Browse Titles - 481 results
Carnival 1982 Tape 8 Dimanche Gras
(Trinidad and Tobago: Banyan Archive, 1982), 23 mins
Calypso Monarch competition: Chalkdust (Hollis Liverpool) singing HOW TO SING CALYPSO
Designer (Keith Prescott) singing
Tobago Crusoe (Orthniel Bacchus)
Black Stalin (Leroy Calliste) BLACK MAN DON'T GET NOTHING EASY/ KEEP ON JAMMING
Scrunter (Irwin Reyes Johnson) sings LICK E TING (Monarch)
Penguin (Sedley Jo...
Sample
(Trinidad and Tobago: Banyan Archive, 1982), 23 mins
Description
Calypso Monarch competition: Chalkdust (Hollis Liverpool) singing HOW TO SING CALYPSO
Designer (Keith Prescott) singing
Tobago Crusoe (Orthniel Bacchus)
Black Stalin (Leroy Calliste) BLACK MAN DON'T GET NOTHING EASY/ KEEP ON JAMMING
Scrunter (Irwin Reyes Johnson) sings LICK E TING (Monarch)
Penguin (Sedley Joseph) sing DEPUTY ESSENTIAL (Road march)
Field of Study
World Music
Content Type
Performance
Date Published / Released
1982
Publisher
Banyan Archive
Copyright Message
Copyright © 1982. Used with permission of the Banyan Archive.
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Carnival 1984
produced by Banyan Productions (Trinidad and Tobago: Banyan Archive, 1984), 32 mins
Jouvert bands crossing stage
Penguin (Seadley Joseph) singing WOMAN DOH LIKE SOFT MAN at Dimanche Gras
Phase II playing on stage at Panorama
THE CRUSADES by Mavericks on stage Carnival Tuesday
Scene s from Jourvert as sun comes up
Blue Boy (Austin Lyons) singing at Dimanche Gras singing LUCY
REGATTA by Steph...
Sample
produced by Banyan Productions (Trinidad and Tobago: Banyan Archive, 1984), 32 mins
Description
Jouvert bands crossing stage
Penguin (Seadley Joseph) singing WOMAN DOH LIKE SOFT MAN at Dimanche Gras
Phase II playing on stage at Panorama
THE CRUSADES by Mavericks on stage Carnival Tuesday
Scene s from Jourvert as sun comes up
Blue Boy (Austin Lyons) singing at Dimanche Gras singing LUCY
REGATTA by Stephen Lee Heung on stage
Pandemonium playing on stage at Panorama Blue Boy's
Peter Minshall's CALLALOO begins on stage
Queen of the ban...
Jouvert bands crossing stage
Penguin (Seadley Joseph) singing WOMAN DOH LIKE SOFT MAN at Dimanche Gras
Phase II playing on stage at Panorama
THE CRUSADES by Mavericks on stage Carnival Tuesday
Scene s from Jourvert as sun comes up
Blue Boy (Austin Lyons) singing at Dimanche Gras singing LUCY
REGATTA by Stephen Lee Heung on stage
Pandemonium playing on stage at Panorama Blue Boy's
Peter Minshall's CALLALOO begins on stage
Queen of the bands I HAVE BEEN THE BIRD OF PARADISE (Sherry Ann Coelho) on stage at Dimanche Gras
Other Queens of bands
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Field of Study
World Music
Content Type
Performance
Contributor
Banyan Productions
Date Published / Released
1984
Publisher
Banyan Archive
Topic / Theme
Trinidadians
Copyright Message
Copyright © 1984. Used with permission of the Banyan Archive.
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Carnival 1985
(Trinidad and Tobago: Banyan Archive, 1985), 41 mins
Trintoc invaders playing at Panorama
00:03:56 - Desperadoes playing at Panorama
00:08:00 - Trinidad All Stars playing at Panorama
00:11:38 - Queen of the Band, MOTHER OF CREATION on stage
00:11:57 - ?
00:12:09 - Parang singer Daisy Voisin
00:12:27 - Wings of Peace (Winner) from the band WHAT THE WORLD NEEDS NOW
00...
Sample
(Trinidad and Tobago: Banyan Archive, 1985), 41 mins
Description
Trintoc invaders playing at Panorama
00:03:56 - Desperadoes playing at Panorama
00:08:00 - Trinidad All Stars playing at Panorama
00:11:38 - Queen of the Band, MOTHER OF CREATION on stage
00:11:57 - ?
00:12:09 - Parang singer Daisy Voisin
00:12:27 - Wings of Peace (Winner) from the band WHAT THE WORLD NEEDS NOW
00:12:57 - ?
00:13:22 - ?
00:13:50 - Queen from Neville Aming's SPLENDOUR OF THE UNIVERSE, played by Shirley Aming
00:14:33 - Rainbow Nig...
Trintoc invaders playing at Panorama
00:03:56 - Desperadoes playing at Panorama
00:08:00 - Trinidad All Stars playing at Panorama
00:11:38 - Queen of the Band, MOTHER OF CREATION on stage
00:11:57 - ?
00:12:09 - Parang singer Daisy Voisin
00:12:27 - Wings of Peace (Winner) from the band WHAT THE WORLD NEEDS NOW
00:12:57 - ?
00:13:22 - ?
00:13:50 - Queen from Neville Aming's SPLENDOUR OF THE UNIVERSE, played by Shirley Aming
00:14:33 - Rainbow Nightburst from Glen Carvalho's SOMWHERE OVER THE RAINBOW played by Suen Carvalho
00:15:13 - King of Carnival, Moonlight Phosphorescence, played by Ray Fermin, from Rauol Garib's band, THE GULF OF PARIA designed by Christopher Sant
00:15:55 - ?
00:16:16 - ?
00:16:53 - An Apache dream
00:17:20 - ?
00:17:49 - ?
00:18:28 - ?
00:18:55 - ?
00:19:34 - Calypsonian Black Stalin (Leroy Calliste) singing WAIT DOROTHY WAIT
00:20:08 - Luta (Morel Peters) singing ENGLISH LANGUAGE
00:20:42 - Calypsonian Merchant (Dennis Franklyn Williams) singing PAN IN DANGER accompanied by Len Boogsie Sharpe
00:21:38 - Tent Theatre performing prelude to Peter Minshall's presentation of THE GOLDEN CALABASH
00:24:41 - THE GOLDEN CALABASH Peter Minshall enters the stage
00:33:39 - Raoul Garib's GULF OF PARIA
00:37:17 - Edmond Hart's TIME FOR A TALE
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Field of Study
World Music
Content Type
Performance
Date Published / Released
1985
Publisher
Banyan Archive
Copyright Message
Copyright © 1985. Used with permission of the Banyan Archive.
×
Carnival in Barbados
(Trinidad and Tobago: Banyan Archive, 1989), 16 mins
Kings & Queens of masquerade.
Sample
(Trinidad and Tobago: Banyan Archive, 1989), 16 mins
Description
Kings & Queens of masquerade.
Field of Study
World Music
Content Type
Documentary
Date Published / Released
1989
Publisher
Banyan Archive
Topic / Theme
Traditional
Copyright Message
Copyright © 1989. Used with permission of the Banyan Archive.
×
Carnival King of Europe, Tabom in Bahia
directed by Juan Diego Diaz, fl. 2017 and Nilton Pereira, fl. 2017; produced by Juan Diego Diaz, fl. 2017, Brazil. Embassy (Accra), Tap Portugal and Fiesta Hotels & Resorts, S.L., in Carnival King of Europe (London, England: Royal Anthropological Institute, 2017), 52 mins
There is a small community in Ghana who identify as Brazilians. Their name is the Tabom. They are the descendants of former enslaved Africans and creoles who resettled from Bahia to Ghana during the 19th century, especially after the Malês Revolt in Bahia of 1835. They left Bahia escaping repression, looking for...
Sample
directed by Juan Diego Diaz, fl. 2017 and Nilton Pereira, fl. 2017; produced by Juan Diego Diaz, fl. 2017, Brazil. Embassy (Accra), Tap Portugal and Fiesta Hotels & Resorts, S.L., in Carnival King of Europe (London, England: Royal Anthropological Institute, 2017), 52 mins
Description
There is a small community in Ghana who identify as Brazilians. Their name is the Tabom. They are the descendants of former enslaved Africans and creoles who resettled from Bahia to Ghana during the 19th century, especially after the Malês Revolt in Bahia of 1835. They left Bahia escaping repression, looking for better life opportunities, and in search of their ancestral roots. They were received by the Ga people in British, Danish and Dutch-dom...
There is a small community in Ghana who identify as Brazilians. Their name is the Tabom. They are the descendants of former enslaved Africans and creoles who resettled from Bahia to Ghana during the 19th century, especially after the Malês Revolt in Bahia of 1835. They left Bahia escaping repression, looking for better life opportunities, and in search of their ancestral roots. They were received by the Ga people in British, Danish and Dutch-dominated Accra and gradually integrated to this group and to the larger Ghanaian society. However, despite the fact that they no longer speak Portuguese and that most have never set foot in Brazil, they still cherish Brazil and have never given up their dream to visit Bahia, their ancestral homeland.Master drummer Eric Odwarkei Morton is one of many Tabom who has dreamt all his life about visiting Bahia. He is a sixth generation Tabom and a key member of his community who presides religious and funerary ceremonies through song, drumming, and prayers. Tabom in Bahia documents Eric's journey to Brazil and also his preparation for the trip in Accra. The three-week journey took him to urban and rural locations in Salvador, Cachoeira, Santo Amaro, and Valença. Eric met with capoeira and samba-de-roda masters, Candomblé dancers, musicians, and spiritual leaders, members of carnival associations, music teachers and students, and black activists. He was received with anticipation and treated with utmost respect by an Afro-Bahian community that cherishes their African heritage. During the trip Eric not only discovered capoeira, samba-de-roda, samba-reggae, ijexa, and various Candomblé traditions, but also shared agbe, the musical style that he commands.Ethnomusicologist: Juan Diego Diaz
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Juan Diego Diaz, fl. 2017, Brazil. Embassy (Accra), Tap Portugal, Fiesta Hotels & Resorts, S.L.
Author / Creator
Juan Diego Diaz, fl. 2017, Nilton Pereira, fl. 2017
Date Published / Released
2017
Publisher
Royal Anthropological Institute
Series
Carnival King of Europe
Speaker / Narrator
Juan Diego Diaz, fl. 2017
Topic / Theme
Cultural identity, Drums, Folk music, Samba, Candomblé, Capoeira, African Brazilian, Agudas
Copyright Message
Copyright © 2017 Royal Anthropological Institute
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Carnival Tuesday 1994, Carnival Tuesday 1994 Tape 2 Minshall's ODYSSEY Victoria Square
produced by Banyan Productions, in Carnival Tuesday 1994 (Trinidad and Tobago: Banyan Archive, 1994), 20 mins
Banner waiting to advance.
Peter Minshall's ODYSSEY advances.
Blue and red Devils percussion.
Character painted and with umbrella and the Blue and Red devil band.
Peter Minshall's ODYSSEY advances across stage.
Charlies' Roots truck with Calypsonian David Rudder.
Peter Minshall's ODYSSEY continues across stage.
Ca...
Sample
produced by Banyan Productions, in Carnival Tuesday 1994 (Trinidad and Tobago: Banyan Archive, 1994), 20 mins
Description
Banner waiting to advance.
Peter Minshall's ODYSSEY advances.
Blue and red Devils percussion.
Character painted and with umbrella and the Blue and Red devil band.
Peter Minshall's ODYSSEY advances across stage.
Charlies' Roots truck with Calypsonian David Rudder.
Peter Minshall's ODYSSEY continues across stage.
Calypsonian puppets: Kitchener, David Rudder, Denyse Plummer.
Peter Minshall's ODYSSEY continues across stage.
Date Written / Recorded
1994-02-15
Field of Study
Anthropology
Content Type
Performance
Contributor
Banyan Productions
Date Published / Released
1994
Publisher
Banyan Archive
Series
Carnival Tuesday 1994
Copyright Message
Copyright © 1994. Used with permission of the Banyan Archive.
×
CCA at Little Carib
performed by Corey Wallace, fl. 2000 and Gabrielle Hosein, fl. 2000 (Trinidad and Tobago: Banyan Archive, 2001), 11 mins
Artists exhibit performance work at the Little Carib Theatre.
Sample
performed by Corey Wallace, fl. 2000 and Gabrielle Hosein, fl. 2000 (Trinidad and Tobago: Banyan Archive, 2001), 11 mins
Description
Artists exhibit performance work at the Little Carib Theatre.
Field of Study
World Music
Content Type
Performance
Performer / Ensemble
Corey Wallace, fl. 2000, Gabrielle Hosein, fl. 2000
Author / Creator
Corey Wallace, fl. 2000, Gabrielle Hosein, fl. 2000
Date Published / Released
2001
Publisher
Banyan Archive
Copyright Message
Copyright © 2001. Used with permission of the Banyan Archive.
×
CENTRAL PARK - Anuska and Niasha Layne
performed by Anuska Layne and Niasha Layne (Trinidad and Tobago: Banyan Archive), 4 mins
Anuska and Niasha Layne perform CENTRAL PARK. Location: Voices Plus Studio, Maracas Valley, St. Joseph, Trinidad and Tobago
Sample
performed by Anuska Layne and Niasha Layne (Trinidad and Tobago: Banyan Archive), 4 mins
Description
Anuska and Niasha Layne perform CENTRAL PARK. Location: Voices Plus Studio, Maracas Valley, St. Joseph, Trinidad and Tobago
Field of Study
World Music
Content Type
Performance
Performer / Ensemble
Anuska Layne, Niasha Layne
Author / Creator
Anuska Layne, Niasha Layne
Publisher
Banyan Archive
Copyright Message
Copyright © . Used with permission of the Banyan Archive.
×
Champs in Concert 1988 tape 2
performed by Chris Herbert, 1956- and Cro Cro, fl. 1988, Phase II Pan Groove (Trinidad and Tobago: Banyan Archive, 1988), 17 mins
King of Carnival 198, Sean De Freitas – The Visitor – from Out Of This World by Edmond Hart (Band of the year).. (0:24) Chris Tambu Herbert sings CULTURE.. (2:02) Lancelot Layne and Ko Nimo or Koo Nimo (Daniel Amponsah) look on and talking to each other.. (5:14) Chris Tambu Herbert sings THIS PARTY IS IT.. (9:...
Sample
performed by Chris Herbert, 1956- and Cro Cro, fl. 1988, Phase II Pan Groove (Trinidad and Tobago: Banyan Archive, 1988), 17 mins
Description
King of Carnival 198, Sean De Freitas – The Visitor – from Out Of This World by Edmond Hart (Band of the year).. (0:24) Chris Tambu Herbert sings CULTURE.. (2:02) Lancelot Layne and Ko Nimo or Koo Nimo (Daniel Amponsah) look on and talking to each other.. (5:14) Chris Tambu Herbert sings THIS PARTY IS IT.. (9:00) Cro Cro (Westin Rawlings) sings THREE BO RATS - extract.. (10:33) Cro Cro (Westin Rawlings) sings COMMON ENTRANCE.. (13:37) Allison...
King of Carnival 198, Sean De Freitas – The Visitor – from Out Of This World by Edmond Hart (Band of the year).. (0:24) Chris Tambu Herbert sings CULTURE.. (2:02) Lancelot Layne and Ko Nimo or Koo Nimo (Daniel Amponsah) look on and talking to each other.. (5:14) Chris Tambu Herbert sings THIS PARTY IS IT.. (9:00) Cro Cro (Westin Rawlings) sings THREE BO RATS - extract.. (10:33) Cro Cro (Westin Rawlings) sings COMMON ENTRANCE.. (13:37) Allison Seepaul presents Len Boogsie Sharpe with plaque for winning Panorama.. (13:55) Lancelot Layne and Ko Nimo or Koo Nimo (Daniel Amponsah) listening to Phase II Pan Groove playing WOMAN IS BOSS.
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Date Written / Recorded
1988-02-20
Field of Study
World Music
Content Type
Performance
Performer / Ensemble
Phase II Pan Groove, Chris Herbert, 1956-, Cro Cro, fl. 1988
Contributor
Len Sharpe, 1953-, Koo Nimo, 1934-, Lancelot Layne
Author / Creator
Phase II Pan Groove, Chris Herbert, 1956-, Cro Cro, fl. 1988
Date Published / Released
1988
Publisher
Banyan Archive
Copyright Message
Copyright © 1988. Used with permission of the Banyan Archive.
×
El Charanguero
directed by Jeffrey Briggs, fl. 1994; produced by Jeffrey Briggs, fl. 1994 and Simona Briggs, fl. 1984, Simona Productions (Montpelier, VT: Multicultural Media, 1994), 56 mins
An intimate portrait of Jaime Torres, the world's foremost performer on the charango, a small stringed instrument created by the Andean Indians of South America. This is a rare inside view of the traditional music and rituals (including a ritual to Pachamama, Mother Earth) of the Indians of the Quebrada, a mountai...
Sample
directed by Jeffrey Briggs, fl. 1994; produced by Jeffrey Briggs, fl. 1994 and Simona Briggs, fl. 1984, Simona Productions (Montpelier, VT: Multicultural Media, 1994), 56 mins
Description
An intimate portrait of Jaime Torres, the world's foremost performer on the charango, a small stringed instrument created by the Andean Indians of South America. This is a rare inside view of the traditional music and rituals (including a ritual to Pachamama, Mother Earth) of the Indians of the Quebrada, a mountainous region of northern Argentina that was the southernmost part of the Inca empire. The film also contains dramatic concert footage, J...
An intimate portrait of Jaime Torres, the world's foremost performer on the charango, a small stringed instrument created by the Andean Indians of South America. This is a rare inside view of the traditional music and rituals (including a ritual to Pachamama, Mother Earth) of the Indians of the Quebrada, a mountainous region of northern Argentina that was the southernmost part of the Inca empire. The film also contains dramatic concert footage, Jaime's band in practice, scenes from a Bolivian neighborhood in Buenos Aires, the dancing of a chacarera, as well as Jaime talking about his music, his culture and his life.
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Field of Study
World Music
Content Type
Documentary
Contributor
Jeffrey Briggs, fl. 1994, Simona Briggs, fl. 1984, Simona Productions
Author / Creator
Jeffrey Briggs, fl. 1994
Date Published / Released
1994
Publisher
Multicultural Media
Speaker / Narrator
Jeffrey Briggs, fl. 1994
Person Discussed
Jaime Torres, 1938-
Topic / Theme
Argentines
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