Browse Titles - 910 results
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Bhavan-Rag Sindhi Jog-Rag Suhab-Rajasthan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:164:84 (New Delhi, Delhi State) , 11 mins, 1 page(s)
Bhavan of Rana Pratap of Jaisalmer, sung in Rag Sindhi Jog and Rag Suhab. Male vocal lead starts singing with Duhas, the Dholak played in the background occasionally. This is followed by recitation of the lyrics of the song
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:164:84 (New Delhi, Delhi State) , 11 mins, 1 page(s)
Description
Bhavan of Rana Pratap of Jaisalmer, sung in Rag Sindhi Jog and Rag Suhab. Male vocal lead starts singing with Duhas, the Dholak played in the background occasionally. This is followed by recitation of the lyrics of the song
Date Written / Recorded
1978
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Topic / Theme
Indians (Asian)
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Bhavan-Rana Khan-Rag Sorath-Manganiar-Rajasthan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:152:84 (New Delhi, Delhi State) , 7 mins
Bhavan of Raja Man Singh, sung in Rag sorath. It starts with a discussion on Rag and time relationship followed by Duha and the Bhavan
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:152:84 (New Delhi, Delhi State) , 7 mins
Description
Bhavan of Raja Man Singh, sung in Rag sorath. It starts with a discussion on Rag and time relationship followed by Duha and the Bhavan
Date Written / Recorded
1978
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Topic / Theme
Indians (Asian)
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Bihu
(ARCE), 16 mins
Bihu is a popular community festival of Assam. There are three types of Bihu - Bohag or Rongali Bihu, Kati or Kangali Bihu, and Magh or Bhogali Bihu. The Bohag marks the advent of the seed time, the Kati marks the completion of sowing, and Magh marks the gathering of harvest. Of these three, the Bohag Bihu, whi...
Sample
(ARCE), 16 mins
Description
Bihu is a popular community festival of Assam. There are three types of Bihu - Bohag or Rongali Bihu, Kati or Kangali Bihu, and Magh or Bhogali Bihu. The Bohag marks the advent of the seed time, the Kati marks the completion of sowing, and Magh marks the gathering of harvest. Of these three, the Bohag Bihu, which is the spring festival representing youth and fertility, is the most prominent. The Bihu songs and dances are an integral part of t...
Bihu is a popular community festival of Assam. There are three types of Bihu - Bohag or Rongali Bihu, Kati or Kangali Bihu, and Magh or Bhogali Bihu. The Bohag marks the advent of the seed time, the Kati marks the completion of sowing, and Magh marks the gathering of harvest. Of these three, the Bohag Bihu, which is the spring festival representing youth and fertility, is the most prominent. The Bihu songs and dances are an integral part of the Bohag Bihu festival. The songs are antiphonal in character and the lyrics are romantic in nature.
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Field of Study
World Music
Content Type
Music recording
Publisher
ARCE
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Bin tuning-Gorakhnathi Jogi-Delhi
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N73. Three-week fieldtrip to India. Recordings made on Nagra IV (full track) recorder (9 tapes, miscellaneous content), photographs on Leica M3. Diary, no datasheets., 1:094:84 (New Delhi, Delhi State) , 19 secs
Tuning of the instrument Bin.It has several (usually two) Clarinet tubes enclosed in a gourd. The performer was opening the holes of the Bin for tuning and also explained and demonstrated it.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N73. Three-week fieldtrip to India. Recordings made on Nagra IV (full track) recorder (9 tapes, miscellaneous content), photographs on Leica M3. Diary, no datasheets., 1:094:84 (New Delhi, Delhi State) , 19 secs
Description
Tuning of the instrument Bin.It has several (usually two) Clarinet tubes enclosed in a gourd. The performer was opening the holes of the Bin for tuning and also explained and demonstrated it.
Date Written / Recorded
1973
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Topic / Theme
Indians (Asian)
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Bin tuning-Gorakhnathi Jogi-Delhi
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N73. Three-week fieldtrip to India. Recordings made on Nagra IV (full track) recorder (9 tapes, miscellaneous content), photographs on Leica M3. Diary, no datasheets., 1:094:84 (New Delhi, Delhi State) , 1 min
Tuning of the instrument Bin. The performer was adjusting the long metal tube to get the right pitch. Bin has several (usually two) clarinet tubes enclosed in a gourd.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N73. Three-week fieldtrip to India. Recordings made on Nagra IV (full track) recorder (9 tapes, miscellaneous content), photographs on Leica M3. Diary, no datasheets., 1:094:84 (New Delhi, Delhi State) , 1 min
Description
Tuning of the instrument Bin. The performer was adjusting the long metal tube to get the right pitch. Bin has several (usually two) clarinet tubes enclosed in a gourd.
Date Written / Recorded
1973
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Topic / Theme
Indians (Asian)
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Birha song on Sita
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N63. Fieldtrip to survey varieties of Indian music in 1963-1964., 1:31:84 (New Delhi, Delhi State) , 5 mins
Birha: Traditional Ahir community song about the wedding of Ram Sita
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N63. Fieldtrip to survey varieties of Indian music in 1963-1964., 1:31:84 (New Delhi, Delhi State) , 5 mins
Description
Birha: Traditional Ahir community song about the wedding of Ram Sita
Date Written / Recorded
1964
Field of Study
Anthropology
Content Type
Field recording (raw)
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright Amy Catlin-Jairazbhoy.
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Biti - Akbar Khan Manganiar - Rajasthan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:174:84 (New Delhi, Delhi State) , 4 mins
A song 'Biti' sung by the group of Akbar Khan Manganiar with Dholak, Harmonium, Sarangi and Khartal accompaniment. Biti means a ring in Rajasthani. The artists are from Sanawada, Jaisalmer.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-2.N78-B. Five-week fieldtrip to India (Delhi, Rajasthan) to continue research on kathputli puppetry, Rajasthani performing groups and to attend the meetings of the International Congress of Anthropological and Ethnological Sciences in New Delhi. Audio recordings made on Nakamichi 550 and Soni TC 150. Photographs on Minolta XD 11. 15 cassettes., 1:174:84 (New Delhi, Delhi State) , 4 mins
Description
A song 'Biti' sung by the group of Akbar Khan Manganiar with Dholak, Harmonium, Sarangi and Khartal accompaniment. Biti means a ring in Rajasthani. The artists are from Sanawada, Jaisalmer.
Date Written / Recorded
1978
Field of Study
World Music
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009, Amy Catlin, fl. 1982-2017
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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Biyavalo by Madhu Natisar Nath
(ARCE, 1987), 36 mins
Madhu Natisar Nath is the main singer. He plays the sarangi at the same time, using a jerky bowing technique to accentuate the rhythmic aspects of the song. His son Shivji Nath provides vocal accompaniment.
Sample
(ARCE, 1987), 36 mins
Description
Madhu Natisar Nath is the main singer. He plays the sarangi at the same time, using a jerky bowing technique to accentuate the rhythmic aspects of the song. His son Shivji Nath provides vocal accompaniment.
Field of Study
World Music
Content Type
Music recording
Date Published / Released
1987
Publisher
ARCE
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Bombay Dub Orchestra - The New York Remixes
performed by Bombay Dub Orchestra (Six Degrees Records, 2012), 53 mins, 9 page(s)
Sample
performed by Bombay Dub Orchestra (Six Degrees Records, 2012), 53 mins, 9 page(s)
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Bombay Dub Orchestra
Author / Creator
Bombay Dub Orchestra
Date Published / Released
2012
Publisher
Six Degrees Records
Copyright Message
Copyright 2012 by Six Degrees Records
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Bondhai-Mimicry-Bhand-Manganiar-Rajasthan
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:159:84 (New Delhi, Delhi State) , 14 mins
Manganiar musicians sing a set of 12 songs, mimicrying various sounds. Songs are sung with the Kamaicha and Khartal accompaniments.
Sample
of Archives and Research Center for Ethnomusicology. American Institute of Indian Studies, in Nazir Ali Jairazbhoy Collection, N78-1.N78-A. Eleven-week fieldtrip, eight weeks in India (Rajasthan) and three weeks in Pakistan (Sind)., 1:159:84 (New Delhi, Delhi State) , 14 mins
Description
Manganiar musicians sing a set of 12 songs, mimicrying various sounds. Songs are sung with the Kamaicha and Khartal accompaniments.
Date Written / Recorded
1978
Field of Study
Anthropology
Content Type
Music recording
Contributor
Nazir Ali Jairazbhoy, 1927-2009
Author / Creator
Nazir Ali Jairazbhoy, 1927-2009
Topic / Theme
Indians (Asian)
Copyright Message
Material sourced from the Nazir Ali Jairazbhoy and Amy Catlin-Jairazbhoy Collection, Archive and Research Center for Ethnomusicology. Copyright © Amy Catlin-Jairazbhoy.
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