 1/2 hours. I was too cold and tired to stay to the end so I don't know what happened after I left--Durri was still singing when I left.
Date Written / Recorded
1995-02-27
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-
Date Published / Released
1995
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
×
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1995 Turbat. Continuation of Chogan PK-95-10 (PK-95-11 / UW00139)
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 2 hours 3 mins, 1 page(s)
Continuation of Chogan
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 2 hours 3 mins, 1 page(s)
Description
Continuation of Chogan
Date Written / Recorded
1995-02-27
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-
Date Published / Released
1995
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
×
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1995 Turbat. Continuation of Chogan, PK-95-11 (PK-95-12 / UW00119)
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 16 mins, 1 page(s)
Continuation of Chogan
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Audio Recordings (1995), 16 mins, 1 page(s)
Description
Continuation of Chogan
Date Written / Recorded
1995-02-28
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Hiromi Lorraine Sakata, 1938-
Author / Creator
Hiromi Lorraine Sakata, 1938-
Date Published / Released
1995
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
×
See details
1995 'Urs of Data Ganj Baksh #1. Opening ceremonies. (PK-95-1 Summer)
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Videos , 1 hour 54 mins
Opening ceremonies began at 10:00. Qera'at, na't, prayers, speech. Nusrat Fateh Ali Khan sang the opening song of mehfil-e sama. Other qawwals followed.
Sample
of Ethnomusicology Archives, University of Washington Libraries, in Hiromi Lorraine Sakata Fieldwork Collection, Pakistan Collection, Pakistan Videos , 1 hour 54 mins
Description
Opening ceremonies began at 10:00. Qera'at, na't, prayers, speech. Nusrat Fateh Ali Khan sang the opening song of mehfil-e sama. Other qawwals followed.
Date Written / Recorded
1995-07-18
Field of Study
Anthropology
Content Type
Archival footage
Contributor
Hiromi Lorraine Sakata, fl. 2002
Author / Creator
Hiromi Lorraine Sakata, fl. 2002
Copyright Message
Material sourced from the Ethnomusicology Archives, University of Washington Libraries. Copyright © Hiromi Lorraine Sakata.
×
